Techno Vinyl New Releases - News

Strategy aka Paul Dickow is back on Idle Hands for an LP following last year's 'Return From The Stars' 12". 'Seeds Of Paradise' finds Strategy boldly firing experimental electronics and dub back into outer space. Like his work for Zam Zam, Kranky and his own Community Library label, this latest outing from the Portland-based producer nestles deftly between roots influence and sci-fi leanings. The result is a glistening 40 minutes of sonic exploration, never simplistic but never obtuse, which will sit happily on the turntables of sofa loungers and adventurous djs alike.

Solar One with another strong one! Three exclusive tracks from Clatterbox (check the Clear Audio release by Clatterbox!), and 'Sentinel' which will be on vinyl for the first time. This track was well supported by many DJ's around the world and garnered the following praise from uber DJ Dave Clarke: " Sometimes you get tracks sent to you that give you chills down your spine and make you feel pretty proud to have a radio show, and that track that gave me that complete feeling was 'Sentinel' by Clatterbox''. Coming on white Vinyl.

Prolific Dutch artist Conforce is back with another LP on Delsin Records. This one marks something of a subtle evolution in his sound in that it returns to a more organic and immersive aesthetic. Made using various bits of outboard gear, it fuses dub rhythm with ambient detail and propulsive 4/4 kick drums to make for absorbing listening. Once again, then, this album proves no one does deep electronic music as well as Conforce.

It's as if Alien rain would have meet Somatic responses... Specially on the 2 long Tunes devotes for Deejays : A1 and B1 tunes... all this is kindly Techno,electro and acid, modernstyle built up with the Hardware... And with a bit of Violence to upgrade the crazyness at the next Stage. Also a special tyes plus mention for the last tune, the only triby tune here... A very musical nice perl, an evident excellent track ! Enjoy !

The Italian duo "The Analogue Cops" under their aliases 'OCP' and VOISKI joins the family of The Monkey Bar. Here with two very special tracks and in the first vinyl of a tribute series called 'Moog Series' in honor to the legendary club from Barcelona.

The end is near, the apocalypse is knocking on your door. Time to freak out for a very last time. Leveltrauma brings
you the perfect soundtrack for the end of the world. On Side A escalate with Minupren and Stormtrooper, who bring
you the bass, that rocks your panties. On the B-Side your very own last headtrip with stomping beats and crunchy
basslines by Michael Forshaw, Killer and Martin W.Let's dance into your doom!

Das Ende ist nahe, die Apokalypse steht vor der Haustür. Grund genug noch ein letztes Mal richtig die Sau rauszulassen.
Leveltrauma bringt euch zu diesem Anlass ein Special Vinyl mit den Hymnen zum Untergang! Auf der A-Seite wird nochmal
richtig dreckig eskaliert mit Minupren und Stormtrooper, die euch den Bass bringen, der euch nochmal ordentlich
durchf*ckt. Auf der B-Seite für die letzte verkopfte Abfahrt stampfende Beats und Electrobasslines von Michael Forshaw,
Killer und Martin W. Tanzen wir gemeinsam in die Endzeit !

This EP is the second EP of a 2 records series, by Steve Romani AKA "dB_24" on his own label "Modular Machine Records", pressed

as limited edition white vinyl, following MMR03 (Urban Maze EP). The two records follow the 4 Urban Works EPs released on AC

Records. This one features 3 Detroit Electro tracks per side, built around the 2 parts "The Quest" and "Modular Machine". "Automatic"

is dedicated to old school Electro. Made with hardware vintage machines for analog sound lovers in the tradition of former Detroit

Electro. LIMITED TO 70 COPIES !!!

Konzept Records very first EP drops four bombs over the techno heads. The Brazilian duo Oblivion teams up with the young artist Endo for "The Move", a sub bass extravaganza techno piece. Vitor Munhoz & Endo had their awesome "Funky2" track remixed by Dirtybird´s young blood - J. Phlip. Resulting on two amazing technoid songs! Closing the EP, a vibrant piece by Dj Glen, who´s recent remix for Abe Duque got charted by Dj Hell.

