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TURNOVER - PERIPHERAL VISION 10TH ANNIVERSARY

Celebrate a decade of Turnover's iconic sophomore album Peripheral Vision with this 10 Year Anniversary Edition. Retaining the album's iconic cover art, the packaging has been completely overhauled to include a new lyric poster & printed photo inner sleeve. This special limited edition also includes two bonus tracks from the era - "Humblest Pleasures" and "Change Irreversible." Released on May 4th, 2015 via Run For Cover Records, Turnover's second album Peripheral Vision is widely regarded as an essential body of the work in the band's discography, maturing its sound into a shoegaze-inflected post-punk direction following the band's 2013 debut record Magnolia. Described as "a tour de force" by Kerrang!, the album set the stage for an extensive and prolific touring history over the past decade and three subsequent albums, including their most recent LP, 2022's Myself in the Way. - Updated vinyl packing - new jacket, inner-sleeve, lyric poster - 2 Bonus tracks from "Humblest Pleasures" EP

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26,01
MARKENO - DOCK LOWN LP

Markeno

DOCK LOWN LP

12inchRN021
RANDOM NUMBERS
29.04.2025

We all remember with mixed feelings the past two years of domestic isolation: a temporary anomaly in which the world had to adjust to a new routine, a new rhythm. In these daunting yet precious circumstances, Italian producer Markeno has found his rhythm back, dusting off old records and re-approaching his past musical love affairs that he believed to be long forgotten. Here, in the fertile limbo that connects past and future, “Dock lown (exploring)” is born: a 3-tracker release with a chameleonic nature and an undeniable groove, in which Markeno is able to tactfully combine different genres such as indie, post-rock, African mu- sic, electro and funk.

In the contemporary music scene, overly saturated with catchy melodies and seductive lyrics, it is refreshing to encounter a composition like “Fase 01”, which starts from a purely percussive structure. Just when the ear is settled and well inserted into the tangle of drums, here comes the melodic twist, no less than at the fourth minute, injecting an unexpected groove and chalking out the contours of a track with multiple personalities: a little esoteric, a little synth-wave, quirky and badass. The temperature rises with “Zona Ros- sa”, in which the electro hint sketched in “Fase 01” becomes more pronounced, opening the doors to a dense psychedelic scenario. A shamanic loop accompanies the electric bass and escorts us through the smoke of the bonfire, veils swayed by the wind and colored lights that sparkle in the night. The ritualistic humming of ‘’Zona Rossa”’ is still hearable, floating in the rarefied atmosphere, while the last track “Limbo” makes its entrance and confirms once again the poliedric but congruous essence of this release, whose percussive attitude lures you in and whose hypnotic and groovy body makes you stay. At least for one more dance.

Sara Berton

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18,87
Various - YEAR VI EP

Various

YEAR VI EP

12inchYR06
Bonkers Music
29.04.2025

The annual Bonkers Music compilation returns, delivering another round of high-energy bangers. This year, the release explores a slightly evolved musical style while staying true to its signature sound. Celebrating its sixth edition, “Year VI” will be available on 12” vinyl, accompanied by a few exciting surprises.

A1. Neskeh’s “106 Cabrel” revolves around a melodic yet hypnotically repetitive lead sequence, crafted to evoke a trance-like state on the dance floor and radiate positive energy. The foundation of big, punchy kicks and a robust bassline gives it a quintessential club vibe.

A percussive break in the middle shifts the mood entirely, paying homage to Goa rhythms and shamanic rituals, immersing listeners in a more primal atmosphere. The drop reignites the momentum, enhanced by the warm tones of the beloved Minilogue, adding an almost epic dimension to the journey.

A2. Berlin’s Mike Sacchetti and Madrid’s David Meyer unite on “Agria Pachanga,” a dance energy piece that pulses with percussive drive and a subtle touch of Latin identity.

Acid-inspired arrangements swirl around classic drum machine sounds. The syncopated rhythms and pumping basslines push the track towards an agitated club atmosphere, building this song into a bold declaration of fiesta.

A3. Two friends from Guadalajara, Mexico, Leonor & Ludviq, now living in different European cities, (Barcelona & Lyon) join forces to bring you Capybara Trance, This electrifying track combines dark, driving energy with intricately sequenced melodies, a hard-hitting chugging bassline, and the unique touch of capybara-inspired sounds. Anchored by a commanding kick drum that sets an unrelenting tempo.

B1. “Nebula” is a deep, atmospheric journey through cosmic sounds and pulsating rhythms. The track blends hypnotic melodies with dark synthetic textures, evoking a sense of drifting through endless galaxies. With a strong groove and intricate arrangements, it delivers energy that fits perfectly in both morning sets and more conceptual playlists. The collaboration between Radial Gaze, Ducati Flux, and Persona RS captures the spirit of exploration, creating a versatile track that can be the highlight of any set

B2. Intruso hailing from Bogota, now based in Barcelona brings “Somos Acido” this track draws inspiration from the early 2000’s House and Trance, capturing the nostalgia and emotional resonance of his first experiences with electronic music as a child. A driving Acid bassline injects dynamic energy, making it perfectly suited for the dance floor.

B3. Argentinian born, Australia based producer Poulper teams up with Mexican maestro Hugo Vallejo to kick off this intergalactic adventure. This track weaves together acid-laced elements and an infectious rhythm, layered with haunting post-dark vocals that narrate the fiery, cosmic tale of love burning in the vast expanse of space. A bold and immersive journey into the unknown, perfect for this stellar compilation.

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15,34
Bang! - Shooting Star (Old Skool Remixes) EP

This is a very special 10", part of a series where some old friends take some old work and make it even older! Nick from Smart Es, aka "Bang", is responsible for a huge number of undisputed classics from the late 90's and early 2000's, and he is long time friends with both Al Storm, and Luna-C / Cru-l-t. So between the three of them, they have decided to do a series of remixes where they take some of the classic Bang tunes and roll them back in time to the early 90s, giving them a vintage feel for the modern day...and they started with possibly the biggest of them all...Shooting Star!

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15,34
Immortal Onion - Technaturalism (LP)

Immortal Onion haben sich als eine der aufregendsten Acts der neuen polnischen Jazzwelle etabliert. Ihr einzigartiger Stil geniesst internationale Anerkennung, was sich in Gigs in 25 Ländern Europas und Asiens widerspiegelt. Die neue LP "Technaturalism" geht über Jazz hinaus und bietet eine fesselnde Mischung aus elektronischer Hardstyle-Energie und zarten, lyrischen Momenten, in der die Band moderne Technologie mit organischer Sensibilität verbindet. Das in Eigenregie geschriebene, aufgenommene, produzierte und gemischte Album gab ihnen die Freiheit, einen wahrhaft originellen Sound zu kreieren. Das Vinyl wurde von Stefan Betke bei Scape Mastering gemastert.

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27,31
Dialog - Live

Dialog

Live

12inchSOUND01
Dialog Records
28.04.2025

Experimental dub techno duo Dialog present their first officially released live recording. Captured at the intimate French festival Pe:rsona, from the team behind the Positive Education events, the recording captures Samuel van Dijk (VC-118A) and Rasmus Hedlund exploring mechanical rhythmic impulses and organic tones and textures—malleable metallic and elemental forms passing through chasms of processing and shrouded in womb-like melancholic hum.

Across two sides of immersive, head-nodding sonics, Dialog take the principles of dub techno into forward-thinking territory with a distinctly tactile approach to sound design—a mind-melting listen for casual chillers and committed voyagers alike.

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13,15
Immortal Onion - Technaturalism (LP)

Immortal Onion haben sich als eine der aufregendsten Acts der neuen polnischen Jazzwelle etabliert. Ihr einzigartiger Stil geniesst internationale Anerkennung, was sich in Gigs in 25 Ländern Europas und Asiens widerspiegelt. Die neue LP "Technaturalism" geht über Jazz hinaus und bietet eine fesselnde Mischung aus elektronischer Hardstyle-Energie und zarten, lyrischen Momenten, in der die Band moderne Technologie mit organischer Sensibilität verbindet. Das in Eigenregie geschriebene, aufgenommene, produzierte und gemischte Album gab ihnen die Freiheit, einen wahrhaft originellen Sound zu kreieren. Das Vinyl wurde von Stefan Betke bei Scape Mastering gemastert.

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33,57
Bézier - Contraption

Bézier

Contraption

12inchKSPAN003
Körperspannung
25.04.2025

From the same recording sessions as Bézier's first EP on Körperspannung records 'Negative Velocity', 'Contraption' channels a few moods and scenarios.

On the a-side 'Contraption' is an insignificant droplet darting through the sky. Soon it joins a disarray of objects positioned above the atmosphere, maneuvers in formation to reveal randomized, decentralized nodes packed for mayhem.

On the b-side Bézier shows a slice of his lived experience. Back in 2004 he used to go to house parties around East LA with friends they grew up with every weekend to listen to music. Winding through the Southern Californian roadway sprawl they'd drive 1/2 an hour to 1 hour on the I-10 (sometimes diverting to Route 60 if gridlock is expected) to get to the location, usually in a residential neighborhood. Being respectful of the communities and the struggle of the progenitors of this music, Bézier presents 'Blue Halo' as an homage to that sound with a twist: Cumbia-Synth to provide a little sauce for your ears. Dave Easlick joins the milieu to provide a percussive framework for this tune.

Lastly, 'Bit by an Electric Wire' showcases Easlick's drumming with an overlay from Bézier. As Dave rips and shreds through his drum kit the OCD machine living inside Yang's brain switches on and organizes, collates and files that dataset into a hardcore rhythm track.

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14,66
Various - One Hundred

Various

One Hundred

12inchBEATALISTICS100
Beatalistics Records
24.04.2025

BEATALISTICS, the soulful South-German Drum & Bass label, run by Enea and MC Fava, is celebrating its 100th release. ONEHUNDRED reflects on almost one and a half decades of label back catalogue with a 29 tunes strong 'best of' various artists digital compilation. Included are also 6 brand new tunes which are packed on a vinyl sampler In addition. Featured is orchestral DnB pioneer KEENO who puts his magic hands of 'Sarah', taken off FAVA's Destiny EP with Smote & Becca Jane Grey and rounds up the meaningful song with his cinematic trademark sound . FAVA also adds some decent chants to COMMAND STRANGE'S 'Kindness Flow, a positive and uplifting liquid roller that is going to make your soul smile for sure. Long time label friend PAUL SG, head honcho of the brilliant soul driven Austrian imprint Jazzsticks delivers one of his signature amen break soul-rollers with 'Pale White Boy'. Label boss ENEA can't be missed on here and literally delivers the 'Heat' with his contribution. Beatalistics sticks to the label philosophy and supports local talents and important label representatives DAVA and MOJOMAN.'Pictures' delivers dancefloor vibes with a deep bassline and strong vocal arrangement and proves that Dava is one to watch out for in the near future. MOJOMAN maintains a desire to dance with the hypnotizing 'Pillers of Nah', following his unmistakably melodic and hymnal style.

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13,87
INDEX FOR WORKING MUSIK - WHICH DIRECTION GOES THE BEAM

In this post Sounds world, the boundaries of Post Punk have not only broadened but splintered. And over the course of (now) four releases, Index For Working Musik have seen to using the sprawling boundaries to great effect, flexing a polyglot of styles to convey the language of the moment. On Which Direction Goes The Beam, the murky, distant ambience that was 2023's Indexé has been fleshed out, incorporating everything from the Brian Aldiss laced, ground lightning shudder of Dome, to the chamber-like arrangements of This Kind Of Punishment. There's even a candle flickering in the window for Think Fellers Union Local 282 that warmed these ears. And if you're a fan of the great Dutch band, Trespassers W (who isn't?), the collective consciousness IFWM enunciates on here is a similar testament of a band growing more sure footed in the pursuit of not only knowing all the ways in, but carving a few of their own on the way out. And it's discerning releases like Which Direction Goes The Beam that keep us in the hunt. Long may they forge. - Tom Lax. RIYL: Brian Jonestown Massacre, Velvet Underground, TOY, John Cale, Wire, Dome

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18,45
Tommy Vicari JNR & Loopdeville - Celestial Dance EP

Foxtail Records delivers its first vinyl release with a true soundtrack for the skies of heaven.
Celestial Dance EP by Tommy Vicari JNR and Loopdeville. A 4-track journey through celestial soundscapes, this release is a cure for the heart, pulling you into a dreamlike, cosmic realm.
Join us on this journey.
The stunning artwork comes from legendary Japanese painter Suyama Masaru, capturing the essence of freedom and escape-how our souls truly feel.

