Techno News

Another DJ Spider release here, with 4 strong Deep House tracks that drip with originality. Deep, raw & dirty with a no holds barred sound that hits you where it hurts!

Inkblots #3 White vinyls with Rorschach test black inks in order to stimulate your visual and sonorous consciousness. Inkblots third installment represents the large scale press of the very first 50- copies edition featuring tracks by label head Haiku and american veteran Mike Parker, plus a cover artwork drawn by Parker. Compared to the limited edition, Inkblots #3 differentiates for letting Parker's creation appear on the B-Side of the vinyl. The white records are still offered into white opaque PVC jacket.

200 copies LIMITED

New vinyl release in Diffuse Reality Records.
This time Squaric presents Membresi ekl & For varden pikre.
Also included remixes of Drvg Cvltvre, Max Durante, Martyn Hare,
Rennie Foster, Ken Karter, Chris Moss Acid.

Boogie Box, a bi-monthly party in the Middle East, launches its record label with an LP by STL aka Stephan Laubner.

With tracks and releases on Smallville, Phonica, Echochord and his own label Something Records, STL has crafted an unmistakeable sound that he has become so well known for, Deep and Dubby House and Techno.

The a-side opens up with Hide & Seek, a 10-minute story filled with dub delays, weird soundscapes, and eerie pads, backed up by STL's signature drums. If you are into Andy Stott, Deepchord and Rhythm & Sound, then this if for you. Perfect warm up material.

On the flip-side is Haze & Kraze. Another long player by STL. This time, there is more drive to it. Leaning towards the darker side, the track is driven by Stephan's loose drums' programming, and muffled bassline, keeping the track moving and ever-changing. Something for your after-after-hour sets perhaps


Support from: Appleblim, Endian, Cain, Fold, Itinerant Dub and Juniper.

Inmaculate trippin' techno

From 90's to now, electronic music at his largest point. Some dark sounds between techno, acid, electro and noise. Apocalyptic music of future, from England to New-York,with a track from 90's producer, Jason Szostek.

DSC welcomes back Boris Bunnik, this time under his Conforce moniker. Two contrasting tracks are the offering. Heavy thump introduces Kernal of Truth. Angular melodies are painted on glass as a complex composition unfurls under the strain of galvanized percussion. The aquatic "Oasis" occupies the flip. Notes gentle lap a shoreline of burbling bass and distant percussion. Echoes are submerged, folded in on themselves, as absorbing ambience envelops. Two wonderfully different sides to the Conforce sound.

The album 'A Little Comedy, A Little Drama' by Dusty Baron is the result of collaboration of Moldavian fellows Eugen Kara, Ivan Slivka and Dima Scripnic.This collaboration has been lasting in the course of 2016, with miscellaneous recordings at home studios, including Moldavian Radio and Television Studio.
Inspired by French and Italian psychedelic electronic music of 60s and 70s, cartoons and the comedian genre of absurd, the trio tried to incarnate their vision of the Space into a LP comprising 13 tracks. Vintage synthesiser lines and classic drum machines create a hugely entertaining blend intoxicated with universal love. Now and then you trace the combinations of techno rhythms rushing into the futuristic vertical, and sometimes the sound transforms into a blend of absolute and exotically influenced reverie.

welcome to the latest release of dj emersons micro.fon imprint.thomas hoffknecht first caught our attention with his thope tracks. meanwhile he became hamburgs fastest rising name in techno.147 is a heavy 4 to the floor track with some tension building little breaks in-between, continuously building until everything climaxes into a powerfull chord riff.146 displays heavy & intense drums & beats with the chords on top delievering the final punch.in on remix duties we have bavarian powerhorse alex bau his remix is playing around with the jittering synth sounds of the original. stripped beats, rattling hi hats and a tension building breakdown do the trick here. original versions of 141 comes in form of the most gentle track of the ep. it displays a shuffled beat and twinkling synths creating a simple groove that is topped by hard hitting claps. overall 14X ep is an impressing example of thomas ear for great techno grooves..

Double 12" on PRSPCT Recordings by Detest

* Blackwater Label strikes back with a special limited edition for Christmas.
We proudly present the first single side EP in house, proudly curated by relevant name Eduardo De La Calle and Mtheorem, a very talented produced already seen on Kapvt Mvndi Records from Blackwater Label Divisions.

* A two tool bomb tracks EP with touch and velvet approach, obviously related to the knowledge and experience of Eduardo De La Calle but probably the featuring of Mtheorem gave a particular extravagance taste to the release.

* "Andes Echoes" is a proper techno tool track with psychedelic and trippy atmospheres all around. Pure music.

* "Kalpabriksha" is a more aggressive techno track with some modern influences and a super hypnotic lead.

First installment of the Orbitr Vinyl Series. Vinyl Only.

With steady basslines, vocal hooks and wiggly acid overtones, all four tracks have to be described as floor-fillers that more than capably stand up to home listening.

Swimming In Light is a gripping durational study in perpetual tension and release by a gifted double bass soloist, Mike Majkowski, for the ever-curious ntr'acte label.
It's the Australian composer's 6th solo album since his debut, Ink On Paper (2008) and possibly the strongest demonstration of his innovative extended technique, deployed in two subtly contrasting yet equally hypnotic sides.
Using rapid bowing technique to paradoxically generate ostensibly static, sine wave-like tones, coupled with analogue synth, vibes, piano, percussion and field recordings, Majowski explores the perceptions of 'stillness' and 'movement' which give dynamic form to the content of musical composition.
Effectively, the Berlin-based artist makes his main instrument sound electronic, yet due to the acoustic harmonic richness it's capable of, the results render a much lusher, immersive, and subtly chaotic spectrum of spectral sonics than one might typically expect from purely electronic sources.
In multiple parts, the shimmering swell of Radio Weather Vending Machine offers a cyclical resolution of hi-speed ostinato gesture, the sound of the gesture, and the overtones which exist independent of that gesture; in effect creating a sort of Nth variable which he attempts to isolate and intensify over the course of the piece, conjuring a clammy, paranoid atmosphere recalling Harley Gaber's Winds Rise In The North in the process.
However, the B-side, Structure and Posture appears to operate on the flipside of that wave, dissipating the tension into slow, swooning contours giving rise to a glowing aurora of consonant overtones, which, once you've settled into their shadows, begin to deeply recall the doom jazz introspection of Bohren Und Der Club of Gore or the exquisiteness of Elodie stretched into the horizon.

From the passion for techno grown up during years,overdraw want to exagerate,proposing hard,dark and acid sounds,coming back to past without no forgetting present and future

finally repressed!!!

finally repressed !!

Scrape starts with a slow minimalistic acid bomb tones aimed to burn the dancefloor. Side B continues with Meltdown, a dub track where the chords slowly progress to their peaks, underlined by a heavy kickdrum. The E.P. finishes with Flotation, keeping its core minimalistic concept, full of sub bass and high treble, reminiscing of early Hood or Mills.

Early support from ROD, Myk Derill, Markus Suckut, Thomas Hessler, Rafaelle Atanasio, Brendon Moeller, Ben Klock, Arnaud le Texier, Percyl, Jeroen Search, Nina Kraviz, Ozka, Terrence Dixon, Rolando, Jeoren Search...

Markus Suckut - such an amazing follow up to the first one! which blew Berghain into pieces last sunday btw :)
Mattias Fridell - As always good tracks. Will definitely play.
Thomas Hessler - Gonna drop the Scrape track for sure
Raffaele Attanasio - Scrape: amazing track!
Session Restore - Very good tracks! Scrape & Meltdown are our fav's!
Brendon Moeller - In my record bag!
Ben Klock - Some new inspiring tracks! Nice one!
Kereni - I'm really digging Scrape but my favourite is Flotation, real gem of a tune
Antonio de Angelis - I love all 3 track i will play all of them
Lee Holman - Scrape is the one for me! Support!
Arnaud le Texier - Nice one!
Percyl - We love Scrape
Samuli Kemppi - Really like this! Scrape is a killer!
Jeroen Search - Will find its way in my sets for sure!!
Darko Esser - Good tuneage again mate
Rolando - Really liking this - Meltdown is my favourite!
ROD - I love the Scrape EP!! will def play
Dave Miller - I like them all three
Terrence Dixon - Nice one Bro!
Ozka - I love Meltdown
Ben Gibson - I'm really feeling Flotation and Scrape - really pure...

Tearing New L.I.E.S. Full info soon.