Ladies and Gentleman... General Ludd.
Having dropped some of our favourites from the last year on labels like Mr Saturday Night and Autonomous Africa, we are very happy to welcome these guys to the Ten Thousand Yen family. Weird, trippy rhythms, space echoes and chaos held together with hard percussive sound. So sick.
We hope you enjoy as much as we do.
Early Support From:
Ben Ufo, Midland, Mickey Pearce.
Quotes:
Midland - 'General Ludd are certified sick, all four are great'
Mickey Pearce - 'Salut to General Ludd for that new @tenthousandyen'
Ben Ufo - 'Wicked Stuff'
Erol Alkan - 'Pretty weird but I like it!'.

Debut EP for this young Cos/Mes relative. Every night before sleep she spends time hammering tracks alone in the dark. Far out and far eastern electronics!

Little is known about the London-based producer and DJ who goes by the name of U, but that hasn't quelled praise from bedroom heads, industry tastemakers and big name press alike.
Audio arbiter George FitzGerald originally met U on a holiday in Greece and immediately commissioned a handful of 12's, each brimming with trademark mechanical bliss, like pleasure tinged with menace. U has since gone on to release for Erol Alkan's Phantasy Sounds (both as a solo artist and in collaboration with Babe, Terror as BTU), being given the nod by The Guardian, Mixmag and The Line of Best Fit.

ThIs newest effort, an EP to be released on Technicolour this summer, takes that same flavour and concentrates it. In a past life, U was turned away from a prestigious Berlin club with the words 'this is our place, we decide who comes in.' Spinning this dismissal into the release and leading track titles, U traverses different tempos and sonic swatches: the cavernous thump of techno lament'Our Place,' a hollowed orchestra of bric-a-brac on 'Oma,' the tail-end of euphoria gently glowing on 'Easy Prayer,' and a slow descent into the comedown as 'Arcane Fantasy' fades out. Unlike picky doormen, We Decide Who Comes In ushers you straight through the door.

Over 10,000 years ago, after the last Ice Age, humans began to explore and settle the place now known as Scotland. Evidence of our ancestors can be found in the various rock carvings, standing stones, tombs and dwellings still scattered throughout the lands today. Modern archaeological techniques can offer ever more detailed suggestions as to what these monuments might have meant, but it is still largely left to our imaginations to discern just what these spaces were used for.

In this spirit, Firecracker Recordings were approached by Forestry Commission Scotland to make something that might capture the feel of these places. They assembled a crack squad of artists (Lord Of The Isles, Other Lands, House Of Traps, Wounded Knee) whom they felt would embrace the challenge, thanks to their shared interest in their own Highland ancestries.

Visiting a handful of sites in an intense period of exploration late in 2014, they took field recordings, drank whisky, jammed in the ruins of brochs, studied rock art, sat in iron age forts, drank whisky, drove for many miles and generally began the process of channelling the shamanic forces (drank whisky) whose presence can still be felt all around.

This album is the result of that brief adventure. The artists worked both together and in isolation, quickly and effortlessly, manipulating the recordings taken from the source and combining them with their own compositions, inspired by both the sights they saw in this time and those they have imagined from another.

Here, they merge modern technologies with traditional instruments and the human voice to conjure up these ancient rites of celebration, ritual, offerings to long forgotten gods, changes in the features of the earth and the universe and the cycles of time.

Accompanying the music is a booklet of archaeological images created by Forestry Commission Scotland, detailing some of the sites around which the music is based, again utilising modern laser scanning technology to see these mysterious relics in a different light.

Over 10,000 years ago, after the last Ice Age, humans began to explore and settle the place now known as Scotland. Evidence of our ancestors can be found in the various rock carvings, standing stones, tombs and dwellings still scattered throughout the lands today. Modern archaeological techniques can offer ever more detailed suggestions as to what these monuments might have meant, but it is still largely left to our imaginations to discern just what these spaces were used for.

In this spirit, Firecracker Recordings were approached by Forestry Commission Scotland to make something that might capture the feel of these places. They assembled a crack squad of artists (Lord Of The Isles, Other Lands, House Of Traps, Wounded Knee) whom they felt would embrace the challenge, thanks to their shared interest in their own Highland ancestries.