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14,08
Cosmic Ac - For Now

Cosmic Ac

For Now

12inchJUSTINKAYEP
Album Label
17.04.2025

The late great Cosmic AC's vast catalogue again yields some posthumous treasure with part two of the For Now album. It's another record that is as sophisticated as it is adventures with plenty of painstakingly crafted but effortless smooth breakbeats on 'Larvy' topped with pensive synths. Elsewhere there are logic-defying rhythm structures on 'Snood', hooky synth shimmers and more raw textures on 'Wisconsin Desert' and jazzy, cosmic motifs on the wonderful 'Setting Sun'. This is a high-class mini-album full of next-level sound designs and turbo-brain drum patterns. It makes for a compelling listen wherever you may be.

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23,49
Alpine DJ - ILLUSIONS

Alpine Dj

ILLUSIONS

12inchGRAPE001
GRAPE CITY RECORDS
17.04.2025

Collecting Orders For Repress

Debut EP on Grape City Records for French young wizard Alpine DJ, full-heart producer, profoundly musician, formerly known behind the decks for depicting his high intensity creativity through energetic DJ skills, or sharing machines with his companions of Hanna & Robbie, delivering entrancing and shamanic live acts.

Alpine DJ evolves in « Illusions » with playful synths, epic adventurous lines, shooting star lasers, penetrating colors and pearlescent layers, and delivers a glazed 4-track EP rooted in post disco heritage gloomily twisted with new-school trancy house oddities and futuristic techno driven bass lines. Propulsive gear for peak time and ascensions of euphoria, settled in dreamy and spacey energies, proving Alpine’s shrewdness in musical and production search exploration, a juvenile yet extra-sharp lucidity.

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13,87
CHRIS COCO & DJ ROCCA - COCOROCCA DISCOTECA

DJ Rocca and Chris Coco spent some time hanging out together by the pool at an intimate festival called La Casella in Umbria in the
late summer of 2019.
They spent a lot of time talking about Italo Disco, the Rimini / Riccione riviera in it’s heyday in the 90s and classic clubs from the early
days of the Italian scene.
By the end of that beautiful weekend they had decided to make some music together that would somehow capture and reflect their own
hazy memories of places they visited or played and nostalgic dreams of earlier scenes they were too young to participate in.
Over the ensuing months the idea developed into an imaginary retro-futuristic club called CocoRocca DiscoTeca, a fantasy version of
a past club that never existed and at the same time a future club that was really possible to create one day.
If there was such a club, what would the music sound like?
Surely, a fusion of various sounds of dub/house/disco that the pair of DJs had been collecting and playing out for years. So inspiration
lists were made and ,slowly, a soundtrack for a night at that imaginary club began to take shape, beginning slow and dreamy, for the
moment of arrival; lifting up to a peak; and finally drifting down to the final tune of the night.
The result goes something like this…

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22,90
VENICE AFFAIR - ASCENSION

Venice Affair

ASCENSION

7"-VinylRWCLTR028
Raw Culture
14.04.2025

Venice Affaie seeks only to give humans a look into their own lives, history, suffering, and peace, all while providing a backbeat sprinkled with sexuality, romanticism, and especially entertainment. The concept of “Ascension” is much larger than a description of upward motion; it is the human description of our evolution from four to two, from caves to high rises, from child to elder, and from stardust to flesh. This collection of songs has been in the works since 2021 and meticulously arranged to provide the best possible lens into Venice Affair’s concept of human existence.

The track “Alive” seeks to display the contrast between the wholesomeness of romantic affection and the emotional torture of such affection falling through due to externalities. “Dead of Night” is an observation of emotions one may feel when the subject of their love is away without care, leaving in their path longing and unspecified vitriol. “The Web” is a natural progression of these emotions in the verses, a culmination of feelings that leads one to leave. Leaving a once bountiful love is compared through the analogy of nomadic people leaving a region which was once home, now depleted of resources, rain, and vegetation.

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13,40
Daniele Baldelli & Marco Fratty - Oil Painting 2x12"

Leng Records’ first album of the year release comes courtesy of two contrasting legends of Italian dance music, Afro-Cosmic pioneer Danielle Baldelli and sometime FPI Project member Marco Fratty (real name Marco Frattini).

Both producers have a wealth of experience. Baldelli first to rose to fame as resident DJ at the near mythical Cosmic Club in the early 1980's, before moving into music production two decades ago. Since then, he’s collaborated with heaps of producers – most notably DJ Rocca, Marco Dionigi and Dario Piana – but “Oil Painting” marks his first collaboration with Frattini, an experienced producer whose bustling discography stretches right back to the Italian house explosion of the late 1980's and early ’90s.

The pair’s debut collaborative release is bold, bubbly, vibrant and funky, with the storied Italian veterans making extensive use of live instrumentation, vintage synthesizers and chugging, floor-friendly grooves. As you’d expect from a Baldelli-related project, the influences are obvious – think funk, dub-disco, cosmic rock, Italo-disco and nu-disco – but the resulting colourful cuts refuse to settle on one specific style.

Firmly focused on the dancefloor, “Oil Painting” is a gleeful, celebratory and excitable as anything either producer has released to date. For proof, check the surging arpeggio style synth-bass, kaleidoscopic synthesizer lines and eyes-closed rock guitar solos of “Automatic Amplitude”, the flute-laden dub disco shuffle of “Jasmine Flavour”, the organ-laden cosmic funk chug of “Oil Painting” and the lolloping disco-funk exuberance of “Steam Engine”, where crunchy guitar licks and Meters style organ stabs wrap themselves around a vintage disco bassline and head-nodding, toe-tapping drums.

The highlights don’t step there, either. Check the percussion and delay-laden Afro-Cosmic funk fusion of “Slinky Funk”, a veritably tropical excursion that repurposes the bassline and incessant cowbells from Cymande classic “Bra”, and the Clavinet-heavy stomp of “Positive Flow”, whose snaking, constantly-changing saxophone solo and flash-fried guitar riffs help create a thrillingly excitable mood.

From start to finish, “Oil Painting” is an album full to bursting with musical joy and umpteen giddy calls towards the dancefloor. From producers of Baledlli and Frattini’s experience, we’d expect nothing less.

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26,01
RED PIG FLOWER - PRACTICE LOVE LP 2x12"

Red Pig Flower brings you her sensational debut album Practice Love, available on Sound Of Vast from 10th April. Her unique sound sits upon the apex of a three-sided pyramid. With Berlin, Tokyo and Seoul as the base, Red is a third culture kid, greater than the sum of her parts. The centre is filled with her incredible appreciation and knowledge of house and electronic music from every pin drop through history.

So taken with Red Pig Flower’s sound, Honey Dijon invited Red to her Southbank Centre show to play alongside her. Moxie loves her that much, that she invited Red to record a mix and to guest on her NTS show. Alan Fitzpatrick, and Just Her are amongst Red’s growing posse of followers.

Practice Love is a culmination of all of Red Pig Flower’s life experiences, brimming with her positive energy and an outlook on life of pure love. Red has collaborated with like-minded artists at every level: the music, the cover art and video all produced with talented friends, who get Red as the wonderful person she is and understand her vision. Her label partner and good friend, Knock in particular helped make Practice Love the incredible album it is. So intuitive is their musical symbiosis, they made 20 tracks and carefully curated and ordered nine of these, making an album of tracks that stand out on their own, yet flow perfectly as an album. Practice Love will make you feel joyous when you play it. By the end, you will feel like you know Red like a friend.

Practice Love kicks off with I don’t care, it makes you feel good: a dreamy, tribal mantra of a track that does exactly what it says on the tin. Next up is I Love To Dance. Red’s beautiful soft vocal is sweet yet poignant, leaving you in no doubt of her sincerity. Thirdly comes Feel Good Music. Are you getting a feel from the track names yet that this is an album of warmth and positivity? You can imagine this one at a Café Del Mar sunset, where those who get the spirituality of Ibiza come together, in the moment to appreciate the beauty of a sunset and understand that no matter how many you see, each is magical and unique.

The three tracks so far have taken you to twilight. The titular Practice Love takes you by the hand onto the dancefloor. There is a double meaning to ‘Practice Love’- The first is to make love your practice. The second is that you need to practice love to be able to become a practitioner of love. The video, shot by her friend Jelly, features Red Pig Flower in Brick Lane, London, wearing a little piggy mask and offering free hugs. The first passersby ignore her sign, but Red isn’t disheartened, spreading the right message, dancing with joy. Her optimism is rewarded, making peoples day better on a cold English afternoon.

Fifth track Sax and Drugs takes things a little sleazier, the beat is filthy and the synths are sexy. Your body starts to move to this one before your brain even realises. The incredible Declan McDermott joins on saxophone, the funkiest synths and Red’s sultry vocal washing your soul with Laurent Garnier inspired sunlight. On Thisiz House Music, again featuring Declan, Red takes you even further back. About Frankie Knuckles O’Clock, with a portal straight to 2025.

By now, you will agree with me that Practice Love flows so, so well. I Wanna Meet Somebody follows incredibly, continuing the feeling that if you close your eyes, you’re dancing with David Mancuso at the Loft. No Money completes this EP-within-an-album. Perfect vocal samples, valve synth riff and 808 drum patterns showing that producers as good as Red Pig Flower make it sound effortless. The best albums finish memorably and No Genre is one of those perfect finishers. Think Andrew Wetherall’s production on Screamadelica. The lights are up in the club, nobody wants to go home, arms in the air wanting more.

Red Pig Flower explains: Practice Love resonates deeply with me because house music has always been a sanctuary—a place for unity, joy, and self-expression. As a nomad and outsider, club culture and house music became my shelter. The cities I’ve lived in—Seoul, Tokyo, Berlin, and London and more—nurtured me and shaped who I am today. That’s why the cover, by the incredible Carlos Sulpizio features their skylines, and the album is multilingual, representing the diverse influences in my life.

Practice Love is like a meal that has been prepared lovingly. They always taste better. And there’s plenty more to come from Red Pig Flower. How was your appetizer?

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25,84
Various - Dysto Disco EP

Various

Dysto Disco EP

12inchKMN007
Kommuna
10.04.2025

Kommuna is celebrating its 10th year of activity with a special dancefloor-focused record. The name Dysto Disco reflects the essence of the music presented in this EP and the glimmer of hope that music provides during these dystopian times.

Fabricio’s Collateral Effect is a feel-good dancefloor groover with driving basslines and addictive vocals, guaranteed to get the crowd moving. Charleze offers the elegant Rage Power, a track that explores the deeper shades of house—perfect for setting the tone of a set.

The B-side carries a unique French touch, with talented producers Wooka and Mooglee bringing the goods. Wooka’s Tirty Dalk is packed with raw energy and unexpected twists, while Mooglee closes the EP with Things I Love, an ode to positivity and joy. As the vocals suggest, "We’re just representing peace and love, getting together, and let’s all have fun!"

Limited vinyl label. Based in Barcelona, curated by CMYK & pekkuliar.

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12,40
Dennis Ferrer - The World As I See It LP 2x12"

One of the most iconic labels in house music made a major return in 2024. King Street Sounds is celebrating its legacy with a series of re-releases that dive into its extensive back catalogue, showcasing some of its biggest releases. One of these being Dennis Ferrer’s iconic debut solo album The World As I See It from 2006. A body of work that sounds as good today as it did 19 years ago and, in that time, has gone on to become one of the greatest house music albums of the last 25 years. This release will be the first time all ten tracks from the album have been included in one vinyl package, and will include a frameable, double sided record sleeve sized poster. With copies of previous editions of the album costing close to £100 on the second-hand market, this limited sky blue vinyl edition will give a new generation of house & electronic music fans an opportunity to own this piece of dance music history.

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31,05
Joe Smooth - Promised Land LP

Joe Smooth

Promised Land LP

12inchARMA496V
Armada
10.04.2025

Joe Smooth’s 1987 house anthem 'Promised Land' is arguably one of the most recognizable records of its time. While touring in Europe with Farley 'Jackmaster' Funk, Joe Smooth noticed the growing popularity of house music across the continent. Inspired by his love for Motown records, he wrote a track that expresses themes of positivity and inclusion, resonating with ravers worldwide. This record is an essential addition for ravers and music lovers alike—it's a significant piece of history now available once again on LP, and also includes the previously unreleased and forgotten gem from '87, 'Inside My Mind', which has now been dug from the vaults and remastered for this new pressing. This version is only available for RSD, on 'dove white' vinyl, in celebration of the title track and house anthem, Promised land.