On this new record hailing from Aarhus, Central delivers a more or less floor friendly collection of works. With his curious and unorthodox approach to dance music, this EP offers 4 very different pieces of music. The opening track Fresh Context a vivid yet robust house jam is followed by the spontaneous and unpolished Gentle Vertigo. B side starts off with Fell, a moody and eerie spin in experimento land. The final track Kessem is a melodic and punchy cut. Central delivered releases on Nord Records and Yield earlier this year, revealing respectively a darker techno game and a loose house vibe. To those who arent familiar with Help Recordings, Central s widespread sound offers a premium introduction to the labels output. Playful yet serious.

(Part 1 of 2) The third release for NON series in 2015, are the Backward Loops Part I &II spread over two separate 12" singles from Italian producer Chevel (Stroboscopic Artefacts / Enklav)

Detroit powerhouse DJ Stingray drops his latest EP on OTT label of the year 'Unknown To The Unknown'. With support in the bag from techno conquerors Lory D, Antony Shake Shakir , David Vunk & DJ Glow to rising knights Falty DL, Egyptrixx & 5kinadnbone5

Well, what about Tuesday Israeli hybrid house and techno masters Juju & Jordash return to Dekmantel Records with yet another outstanding release. Their relentless work ethos makes you wonder if these guys sleep at all. Maybe that's what Tuesdays are for DKMNTL 043 is a three-tracker and a fine display of Gal Aner's and Jordan Czamanski's next-level, improv based way of painting records. 'Monday Mellow' is a dubbed out, twisted and subtly emerging house groover, while 'Wednesday Something' continues the journey with a dense electronic jazz-tinged stomper. 'Thursday, Heavy.' demonstrates their full range, combining eerie melodic synth excursions with a jagged bassline - an out of this world, destructive yet classy house bomb. As always their intergalactic excursions are superbly executed. Let's give them some rest on those Tuesdays.

repressed !

Making things work can be simple. On Instantaneously' Keith Carnal knows how to deal with it.
He just picks a few basics, combining them with a remarkable hook and escalates it to the top.
Like these melodies you still have in mind when you're on the way home from an epic club night...
Subjected adds his unique note to this EP with an awesome, darker remix!

From Germany with love! Leary, presents the second vinyl's release signed with Wout Records.From South Germany, among analog synthesizers and drum machines, Leary give life to the concept of: URAN LP. A Record set very strong and compact, full of fascinating analog sounds, which blend power with depth and intensity. Uran, Bund and Bar are the tracks featured in this latest product, Bar is followed to a Remix composed by Dinkis.

At a time when the weekly flow of new albums, EPs and mixtapes come to exceed the number of e-mails that pile up in our inbox, the dazzle in Lokom's new double single is like the long anticipated rainfall season in a tropical country: nothing protrudes yet everything is present.
Totally melodic and surprisingly quiet despite its fabulous rhythmic complexity, Good News From Mars soothes like a perfect conversation in a sea of things left unsaid. At the same time dry, blazing and melancholic, Blurred Vision recalls the Brooklyn duo Team Shadetek in their early 2000 years, when the two were still hesitating between ambient warpish glitch and grime jolts. When combined, both tracks offer a vision inspired by the union in 2014 of electronica and experimental dance : an infinity of possibilities where hope still exists. Included Download card Inside

Growing more deeply into RAAR's punk ethos, Maelstrom and Louisahhh's tracks on the label's fourth release are as much about process as end product. Several days of one-room, one-take live sessions involving guitar feedback, machine cacophony and endless growling and shouting resulted in 'Hurry' and 'Listen'. these song were molded into work that is at once unconventional and club-ready with much effort in preserving the feral qualities of the original material.

SNTS Records has released 6 EPs arranged as parts of two trilogies, Chapters and Scenes, and SNTS's debut album proper, The Rustling Of The Leaves. A couple other artists have also contributed remixes, with Shifted appearing on Scene III and Polar Inertia set to surface again on the album. Next, SNTS Records will expand its reach with solo Positive Centre, who has released on Our Circula Sound and Stroboscopic Artefacts.This EP, with the intriguing title of Vorticist, shows the artist's most visceral and raw side.

Third instalment of the Unknown Entity series, this EP delivers four tracks of science fiction and horror soundtrack inspired Techno. The A side is dominated by two floor ready cuts, lurching thumper FEART and a devastatingly broken remix by Serbian producer Scalameriya. Side B trips into leftfield territory with sleep deprived creeper Peripheral Visions. The Serbian connection continues with LAG delivering an offkilter franticly driving reworking of the original.

Support From ORDE MEIKLE // RIVET // MIKE DARKFLOOR // NORMAN NODGE // SCALAMERIYA // LAG // MARTYN HARE // SURIT (NX1) James Ruskin // Sev Dah // Takaaki Itoh // Par Grindvik // Kwartz // Markus Sukut Laurent Garnier // Roman Rubique // HD Substance // Nihad Tule // Xhei // Patrick Seich Ryuji Takeuchi // Sandrien // P.E.A.R.L. // Joton // TWR72 // Ctrls // Truss // Dave Tarrida Patrick DSP // Patrick Walker // INGEN // Clouds // Substance (Dj Pete) // Perc // Zenker Brothers // Forward Strategy Group // Bleaching agent // ROD

Myoho label is proud to present our first release with Bisecco Italian brothers featuring cover art by Ambra.
This EP presents the first collaboration from Zavor & Third Child who have divided their tracks between side a and side b, offering us a spectrum of sound allowing us to tap in both mentally and physically.

Myoho is a project that involves artists sharing the same philosophy of refinement.
It is the brainchild of Gianluca Casnici and it orbits around music printed on limited hand-numbered vinyl, with the exception of the experimental idm music series on digital media.
Each release is a multi layered creative process where music production interacts with photography, graphics, paintings and much more.

Pinkman stoke the furnaces of despair, fuelling them with Black Merlin. Conveyor belts grunt out resentment, cold chords curl, synthlines sneer and pallid percussion punctuates. Noise echoes above, hammered clanks exploding into shards. Below the work continues, sweat smeared stains and hissing airless gasps. In the end, all is swallowed; gulped into the gaping assembly line.

Fjaak's path led them from the periphery to the centre and from there further through the world. Their self titled debut album for Monkeytown is as much of a summary of what had happened in the previous three years as it is an artistic statement. "FJAAK" combines the energetic peak-time sound of the Berlin-based trio's acclaimed Techno singles like 'Unten / Oben' with sophisticated breakbeat arrangements and atmospherically dense Ambient textures. These eleven tracks are the provisional highlight in a unique success story which started aside club culture's conventions and to this day refuses to compromise.

Felix Wagner, Aaron Röbig and Kevin Kozicki were still teenagers when they developed a distinct sound which positioned itself outside beaten paths, both geographically and musically speaking. The trio cut their teeth in Berlin-Spandau's open-air scene and celebrated their frst success in the city's center shortly thereafter before taking the Techno world by storm with their elaborate analogue sound. Having released a few records, they found a permanent home on Modeselektor's Monkeytown in 2014 while incessantly traveling the world.

"FJAAK" draws its overwhelming power from Fjaak's signature hands-on mentality and radiates the explosive charm of their live sets. Earlier this year, Fjaak let FACTmag into their Berlin studio for an Against The Clock feature, the result of which - an anthemic Techno jam - showcases the trio's spontaneous working process. 'Against The Clock' sounds rough and unpolished, just like it's supposed to be: Fjaak capture their jam sessions' energy on "FJAAK". Apart from the previously released tracks to be found on the single 'Wolves / Pray For Berlin', the album also features a reworked version of the Fjaak classic 'Gewerbe 15'.
However, "FJAAK" is far more than a document of Fjaak's studio virtuosity. On it, Kozicki, Röbig und Wagner channel the diverse infuences that have informed their unique sound from the very beginning. On 'Sixteen Levels', you can hear their love for UK Bass sound while 'Snow' and the vivid collaborations with Rødhåd or Modeselektor highlight a more placid side of Fjaak. Whether it's peak-time Techno or the cowbell-heavy breakbeats of 'Fast Food': "FJAAK" seamlessly blends the musical tensions between subtle textures, raw kicks and smart arrangements. Here and there, there are references to a specifc 90s sound. However, "FJAAK" is first and foremost dedicated to a new musical future.

Following his recent outing as one half of Dot Product and a number of well-received EPs on Luke Slater's Mote Evolver label, Chris Jarman returns in his Kamikaze Space Programme guise for a new EP on Osiris Music uk. Opener Clickersintroduces a loop that permeates the entire track — an exercise in meditative repetition,KSP-style — followed by the sci-fi bleeps and sub-bass thuds of Pax. On the other side, Thalamic Transplant heads straight for the floor with more repetition: this time the alarm-like glitches ofw a malfunctioning spaceship. The EP closes with a version of'Clickers' reworked by label boss Mønic, complete with half-time cavernous kicks and cosmos-sized reverbs.