Visiting a handful of sites in an intense period of exploration late in 2014, they took field recordings, drank whisky, jammed in the ruins of brochs, studied rock art, sat in iron age forts, drank whisky, drove for many miles and generally began the process of channelling the shamanic forces (drank whisky) whose presence can still be felt all around.

This album is the result of that brief adventure. The artists worked both together and in isolation, quickly and effortlessly, manipulating the recordings taken from the source and combining them with their own compositions, inspired by both the sights they saw in this time and those they have imagined from another.

Here, they merge modern technologies with traditional instruments and the human voice to conjure up these ancient rites of celebration, ritual, offerings to long forgotten gods, changes in the features of the earth and the universe and the cycles of time.

Accompanying the music is a booklet of archaeological images created by Forestry Commission Scotland, detailing some of the sites around which the music is based, again utilising modern laser scanning technology to see these mysterious relics in a different light.

The EP includes album tracks 'Get Your Fight On' (Re Eq) and 'Rhythm Bomb' feat. Flux Pavilion (Edit), two fresh remixes of album tracks 'The Day Is My Enemy' (Caspa) and 'Rebel Radio' (René LaVice) and the previously un-released, fan favourite 'AWOL'.

'AWOL' has been a track the band have played live since 2012 but as the album writing and recording process developed the band decided to hold AWOL back . Now, after reworking it into a new unheard version they feel it's time to make it available on record........ and limited cassette!

The EP will be available on Limited Edition Clear 12" Vinyl (released 4th September), CD and cassette - all featuring the 5 tracks.
The Prodigy recently headlined Isle of Wight Festival, they Headline the Radio 1 stage at T In The Park in July and recently announced a huge tour of UK arenas arenas to close their incredible 2015 which includes two shows at London's Wembley Arena.

1. Get Your Fight On (Re Eq)
2. Awol (Strike One)
3. Rhythm Bomb (Edit)
4. Rebel Radio (René La Vice's Start A Fucking Riot Remix)
5. The Day Is My Enemy (Caspa Remix)

Good morning, Commander. Glad you could make it this early. Please take a seat. As you know, your journey towards Wasteland is a mission divided into four stages. To fully understand the gravity of this endeavor you will have to let yourself be assimilated. Mission RAM-X-03 - Goodbye, Galaxy! First, as a crucial part of the assimilation process, we will transfer all our latest data to your DTF-chip. This is not a one way process, so breakdown any inhibitions to ensure no data is lost. The carefully obtained information we are about to upload into your consciousness contains the latest models of your landing position on Wasteland. This data also holds access codes which will allow you to pass the magnetic intersection towards Andromeda. The next step: We will upgrade your nanobiology. Once the data transfer is completed you will be put into stasis. Be warned for possible aftereffects, however: It won't hurt you to dream, so let yourself be submerged. For a more stable wake up, we advise you to take this tab now. Additional information: We'd like to inform you that the weather conditions on Earth have been optimized for a smooth and safe departure. Departure of Delta Craft XX84 is set for 19 hours and 49 minutes from now. Good luck, Commander!

The Lone Roamer is the experimental and deep side of Riccardo D'Agostini, inspired by a dystopian world in which almost all the life forms are dead after an unspecified event. Wandering alone through that devastated world is not just a physical act, it is a real personal and deep journey.

Riccardo freely expressed his feelings in this release, without being affected by definite genres. It follows that the original tracks are a mix of techno and progressive, ambient and drones, hard kicks and pads... Area Forty_One and Sonitus Eco complete this release, with their own interpretation of loneliness and desolation. These awesome remixes fit perfectly the mood of The Lone Roamer, strengthening that feelings.

Riccardo started this project like an experimental alias more than one year ago and these tracks are the first of the series. The decision to print them despite the growth of the project in this year comes exactly from the experimental and mutable nature of the project itself: in the following months you will listen to more recent productions, but now, The Lone Roamer wants to present himself from the beginning.