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26,47
Verdure, Ciklo - Natus Ex Nebula
 
2
également disponible

Red Vinyl[24,16 €]


New sounds from the gaullic underground on Violent Cases’ latest release, the first one since many moons. Two long tracks born out of myths and mist to take you on a mental journey.
Side A’s „Chaos Theory“ sets off at 145 bpm. Synth layers and strings over deep bass create the atmosphere. Drama. Then a brilliant incorporation of a classic guitar solo in mid track. Unique.
Side B „Pagan Blade“ is a joint venture with Ciklo and ups the tempo to 160 bpm. Rolling and riding it’s pushing the dance floor while the pagan assassin whispers the rhythm.

You can tell the artists have honed their skills playing live, these tracks will unfold their full potential and deepness on a proper system.

Stunning full sleeve artwork by Darkam. Graphically edited and arranged by TDSIGNZ. Mastered by Stefan ZMK in the low countries.
Each copy includes an artwork poster, artwork sticker and digital download link.

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18,70
Various - The Electro Guilde V

LIMITED POSTER EDITION (inclusive stickers)

Get ready for The Electro Guilde V on Zodiak Commune Records, featuring:

Robodrum - Call Me Bitch: Sharp electro beats, electrifying basslines and Commanding vocals.
RedJack - Call The Monster: Dark, ominous basslines to awaken the beast in you.
Baka - Flux: Smooth, futuristic grooves that pull you in.
Baka - Androids Hate Marching: Electrifying beats and razor-sharp rhythms.

These tracks are set to dominate the dance floor-don't miss them!

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11,72
X-Plode - First Of Many / Watch This Go

At the start of the 1980’s X-Plode’s dad had a second-hand colour TV business in Bolton, Lancashire where he would buy, sell, repair and trade TVs. He would come back home with all kinds of things he had traded for a TV but the most memorable, to a 10 year old kid at that time, were the keyboards. He use to watch his dad play songs from the 1960’s on these keyboards and when his dad had gone out, Lee X-Plode would sneak on them and start messing about, experimenting with the drum programs and fiddling with the buttons, trying out ideas. He had to move fast though because these keyboards didn’t stay in the house for long as his dad would trade them again for something else; one time that was an old analogue echo chamber, which Lee also messed about with when his dad was out. That echo chamber was a revelation to Lee and opened up the possibilities of what was possible with sound. So by the time Lee was 16, he decided he wanted his own keyboard and started saving. When his 17th birthday came around he had saved up £200 and visited his local Argos where he bought himself a Yamaha PSS 680, an FM synthesizer with memory banks and a basic drum machine incorporated. ‘It was shit quality like, but I didn’t mind. I just wanted it for the programmable drum machine, the synth and the memory banks that came with it” Lee recalls. The year was 1987 and by this time in Lee’s life he was into reggae and hip hop, the latter he first embraced in 1983 by the way of breakdancing and listening to electro, so all he wanted to do when he got his gear was make reggae and electro sounding beats. Recalling his youth and the fun he had with the echo chamber, the next edition to his home set up was to acquire one of those, which he did via a mate of his. But by the time he got his minimal set up sorted in 1988, his musical tastes had changed. House music had landed here in UK and this was Lee’s new passion, so from that point on wards he started experimenting, trying to nail a decent house groove. ‘I wanted 808 sounds, but I didn’t know what one was!’ Lee explains.

Around late 1990 or early 1991, Lee started to improve upon his set up, purchasing an Atari STE, a Cheetah MS6 , a 6 voice polyphonic/multi-timbre analogue rack mounted synth that linked up to his Yamaha – “It wasn’t a great bit of kit, I kept getting electric shocks from it. Eventually it just blew up!” Lee had acquired a cracked copy of Cubase on floppy disk from his local computer game shop but struggled with it. “It was so complicated to understand and took me ages to get used to it. I was stoned a lot back then and I just couldn’t concentrate on anything for long” Lee laughs, continuing “I also picked up a 4 channel sampler/sequencer which plugged into the side of the Atari and that’s when I first started sampling, I think this would have been late 1991. I had the Simon Harris ‘Breaks, Beats and Scratches’ vinyl that he put out on Music for Life which were a godsend back then. I was also sampling a lot from cassette tapes, especially reggae. I would also record the Stu Allan show on Key 103FM, one of the main stations broadcasting out of Manchester. He would do a 3 hour show with hip hop and house, and then hardcore house came along. Eventually he dropped the hip hop altogether and it was just house and hardcore. I recorded the shows onto cassette most weeks and started to learn more about how house and hardcore was put together by listening to those shows.”

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16,18
Perzeptiverdampfkesselqualmtbesinnlich - Vor dem Punkt ist nach dem Punkt Cassette

Synaptic Cliffs is committed to discovering unknown and unreleased music in the future, testing it in the past, and selling it in the present. This is the only way to ensure that art is timeless. The recordings on this cassette, however, were purchased in 2073 from a beautiful woman named pdqb at the Marché aux Puces in Paris for only 0.0000000000000000001 Bitcoin, but on the condition that all the material is distributed on one cassette, namely exactly as described hereinafter: The short tracks from the years 1984 to 1989 are on the A-side, and one of these recordings must be supplemented with vocals by Max Müller, the singer of the infamous Berlin band Mutter. On the B-side, there will be a binaural 16.7-tone music composition from the year 2047. Furthermore, all recordings must be mastered by Mike Grinser. Last but not least, only high-quality chrome tape may be used for production. In August 2027, the music magazine Melody Maker, which will be published again from 2026, will write: " ' Vor dem Punkt ist nach dem Punkt' is a surprisingly singular work with a creative force of near-unprecedented degree. It is one of the most beautiful and best-sounding post-punk albums of the last 40 years, and it is certainly the main reason why we are currently experiencing a huge comeback of post-punk, shoegaze, and goth rock."

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15,92
Pieter Kock - The End ll LP 2x12"

Pieter Kock

The End ll LP 2x12"

2x12inchMMLPXXX101
Macadam Mambo
31.03.2025

It was quite unexpected to see the very prolific and talended Pieter Kock featuring on Macadam Mambo - which is usualy used to new-comers - as he has released a lot in the past 2 years on very nice labels like RIO, Meakusma or Moonwalk X. But, the demos that he sent were so good that there was no question about doing something. And with a lot of possibilities, to prepare a double album that is now composed of 15 quality tracks for 1h20 of music... What vibes are in here! It’s heavy, loudy, loopy, mental, smokey, and always surprising. Pieter has is very own universe, and is without doubt one of the most interesting electronic musician at the moment.

Should we ask you to give chance to this opus, and tell you you won’t regret it ? We don’t think we need to do so... J

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24,33
Unspecified Enemies - Romance in the Age of Adaptive Feedback

Unspecified Enemies, the project led by Louis Digital (Numbers, Counterattack, Arcola) present their debut album Romance in the Age of Adaptive Feedback.

Written and produced by Louis Digital, the album incorporates fragments of music data generated by long-time collaborator CiM (Ann Aimee, Delsin). Describing the title track, Louis Digital states:

“It’s the microelectronic sound of a city playing strange light games with itself, evoking bitcrushed desires and floating images, an urban phantasy stored on the broken circuits of an Ensoniq ASR-10.”

The origins of Romance in the Age of Adaptive Feedback trace back to 2006, when Louis Digital launched Diamond Sea, a series of events at London’s ICA that introduced the Unspecified Enemies project and a label called City of Quartz. The vision was to merge the hi-tech electronic textures of contemporary R&B with the sampling and sequencing techniques of pioneers like Anthony Shakir and Soundhack. However, the music was lost in time, and City of Quartz never released a single record.

Yet, the story took an unexpected turn. At one of these events, Spencer from Numbers received a CD containing early recordings. Years later, Numbers encouraged Louis Digital to reconstruct the lost music for an album. The result is a work resurrected from the past and reimagined for the future—retrieved in fragments from a broken Iomega Jazz SCSI Drive.

Expanding on the album’s themes, Louis Digital reflects:

“By the late ’90s the cinematic image of Los Angeles and the sound of Detroit techno had crystallised a new style of living in time and space. In 1997 Mike Davis — the political activist, urbanist, writer and historian of Los Angeles — suggested that it all had “something to do with a microelectronic aesthetic of very transient and decaying states”. It was a romantic vision — one where the city’s glass surfaces reflected a musical desire for futurity not yet dominated by data-driven corporate life. These were strange days to live through. This album evokes the embers of this fibre-optic moment, when urban revolution in an age of digital reification still felt possible.”

The album features full sleeve artwork and a poster designed by Ben Drury. In support of the release, an NTS show titled Romance and Reification will explore the cinematic and electronic music influences behind the album.

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19,96
Wata Igarashi - Agartha Remixe

Wata Igarashi

Agartha Remixe

12inchKOM498
Kompakt
28.03.2025

Over the course of a decade, Wata Igarashi has risen as one of techno's most accomplished DJs and producers. His highly aesthetic trademark sound is as heavily psychedelic as it's driven by its stern kinetic energy. It's often overlooked that Igarashi is much more than a torch bearer of the raw hypnotic techno he became known for. He's also a very accomplished and versatile musician with a deep understanding of the cause and effect of sound design. His skills are fully on display on 2023's full length "Agartha", a film score to a fictitious movie about the mythical underworld of planet Mars. It was a rather obvious idea to cross the bridge between this epic deep listening album and Wata Igarashi's techno persona by having him remix himself. As you might expect, the "Agartha Sorcery Acid Mix" has turned out to be a masterclass in psychedelic designer techno. It's slightly slower in BPM as the usual Igarashi fare but every bit as captivating. The "Floating Against Time Shimmering Mix" shows another intriguing facet of Wata's spectrum. Let's call it: Psychedelic Deep House. KOMPAKT's very own Michael Mayer couldn't resist to turn the Godzilla soundtrack-ish "Ceremony Of The Dead" into a positively hysterical minimal disco operette. And then there's the "Fusion Mix of Abyss x Darkness" by Philipp Stoffel, a fresh Cologne DJ producer whose AKTE club nights just spawned a label by the same name. He's definitely one to keep an eye on in 2025.
Im Laufe eines Jahrzehnts hat sich Wata Igarashi zu einem der versiertesten DJs und Produzenten im Bereich Techno entwickelt. Sein hochästhetischer, unverwechselbarer Sound ist ebenso stark psychedelisch entrückt wie von einer strengen kinetischen Energie angetrieben. Oft wird übersehen, dass Igarashi viel mehr ist als nur ein Fackelträger des rohen, hypnotischen Techno, für den er bekannt wurde. Er ist auch ein sehr versierter und vielseitiger Musiker mit einem tiefen Verständnis für Ursache und Wirkung von Sounddesign. Seine Fähigkeiten kommen auf dem Longplayer „Agartha“ von 2023 voll zum Ausdruck, einer Filmmusik zu einem fiktiven Film über die mythische Unterwelt des Planeten Mars. Es lag nahe, die Brücke zwischen diesem epischen Deep-Listening-Album und Wata Igarashis Techno-Persönlichkeit zu schlagen, indem man ihn sich selbst remixen ließ. Wie zu erwarten war, ist der „Agartha Sorcery Acid Mix“ eine Masterclass des psychedelischen Designer-Techno. Mit einer etwas geringeren BPM-Zahl als bei Igarashis üblicher Musik, aber genauso fesselnd. Der „Floating Against Time Shimmering Mix“ zeigt eine weitere faszinierende Facette von Watas Spektrum. Nennen wir es: Psychedelic Deep House. KOMPAKTs Michael Mayer konnte nicht widerstehen, den Godzilla-Soundtrack-ähnlichen Song „Ceremony Of The Dead“ in eine geradezu hysterische Minimal-Disco-Operette zu verwandeln. Und dann gibt es noch den „Fusion Mix of Abyss x Darkness“ von Philipp Stoffel, einem jungen Kölner DJ-Produzenten, aus dessen AKTE-Clubnächten gerade ein Label mit dem gleichen Namen hervorgegangen ist. Er ist definitiv einer, den man 2025 im Auge behalten sollte.

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11,72
Shawn Lee's GPS Band - Lost

The multi-talented global traveller Shawn Lee starts the new year 2025 with "Lost", the first album by Shawn Lee's GPS Band. The story behind the album is best told by the artist himself: "Inspiration can come from the most unlikely places. In this case…Italy. While on tour there in 2024, I found that I never knew where I was or where I was going. For that matter, I affectionately dubbed it 'The Lost in Italy Tour'!"