Where To Now Records are proud to present the debut 12' from Dublin based Melly. On 'Flying Ducks' Melly gives us four varied cuts that showcase his unique and unrestricted style of body music beautifully.

On 'Skip Fire' Melly takes sinister raves sounds and fires them across a core of ever intensifying percussion. The drums, with their apparent simplicity and almost swaggering or brutishly insistent presence, become a powerful statement. When placed amid elements more readily associated with techno / hardcore we are invited to enjoy a, perhaps, more rudimentary sounding form of rhythmic embellishment, but one that becomes just as deep, complex and intrinsic to the composition's power. The roaring percussion morphs into a sustained and highly pressured pulse ... The sirens sound, bodies assemble, the firing range begins, melee ensues.

The title track 'Flying Ducks' comes across like a reflection on an attempted aura of organisation and calm amid a scene of chaos. Much like the assumed title association of the duck presumably struggling in flight, v-shaped and temporarily structured, battling against the tumultuousness force of nature... perhaps. The beat threading it's way through the track guides us through a seemingly spontaneous and ever present soundscape that calls to mind the crepuscular canopy of an imagined digital rainforest with all its strange interjections and growing chorus of unique voices. Throughout this track, and the whole record infact, Melly's sound takes on an almost Post-Punk/Minimal wave edge that also completely embraces the level of experimentation and universal musical influence associated with that era.

On hand to assist in remixing 'Skip Fire' into a ferocious dancefloor destroyer is friend and fellow Dubliner Lumigraph (Mister Saturday Night, Opal Tapes, Major Problems), moulding the roaring percussion into a complete blaze of fury, demolishing everything it touches whilst still holding close a deep low end groove. A woozy synth line eases the pressure at times, but after every break the fire returns with further intensity and rage.

Melly rounds things off with 'Windproof'. The strutting pulse returns but this time concerns are certainly centred more on experiments in bass and timbre rather than an all out exploratory descent into controlled chaos. Coming across like a lost On-U-Sound cut, 'Windproof' allows itself the space to explore dubbed out ghostly sonars, radiophonic transmissions, and haunted rewinds.

Morphosis' epic remix is more spaced and spooked than the original — the dread in check — but still body-rocking and stepping out of its silences. B-boy rimshots, a rough snare, a thumping kick-drum and spare bass are layered with emotive synths and brilliant effects, as Shackleton's dream liturgy unfolds in its full, twisted glory — an eerie, garbled sublimity, like a kind of black-magic plainsong. Magnificent work by Rabih Beaini.

Roberto Capuano releases his first single on Truesoul with two exceptional tracks that show a tech-ier side to Roberto's sound and one that impresses throughout.

The title track 'Never Stop' has been a highlight in Adam Beyer's sets and its easy to understand why.

The creeping vocal and driving drums are an inaugural part of the track before the uniquely pleasing pads drop in and create a gripping and immersive track to get lost in. 'Around' is a tech-ier track that implements a throbbing underlying bass line that sits and keeps the track driving under a roaring vocal.

After emerging from years of seclusion below the Chicago underground last year, Marquis Cooper aka Svengalisghost, returns with all new material recorded this winter somewhere between the woods of North Carolina and the streets of NYC. An advocate in creating what he calls the "Anti-Beat", Cooper takes what he's learned from the traditional machine experimentation of the early pioneers, reconstructs and retransmits the sounds which lie somewhere in the realm of unhinged synth punk or industrial forward-thinking beat electronics. These tracks are truly the essence of HOUSE, and a vicious circle it is.

Madrid's Analogical Force reaches number five and are proud to present the V/A series called Voiceless. X is the first chapter of 'X, Y, Z' and features exclusive and unreleased tracks from the usual talents involved with AF as Reid Dunn (Dwaallicht / WISP) and Reimer Eising (Kettel), next to new additions likes Stian Gjevik's stunning EOD, London based James Shinra and the young underground Malta's producer Microlith. The overall sound can be described as timeless uncompromising electronics, acid braindance at its finest, an exquisite piece of intrincate electronica...blah blah blah... we prefer to call it: the guiding light. No further words are needed. Just enjoy as always, made with love from our brain to yours. Limited and handnumbered.

Limited pressing on green marbled vinyl including remixes by Reggy Van Oers and VSK.

The first EP from Abdulla Rashim on his Northern Electronics in almost three years is leaning towards a new territory for him. Taking his explorative rhythms into a more old school tradition bears a fruitful combination, as Of Water and The Spirit transforms and a high pitched drilling groove takes the tracks in control. Signalists flavour!

Daze Maxim features on the second release on Portugal-based, Assemble Music. More info soon!

EMEX is the emergent techno act of George Apergis and Alex Retsis, powered by KORG Synthesizers. Inspired by mathematics and digital electronics, already supported by Marcel Dettmann, Truncate, Drumcell, Jonas Kopp, Bas Mooy, Pfirter, Lag and many others. Their debut EP is a conceptual fusion of dancefloor techno with atmospheric overtones, first track 00110001 is a minimal opener with pounding chords and Detroit style influences, second track 00110010 progresses into darker territories while the fundamental grooves become infused with moody flavors and third track 00110011 transpires from harder realms, concluding the release with its almost acidic basslines and trippy arpeggios.
Early Support by Marcel Dettmann, Drumcell, Truncate, Jonas Kopp, Bas Mooy, Pfirter, Lag, Dave Tarrida, Alex Bau, Alexander Kowalski, Developer, Slam, Mark Broom, 2000 And One, Mikael Jonasson, Damon Wild, I/Y, Submerge, Lee Holman, Arnaud Le Texier, Antonio De Angelis, Ray Kajioka, Liss C., Maceo Plex, Gel Abril, Paul Mac, Joseph Capriati, Sasha Carassi, Pierre Deutschmann, Carlio Lio, Marco Bailey, Axel Karakasis, Stanny Franssen, Sender Berlin, Angel Molina, Xpansul, Krenzlin, Noah Pred, Matt Cooper, Plural, Will Kinsella, Patrik Carrera, Barker, Enrico Sangiuliano, Matrixxman, Gotshell, Signal Deluxe and many more

The Teknoist and Hellfish... A banging dancefloor realese. Hardcore/ Frenchcore and Breaku UK Hardcore style... Crossroad killer !

Herva, of Delsin, Kontra, MOS and All City fame, offers another set of forward-thinking dancefloor bombs. Across four tracks this young Italian demonstrates his unique interpretation of the past and the future again and again.

Herva is the artist name of Herve Atsè Corti. He was born in 1991, and has been surrounded by music from the beginning thanks to his family. He made a reputation for himself early on at high school as a talented drummer, but, intrigued by electronic music he decided to start making his own beats with a laptop. A few years later Bosconi Records released his early productions, both as Herva both and as Life's Track (a side project with Dukwa). He is also part of Tru West, a collective he founded with Mass Prod, Rufus and Raffaele Amenta.

dedicated to promote young and evolving artists and to present musical diamonds in the rough, raster-noton is curating the unun series which name refers to the chemical elements 111-119. »unalloyed, unlicensed, all night!« is jesse osborne-lanthier's first release on raster-noton, and the ninth and final release of this series.jesse osborne-lanthier is a berlin / montreal based, canadian electronic music producer and multidisciplinary artist. his erratic research process incorporates the urgency of dance music and conceptual electronics by disassembling their grammar and acting through it. refusing to follow the etiquette of a particular musical genre, he explores many creative practices in order to generate clashes of mood, expectation and technique.
»unalloyed, unlicensed, all night!« was recorded by osborne-lanthier a mere two hours before a live set in paris. its specific purpose was to generate a response from the audience, to stimulate their bodies through sound. the toolbox for this task was stocked with automatic call-and-response music tropes drawn from EDM, big-room house, trance, and online production tutorials. between the producer's idiosyncratic by-the-numbers process and the rushed nature of the composition, the final product is rendered unpredictable; each signifier transforms into a distorted ghost of itself. this allows for unexpected responses to manifest on the dance floor as well as in the listener's space of existence.

Third Lockertmatick with soe pure techno from Dresden, Germany. Uncompromissing and effective, these guys deliver some solid tracks that sound timeless. Limited to 250 copies. Recommended!

Robot Dystopia - limited to 150 copies

a smashin solid hard techno slammer !! last copies of the original pressing now available here !!!

a limited package of the 2x12" of the over136 + the over140 for a meeeeeeeega price !!! (track a1 may skip on some turntables as this is pressed very close and has ultra low bass)

RUIS005 by Leiris. 450 hand-stamped and hand-numbered copies of 180-gram marbled vinyl.