To complete the project introduction, a limited edition featuring a cassette will be released on the label Bandcamp store. It will include an exclusive track you won't find somewhere else.

The audio-cassette that will change your world!
Non-concessive creative energy against the common lack of new ideas and thrown away idealism for easy money! » So it says on the cover of the cassette from where these tracks have been taken. We make this statement ours and press this synthesized madness on vinyl. To enhance all your excessive behavior, play it very loud.

Perc Trax is proud to announce the first full solo EP from Truss since 2012. 'Kymin Lea' launches a series of EPs this year on Perc Trax where each artist will present their complete sonic and visual vision of their music.

Each EP will see the artist work closely with Perc Trax's resident designer Jonny Costello to create a visual identity for their release that perfectly matches their music. A step away from easy and repetitive label branding, every EP will look different, sound different and give the greatest insight into each producer's artistic outlook so far.

Across these three tracks Truss moves from sweeping melodic experiments to a new deeper take on his trademark acid sound. Title track 'Kymin Lea' has already been previewed on Surgeon's Rinse FM show and has been in demand since, whilst B-side cuts 'Clawdd Du' and 'Wyefield' push the Truss sound outwards into new territory.

After various releases on Weevil Neighbourhood, two of the label's key figures, Anthone, who made a first appearance in 2012 with the "Aloof" EP and "Double Dub/ Clear View" as well as "Breath/Lungs" in 2014 and Katsunori Sawa, who debuted with the "LR" EP in 2011 together with Yuji Kondo as Steven Porter and later released "The Two Legs" (2013) as well as "Holy Ground" (2014) as a solo artist, team up as BOKEH for their first collaborative outing dubbed "Peace Obscured".

The release comes as a 12" EP combining both artists' trademark musical vocab - industrial dub and noise influenced techno - resulting in a three tracker of relentlessly driving bottom end rave. Black vinyl, 500 copies only, artwork by Lee Noble (No Kings Records/ Bathetic).

The second AM, stopping in Bristol to unleash the debut recording of Gramrcy. Metalheadz meets the grooving intricacy of Shake Shakir. Bruce and Hodge ride shotgun.

special price for this last copies !!

Next up on the Clone Crown Series and hailing from the post-industrial city of Nancy, France, is bad boy and multi-instrumentalist funkateer Gary Gritness aka Slikk Tim, bringing us The adventures of Gary Gritness chapter 1. Spread over two separate 12"s, Gary delivers a cyberfunk joyride with 9 shit hot instrumental electro funk tracks with a cinematical feel, blending nowadays influences from the streets of Detroit, Oakland and Atlanta around his trademark soulful sound. All tracks were created using a minimal setup of analog gear, giving them their typical raw oldschool flavour to maximal result; dirty, warm & funky as hell. As a session musician Slikk Tim has worked for many household names of different scenes including Orlando Voorn, Dam-Funk, Kenny Bobien, Grant Nelson & Boddhi Satva. Being a sideman and arranger as well, Tim played in a variety of latin, jazz, r'n'b, afro and soul groups, as an arranger and bandleader he plays in several ensembles, with most notably his jazz-funk project Dopegems. As an electronic musician Gary Gritness has released on labels such as My Love Is Underground. The adventures of Gary Gritness... coming soon to a theatre near you! Chapter 1 is out on december 8th 2014.

Black 140gm vinyl in a black disco sleeve with hand stamp - First edition of 300

Black 140gm vinyl in a black disco sleeve with hand stamp - First edition of 300

Electro killer Killer, featuring Dilemn (Hardcore Beats, Future Perfect, Boxon records, Goog...) and Mr Tools (Low Factory).

On this E.p there will be an original track ( Time of Punk) from the Italian Mr Tools oriented in an electro dirty style and a remix of the talented Dilemn.


Mr Tools an his inimitable musical style seduces all the public without exception. It is by listening to artists such as Justice, Daft Punk, Deadmau5 that Mr Tools evolves since 2010 in a style very electro and melodious, handling ingeniously long breaks, acoustic piano, and sound distortions of all kinds of instruments.