Shawn Lee continues: "While listening to music in the car barreling down the open road, GPS voice directions kept barking instructions over the tunes. Suddenly, the full musical concept of the 'Lost' album smacked me right between my ears. Instrumental tracks equipped with GPS voices on top robotically guiding me to my various destinations. Sometimes it was a venue like the Parasdiso in Amsterdam. or record label like Légére in Hamburg - and for goodness' sake, even a pizza restaurant in Italy! The possibilities were infinite.

"I lovingly explored the sounds of the late 70s & early 80s delicious brew of Post-Punk, Post-Disco, Krautrock, Punk-Funk, old school HipHop and No Wave. Armed with a P bass,Madcat Telecaster, a handful of synths and a few choice effects, the album was both a minimal and focused affair. Sometimes less is more… The world on the other hand, is way more than less and a very big place to get 'Lost'. So this is just the beginning of a long journey and with my GPS Band, I will always arrive at my destination."

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23,74
Tumblack - Tumblack LP

Tumblack

Tumblack LP

12inchBEWITH167LP
Be With Records
21.03.2025

There's iconic. Then there's *iconic*.

A MASSIVE speaker-smashing release, decades overdue. It's been bootlegged - shamefully so, many times over the years - but finally we present the first ever officially licensed reissue of this truly special Afro-disco-not-disco LP from 1979. A favourite of Harvey, Antal, Young Marco and, er, every great DJ to ever play deep records ever, basically. It's not hard to see - or, indeed, *feel* why.

Gem after gem of relentless, irresistibly funky gold, it's an incredibly revelatory album with endlessly complex drum patterns and basslines to dive into, throughout. Truly, this is uniquely FIRE music, unlike anything else you've ever heard, based on Gwo ka music from the gorgeous islands of Guadeloupe and Martinique. A thrilling synthesis of primal, hypnotic drums - the most tribal of percussive elements high in the mix throughout - with the loping synth pyrotechnics of, amongst a whole host of other greats, Wally Badarou and bass power of disco funk don Sauveur Mallia (Arpadys, Spatial & Co.)

Originally released on the seminal French label Barclay, you'd be hard pressed to even find an original copy in nice condition anywhere, let alone for a reasonable price, so it's high time an officially licensed, remastered reissue came around. It's just the latest in a long line of Be With reissues where the music sounds like the - drop-dead dazzling - cover. This here is a true drum attack. BUY ON SIGHT!

Tumblack was a short-lived project, produced and arranged by electronic wizard Yves Hayat and it can certainly be regarded as one of the first examples of Zouk, mixing powerful disco-funk arrangements with Gwo ka, traditional music from Guadeloupe. Gwo ka is an Antillean Creole term for "big drum". You can say that again! It refers to both a family of hand drums and the music played with them, which is a major part of Guadeloupean folk music.Whilst the first side is credited to the exceptional Tumblack band, the flip is given over to "Tumblack & Friends". These weren't just any old friends. Oh no, they were the absolute cream of the French scene (think Arpadys, Voyage, Le Club, Giant, CCPP, Synthesis, Swing Family) such as Sauveur Mallia, Wally Badarou, Marc Chantereau on percussion, Slim Pezin on guitar and Jean-Paul Batailley and Pierre Alain-Dahan handling drum duties.

The urgent, frantic "Fracas" gets things moving straight away with a cavalcade of drums and percussive funk before giving way to the stratospheric "Invocation", one of the album's many, many highlights. It's effectively one long heavenly drum break, a really hard, raw, tribal drum workout without a whole lot else going on - and all the better for it! One to make you sweat, no question. Up next, "Jubilé" is announced with a bellowing accapella voice, chanting the titular name before the heaviest of kicks smashes out your system and lulls you into an absolute state of bliss for nearly 6 minutes. Whoooooosh! Rounding out the sensational A-Side, "Vaudou" is a scratchy, funky patterned drum workout which - yep, yet again - absolutely slays your neck muscles, making them snap and contract in extraordinary fashion. TURN IT UP!

Ushering in the B-Side, the brief, fidgety, African chant-funk of "Parlement" segues seamlessly, beautifully into "Waka", an overwhelmingly rich gem of percussive funk. You do not want this to end, once it hits its stride. For maximum heavenly drum pleasure, you'd need to go a long way than the moment "Waka" feels like it's fading out before it kick-drum-blend into the mighty "Caraïba (Intro)". It's just staggeringly good. It's a minute-long layered drum prelude to the gigantic track which follows. Indeed, "Caraïba" is arguably the best loved and most well-known cut off the LP. And with good reason...featuring that Mallia bass, warm Rhodes and clavs, synth magic, memorably alto sax lines and, of course, tribal chanting.

Another mighty super-ahead-of-its-time classic, the bouncing bass heavy synth funk of "Chunga Funk" deploys Mallia and Wally Badarou (on Mini Moog) exceptionally well. I mean, come on, that bassline is just ridiculous. Try not to move to this one. This extraordinary record closes out with the more traditional Gwo ka sounds of "Bateau La Passé", the tribal chorus making the hairs on the back of your neck stand up.

Tumblack really is a gorgeous late-70s disco-not-disco essential. It's an absolute MONSTER that will completely blow you away; and, yes, it's as compelling and trance-inducing as the cover. The audio for Tumblack has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The cover of Tumblack is so iconic and we sought special permission from original artist Hélène Majera to recreate this at Be With HQ. It absolutely zings off the print and serves as the perfect finishing touch to this long overdue re-issue.

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26,85
HIROSHI YOSHIMURA - FLORA LP 2x12"

- Also available on black vinyl - First ever official reissue - Produced in full cooperation with Hiroshi Yoshimura's estate - Liner notes by contemporary music writer and professor Junichi Konuma - Remastered from original sources by John Baldwin - First time on vinyl, cassette, and streaming - 2xLP vinyl housed in gatefold jacket - Discs cut at 45 rpm for optimal sound quality // Following their 2024 reissue of Hiroshi Yoshimura's classic album, Surround, Temporal Drift proudly presents the first-ever reissue of FLORA, Yoshimura's underappreciated ambient classic. FLORA was originally recorded and completed in 1987, and remained unreleased until 2006, nearly three years after Yoshimura's passing in 2003. The album is chronologically and stylistically a follow-up to his acclaimed 1986 works GREEN and SURROUND, wherein Yoshimura continues to play with the ambience of sound and the sound of ambience, underscoring his mastery in the field of environmental music. Yoshimura's other recorded works include Music For Nine Post Cards (1982), originally produced to be played back inside a museum space, and Pier & Loft (1983), commissioned as accompaniment to a contemporary fashion show.

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43,49
En Direct - The Illusion Of Control

Clear Memory welcomes En Direct back. After their appearance on CLEAR001 they released two EP's on our sister label Lunatic. With 'The Illusion Of Control', En Direct release their first album. A long player diving deep into the realms of the human mind and its abyss. Exploring insecurities, uproar and mania with Industrial studies and EBM, rounding it off with bittersweet Minimal Wave and Electro for the sleepless Edition of 200, comes with Info-Sheet.

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17,02
Sonic Youth - Hold That Tiger LP 2x12"

In October 1987, four months after the release of their critically acclaimed Sister LP, Sonic Youth showcased their latest work in a blistering set at Cabaret Metro, Chicago. The concert was introduced by Big Black's Steve Albini (who at the time was banned from the venue) and subsequently released as a semi-official bootleg under the title Hold That Tiger on writer/provocateur Byron Coley's impishly Geffen-baiting label Goofin' (years later the band would use this nom de guerre for their own imprint).

Hold That Tiger's sterling reputation among the Sonic Youth faithful is well deserved. In fact, it isn't a stretch to suggest that the album is to the first handful of SY releases what It's Alive is to the first three Ramones LPs – a feral and liberatory public snapshot of a band's blossoming imperial phase. Indeed, HTT is the sound of a group at the peak of their powers, presenting new songs alongside a handful of older ones with the kind of wild, cathartic enthusiasm common to rock 'n' roll's most revered live albums.

Taking nothing away from Sister – inarguably one of indie rock's first true masterpieces – it is reasonable that many fans prefer the live versions heard on Hold That Tiger to their studio counterparts. On HTT, Sonic Youth is a spiky, pummeling and confident force, alternately mammoth and meditative. Sister and its predecessor EVOL notably added an airy, dreamlike reverie to the band's turbulent doom-lurch, a stylistic evolution that seems to crystallize on HTT. Throughout, Kim Gordon's sinewy, sumptuous bass and Steve Shelley's propulsive, tom-heavy percussion provide the bedrock groove for Thurston Moore and Lee Ranaldo's ferocious barrages of noise-guitar crunch.

By 1987, the band was confidently articulating their dual lexicon of punk-noir dissonance and supernal, psychedelic sonic calligraphy – bending their jagged, streetwise gnarl into balloon animals of dazzling and beautiful songs. This collision of splendor and chaos would become a hallmark of the group's singular alchemy as well as provide a blueprint for the post-SST American underground they would help invent and ultimately nurture.

Hold That Tiger's encore – four songs by the band's beloved Ramones, which Thurston would later astutely compare to "the perfect pudding after a hearty meal" – serves as a reminder that, like any true punks, Sonic Youth never could resist a good, rousing anthem to send the kids home with their ears ringing, their hearts hot-wired.

This first-time reissue with speed-corrected master comes in a gatefold tip-on jacket. Mastered by Bob Weston from the original tapes. Recorded by Aadam Jacobs. Audio repair/editing by Aaron Mullan.

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26,01
Dr Mystery - Far From Home

Dr Mystery

Far From Home

12inchONO101525
Ono
17.03.2025

DR MYSTERY marks her debut release with Ono. ‘Far From Home’ is an eight-track album that glides across the dreamscape of another world. DR MYSTERY’s world, set in the future, exploring sounds that excite the mind and body, underpinning an eclectic take on leftfield techno.

DR MYSTERY’s talent to traverse the intersections between dreams and reality through sonics, positions her as an electric producer who is only just at the beginning of her journey. Ono wishes to capture this moment in a way that feels special, they have handmade 300 sleeves for the ‘Far From Home’ vinyl out of old record sleeves and screen-printed the artwork onto them. Therefore each sleeve is bespoke and one of a kind.

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22,27
CLIPPING. - DEAD CHANNEL SKY LP 2x12"

Clipping.

DEAD CHANNEL SKY LP 2x12"

2x12inchSP1575LPX
Sub Pop
14.03.2025

Because of their mix of hellified gangster shit and progressive compositions, I once jokingly called Clipping "Deathrow Tull." Well, it's not a joke anymore. While Clipping's last few projects have been record-long concepts like classic prog rock, their cyberpunk-infused new album Dead Channel Sky is mixtape-like, a carefully curated collection in which every track is a love letter to a possible present. It sounds crisp and classic at the same time. When something strikes us as retrospective and futuristic at the same time, it's a reminder of how slipshod our present moment truly is. Juxtaposing high-tech, corporate command-and-control systems (the "cyber") with the lo-fi, D.I.Y. underground (the "punk"), cyberpunk proper starts in 1982 and ends in 1999, from Blade Runner to The Matrix. Concurrently, hip-hop matured, went through its Golden Era, then melted into further forms: it went from from Fab 5 Freddy to Public Enemy to Missy Elliott. While other genres flirted with it, hip-hop was fickle and fey. Rap and rock birthed mutant offspring maligned by most, and hip-hop's relations with electronica rarely fared any better. What if someone explicitly merged hip-hop and cyberpunk - those twin suns of the '80s and '90s - into one set and sound? After all, both movements are the result of hacking the haunted leftovers of a war-torn culture that's long since moved on. On Dead Channel Sky, Clipping texture-map the twin histories of hip-hop and cyberpunk onto an alternate present where Rammellzee and Bambaataa are the superheroes of old; where Cybotron and Mantronix are the reigning legends; where Egyptian Lover and Freestyle are debated endlessly, and Ultramag and Public Enemy are the undeniable forefathers; where the lost movements of 1980s and the 1990s are still happening: rave, trip-hop, hip-house, acid house, drum & bass, big beat-the detritus of a different timeline, the survivors of armed audio warfare. Clipping are no strangers to sci-fi: two of their records were nominated for Hugo Awards (one of science fiction's top literary prizes), and a novella spun-off from their music was nominated for a third. On Dead Channel Sky, Clipping's co-conspirators include everyone from the guitarist Nels Cline, to their labelmates Cartel Madras, rapper/actor Tia Nomore, and wordsmith Aesop Rock. Diggs is known for intricate lyrics and rapid-fire rapping, and the tracks that Snipes and Hutson build in the background are no less complex. All of the above serves to give us a glimpse of an adjacent possible present, where hip-hop and cyberpunk are one culture. Binary stars are often perceived as one object when viewed with the naked eye. Like those twin sun systems, it'll take some special equipment and some discerning attention to pull the stars apart on this record. As Diggs barks on the fire-starting "Change the Channel": Everything is very important!