1st Pressing LTD 180g!

Concept is the new baby established by the already international well known artist agency My Favourite Freaks, which consists of a four part and monthly released series starting in December 2015. All tracks will be released on vinyl and only for real and freaky club boyz and party girlz. International celebrated artists of the agency collaborated to create such a big collector's item.
The first Concept EP is featuring four techno and tech house tracks for every occasion.

Christian Smith opens the show with his techno track - Drive like a firework. Fast and groovy played 909 hihats combined with a repeating lead bass loop is always a guarantor for a peak time track. But it's not enough with that. Christian adds a second acid like synth line, which drills his message in your brain: Party like a freak!

Already known for great tracks on My Favourite Freaks Music, Hermanez delivered his next techno beat monster - Technoid . Composed of different layers of filtered beats and synth lines, the groove tantalizes everybody who is listening. Techno par excellence!

After his album Transitions, Danny Serrano is back in his studio and created another stomping techno tune called - Trumped . Hypnotic looped vocals and minimalistic melodies with a huge break down lead into a classic and functional techno drop. This is definitely a big tool for DJs and of course a great peak time track for all dancefloors!

Last but not least, the already successful collaboration M.in & Yost Koen round the first Concept EP off with their interpretation of technoid tech house. The result is a minimal 909 beat driven track named - Booty Clap . The stompy groove and the catchy synth line is a demand to dance - get your dancing shoes and clap as much booties as you can!

London-based music and art label Earnest Endeavours announce their signing of Pomrad, from Antwerp, Belgium. The 23-year-old rising electronic savant and jazz trained keyboardist, producer and live performer's debut EP 'Vlotjes' was released in 2012 on OohWee Records to a feverish fanbase built around his electric stage shows. Bestowed with a raw funk conjured from his mastery of keyboards (he started playing keys when he was five-years-old), keytars, samplers and talkboxes, Pomrad draws on disparate influences from Herbie Hancock to Zappa and DJ LeFtO, and continues to build his reputation via a certain European futuristic sensibility (as displayed via 'Hot Rain', featured on the third volume of visionary compilation series 'Brownswood electr*c').

Three functional techno tracks by Avid Sequence accompanied by a remix from Hail Blk, for the third release of the label.

Avid Sequence is a young fresh artist from Malta. His music can be intense and energetic with that hint of tension as we can hear in the three tracks he kindly produced for the label. Label owner Hail Blk remixed the second track(Bermuda), giving it a grittier approach with his usual trademark percussive elements.

Daze Maxim adds another episode to his practice of long-form explorations, on this his second release for Lisbon's Assemble Music. This time he's joined by a master in this field, Baby Ford, whose remixes over the past few years continue his own distinctive development of extended minimal house trips.
Daze's 'Beginning An Ending' rides a skippy, loose beat for several minutes, the snares and hats gradually opening up as wordless vocalizations exclaim and interject with increasing regularity, the bass bumping contentedly underneath. Pads join the equation for an intricate midsection - evoking memories of Alcachofa-era happy experimentalism that nonetheless fit within Daze Maxim's disciplined and dancefloor-oriented approach.
Peter Ford recasts the original into his now unmistakable soundspace, where the push and pull between front-and-centre rhythmic components and evanescent background atmospherics creates that recognizable but undefinable sense of emotion, felt but unexplained. In Ford's world there isn't anything as simple as a beginning or an end, so the remix provides a valuable counterpoint to the original. Given their now impressive track record, it's no surprise that Assemble Music has pulled off another cohesive statement that works equally on the body and the mind.

GOLDEN AGE UK TECH HOUSE FROM 1994. VERY VERY RARE. 50 COPIES ONLY WORLDWIDE.
WAREHOUSE FIND. MINT CONDITION ORIGINAL PRESS FROM ARTISTS LOFT!! EXPECT MORE PAUL HESTER RE ISSUES AND NEW RELEASES IN THE NEAR FUTURE!!

Marbled Green Vinyl

Next release MMAUDIO, this time with the label's founders Drafted and Unthone for an exclusive exit in Split, including the remixes respectively of Tadeo and Andrea.
Drafted in more sustained and steady speed flow in Ethereal Gates, with regular ascents and descents, Tadeo here has worked on a remix dedicated to club, direct and with sci-fi style, with a drum percussion, clean and always effective.
While Unthone with Fleeting Moments embodies the idea of ambient, dark and Dub, with influences from deep in the remix the same, Andrea focuses track in Break style, including Grooving incisive and very present.

Vinyl: 180gr Transparent green, clear & black mixed.

Samani proudly present their first Vinyl only Release.
We are more than Happy with the Artist we've onboard for our first vinyl release.
Lauren Lo Sung, Labelboss F.eht made a Collaboration with Kleinlaut(Official),
Dhaze the Genius and the las Track from Evren Ulusoy with the new aka the Superliner present us a deep show.
Definitely a must have in you Vinyl Bag

bit trancy like border community - phat !!! this pressing contains an exclusive italian remix !!

six d.o.g.s records' third release under the Gilda - contemporary, club-oriented electronic music - series, is Anestie Gomez's 'Self Report' EP.

Born and raised in Athens, Greece, Anestie grew up to become a DJs' DJ, six d.o.g.s resident and founding member of well known Athenian Booking agency/party collective Revolt!.

His 12'' debut features four tracks of forward thinking, minimal house music showcasing Anestie's love of artists such as Zip, Rhadoo and Ricardo Villalobos and his reinterpretation of their sound.

Side A consists of 'Low Flying Methods' and 'Gutta Percha', both true testaments of Anestie's ability to bridge his inclination to produce unconventional deep house music with his desire to please demanding crowds on the dancefloor.

'Certified Tourism' on Side B is quirky micro house at its best, well crafted grooves accompanied by the mood setting vocals of Soul Mekanik's 'C'est Robotique' whereas 'Senor Mirijasz' takes us on a mysterious path of hazy, jazz fueled electronics and the secret hope of never ending bliss.

5th No Symbols by Beneath.

'Since debuting with a sound rooted in UK funky, house and dubstep, the English producer has spent years playing a game of chicken with himself: just how off-piste can he go without falling off a cliff The sixth release on No Symbols is the closest he's come, but there are no falls here—only exacting blows from unexpected angles.' Resident Advisor. 'What's most exceptional about Beneath's work, as summed up on this latest release, is how clear-cut his genre influences are and yet how difficult to tie down it is to perhaps one easily boxed-in sub-genre or scene. Sure, it's built with sound systems in mind - Ben describes it himself as 'awkward self-indulgent sound system music - but to go any further would seem a disservice to music that is actively and very successfully pushing at the confines of what we expect from functional club music.' The Quietus.

Bnjmn's exceptional back catalogue, straddling gorgeous synth-laden house, experimental techno and textural ambient diversions, spans 2 LPs on key Dutch labels Rush Hour, and numerous Eps for Delsin, alongside 12''s on his own Brack imprint.
The prolific British producer now follows up his recent 'Droid' single on Delsin, which featured remixes from close colleagues Cassegrain and Ed Davenport's Inland alter-ego.

Tipping his cap to 90s industrial techno, the A side delivers two uncompromising cuts. 'MDCCLXXII' is pacy and tough - brash drums merging with metallic, tonal signals and searing hats. 'Tor' is similarly

up-tempo however more stripped in comparison, Bnjmn continuing his inventive and challenging sound design in this Beltram-esque bassline killer.
The B side makes quite a contrast - 'T.E.N.S' being a short collage of buzzing,

cerebral electronics, leading into 'Where The Wild Berries Grow'. It's a fuzzy, hypnotic trip stretching out over 8 minutes - a glistening blend of lo-fi ambience and post-club psychedelia, all the while keeping us locked into a padded 4/4 throb.