Dilemn, is a French electronic music composer , this young Toulousian is in a great period. He is being made a name in the expanding sphere of influence Nu-french-touch. Offering his body and soul in the electro underground movement since around ten years, absorbing a maximum of different tones stemming from variants of the electronic music and torturing his machines, this young composer, finally seems to have found his touch of madness, a sound electro even break, but simply audacious and current.

1-800 Dinosaur and Airhead announce a new 4 track EP 'Believe' released July 2014.

Airhead, (aka Rob McAndrews) a resident, founding member and spiritual ocelot of the 1-800 Dinosaur crew, will be releasing a four track EP 'Believe', the first of a series of releases from Dan Foat's emerging artist collective.

This Believe EP is a turning point for Airhead; equivalent to the moment in the film 'Witness' when Harrison Ford, as John Book, realises that the hitmen (witnessed by the Amish kid in the toilets) are actually policemen. The inward has been exchanged for the outward. Where Airhead's critically acclaimed debut album 'For Years' was all about tip-toeing barefoot into thick carpeted darkened rooms, this new EP, inspired by two years of 1-800 DINOSAUR parties, is all about the boom-boom oscillation and hands-in-the-air machine gun parties. The controls are set straight for the heart of the dancefloor where Rob has erected a Buffalo hide tipi and intends to live for the next 7 months.

The lead track 'Believe' has already caused a stir on the 1-800 DINOSAUR affiliated BBC R1 show, reminiscent of a suddenly conscious anthropomorphic car alarm hurtling down a water slide with Leroy Burrell on Gary's. Both 'Shirin' and the Coki summoning 'Shekure' evolve out of the London-centric vapour trails of Grime and UK Garage, unsurprisingly causing the most damage at the 1-800 residency at Plastic People. The eery atmospherics of Hundred Years built around nascent chords and a vocal sample round off the EP perfectly.

Anthony Rother strikes back on his own DATAPUNK imprint with this two electrofied Techno bombs in his well known familar style

With Eintakt's Acid Dub Tango release Dub Diary entitles a new chapter, a showroom for lively sound architecture.
This concept record navigates through layers of bubbly 303 acid patches, abyssal dub chords, and landmark variations. 'Her Lips' is an ode to summer joy, enriched with cheerful Tango-like accordion sequences. The deep spaced dub impulses were adopted from the original song by Matteo Pitton, now forming a unique combination of profound energetic festivity.
'Oriental Ladder' originally is a solo instrument song by Naftali, a talented Handpan player from Berlin. He plays his instrument spirited and multi-variant, following catchy and lovely arrangements. His percussion-like interpretation of playing is exceptional. Nowadays, Handpans make up the most searched instrument class in the world and its application to powerful electronic music is still rare - simply since the basic instrument character is strongly meditative.


The Songs on Vinyl and Coverart underscore joy of being.

Limited to 150 handnumbered and airbrushed Covers / Vinyls

Prolific Dutch artist Conforce is back with another LP on Delsin Records. This one marks something of a subtle evolution in his sound in that it returns to a more organic and immersive aesthetic. Made using various bits of outboard gear, it fuses dub rhythm with ambient detail and propulsive 4/4 kick drums to make for absorbing listening. Once again, then, this album proves no one does deep electronic music as well as Conforce.

Huge release again on Techment feat superb original tracks from Pedro Delgardo & James Alexander on the A and label boss Vortechral on the flip both supported with remixes from DJ Cristiao & Thermo and Peppelino respectively

Aah, the breakbeat, the very foundations on which the British underworld of dance music was built upon, takes it rightful place once again, and Will Azada royally plunders the spirit of the rave scene on his opening track, 'Mysterious White Powder'. The Tennessee based producer & DJ locks into the early UK sound on his 'Proper Traxx' EP, and debut offering for Hypercolour. On the flip side, the theme continuous on 'Let's Get Tight', all heavyweight stabs and knarly 909 drums, whilst the gloriously titled 'A Night In The Life Of Mr. Dirtbag McDiscopants' plays a straight 4/4 beat, and attacking it with breathy vox stabs and rave horns, you'll be transporting yourself back to Dreamscape circa 91 after you're done with this EP.