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28,53
Secret Echoes - Particles

Mexican supergroup Secret Echoes unveil their second Crosstown release, Particles
Riding the momentum from their Crosstown Rebels debut back in September, the trio returns on 14th March 2025, backed by a driving remix from Greek DJ/producer Angelos.

Consisting of Estefani Brolo, Diego Cevallos, and Marco Balcazar, three standout talents from Mexico’s rich electronic landscape, Secret Echoes continue to carve their unique sonic identity on Crosstown Rebels with their new single, ‘Particles’. A hypnotic, deep-grooving record, ‘Particles’ channels a fusion of melody and atmosphere, weaving together Brolo’s ethereal vocals with wonky synth lines and rolling percussion. The track seamlessly transitions between immersive listening and peak-time play and showcases the trio’s masterful ability to craft compelling, forward-thinking productions.

On the B-side, Greek DJ and producer Angelos steps up on remix duties. A Grammy winner for his collaboration with Black Coffee, his discography includes standout releases on Saved Records, Higher Ground, and Connected, as well as Crosstown Rebels’ sister label, Rebellion. Bringing a wealth of experience and a refined touch, his rework adds depth and drive to the original, layering pulsating rhythms and warm, emotive melodies to create a tunnelling remix primed for dancefloors worldwide. Following the success of their debut single, ‘Bring My Beat Back’ ‘Particles’ offers another glimpse into their forthcoming LP, reaffirming the trio’s position as a unique force within Mexico’s electronic scene and beyond.

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13,24
Ricky Force - FR018

Anyone that knows what I like and has been following Future Retro London over the years will know that I'm an avid supporter of Ricky Force's music. Having had him on the label in all the ways possible (a solo tune, a remix & a collab), I think it's fair to say that I'm a huge fan of what he does.

Out of the blue, he sent me a big folder of music and I couldn't narrow it down to a 4 track EP so it ended up becoming an 8 tracker, including a new collab I did with him to go on the release.

Thanks to Ricky Force for his quality work on this release & a very special mention going out to Team Hyper D for their co-operation in clearing the sample of Stevie Hyper D on "Sensi".

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28,53
The Other People Place Ft. Mystic Tribe A.i. - Sunday Night Live At The Laptop Cafe

Collecting orders for 2024 Repress

One of the two The Other People Place releases (the Warp full length and this 12). Drexciyan involvement in this classic release is obvious. One of the deepest and intense tracks with such a warm positive vibe. Flipside contains a track by Mystic Tribe. (not very mystical of course for those who know the history of Detroit techno. Unique track from a unique project... and there are not many projects with Tribe in its name. Their release on Retroactive is one Detroit techno collector items). One of those records that get you through the day. Classic!!!
Re-issue on the Clone Aqualung Series with new artwork.

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14,08
Pleasurewood - Off The Wall / Boogie Nights

Dive head first into a parallel universe where the facts of music history have been turned into pliable putty and an alternative world where Rod Temperton never met Quincy Jones, never joined Heatwave and never wrote songs for the greatest pop soul artists of the 70’s and 80’s BUT instead, hung out at a West Berlin commune with a cast of trans-continental musicians playing a hybrid of post-psychedelic rock with overtones of Ghanaian funk and early 80s synth experimentation all the while exploring the mystic tundras of the mind and the celestial palisades of the soul...

This is the parallel universe that the Suffolk based studio dwellers, Pleasurewood inhabit. Let them take you on a journey through some of Temperton’s biggest hits in only a way that Pleasurewood’s genre defying style and studio prowess will allow.

Heatwaves kicks off on vinyl, with a tasty 7” Double A side that is dance floor ready...

It’s an off-kilter affair from side one with ‘Off The Wall’ swirling in a dense fog of phased bass guitar and emerging onto the shore with jutting hips to a groove underpinned by a sweating percussion section and early forms of synthesiser soaring above like crazed Pteranodons.

On the flip side is ‘Boogie Nights’ striding slowly and purposefully into frame with an apocalyptic Bass guitar line riding a solitary cowbell before a synthesiser clarion ushers in the break and the familiar hook with Moog thunder-strikes glowering in the distance.

The 7" includes digital download of the 7-tracks album "Heatwaves".
Limited to 200 copies.

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13,40
Babs Robert & The Love Planet - Babs Robert & The Love Planet LP

360 mcn white-white light cardboard paper / one side only hand plasticization / 2 separated parts prints / hand gluing / PVC outers / original artwork / gatefold sleeve / Bandcamp limited edition 30x60 cm insert with extended liner notes by Tony Higgins and Interview with Babs Robert and Sébastien Gorlé with exclusive pictures and self-portrait by Babs Robert himself printed on GF Smith "Takeo Tant Select" Canvas Paper tip-on left jacket panel / Exclusive never released Memorabilia from Babs Robert's vault.

Personnel:
Babs Robert - alt sax, tenor-sax, electric tenor-sax, Bin Recorder, Acme siren, Chinese-bell, sleigh-bells, maracas, tambourine,hand-rattle,claves)
John Van Rymenant - baritone-sax, fluegelhorn, Bala, tambourine, sleight-bells, cowbell, triangle, claves
Johnny Peret - vibes, bongo's, cowbell, maracas, castanets, rattle-snakes, tambourine, drums, woodclock, trinagle
Johnny Brouwers - piano, prepared-piano, triangle, cowbell, sleigh-bells, maracas, caves,hand-rattle, guiro, woodblock, tambourine
Paul Dubois - bass, triangle, cowbell, claves, rattlesnakes, hand-rattle, woodblock, tambourine
Michel Gobbe - bass,Chinese-bell, claves
Robert Pernet - drum, tambourine, seven-notes M'Bichi, guiro, alarm-siren, home-made metal xylophone, African telephone-drum, triangle, sleigh-bells, Siku

Notes:
Despite its modest role on the world stage, Belgium has produced a number of internationally renowned musicians and composers. There is the iconic gypsy jazz guitar maestro Django Reinhardt, whose position remains unassailable, and guitarist/harmonica player Toots Thielemans, who became an internationally renowned artist performing and recording with Bill Evans, Oscar Peterson, Ella Fitzgerald, Peggy Lee, Shirley Horn and Quincy Jones. The other key Belgian figure is composer/arranger Francy Boland, co-leader with US bebop drumming legend Kenny Clarke of Europe's leading big band of the 60s, the Clarke-Boland Big Band.

The Love Planet performed in the main clubs of Brussels, such as Blue Note, Pol's Jazz Place, and Smog as well as in major musical events throughout Belgium including to big festivals in 1969 - the Avant-Garde Festival in Ghent and the First International Jazz Event in Liege – where the Love Planet shared the bill with Miles Davis - and the Bilzen Jazz Festival in 1970. The contrast between the musical architecture of the themes and sonic freedom in the improvised playing perfectly illustrated the polymorphism – an order within disorder – which the Love Planet aimed for.

The initial original quartet line-up was Babs Robert (sax), Paul Dubois (bass), Johnny Brouwers (piano), and Johnny Peret / Robert Pernet (dru- ms). On the album session, the quartet was augmented with the addition of John Van Rjimenant (saxes) and Michel Gobbe (bass). As well as their main instruments, the band members also played an array of unusual instruments, principally percussion. This is the first official re-release
of the 'Babs Robert and the Love Planet'. Original copies of the album fetch many hundreds of Euros on the collecting circuit and it remains a curious and fascinating window into a moment in time that still resona- tes some fifty years later. Come with us to the Love Planet. (Tony Higgins)

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33,82
Blendreed - Tales Of Tides LP

Unter seinem Pseudonym Blendreed lässt der französische Saxophonist Musina Ebobissé den Erfolg seiner ARMAUN EP aus 2024 mit einer überarbeiteten Neuauflage seines zweiten Albums "Tales Of Tides" auf Vinyl folgen, das Ende 2022 nur im digitalen Eigenvertrieb erschien. Als Konvergenz akustischer und elektronischer Elemente erkundet Blendreed die Schnittstelle zwischen Jazz, Ambient, Post-Rock und experimenteller Musik. Der Hörer wird in einen hypnagogischen Zustand versetzt, die ihm eine Reise der psychischen Flucht bietet, die das Gleichgewicht der Seele wiederherstellt. Wie ein Raum, in dem sich Macintosh Plus und La Monte Young auf Augenhöhe begegnen.

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21,64
Cheikh Lo - Ne La Thiass LP
  • A1: Boul Di Tagale
  • A2: Né La Thiass
  • A3: Ndogal
  • B1: Set
  • B2: Cheikh Ibra Fall
  • B3: Bamba Sunu Goorgui
  • B4: Guiss Guiss

A limited reissue of Cheikh Lô's classic debut album Né La Thiass. Produced by Youssou N'Dour in Dakar in 1995. Cheikh ranks the album as his favourite release.
Available for the frst tme on vinyl, with new artwork and mastered from the original cassete mixes. Includes 2 bonus fully artworked postcards.
180g heavyweight. 16 page colour booklet. Download code included. Cheikh will be touring internatonally throughout 2018.

The efect on frst hearing is positvely spine-tngling - and it
gets beter with every play.'
THE TIMES

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26,26
Kanye West - My Beautiful Dark Twisted Fantasy LP 3x12"

My Beautiful Dark Twisted Fantasy is the fifth studio album by American rapper and producer Kanye West. It was released on November 22, 2010, and featured the singles "Power", "Runaway" "Monster" and "All Of The Lights". Previously only available in the US, this version comes as a 3LP 180 gram vinyl w/ Frameable artwork and Collector’s Posters.

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50,00
Edictum - A Cosmic Scale

The album’s title deftly gestures to the sheer vastness of astronomical dimensions, while simultaneously capturing the musical breadth within, where the eight planets are imagined as the eight notes of an octave. The work draws inspiration not only from earlier compositions —most notably Gustav Holst’s The Planets—but also from the rich astronomical and cultural contexts surrounding these celestial bodies. Here, the focus transcends direct citation of melodic motifs, instead embracing an intriguing conceptual approach on a meta level, unfolding in a series of vividly contrasting soundscapes. These contrasts shape a sweeping sonic journey, one that fully embraces the album format with both arms, inviting the listener to venture into realms both strange and wondrous, feeling the immensity of the interstellar space that lies between them. Contrast, after all, is the brushstroke that enriches our world.

Embarking on an auditory voyage, "Astral Guide" establishes the sonic framework that propels us into the boundless expanses of the cosmos. Its ethereal tones evoke the vastness of space, crafting a mood ripe for exploration within the realms of sci-fi. The subsequent tracks unfold like constellations, weaving a rich tapestry of sound that seamlessly marries cinematic soundscapes with pulsating, club-oriented rhythms. This album invites listeners to traverse its immersive landscapes, whether nestled in the comfort of home or dancing under the starlit sky, each note a guide through the transcendent experience of a nocturnal journey.

"Solar Flares" draws its inspiration from the awe-inspiring expanse of solar phenomena, capturing the majestic power of the sun as it reaches into the cosmos. This track resonates with the idea that energy, while vital, can also be a force of destruction when unleashed with overwhelming intensity. The composition beautifully mirrors the sun’s duality, where brilliance and devastation coexist, inviting listeners to reflect on the delicate balance between creation and annihilation. Through its rich textures and dynamic shifts, "Solar Flares" serves as both a homage to the celestial and a poignant reminder of nature's formidable power.

"Mercury – The Winged Messenger" embodies a meticulously crafted soundscape where artistry meets astronomy. The tempo of 173.6 BPM, derived from precise astronomical data, propels the composition into a vibrant realm that resonates with cosmic energy. Synthwave sound design intertwines seamlessly with the fluid rhythms of Drum’n’Bass, imbuing the piece with an uplifting dynamism that evokes the ethereal grace of Mercury itself. In this sonic exploration, listeners are invited to ascend on wings of sound, navigating the celestial tapestry of the universe with each invigorating beat.