In the midst of a busy year, full of wildly-varied accomplishments, David Lieske (aka Carsten Jost) has surprised us all with an unannounced 11-track full-length album on Dial-- his first since 2000's "You Don't Need A Weatherman..." In the interim he's kept busy curating countless releases on Dial, the label he co-runs with Peter "Lawrence" Kersten, celebrated a 15 year label anniversary with an all-encompassing 2LP/various artists'

compilation, released a gallery-edition album of his black ambient collaboration Misanthrope CA with Robert Kulisek, "Deathbridge" and launched a new magazine project (also with Kulisek) named after the speed of light i.e. "299792458m/s". All this activity, even after his recent trans-atlantic relocation from Berlin to New York City, mainly to open the American branch of Mathew Gallery has surely taken us all by welcome surprise.
Out of all of the Dial house and techno artists, Carsten Jost has always represented the most precise brand of exquisitely doom-laden house, laced with equally strong doses of melancholy and beauty. Here on "Perishable Tactics", Lieske runs through his distinctively stealthy low-slung beat-mospheres, leaning towards a decidedly low-lit and sultry space, but mixed with a fresh, gently arc-ing feeling of romance and dare I say itLove() Tellingly he's seen it fit to include 2007's "Love"-one of his best e.p. tracks from a split release with Efdemin. But while "Love" represents a climbing and yearning towards a place where love might reside, the remaining new tracks debuting here seem to represent a place where this love actually exists. This feeling is woven into his deep, medium tempo, detroit-inflected house rhythms, accented with crystalline keys, disembodied voices at times and gently soaring strings. While anger may be less in the forefront here it is important to notice that these tracks are ripe with the balance of joy and unease inherent in house. There is definitely a newfound languidity here that feels particularly like a moment shared by two (perhaps amongst many) but the atmosphere still remains decidedly pensive. See "Ambush" with it's strolling beat, moody yet sweet chords and chilling atmosphere later joined by thunder cracking in an almost-approving-manner a safe-distance away.
Of course diehard fans will find satisfaction knowing that Lieske's delectable angst hasn't completely abated. Title track "Perishable Tactics" takes a disarmingly peaceful setting and rolls a heavy fog over it to herald a sure-to-arrive fate that awaits us all. (See also "Army Green".). But with "Dawn Patrol" the whispering hi-hat and gently clanking rhythm offset by rolling strings marries the old and new Carsten Jost most successfully. All of this atmosphere bookended by ambient intro and outro tracks by Misanthrope CA make for a perfectly foreboding, elegant and deliciously dark new album release by Carsten Jost.

After remixing Idriss D's Alger', Eduardo De La Calle returns to Memento Records with a 2 tracker. The Spanish vinyl maestro, Analog Solutions label owner and Beatz documentary maker delivers 2 majestic cuts of Deep Techno at its best, inspired by the early Ricardo Villalobos music released on Kanzleramt or Playhouse some 15 years ago.
Following the same ideas of building and de-constructing sound patterns made up of pure Minimal elements, Eduardo here tries to be as simple as he can: direct and repetitive, back and forth non stop compositions that take on a life of their own as they expand and contract. The EP was made in a week of intense and mesmerizing studio work.
Die Einfuhrung' is a 10 minute number where Korg Poly 61 arpeggios and spellbinding melodies draw the listener down a psychedelic hole of frequency shiftings and lysergic percussions. Sonst Werden' is built around hazy chords and ghostly vocal snippets soaked in a feedback of tape delay, sinister ambient sounds vibrating in the background.

Another fierce release from Gauss coming soon

Following releases from Kreon and Lemos, Equivalence returns for its third record with the jazz-infused crossover sound of Glacial. George Laimos (aka Lemos) and Ilan Manouach have spent years crafting a style that combines sultry live instrumentation with subtle electronics in a unique yet natural meeting point between tradition and innovation. In 2012 they released their defining moment to date, a long player on the Welcome To Masomenos helmed Hotel Costes series, while more recently they appeared on Six D.O.G.S with the Entropy E.P.

Opening this latest offering from the pair, 'Hardcore Lounge' is a defining track for the concept of Glacial, characterised by Manouach's smoky horn tones calling out over a bed of intricate percussion and found sounds that capture the mood of a dimly lit speakeasy in a strange part of town.

By way of contrast 'Byron's Groove' lets the drums take the lead, laying down a delicate and expressive house groove with tribal undertones. The details and dynamics of the track build with a patient focus, creating an immersive atmosphere populated with alien frequencies.

The 'Dub Mix' of 'Hardcore Lounge' completes the EP with a lopsided groove that nags at the brain while appealing to the body, pushing another tightly wound array of rhythmic elements that rub up against organic scrapes and shuffles in a most distinctive abstraction of contemporary dance music.

With its fusion of human and electronic soul, this latest transmission from Glacial further establishes the duo as an exciting force within the more experimental corners of the house and techno community, paying respect to the music of the past while reaching forwards into previously unexplored territory.

repressed !

H.S = Huerco S. 4 heat-haze emanating tracks from the finest in the game.

As with his recent trip as Africans With Mainframes and dedicated to that Gherkin Life, we can hear bustling, latinate breakbeats slipping into the mix with his ruff yet piquant banger The Papyrus of Ani, whereas The Hall of Two Truths is anchored in his signature distorted kicks whilst the man flies around the higher registers with glassy, avian motifs and deep house piano chords.

Raucous, volatile, crackling brilliance from North Japan, testing the monster-infested electric fencing between techno and noise. Plus some witching, spasming, dancefloor Eomac to polish you off.

Italy-born, Dublin-based producer Leopoldo Rosa aka Lerosa returns with his second EP in 2016. and continues a string of excellent releases for Croatian label Barba. Lerosa, as the newest addition to the label's roster, fits perfectly alongside the likes of LD Nero, Alex Cortex, Heinrich Dressel, DJ Stingray, FBK, Gosub, Perseus Traxx and Marco Bernardi. EP titled "Your Soul" comes as the 9th release of Barba, and is very much in the area of previous ones - heady, mental and diverse. As is expected from a producer releasing on such a broad spectrum of labels (Uzuri, Lunar Disco, Further Records, Ostgut Ton, Ferox, Apartment Records, Quintessentials, A Touch of Class, D1, Enclave, Real Soon, ...) Lerosa effortlessly manoeuvres between genres on this 4-tracker, while at the same time keeping the overall sound and vibe consistent. 303-reminiscent synth serves as an underlying leitmotif which appears in every track, but in a different manner. Blood is an obvious A1, direct and trippy techno with a misty mood. With Duelist Lerosa wears his electro suit, while maintaining the atmosphere sketched out by the first track. Ghost sits right in between the first two, with its 1/2 tempo serving justice to the track's feeling of neither resting nor moving. B2, Your Soul, is a house track with an elegant Lerosa twist on the classic Chicago vibe.

Somewhere between a Dadaistic mixtape, a surreal audio collage sourced from his record collection, and sporadic interjections from his own storehouse of outlandish and intriguing productions, this 79-minute journey reveals Madteo's freewheeling rigor in the studio. Prone to glitching, rhythmic ruptures, and end-times bass frequencies, Confessions surfs quark-infested waters with hallucinogenic logic. Fragmentation rules everything around Madteo. You will hear — among other things — Adderall-addled raps subsumed by mutant techno, radio ads for trance-blues masters Canned Heat, riveting noise-techno merging into lopsided hiphop reminiscent of Jan Jelinek's Exposures project, the passionate folk balladry of Lucio Battisti, the glittery soul of Billy Preston, and some of the coldest and oddest electro funk ever. Throughout, Madteo flaunts baffling, unprecedented sounds arranged in confounding configurations. Confessions of a Permanent Alien Opium Beater is another crucial piece of a discography from one of music's most fascinating enigmas, a celestial lysergic jukebox that conjures new pleasures and deeper mysteries with each listen.

First release on Jheri Tracks early 2017 from Melly // Usual rules - limited copies / Screen print cover.

Two hypnotic tracks, both trademarked by deep elements and strongly pervaded with a dub flavour, which turns more and more into a gentle bass drum are now added to our precious collection of Love Songs for Dragons. PFR002 signed ALPI

In honor of the April full moon, 2016.

Supported by Claudio PRC, Svreca, Oscar Mulero, Antonio de Angelis, Arnaud le Texier, Ben Buitendijk, Giorgio Gigli, Exium, Iori, Kwartz, Rasmus Hedlund, Reggy van Oers, Samuli Kemppi, Stefan Vincent, Stephanie Sykes, Takaaki Itoh, Vilix, Eric Cloutier, Brando Lupi, Felix Lorusso, Sam KDC, Conrad van Orton, Periskop.

This May will see the release of Craig Smith's 'Only When It Is Darkest' EP via Teng Records, backed


with reworks from Phlash and Fabio Della Torre.


Craig Smith has been involved in electronic music since the early nineties, over the years Smith has earned


critical acclaim for his collaborative guise with The Revenge; 6thBorough Project. Smith's material has been


released via reputable imprints such as Delusions Of Grandeur, Permanent Vacation and Use Of Weapons, so


it's safe to say his production skills are second to none, and it's no surprise to see him joining the Teng roster


here, following the likes of Neville Watson, Nubian Mindz and Paul Mac.