Jann is back! Again on Land Of Dance Records! After his clamorous debut, Jann is back with a new EP including four tracks full imprinted of his chicago-acid sound. Different mood shaped by mental attitude, electronic sound and power grooves. Pure analogue music coming from his machines. ...last but no least... We are glad to present Andreas Gehm aka Elect Pt. 1 as remixer in this great release, just one word about him... ACID!

De:tuned was founded in 2009 by Ruben Boons and Bert Hermans. The pair first organised a series of old school techno parties in Antwerp (Belgium) before launching the record label in 2012. To celebrate 5 years De:tuned they now turn out a very special 5LP album featuring 21 tracks from some of the most respected names in the game. The album has its roots firmly in early/mid 90s techno and electronica, a style which De:tuned has always presented, and spans some 20 years of electronic music.

De:tuned has gathered together a top notch collection of previously unreleased tracks recovered from old DAT tapes as well as a few brand new productions. The result is an amazing compilation of tracks in a wide variety of styles that really captures the sounds pioneered by influential labels such as R & S, Warp, Rephlex and Plus 8 to name but a few. The album also sees the remarkable return of a few highly talented artists that had gone under the radar for a number of years, such as Mark Gage (aka Vapourspace), Frank De Wulf, Erik van den Broek (aka Shiver) & LA Synthesis.

To top it off the 5 heavyweight (180 gr) vinyl records are presented in a beautiful sealed and individually numbered box with cover and label artwork by the legendary Alan Oldham (aka DJ T-1000).

De:tuned would like to thank all the artists for their contributions and support. Stay tuned!
Rotterdam, Zuid-Holland 3014 GJ · Netherlands

Arnaud Rebotini was born in Nancy in 1970. Author, songwriter,
producer and remixer, he has become an iconic figure of
electronic music. Its force majeure stay at the crossroads of
genres, as well avant-garde than timeless, and combined its.
It is therefore natural that Robin Campillo, director of Eastern
Boys appealed to Arnaud Rebotini to compose the original
soundtrack to his 2nd film produced by LesFilmsDePierre.
Robin Campillo found the famous "good distance" is not an
ethnological trading between distance and near hysterical - in
favor of the worst, the middle - but a dance and angry diagonal
where each viewpoint the argument other, the counter to hate as
much as he likes.
Arnaud Rebotini invites us to navigate between powerful and
intoxicating techno contemporary music.

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Title track features vocals from Hudson Mohawke collaborator Oliver Daysoul.
Remixes from Machinedrum (LuckyMe) and Computer Jay (Ramp).

Killekill 017 by Neil Landstrumm is a three tracker with no less than three hits on it. The A-Side is a dark slammer about someone trading his ass for drugs in a new acid / disco / synthwave / techno fusion style with an undisputed Chicago flavour in it. What a hit!
B1 is the result of a collaboration of Neil with Jd Twitch under the name Doubleheart, under which they also released on Nonplus and other labels. 'Outsider music aimed at the dancefloor', as they put it, and that pretty much hits the nail on the head: nice electro beats, a wobbling bass, and all sorts of freaky sounds on top of it, from classic cowbells to whistles, squeaks and other weird stuff. And all this without ever losing the drive to rock the dancefloor.
B2 again was an intial collaboration between Neil and Ralph Cumbers who produces a UK project called 'Bass Clef' and has released some high quality, left of field club productions over the years on the Punk Drunk and Blank Tapes labels. He is also an extremely gifted trombone player and frequently plays this at live shows along with Theremin and bass heavy garagey beat style.. They produced a few tracks together and this one stood out as glam rock/synth wave production. Then Lewis Maccoll alias Operator, who recorded Scandinavia 022, was asked to write song lyrics and sing vocals over the original track. Lewis has a unique layering style of vocal production and his dark story of the deep and passive souls enhanced the song immensely and broadened its appeal to a much wider audience. Its a fresh style electronic style for 2014 very fitting to the alternative Killekill label approach.

a great electro house smasher !!! already support by felix da housecat, phil kieran, lil devious, the whip (kitsune), ...