"Venus, The Bringer of Peace" strikes a decidedly cozy note, presenting a poignant contrast to the more tempestuous themes often found in cosmic narratives. This composition evokes a nostalgic vision of an optimistic era, one in which humanity transcended borders and embraced the infinite possibilities of space exploration, where no destination felt too distant. The dense, languid atmosphere envelops the listener, creating a tangible sense of serenity that unfolds gradually, allowing for a meditative journey through sound. Each note serves as an invitation to linger in this tranquil embrace, reflecting on the harmonious potential of our collective aspirations and the beauty of connection in a vast universe.

The central theme of „Gaia, The Bringer of Life“ —originally not part of the planetary cycle— is the profound enabler of life on Earth. The arrangement delicately mirrors the slow, tentative unfolding of this potential, marked by an initially sparse orchestration that gradually builds in momentum. This progression crescendos, embodying the explosive dynamism of the Cambrian burst of life, ultimately culminating in a euphoric fanfare—a triumphant, celebratory flourish echoing life’s victorious emergence.

"Blue Moon" unfolds as a contemplative reverie on the tranquil clarity of a night sky, now seldom glimpsed in its natural purity, unclouded by the relentless haze of urban light. The listener is drawn into the vast embrace of the star-strewn firmament, a journey that sways between euphoric awe at nature’s sublime beauty and a profound melancholy for its fragile and imperiled state. Musically, this duality finds expression in the delicate interplay of modal mixtures, while an ever-shifting triplet groove, poised at the intersection of Outrun and melodic house, lends a pulse that is both nostalgic and forward-looking—echoing the beauty and transience of a world on the brink.

Rather than replicating the original composition of „Mars, The Bringer of War“, this interpretation seeks to evoke its profound, foreboding atmosphere. Cyberpunk emerges here as an ideal genre, channeling the dark, relentless march synonymous with Mars, the ancient god of war. The piece reverberates with intensity, as distorted vocalizations rise, embodying the anguish and visceral torment that shadow war’s violent crescendo. This auditory descent into conflict captures the relentless pulse of warfare, where sound itself becomes an embodiment of suffering and fury.

Majestically, "Jupiter, the Bringer of Jollity" emerges on the celestial stage, sweeping away the somber tones with its radiant vigor. Drawing inspiration from the triumphant strains of the original, and borrowing a melodic motif in the refrain, the piece expresses joy and buoyancy through a shift to a major key and the lilting sway of a danceable 12/8 meter. Spirited and exuberant, it leaps boldly from major to minor and back again, playfully shifting time signatures to capture a mood of unbridled festivity and jollity.

Here, a more conciliatory concept is chosen than in the original inspiration. „Saturn“ aligns with the number six, being the sixth planet from the Sun and bearing the iconic hexagonal pattern at its northern pole. What, then, could be more fitting than to render this piece in a 6/8 time signature? The arrangement unfolds with a multifaceted richness, mirroring the countless stones and ice fragments that form the foundations of Saturn’s majestic rings.

„Uranus“ adopts the theme of a light-footed, dancing instrumentation, giving the impression of perpetual motion, never quite settling. This musical choice harmonizes with the planet’s own orbit, as it spins with breathtaking velocity, teetering and swaying, seemingly unable to attain rest or stability.

The chill and vastness of the cosmos find expression in „Neptune, The Mystic“. At its core, an electronic soundscape envelops a classical arrangement, its unreachability intensified by an ethereal, otherworldly choir. Hovering at the outermost boundaries of the solar system, where warmth is but a distant memory, the composition lingers in a slow, contemplative tempo, evoking a realm where space for speculation stretches wide and silence reigns supreme.

Though Pluto may have lost its planetary status, and its companion Charon never achieved one, this shift in classification subtly aligns with the cosmic scale invoked here—one that mirrors the musical tradition of an eight-note sequence. Fittingly, the album closes with „Kuiper Belt“, a composition emblematic of the turbulence and vitality of countless smaller

celestial bodies that, though diminutive, find their rightful place within the vast architecture of the solar system.

They say nature is the greatest composer, shaping the universe with a symphony of chaos and order, beauty and danger. It is this duality that fuels the artistic vision of Edictum—a producer who, armed with a doctorate in chemistry, delves as deeply into the mysteries of molecules as he does into the depths of sound. In the tension between the vastness of the cosmos and the microscopic processes that dictate life’s rhythm, Edictum creates sonic landscapes that dissolve the boundaries between science and art.

His music is a story of contrasts—a sonic tale where the raw forces of nature clash with the intricate structures of human culture. Opposites intertwine to form a harmonious whole: the primal rhythms of the earth meet the celestial melodies of the cosmos, the rigid laws of physics blend with the boundless freedom of art. Edictum explores these polarities with meticulous devotion, each composition an expedition into uncharted soundscapes—a quest to give voice to the unfathomable.

With over 20 years immersed in the realms of electronic music, Edictum has honed a keen sense for rhythm and movement. His driving beats compel both body and mind into a hypnotic flow. Yet beyond the pulse of dance lies a complex framework of conceptual thought. Today, his creative focus revolves around holistic album projects—self-contained worlds with overarching narratives that embrace contrast and complexity. Each track stands alone as a fragment of the whole, but together, they weave a cohesive tapestry, much like the chapters of a novel that guide the listener on an emotional and sonic journey.

Edictum’s distinctive musical signature has earned him international recognition. With over 150 releases, many on prestigious platforms like the iconic *NewRetroWave* label, and collaborations with artists such as Jan Johnston, Azumi Inoue, Powernerd, and Turbo Knight, he has solidified his place in the global electronic music scene. His latest work, *A Cosmic Scale*, marks his seventh vinyl album and is released under his own label, *Echoes of Expanse*. The label’s name is no coincidence—it captures the essence of his art: echoes of infinity, the vibrations of the universe distilled into a singular sonic experience that carries the listener ever further into the boundless expanse of sound and space.

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22,90
Various - Boys Noize presents ONES and ZEROS LP 3x12"

Boys Noize presents ONES and ZEROS OAZ, a new experimental record label with the mission of breaking open the space of possibilities for techno and beyond. Reflecting new modes of subcultural circulation and integrating music,
objects, and a pluralistic network of artists, OAZ debuts with the 22-track Bo compilation, including two Boys Noize solo tracks, one of them “Bvrning” (Vinyl Only), as well as tracks by Locked Club, Safety Trance & umru, DJ Babatr, Slim Soledad, Schacke, KFR, TINKERHELL, David Löhlein, MarcelDune, and more.

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39,45
Infradisco - Aqua Cheta (Beyond The Remixes)

Archeo Recordings serve a special delight with two extended and alternate reworks from the all star cast behind the recent AR025 Aqua Cheta remix 12”. Dipping into the cool waters of Infradisco’s original LP once again, Hear & Now and Manu Archeo look to the horizon and channel the horizontal with a couple of ambient suites, new age dreamscapes and day trippers, each awash with positive vibrations and healing frequencies.
Perugia's peerless Hear & Now open the 12", cultivating pulsing chords, hazy reverb and elegiac fretwork for a White Isle romance steeped in the sunset lineage of the Café Del Mar. Heart-swelling piano and restrained bass throbs conspire to see the rest of the world melt away, with occasional percussion the only reminder that time is still passing. Though radically different from their dance-floor driven revision on the 12", this is no less impactful, swapping the club sonics for the sensation of sheer beauty.
Not content with making a spectacular production debut via his dubbed out diversion of "Dulcis" last time out, Manu Archeo makes further waves with a meditative masterpiece - spaced out and sprawling through a sultry thirteen minutes. An echo drenched meditation script gradually sinks into the immersive ripple of balmy horn, delicate hand percussion and watery pads, making room for a succession of stunning lead-lines and glistening sequences. If you thought the new age of New Age was over, it's time to open your mind.

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19,96
Delphi - Sport & Calcio LP

Soulful hip hop instrumentals from Italy on Best Record-affiliated Quattro Bambole! "The "Moderna Sonorizzazioni" series by Quattro Bambole Music continues its investigation of the infinite expressive possibilities of instrumental hip-hop, recognizing it as the most contemporary form of library music. After the first two chapters - signed by Biga and JayBee Vibes - the third volume of the series, "Sport & Calcio", features the Roman producer Delphi for whom there was a lot of anticipation on the part of both Italian and scattered beatmakers everywhere in Europe and the United States. With the subtitle which is already a declaration of intent ''Tales of a boy from Rome....'' etc. etc., "Sport & Calcio" is an instrumental fresco in which football and sport become narrative pretexts to evoke images, memories and suggestions. The twelve tracks that make up the album are real cinematic sketches, in which Delphi (born Valerio Del Prete) combines raw beats, nostalgic loops, sample-delia and a narrative that evokes family Sundays, spent on the street as well as stadium, and the heat of the crowded stands. Therefore a work that is musically declined based on moments and emotions.. ''Sport & Calcio'' is therefore a deliberately introspective and not very ''danceable'' work. Sound photographs, short descriptions, themes, small fragments associated with television reports on sport... with which the artist touches chords that allow him to express a different compositional depth, a conceptual work, more descriptive and functional to the line of "Moderna Sonorizzazioni" series."

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20,80
Marina Zispin - Now You See Me, Now You Don't

Synth-pop duo Marina Zispin return with their highly anticipated album Now You See Me (Now You Don’t), set for release on March 7 via Scenic Route.

Now You See Me, Now You Don't is the continuing journey through the ever evolving sound of Marina Zispin AKA Bianca Scout and Martyn Reid. As with their previous EP - the recurring themes of Life and Death loom heavily over the 10 album tracks. With support from 6 Music, Resident Advisor, Pitchfork, METAL, Dummy, The Line of Best Fit, Boomkat, and more for their recent singles. With Now You See Me (Now You Don’t), Marina Zispin further reinforces their reputation for crafting lush, melancholic soundscapes paired with surreal storytelling and ice-cold synth pop.

Since their formation in 2018, bridging Newcastle and London, Marina Zispin have quickly captivated audiences with their ethereal blend of dreamlike melodies and avant-garde textures. Their 2023 debut 12” on Night School paved the way for a successful UK tour, a BBC 6 Music session, and a memorable performance at Bucharest’s Collisions festival.

Bianca Scout, acclaimed for her solo album Pattern Damage (with praise from The Quietus, DJ Mag, Resident Advisor, Pitchfork, Stereogum, Bandcamp, The Wire, and more) continues to push sonic boundaries with her unique fusion of sound collage, post-punk, and poetic lyricism. Recent shows across Europe, including at Poland’s Unsound Festival, underscore the duo’s expanding influence.

With Now You See Me (Now You Don’t), Marina Zispin invite listeners on a captivating journey through a signature blend of fantasy and reality. The album is now available for vinyl pre-order.

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21,81
Guido & Maurizio De Angelis - Squadra Antifurto LP

Here at Four Flies, we kind of feel we need a bigger word than 'proud', this time, to present, in collaboration with Beat Records, the first-ever release of the original soundtrack written in 1976 by Guido & Maurizio De Angelis for the legendary Squadra Antifurto, the second chapter of the comedy-infused crime saga directed by Bruno Corbucci and starring Tomas Milian as the iconic Italian Police Marshal Nico Giraldi.

The excitement in this case is nothing short of gigantic, difficult to rein in for those who, like ourselves, grew up adoring the character played by Milian as one of our cult heroes, and dreaming that the soundtracks of the first three films in the saga – the only ones composed by the De Angelis brothers – would one day be released.

Since the launch of our label, Squadra Antifurto has been at the top of the list of film scores we most wanted to release. Until a few months ago, this dream of ours seemed destined to remain just that, so strong was the conviction in all of us that the master tapes were definitively lost, that they had forever vanished into thin air. That's why their recovery, made possible by Maurizio De Angelis himself and the persistence of our friends at Beat Records, is an extraordinary feat.

Nearly 50 years after it was first heard in cinemas, the soundtrack penned by the De Angelis brothers is resurrected in its entirety and can finally shine its incredible power all over us.

Beautifully seeping through this score – like many others composed by the golden duo in the 1970s – are elements from the Italian, and especially Roman, folk tradition, for instance in the warm, heartfelt ballad sung by Alberto Griso, "E nun ce voio sta," which first plays in the opening credit sequence and is then reprised in various forms throughout the film, culminating with the soul-stirring orchestral version that closes the album's tracklist.