Opening the single is the original version of title track 'Only When It Is Darkest', a classy, understated number


built around dreamy melodies, gritty analogue bass, off-kilter rhythms and spoken word vocal lines. The latter


stages then sees the melodic elements unfold as Smith works in jazzy piano licks, pizzicato strings and


tension building pads to great effect. Phil Asher steps up to rework 'Only When It Is Darkest' next under his


Phlash alias, as expected from Asher the mix is soul-drenched house music at its finest, fuelled by resonant,


evolving synth stabs, punchy bass hits and bumpy, swinging beats.


Fabio Della Torre, founder of Bosconi Records, delves deep with his interpretation of 'Only When It Is Darkest'


next, stripping back the percussive aspects to a swirling filtered groove, while the warm, ethereal melodic


sounds take the reins and steadily blossom over the compositions seven and a half minutes. Closing the


release is another original from Smith, entitled 'Matter Don't Matter', the cut takes on a more organic form this


time with natural percussive sounds, soft Rhodes melodies and throbbing low-end tones, a perfect closing

Limited vinyl edition of two previously digital-only singles by Berlin singer, songwriter, and producer. Dan Bodan, hailed by Pitchfork as "an expression of the storied NYC dance label's more oddball tastes." First up is "Anonymous", a poignant portrait of yearning for the post-Facebook generation. The A side is rounded out with a remix by DJ Richard (1/2 White Material with Young Male) that manages to drag the track to even deeper depths of anxiety. The flip features 2013 single "Hunger Games", a widescreen epic of a track that will be stripped down to the bare minimum on Dan's forthcoming LP. It features production by left-field dance geniuses Physical Therapy and Ville Haimala of Renaissance Man. Comes in a custom spineless picture sleeve featuring an illustration by Julien Ceccaldi.

Four synth heavy techno gems by Tape owner Deniro.

On A Business Trip To London is an album of curious electronics and sissy dance conceived under the shadow of Big Ben by Vivid Extreme. Initial research carried out at Ibis City Hotel, London; purple nail polish applied in Berlin and New York City. The result is the perfect and perhaps overdue meeting of emasculated P.E, limp-wristed ornamental industrial, sickly minimal synth and cheap suntanned trollop techno. What's more, its tinny rhythmic ringtone cycles of humiliation and debasement evince an unlikely humanity: there is yearning behind the red ballgag and loud make-up cake; Duck's piggy eyes betray an implacable melancholy. Indeed, despite the sexually explicit nature of its content, On A Business Trip To London is a highly accessible and often disarmingly pretty work which will appeal to the belissima ballerina in all working men. Required listening for all who admire those qualities most fascinating in a woman: allure, magnetism, power and dominance. Exploring Jezebel has been active since 2008's Locking Up The Husband's Penis Is Not Slavery, But Rather The Greatest Act Of Kindness Given To A Man and Attending UCLA Lecture On Forced Feminization, and notable releases since include the 12-hour, 8-cassette set Penis Torture Chamber (2010) and 2014's Performs For Her And Her Bulls (all Hospital Productions). On A Business Trip To London is Exploring Jezebel's first vinyl offering, and is presented in a full colour gatefold sleeve with two printed inserts; the album will also be issued on CD and digital formats. This release is for ADULTS ONLY. It contains uncensored sexually explicit material unsuitable for minors. You must be at least 18 to purchase this item. Access and/or ownership may be prohibited in certain states/countries.

Spanish producer I.A. Bericochea has been hiding his talents in the shade for some time now. Idle Hands boss Chris Farrell first came across his productions many moons ago when he released two of the finest 12"s on the m_nus label and a superb self released LP 'Sueno'.

In those days his productions quietly asserted themselves as some of the most beguiling in minimal techno. His sparse, avant garde approach to the genre was at odds with the limp bleeps and blips that came to dominate the scene. In the intervening years his output has itself been somewhat minimal... Now Bericochea is back, making his debut for Idle Hands with the 'Wake Up' EP. Simply titled W1-4, here we find Bericochea at his best channeling all that was good about his earlier productions but sounding more vital than ever in an era of overly shiny house and blokey hard techno.

This latest installment in the Stroboscopic saga once again calls upon the talents of two label veterans, both having released EPs on the label while also contributing to its five-year retrospective series. This new split release shared between Kangding Ray and Rrose is a fitting partnership: after all, both individuals are known for advancing the progress of rhythmic electronic music while drawing from creative influences and movements that weren't typically associated with the 'techno' lineage until these producers made such links possible.

Kangding Ray's side, Ardent,' is a gripping and propulsive piece formed in the same spirit as the songs from his latest full-length, Cory Arcane. Dramatic and cinematic from beginning to end, it makes the listener and/or dancer feel like a highly alert martial artist slicing and kicking through a host of liquid-metallic adversaries, with disciplined synth bass and rich melodic swells as defensive weapons. Slick and accessible without ever being conventional, Ardent' convincingly collages stuttering and minced sequences together with steady percolation and smooth, brassy undertones - three different sonic 'states of matter' that unify to make Kangding Ray's musical imagination into an almost tactile thing.

The entity known as Rrose, meanwhile, presents a track here that reaffirms that artist's expert skill at crafting perfectly symmetrical and mesmerizing musical palindromes (a skill that can be seen on other standout Stroboscopic Artefacts tracks like The Stare,' and also on Rrose's interpretation of James Tenney's classic palindrome Koan (Having Never Written A Note For Percussion)).' The track in question, Swallows,' is appropriately named, impressing upon listeners like the sonic equivalent of a massive searchlight which, once it lands upon its target, swallows or vacuums up the listener's conscious attention. This elegantly arching set of multiplying and disintegrating waveforms rewards those with the courage to return its insistent gaze and to play at maximum' volume to reveal the wealth of detail concealed within its deceptive minimalism.

With its scientific exactness and sheer originality, this split is an essential listen not just for fans of either artist, but also for any seeker after new perceptual revelations.

Fly By Night Music keeps up the heat with this new 10" offering from Low Low. Once again it is limited, this time to 100 vinyl only copies, and comes with a beautiful letter pressed sleeve.


Over the past few years, LOWLOW has previously released on Seattle's Night Gallery and Millions of Moments and has proved himself adept at getting plenty of soul and meaning out of his array of analogue machines. This new EP is no different and comes with a special catalogue number, FBNM-H910, which is a nod to the Eventide H910 Harmonizer - a pitch shifter that generates obscure melodies and that was used extensively on the two tracks here.


A side 'Lower States' is a beautiful example of analogue music where you can pick out the harmonizer on the clap and on the pitch shifted delay. It's a raucous, off beat house track with gloopy synths, acid rumbles and plenty of malfunctioning machine sounds all sounding pleasingly rough and ready.


On the flipside, 'Lowest Sun' expertly samples a vocal from Larry Levan's mix of Jaki's 'Sun Sun Sun' and buries it in a supple deep house arrangement that oozes warmth, soul and has a perfectly grumbling bassline.


Once again, this is a hugely considered and beautifully assembled package that more than separates FBNM from the crowd.

After a few digital releases, Lunar Convoy delivers a masterfully executed debut EP to inaugurate newcomer belgian imprint NORITE's vinyl series. Counting Northern Electronics, Hypnus Records, Semantica and Prologue among his main influences, Lunar Convoy's first effort is utterly coherent while not failing to evoke a plurality of emotions. Imbued with sacred atmospheres, infiltrated with mysticism, ritualistic melodies and aesthetically charged rhythms, Outer Rim Territories is a testimony of his love for deeper realms. On the A side, Seswenna's trancey lead synth and pumping bass opens the EP with an excursion towards distant planets. Ryloth ventures into darker fields, scattered with whirring and saturated analog complains and haunted by ancient voices. On the flip side, Eriadu sets a more mystical pace with syncopated kicks and floating eerie pad, to embark on a parallel dimension. Allen's take on Ryloth is symptomatic of the US-based producer, speeding things up and offering a stripped down version filled with devastating hi-hats and firing toms to end this solid 4-tracker with the hypnotic-yet-effective sound that got him signed on Attic Music, M_Rec Ltd, PoleGroup or more recently Granulart Recordings. With such a captivating release, Lunar Convoy has set a high bar for the upcoming releases and left us under his sway.

He's not what you'd call a prolific producer but the old saying of 'quality over quantity' couldn't ring truer for Marcellis. With just 3 releases in the last 12 years starting with a single on 2004, followed by an EP on Workshop and then his album on Millions Of Moments, any new work is highly anticipated.
Its been a long time coming for Nonplus but every bit worth the wait. 3 tracks covering a range of styles from the ice cold analogue quirkiness of 'Sleep', to the bumping 4/4 offering of 'Indigo Skyfold' through to the jazzed out chugger 'Can They Do Tha (G Love Real Raw)' its an honour to have Marcellis as an addition to the catalogue.