But as in any Italian crime film worthy of that name, a different soundscapetakes centre stage: it's the music that accompanies the countless scenes of tension, action, and pursuit that punctuate the film, and which has made us fall madly in love with this score.

The main theme is a prog-funk joyride, drawing inspiration from the traditional tarantella but elevated to irresistible energy thanks to a rock orchestration featuring psychedelic flutes, wild percussion, distorted electric guitars, piano chords, and various feedback and delay effects.

The resulting groove is just mind-blowing, and we almost can't believe it's finally available on a record, completely remastered for vinyl.

We really couldn't be prouder, and dedicate this release to all passionate fans of Italian crime films, the De Angelis brothers, and Tomas Milian aka Nico Giraldi.

Available starting April 12th on standard black vinyl and limited coloured vinyl (transparent amber, limited to 300 copies).

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33,19
So-Do - Studio Works '83-'85

The story of So-Do is both familiar and completely unique. A classically trained multi-instrumentalist with a poet’s sensibility and a passion for folk music meets a worldly bar owner with a love for psychedelia, post-punk and dub in the small town neither could bring themselves to leave. Over two years, they play dozens of shows in independent live houses across Japan, cut and self-release three singles – two 7”s and a 12” – and leave behind just eight tracks, all of which are set to be reissued for the first time forty years on.

So-Do’s Studio Works ’83-’85 collects the full output of this iconoclastic post-punk phenomenon, whose sparse, syncopated arrangements were infused with a dubbed-out flair that owed more to Dennis Bovell’s productions of Orange Juice, the Jah Wobble basslines of Public Image Limited or Adrian Sherwood’s live dubs of Mark Stewart than even they knew at the time.

Because for lead songwriter Hideshi Akuta, music offered an escape from the existential malaise of small-town life, folding a melancholy nihilism into tracks like ‘Kakashi’ and ‘Hashiru’ (which translates as ‘run’), or taking aim at the inequalities and creeping apathies of the middle classes, as he does on ‘Get Away’ and ‘Nothing’.

And if Talking Heads had CBGBs, Sex Pistols had the Roxy, then So-Do had Buddha. Influenced by Buddha venue owner and amateur producer Atsuo Takeuchi, Akuta turned So-Do’s sound towards dub, crafting playful, ironic and funky compositions that crackle with live energy at the vanguard of Japan’s nascent independent music scene.“So-Do is hard to explain,” Takeuchi says. “It’s been a struggle for years to try to find the words for our music.” The answer perhaps, is just to listen.

Both familiar and completely unique, So-Do extend Time Capsule’s genre-defining exposition of Japan’s reggae-inspired music of the ‘70s and ‘80s, as collected on the label’s two critically acclaimed Tokyo Riddim compilations, and London-based live outfit Tokyo Riddim Band.

Embracing the rip-it-up-and-start-again ethos of the early ‘80s, So-Do burned bright for a short time and then burned out. Their legacy is about to be reignited. Expect it to catch alight once more.


All songs are written & composed by Hideshi Akuta

Produced by Atsuo Takeuchi

Artwork by Ben Arfur
Liner Notes by Anton Spice, Ayana Honma, Kay Suzuki

Curated by Kay Suzuki

Licensed from Atsuo Takeuchi (Oregano Cafe)

Tape Restoration and Mastered by Mike Hillier at Metropolis Studios, London, UK

Time Capsule | TIME023 | 1983-1985 → 2025

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26,26
Various - Various Artists 01 (2x12")

Various

Various Artists 01 (2x12")

2x12inchSEVENVA01
Seven
28.02.2025

SEVENs first VA introduces seven new names to the label.
Kicking off this VA is vinyl enthusiast Sol Ortega with her fast paced track Dabz. With 4 r Luv, Posture created a melodic house tune that is sure to put you in a good mood.

Mastermind producers, Bailey Ibbs and Fergus Sweetland, join forces under the name DD Boys on their track Cannot Stop. Retromigation delivers old school tech house vibes with a touch of hip hop and funk in his track Cariati Feels
.

The G in Baka G stands for groove, and The Blue Spirit is real proof. CucaRafa delights with his debut track as Oliver Benji in Voice Mail.

Finally Ackermann rounds out the VA with another, more fast paced tune called Make You Wanna Do Right, sitting in the sweet spot between house and techno.

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21,43
Parade Ground - The Golden Years (2025 Remaster)

Parade Ground has always been the duo of brothers Jean-Marc and Pierre Pauly from Brussels, Belgium formed in 1981. Taking cues from Post-Punk, Coldwave, Dada and Surrealism, Parade Ground channeled suffering, tension and rage through pulsing synthesizers, skeletal guitar, severe bass and Jean-Marc’s expressive vocals as the most melodic and emotional instrument. The Golden Years is an 11-song, career-spanning collection of Parade Ground’s long out-of-print 7” and 12” singles as well as rare compilation tracks from the pioneers of electronic body music created during 1982-1988.

Parade Ground first appeared on the Nationale Rockmeeting LP in 1982, striking straight to the heart with the passionate plea “I Shut My Eyes.” Later that year the brothers met Daniel B. and Patrick Codenys of Front 242 beginning a collaborative partnership that continues to present day. In 1983 they released their debut 3-song 7” EP Moan On The Sly on the New Dance label, musically a hybrid of Joy Division and Fad Gadget. 1984 brought further explorations into the world of electronic body music with the 3-song Man In A Trance EP and 2 tracks on the live concert compilation Mask Promotion both records released on Front 242's Mask Music label. The following year the single Took Advantage/Moral Support 12” was released incorporating then, state-of-the-art modular synthesizers programmed by Daniel B. and back-up vocals from Flo Sullivan (A Formal Sigh, Shiny Two Shiny). Then in 1987 the brothers collaborated with Colin Newman of British post-punk band Wire, who produced and lent his vocals, guitars and keyboards to two songs ("Moans"/"Action Replay") while Daniel B. produced flipside "Gold Rush" on the Dual Perspective EP that stands alongside 80s anthems from Tears for Fears, Modern English, Echo & The Bunnymen. Finally in 1988 their debut album Cut Up was released on Play It Again Sam Records and featured the singles Strange World and Hollywood. In 1993 the brothers wrote and composed the vocals on two Front 242 albums Up Evil and Off. After 15 years of silence the boys released their second album Rosary in 2007 and continue to write new material and tour with their extensive catalog of dark dance classics. Each LP includes a 6-page press kit with lyrics, discography, photos and liner notes by Daniel B. of Front 242. The history of Belgian electronic music would not be complete without a trip through “The Golden Years” of Parade Ground.

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20,59
AGORIA - UNSHADOW LP 2x12"

Agoria

UNSHADOW LP 2x12"

2x12inchSAPIENSLP005
Sapiens
28.02.2025

Electronic music has never been solely about the music itself or its fame. It has been a fight, a totem. Every week it becomes a universal communion, a celebration, a reconciliation with both ourselves and others. No frontiers, no territories, no certainties other than being as authentic as possible.

As a musician and producer, after five albums, I clearly know that my proposition will always be about diversity more than a single crafted sound. This is how I am: multifaceted, nourished by social human exchanges and my encounters in science, art, and technology. I have one life and different bodies. I can be physical and digital, technological and organic, house, techno, and soul. This album is about shedding light in a vertical period where the fight for truth and visibility becomes crucial, where Blockchain might become our right to vote. It's about making complex things sound simpler, joining the dots. A proposition more than a promise: Unshadow.

The metamorphosis is happening; embracing all generations on the same song with Nile Rodgers and Madison McFerrin! Embracing the diversity of backgrounds, styles, and geography, from Sacha Rudy to Dominique Fils-Aimé (Canada), through Natalie Sade (Australia). As a citizen of the world, having traveled endlessly for 30 years now, I know how lucky I have been to experience and experiment with various situations. If this album can simply share some of the joy I have received and spread some goodwill and white magic to the listener, I will be the happiest seeing the light that chases away the shadow.

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26,01
Parade Ground - The Hidden Side

Parade Ground march back to Dark Entries with The Hidden Side, a compilation of B-sides and unreleased material. Brothers Jean-Marc and Pierre Pauly started Parade Ground in Brussels in 1981. Their Dada-laced brand of post-punk fuses propulsive drum machines and icy synths with skeletal guitar riffs and Jean-Marc’s distinct and powerful voice, pioneering the subgenre of emotional body music. The brothers met Daniel B. and Patrick Codenys of Front 242 in 1982, marking the beginning of an enduring collaborative partnership. In 2011, Dark Entries released The Golden Years, a compilation chronicling the band’s A-sides and exposing them to a new generation of EBM enthusiasts. The Hidden Side continues this mission, illuminating lesser-known facets of the band’s oeuvre. The tracks here were written between 1982 and 1989, and showcase Parade Ground’s range of styles - all cold, dark, and brooding. Tracks like “Riddle in the Stain Glass Window” and the previously unreleased “Looking Through Keyholes” see the band in menacing coldwave mode, rocking chorus-drenched bass guitar and blasts of analog synth. The band’s dancier proclivities shine elsewhere, like on “Off-Balance” or the supremely funky “Hollywood (The Sexiest Fish),” a floor-filler driven by bass guitar and thumping digital drum machine beats. Also included is “Marble Mind,” a previously unreleased latter-period track from the band recorded by Patrick Codenys at 242 Studio. The Hidden Side includes liner notes featuring lyrics and a photo of Jean-Marc and Pierre Pauly. Additionally, a newly remastered edition of The Golden Years will be released along with The Hidden Side.

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20,59
Sascha Funke - Germina Speeder

Sascha Funke

Germina Speeder

12inchKOM497
Kompakt
28.02.2025

ascha Funke is creating a long overdue monument to an almost forgotten cultural artefact of the GDR: the ‘Germina Speeder’ was the only skateboard made in East Germany before reunification and was launched in 1986. It was produced by VEB Schokoladen-Verarbeitungsmaschinen (a state-owned chocolate processing machine factory) in Wernigerode and was therefore affectionately known as the ‘chocolate board’. However, it was hardly suitable for actual skateboarding due to technical inadequacies. It is not known whether Sascha himself owned such a board, but the tracks on the ‘Germina Speeder’ EP definitely roll better than the original. The opener ‘Blaupunkt’ breathes the euphoric spirit of the legendary Berlin club ‘E-Werk’, while the title track would have been more at home at the ‘Dubmission’ parties in the Turbine. Sascha leaves the 90s behind with radiant positivism; ‘Bo Knows’ sounds more like a 2000s open air at Café Schönbrunn. The EP closes with ‘Mastermind’, a high-octane psy-proghouse banger that, like all four tracks, quotes the past but still has both feet on today’s dance floors. Or rather, is dancing. 4:1 for love!

Sascha Funke setzt einem nahezu vergessenen Kulturgut der DDR ein längst überfälliges Denkmal: Der “Germina Speeder” war vor der Wende das einzige in Ostdeutschland hergestellte Skateboard und kam im Jahre 1986 auf den Markt. Es war ein Erzeugnis des VEB Schokoladen-Verarbeitungsmaschinen aus Wernigerode und wurde daher liebevoll auch als “Schoko-Board” bezeichnet. Zum eigentlichen Skateboardfahren war es allerdings aufgrund von technischen Unzulänglichkeiten kaum zu gebrauchen. Ob Sascha selbst ein solches Board besaß ist nicht überliefert, aber die Tracks auf der “Germina Speeder” EP rollen allemal besser als das Original. Der Opener “Blaupunkt” atmet den euphorischen Geist des legendären Berliner Clubs “E-Werk”, während der Titeltrack eher bei den “Dubmission” Parties in der Turbine gelaufen wäre. Mit strahlendem Positivismus verlässt Sascha die 90er; “Bo Knows” klingt eher nach einem 2000er Open Air am Café Schönbrunn im Volkspark Friedrichshain. Die EP schließt mit “Mastermind”, einem hochoktanigen Psy-Proghouse Knaller, der wie alle vier Tracks zwar das Vergangene zitiert, aber dennoch mit beiden Füßen auf den Tanzflächen von heute steht. Beziehungsweise tanzt. 4:1 für die Liebe!

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11,72
Various - Lost Paradise: Blissed Out
Breakbeat Hardcore 1991-94  LP 2x12"

With an intrigue for a particular niche of old UK hardcore which takes cues from Sheffield bleep ambience, heady rave futurism and soft, almost new age synth pads, Blank Mind presents ‘Lost Paradise: Blissed Out Hardcore 91-94’. Though the records gathered for the compilation span a short three-year period and bridge the gap between scenes, the collection manages to find a sweet spot where the influence of Warp’s Artificial Intelligence, back room chill out sonics and the nascent jungle boom meet with elements of Italian piano house and slower breakbeat cuts.