400 copies limited vinyl
Mariano Mateljan + Howl Ensemble & Re-UP remixes

For this first vinyl release of 2016 we have the big pleasure to bring you a great three track release called Manipulation EP by nothing else than Pablo Inzunza. The first track called Manipulation is a more than great tech house piece, with several arrangements on the base, where the rhythmic elements takes over letting us appreciate the perfect blend of several percussion layers working together with a superb production quality, and also creating alongside the solid bass line an extremely danceable club track with an amazing groove and party vibe. The second track, Arial Black, has a much more darker and techno vibe than the previous one with a very simple but effective groove created by a minimalistic base and subtle ambience elements, which helps create this almost hypnotic vibe. But it's not all darkness, about three minutes after the start we can start appreciating some deep synth stabs playing around with a filter and saturation to give a warmer touch to this fantastic track and closing the idea perfectly with a melodic touch. The last of the three tracks is Overcast, which presents a continuous string bass, which generates an intricate groove that stars softly with base elements only, until the vocals starts to appear, mainly during the break, and of course they get perfectly complemented with all sort of crazy elements from percussions to synths that creates a super interesting articulation between all the elements, giving order to the complexity of the production process. For sure this is a more than amazing release with three different pieces for several moments of the night.

A++
"really cool ep !"

Alejandro Fernandez
"Nice ep! Thnx"

Anderson Noise
"thanks for the music"

Ariel Rodz
"i´ll Try .."

Brothers In Progress
"Nice Ep...Thx"

Cicuendez
"Nice EP"

Collective Machine
"thx great one!"

Dalbe
"Like both...Support"

Daniel Mehlhart
"Groove Monster!"

Edgar De Ramon
"love it, full support for Pablo! ,)"

Fabio Ferro
""Manipulation" for me, Thank you !"

Figueroa & Obando
""Manipulation" it's great. support."

Frink
"Support..love it"

Gel Abril
"Cool as usual from this label!"

Gery Otis
"great tracks!! support THNX"

Loko
"Good tracks, I'll try this weekend. Thx :)"

Luca Fabiani
"Thanks for the music."

Manuel De Lorenzi
"cool release here. thanx...full support guys...!"

Marco Carola
"downloading for marco carola, thanks"

Massimo Cassini
"Thanks for the pack, nice ep!"

Mauro Alpha
"Manipulation & Arial Black for me"

Mihai Popoviciu
"arial black is cool for me, will try it!"

Nuria Ghia
"thanks for the music, nice!"

One D
"Nice Ep, Arial Black have the special power 4 me, good job!"

Paco Osuna
"Will try thanks ,)"

Re Us
"Manipulation for us!"

Richie Hawtin
"downloaded for r hawtin"

Rods Novaes
"great sounds! thanks"

Simone Liberali
"Nice work , Manipulation and Overcast are great thank you"

Someone Else
"nice ep"

Stacey Pullen
"cool thanks"

Steve Lawler
"Downloaded for Steve Lawler, thanks."

Wender A.
"Track 1 is amazing! thanks!!"

(10", Ltd) After a long break Baum Limited Picture Edition the 10" sub label of Baum Records is back. The 3rd release in the series is a split by Resoe and Zoltan Solomon from Hungary. Deep Dub Techno vibes, with lots of sub frequencies...

After a long break Baum Limited Picture Edition the 10' sub label of Baum Records is back. The 3rd release in the series is a split by Resoe and Zoltan Solomon from Hungary.
As always you can expect Deep Dub Techno vibes, with lots of sub frequencies...

Scuba's Phenix triptych reveals its final panel. A bite-size story in and of itself, and a fitting end-part to the greater sum, 3 feels like the latest acme of a diverse career.

This is traditional beginning-middle-end story-telling: 'Silence''s call-and-response foretells of a blue funk ahead - funk in the figurative - as 'Nineteen Eighty' transposes old Chicago into an ad rem context. The disquiet continues on the other side, with 'Plateau''s exacting techno pulse underscoring astral synth work. Tempo and temperature are pushed to an extent worthy of the resolution 'Fade' provides with its informal pace, acoustic disposition and celestial chimes.

Paul Woolford aka Special Request bleibt seinem typischen, sehr britischen Rave-Stil treu und liefert - nach Releases auf namhaften Labels wie Planet E (Carl Craig), Running Back (Gerd Janson), XL Recordings oder Houndstooth - ein atemberaubendes Fabric-Set ab, das mit klassischem UK und Detroit Techno von Richard D. James (Caustic Window, Polygon Window), Cristian Vogel und DJ Stingray beginnt, um sich im Verlauf zu einer Tour de Force diverser Schattierungen von Jungle, Drum & Bass und Noise zu entwickeln.

After the buzz generated by the duo's previous release on our number 015, here we have the second instalment of the series.




Oscar Mulero and Christian Wunsch have joined forces in the studio and made four new cuts of spatial futuristic techno. With the minimum elements, it is hypnotic, rough and repetitive.

scjkn-06 comes first: basic and sharpened beats, energized sub bass, mastery using
reverbs and ambiences and constantly evolving arrangements. Opaque techno that moves the lower frequencies of the sonic spectrum. Mental and catchy.

scjkn-13 goes straight to the point. Arpeggiated FM synth lines repeating constantly, subtle kicks, and boosted high frequencies on the drums that create a deep spatial feeling.

scjkn-15 reduces the pressure, again with just a few elements, but carefully chosen. A basic analogue drum kit that is constantly modified and given effects till it explodes after a few minutes into bigger drum sounds. The FM rhythmical sequences appear again, as on the other tracks, this time shuffled a little bit.

scjkn-09 closes the release. Slow tempos return accompanied by more digital Yamaha-style synths with a classic approach. More synthetic and futuristic. A stylistic U turn that brings us a more personal sound palette, something we should appreciate very much in this era of continuously cloned works.

Available on touchable stuff and virtual shit... at the best retailers.

The 5th release on wax for Karton Label. The Amsterdam-based Ferro comes with "8 Or 9", fellow dutchman B.M.U. on his first release ever with the hypnotizing "Fog" and from Germany and for the first time on Karton comes Daniel Madlung with "Vawpol".

Bedrock 18' compiled by John Digweed consists of 2 discs showcasing 21 exclusive tracks from some of Bedrock's favourite artists and some exciting new names on the label's roster,
D-Nox and Frank Beckers unfurl their distinctive sound steeped in detailed rhythms and mesmerizing harmonies, whilst Marc Romboy unleashes his deeply twisted remix of Emerson, Digweed & Muir's huge 'Fanfare'. the firing percussive funk of CJ Jeff, Guy J's mind-bending '2026'.All stick to the script that electronic music should have no boundaries and creativity and feelings are the only things that matter.

Cassette Tape

Weird, loud and doomy tracks by (SB)[51]. Some of the best and darkest stuff we have heard all year so we are proud to drop that in your lap on the verge of the new year. This is the digital version. There is also a tape available from clone.nl - either way you are getting some hard hitting analogue sounding slabs of experimental techno with kicks as deep as the ocean.

Cassette Tape

UK's main acid export has to be Chris Moss Acid. Over the course of the last fifteen years he has released a stream of uncompromising, top notch acid on all sorts of labels. We are super proud he has now joined the ranks of the NYH fam with these four heavy hitting cuts. The Nazareth EP brings some of his best work to date together, dark and dense monolithic slabs of hard acid!

4 driven techno tracks with that minimal Detroit funk feel..

Minimal driving techno 4 tracker in the vein of Hood, Mills, Kapp.. Quality techno from Rotterdam..

Jerome Hill returns to Super Rhythm Trax with four tracks displaying one of his biggest influences; That of mid nineties Chicago labels like Relief and Dance Mania.

"It's Time For The" has been slaying crowds for the last year with its own no nonsense take on Cajmere's much sampled 'Perculator' track. A hefty dose of fun and playability is injected into this EP and all 4 tracks are designed for maximum body jacking and involuntary head nodding, each bringing something a little different to the table.

Support coming already from : Annie Mac/Radio 1, Justin Robertson, John Heckle, Ben Sims, Mark Archer, Perc, Groove Armada, JD Twitch, Locodice, DJ TLR, Craig Richards, WNCL, James Ruskin, Pangaea, Phil Kieren, Luke's Anger, Posthuman, Bleaching Agent"

Introducing MLTred - Malta Red. The first vinyl only spin off label to LDNwht. MLT001 is a diverse, upfront, four track, limited edition, double A side V/A featuring international Techno from Manni Dee, Jeroen Search, Mike Parker and Gareth Wild

After Martyn Hare's storming album on his Emetic label, 'Swollen Sounds', comes the even more storming remixes !

JoeFarr is up first with what is already a legendary track in the scene. His remix of 'Forever Empty' is charted by Perc as one of his Top 10 tracks of the year and a constant feature in the sets of some of the biggest names around, it's a sure fire winner. Up next is He/aT, turning 'Crowd Trouble' into a breathtaking club banger. On the flip is Inigo Kennedy who imparts his amazing deep, intense production onto 'Hardcore Kicks' to create a remix which is truly one of the greatest you'll hear. Finally, Sawf steps up with a rare remix to round off proceedings with a noisy yet hypnotic rework of 'The Defiler'.

Cool release on Dj T!Ms imprint produced by Oliver Kapp (Indulge). 5 tracks of the finest Detroit inspired (floorburning to more moody) techno.

4 driving techno tracks with that strange raw Detroit funk that people like Mills and Hood have in their music. Again a very stong release!

Killer Armani re-issue moves from Don't Recordings !

A selection of Don't favourites from the early Dance Mania days of Traxmen/Armani, restored and re-issued for your erkin-jerkin pleasure !!

Finally repressed!

Limited White Vinyl Edition

"Waterfall Variations" brings the Rrose classic back into the spotlight with an early extended mix suitable for early nights or early mornings and a pounding, hypnotic remix by Stroboscopic Artefacts' Lucy. On the flip, an epic slow burner of a track (containing hidden elements from Waterfall) tunnels its way into oblivion without a hi-hat in sight.

Cassette Tape

Nine compositions by Italian modular master Sebastiano Carghini, recorded live & direct to 2 track. Bubbeling and fizzing old school synths that bend their way into riffs that easily keep you on the edge of your seat. Deep modular on cassette tape, can't get any more analogue than that!

In 2016, the Festival in Prora releases another Vinyl, and this time it is a real tasty tidbit. The boys from Kiel, Mitja & Daniel Mes, who also played at this year's festival, included their Track "Feel Free" on the record. This track is the beach-echo and a perfect medicine against the winter blues. The second track originates straight from the Island Rügen, produced by the well-known Irie Island Crew and holds the name "Rügen Rockt". The name speaks for itself and through the well harmonized dub-swing Reggae Vibes be sure to be grooved from north to south of the small Island. The backside of the Vinyl is a piece of handcrafted art. The very distinct Tag am Meer logo is engraved through the help of a special technique called: Etched. This record does not only sound good, but it also looks amazing

Organism make a carefully selected foray into the vinyl market with
their next EP, which comes both digitally as well as on wax, with different tracks making up each
package. The revered Irregular Synth is the man behind the fresh originals and is an Italian producer with a worldwide fan base. He has released on this label before now to great acclaim, as well as on Loose Records and many more, and has a steely and singular style.Up first on the vinyl and digital release is his brilliant 'Final
Decision,' a barreling track with rooted drums and incendiary hi hats that roll and roll. Belgium's Tom Hades is the man who remixes, and does so with a more supple sense of groove. Subtle vocal yelps and smoother hits all scurry along next to his rubber kicks and the overall effect is perfectly hypnotic.Irregular Synth then serves up another fine original in 'Hurricane'. This one is a white knuckle ride through stark techno rhythms with bursts of apocalyptic noise and plenty of industrially tingedtextures. The remix of this one comes from London's Ben Long, the governor at Space DJz and someone with fine techno credentials amassed over many years. His version is loopy, ravey and abstract and really sets your mind in a spin with its stomping drums and disorientating sirens. All those cuts are pressed to vinyl and come on the digital EP, but there are also some bonus digital tracks. These include slick new Mills like techno originals in 'Just Run' (plus a deep tunnelling remix from Greek man Kostas Maskalides) as well as the undulating, heady affair that is 'She's Mandy,' plus an A-Brothers remix of 'Hurricane' that flips the original into dark, broody roller. Overall this is another fulsome package of searing techno that will make dance floors of alldescriptions march to its infectious beat.
Feedback and support : Gayle San / Ken Ishii / Alan Fitzpatrick / Harvey McKay / The Advent / Industrialyzer / Roberto Capuano / Kyle Geiger / Pedro Delgardo / Manic Brothers / Spektre / Alexi Delano / Thomas P.Heckmann / Dandi & Ugo / Spartaque / Redhead / Dr. Motte / Mr. Bizz / Tomy DeClerque / Nadja Lind / D.A.V.E. The Drummer / Sutter Cane / Colin Dale / Tom Laws / Bodyscrub / Ramiro Lopez / Dany Rodriguez / AnGy KoRe / Christian Cambas / Xpansul / Stanny Franssen / Taster Peter / Steve Mulder / LowKey & Kardinal / Simone Tavazzi / Miniminds / Hollen / Kernel Key / Soren Aalberg / Yan Stricker ..

(1 CD album in a jewel case) The album is newly recorded sound track of the "A Trip To The Moon" film by Georges Melies in 1902. The Lobster Films in France has released a DVD of the same film with Jeff Mills' sound tracks in November 2016.The famous silent film is only for 16 minutes or so but Mills has finished the entire tracks for this sound track album.

The album is newly recorded sound track of the 'A Trip To The Moon' film by Georges Melies in 1902. The Lobster Films in France has released a DVD of the same film with Jeff Mills' sound tracks in November 2016.
The famous silent film is only for 16 minutes or so but Mills has finished the entire tracks for this sound track album.

'When Georges Méliès created Trip To The Moon in 1902, the world was just beginning to feel the tightening, yet exciting effects of another giant leap in modern civilization with the Industrial Age. It was a place in time that was transformable and in all dimensions of an evolutionary process: social, economic and political revolutions were buzzing. As man worked hard under the Sun, exposing his efforts and determination, it was the Moon that hatched his dreams. It was a time of realization and a time of romance'. - Jeff Mills

Matador's Loveland Festival 2016 EP showcases two big A-side tracks from the Irish maestro which have been pressed onto a limited edition vinyl (200 copies) with full colour sleeve of lavish artwork created by up and coming designer Sjors Verwijmeren. 2016 will be remembered as a milestone year for Dublin-based live techno producer. Another year of headline performances at key events worldwide has been complimented by a surge of musical activity including the release of his debut artist album Ructions that is in turn building a new brand Rukus.

Right after having dropped - Connaisseur , the epic collaboration with Olderic, on our 10 year anniversary release, Peter Pardeike now fnally presents his solo debut. Living in Cologne, Peter is mostly known for his collaborations with Marcus Worgull on Innervisions.
His own musical infuences can easily be traced to his
club socialization in the 90ies.
With the title Love Supreme , Peter Pardeike delivers a monster of a track, which we are sure you will not forget. When the remarkable vocoder choir comes in for the frst time, you will feel it reverberate though your entire body, making it stick in you mind forever.
"Love Supreme will defnitely catch your full attention.The track's sequences inaugurate a dance in which they en- and detangle themselves with a dulcet triplet acid approach and an almost popish vocal loop repetition. This track has everything you need, for now and forever.
"Nero on the fipside is a symphony of emotions.
Don't be fooled by the strong marching kick drum andits angular bassline, this track is as tender as swiss chocolate and as majestic as the house of Lannister.
We promise goosebumps and recommend having a person to hug, to dance and to fall in love with next to you. Sunrise calling!

Vinyl Only

Valioso015, refreshing sound from our friend and talented artists called Sithòu. Joining the Valioso family in 2015, his track "Baequm" on our Valioso & friends VA was already a little preview regarding his skills in productions.
Sithou delivers a solid two tracker, starting with "Oso" a very special track consisting an impressive guitar as the main motif. Taking a look on "Delia" including a memorable vocal and an hypnotic atmosphere, LIZZ reshaped this tune into a beauty with musical influences from his romanian heritage.

Dark ambient, precise and minimal. Meeting of C-Drik from belrgium, actually living in Berlin and Munma from Lebanon... Experimental superb album !

Cologne based artist 'Adryiano' has finally threaded into label managing waters. Ever since the emerge of his multi functional platform 'Cestraw' back in 2011 Adryiano has been twisting and thinking on when to launch the label side of things. After the humble success of his latest "Down South" effort on Soul Notes it felt like the right time.

CR/001 turned out to be an emotive dance floor record that touches several different modes within the spectrum of underground dance music. From the straight forward 303-anthem "Break Module" to the uplifting yet deep, Chicago-ish tones of "Path Of Yours" - Adryiano's "Default EP" is set to unfold just in time for the cold, dark days before Christmas.