Opting to focus on atmosphere to highlight shared connections; in this case the duality of often serene and calming soundscapes with frenzied breaks and bass (see Hedgehog Affair’s ‘Parameters’ and Luxury’s ‘Twirl’ respectively); Lost Paradise is a formidable collection of tracks plucked from a thriving time for British dance music experimentation. The general themes of ascension and escapism channelled through digital samplers are also inescapably linked to a turbulent time in politics, beginning in the post-Thatcher years and culminating in the year the harshest anti-rave Criminal Justice Act came into force.

Initially building the compilation around DJ Mayhem’s track ‘Inesse’, Blank Mind label founder Sam Purcell and Amsterdam based producer Tammo Hesselink began a process of swapping favourites and deep cuts to spread across this 2x12” doublepack. The compilation avoids any obvious centrepieces through masterful sequencing, allowing for moments of refrain and tempo changes in a way that helps add to their overall vision of what this music is and can be; “We wanted to frame hardcore in a different light, looking at this idea of ecstasy through the traditional meaning of the word and exploring that symbolism”. By drawing from what some might consider the softer edges of the movement, the pair offer a look into the relevance of these tracks in the contemporary era, where the past years have seen both an explosion in popularity of old ambient/new-age music and a certified jungle revival.

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33,82
Adam Port, Rampa, &ME - Send Return LP 3x12"

Repress!

It's been four eventful years since Keinemusik's Adam Port, &ME and Rampa joined forces and laid down their collaborative debut album ‘You Are Safe.’ Taking time to explore new territories and sourcing material for their second offering, 'Send Return' is the product of this creative 'time-out:' a positive message requiring positive feedback, and hopefully making things a little better along the way. To get that message across, the boys invited a variety of voices from both past collaborative projects and new ties built over the last few years, to take part


Limited Edition, Silver Sleeve with silk-screen printing, flip image sticker on the front

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26,01
Various - Eine Aufnahme voller widerlicher Verderbtheit  LP 3x12"
 
22

Throughout the 1980s, Michael Antener, born and raised in Bern, Switzerland, initiated an array of sonic endeavours in the realm of industrial, dark, aggressive music. Of his times as a post-apocalyptic hunter, he says today: I found a musical niche where I could express myself, along with other people who were not afraid of dark themes. It would have been hard to sing about love in my music, so I included sounds and cries of pain taken from horror movies.

It was a fortunate coincidence to come across one of his self released records, the 1986 EP Strangler of the Swamp, which marked the beginning of our quest to find this all but forgotten musician whose work seemed nowhere to be found. Eventually, we got in touch with Michael, who is still living in Bern, and began the process of searching through all his surviving musical and visual material.

The triple vinyl release is all about documenting Michael Anteners adventures during that intense 1980s period. We tried our best to select the most interesting material from his two earliest projects, The Strangler of the Swamp and Bande Berne Crematoire, comprising materials from vinyl records, cassettes, and live recordings, some of it unreleased. The release also includes a deep dive into Michaels visual archive of posters, photos, and sleeve artworks.

The disjointed, tumultuous body of work presented here marks the testament of a fringe musician who was disruptive and confrontational, keen to shock and alarm people (much to our liking), and who could easily have been lost in oblivion.

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28,36
Dogpatrol - Ya Playing Yaself EP

Still sniffing out the gnarliest bassweight swerves on his rounds in the underground, Dogpatrol makes his way back to Sneaker Social Club for another four cuts of irreverent, misfit rave damage.

Hailing from Offenbach (DE) but with a sound more indebted to UK styles like breakbeat hardcore, dubstep and garage, DogPatrol has been a natural fit on Sneaker. The slanted approach he takes to his influences results in a mutant style that shuffles and slams in all the right places without sounding like anything else out there.

‘1200kcal’ rides jagged, dusty drums that come on like drunken UKG, offset by rubbery bass arps that add a cosmic lick to proceedings. ‘Baby Flame’ has a nastier outlook hinging on a bludgeoning synth splat that calls back to the Control Tower brand of warehouse electro from the early 00s. Making sure no-one is second guessing the scent Dogpatrol is tracking, ‘Ya Playin Yaself’ dips into a dubstep-minded half-step roller with naive keys run through a giddy signal chain. ‘Offgenbach HBF Riddim’ completes the set with a breakbeat cut n’ paste job which tracks back to the source with strong echoes of The Blapps Posse’s raw and funky approach.

The reference points are just slight hints of familiarity, but Dogpatrol comes across as inspired as ever digging up the bones of cult rave signifiers and chewing them into his own unique shapes.

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15,34
Dajusch - CROWD007: Ambition

Dajusch

CROWD007: Ambition

12inchCROWD007
CROWD
21.02.2025

Dajusch unleashes the 'Ambition EP', a raw and uncompromising statement of techno tradition. Berlin-based producer, DJ and sound engineer Dajusch returns with his latest four-track EP, a high-powered offering that channels the essence of Detroit and Chicago techno while pushing the boundaries of contemporary club sound. Known for his deep connection to electronic music's pioneering roots and his work behind the scenes as a mastering engineer, Dajusch brings an intense and refined energy to this release. The EP opens with the single 'No Mas', a relentless percussive workout where hypnotic synths intertwine with driving drum patterns, setting the stage for an unyielding ride. The title track 'Ambition' follows suit with a high-octane groove, combining raw machine-funk aesthetics with a pulsating bassline and intricate, evolving textures that command the dance floor. On the flip side, 'Split' takes a darker and more cerebral turn, layering industrial-tinged sonics over a tight, rolling beat, blurring the line between peak-time energy and introspective depth. Closing out the EP is '36g', a heady, propulsive cut that builds into a whirlwind of syncopated rhythms and distorted stabs, rounding off the record with a powerful, no-holds-barred climax. With Ambition, the Spandau20 artist Dajusch reinforces his position as a purist and innovator, delivering a release that feels both timeless and forward-thinking. Whether experienced in the heart of a sweaty warehouse or through the pulse of a late-night drive, this EP stands as a testament to the raw, unfiltered power of techno.

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17,86
Jardines Sin Explorar - Control 333 EP

Control 333 is the E.P. of Uruguayan artist Leo Mendez a.k.a Jardines Sin Explorar, who has left this earthly plane at the beginning of 2024.

This release features 2 super powerful EBM tracks, with infernal bass lines and melodies that achieve a rave atmosphere, 2 pieces of music that takes us on a ride to the true essence of the Underground culture of electronic music.

"Heridas", a track with a classic Ebm sound with a strong bass that marks the hypnotic of the track, accompanied by melodies in their leeds with influences of the punk sound that characterized Jardines, a track loaded with many feelings that are transformed into pure fire. "Turbio" is the second track of the ep, which is more characterised by the electro industrial sound with post punk influences, rhythmic leads and break drums with crashing vocals that lead you to explore your darker side.

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13,87
Fear-E / Casual Treatment - Green Places & Pink Cities

Posh End Music is excited to announce its 12th release, featuring Melvyn Ortega, also known as Casual Treatment. Originally from Toulouse and based in Berlin, Melvyn collaborates with the label’s founder, Fear-E, on this split 12-inch record. He has gained international recognition through his releases on prestigious techno labels such as Hayes, the Mord sub-label Kazerne, Axis, and Ben Sims’ Hardgroove/Symbolism imprints. This release includes two tracks from Melvyn, further enhancing his reputation and perfectly complementing Fear-E’s contributions.

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17,44
Various - A Love From Outer Space (LP 2x12")

Seit der Gründung 2010 durch Andrew Weatherall und Sean Johnston entwickelte sich die Clubreihe "A Love From Outer Space" (ALFOS) zu einer britischen Institution, expandierte und erreichte ein internationales Publikum. Als Reaktion des Undergrounds auf den schnelllebigen Mainstream verfolgte ALFOS einen langsameren, nachhaltigeren Ansatz bei einem Tempo von maximal 122 bpm. ALFOS wurde für seinen eklektischen und hypnotischen Sound bekannt, der alles von Cosmic und House bis zu Dub und Post-Punk vermischte. Dieser Jubiläumssampler spiegelt die Musik wider, die ALFOS in den letzten 15 Jahren geprägt hat. Das von Johnston zusammengestellte und gemischte 19-Track-Album ist eine Hommage an die reiche Geschichte des Clubabends und sein Engagement, musikalische Grenzen zu erweitern. Es enthält zahlreiche exklusive Titel, darunter The Blow Monkeys' begehrten Neville Watson-Remix und Brioskis "Call 626", sowie eine breite Palette von Sounds, die sowohl die Vergangenheit ehren als auch die Zukunft begrüssen.

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28,78
Various - Musica Solida vol.2 EP

In this electrifying 2024, Flexi is still spinning, louder and prouder, as it marks 40 years of igniting dancefloors and fueling underground happiness. From its humble beginnings as a haven for vinyl enthusiasts to a cultural stronghold amidst the turbulent waves of the music industry, Flexi has become a name synonymous with passion, resilience, and the relentless pursuit of quality sound. To honor this milestone, Flexi’s indie label, Flexi Cuts, is dropping a second, limited-edition compilation. Aptly named "Musica Solida," this collection is spread across three or possibly four lush 12-inch samplers, each showcasing a handpicked selection of tracks from Flexi's cherished circle of artists and producers. This release is more than just a celebration; it’s a declaration—a call to arms to keep the spirit of the scene alive and thriving in Italy and beyond, against all odds.

"Musica Solida #2" doesn't just hold tracks—it’s got stories, moments, and grooves that demand movement. Each cut is a slice of that raw, unpolished energy that Flexi has championed for four decades.

Featured Artists on Musica Solida #2

Minimono: The powerhouse duo of Fabio Della Torre (founder of Bosconi Records) and Ennio Colaci take us on a hypnotic journey with their floor-filling "Before Morning." It’s the kind of track that keeps the dancefloor alive until the break of dawn.

DJ Rou: Going minimal yet impactful, DJ Rou delivers "Elastic Body," a dancefloor-ready cut that blends a stripped-back groove with robotic vocals—a futuristic twist that keeps things unpredictable.

Relative: Flexi’s proud owner kicks things off with an electro track that was conceived, birthed, and brought to life in a single whirlwind afternoon—an anthem for those who live for the moment.

Delphi: One half of the renowned Tiger & Woods, Delphi isn’t afraid to dive deep with a heavy-hitting house track, loaded with acid stabs and thick, pulsating basslines. A track that’s both a nod to the past and a push towards the future.

The record will be released in about 200 vinyl copies no more.

Packaged in the classic discobag 2- holes, with a distinctive letterpress print in a beautiful red cover.

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15,55
Cali Lanauze - Borderline EP

Cali Lanauze makes label debut on Crosstown Rebels with his ‘Borderline’ EP.

The three-tracker, landing on 14th February 2025, features a first-time collaboration with Cari Golden alongside two solo cuts.

Hailing from the vibrant shores of San Juan, Puerto Rico, Cali Lanauze has spent over a decade carving out his space in the global electronic scene. A trailblazer since his teens, Cali’s rich, eclectic grooves reflect both his Caribbean roots and his deep connection to underground music. Now, with his debut on Damian Lazarus’ Crosstown Rebels, he follows an impressive outing via sister label Rebellion with his ‘Borderline’ EP, cementing his position as one of his nation’s finest electronic exports.

The title track sees Cali team up with LA-based singer/songwriter Cari Golden, whose credits include collaborations with Groove Armada, Camelphat, Anja Schneider, Audiofly, and more. Having debuted on Crosstown Rebels with Fur Coat on ‘You and I’, Cari’s second appearance sees her soulful, evocative vocals intertwine effortlessly with Cali’s melancholic yet uplifting production. On the flip, Cali showcases his solo prowess. ‘Temple of Confessions’ takes listeners on a hypnotic journey with trippy grooves inspired by the otherworldly energy of Hï Ibiza’s Club Room, while ‘Talk To My People’ delivers a heady mix capturing the essence of his dynamic artistry.

Cali’s journey from a young producer in Puerto Rico has welcomed releases on labels like Flying Circus, Visionquest, and My Favorite Robot, garnering support from legends such as Carl Cox, Radio Slave, and DJ Sneak. Curating groundbreaking events in Puerto Rico, gracing iconic venues like Hï Ibiza and Brooklyn Mirage, and heading up his own label, Opulenc, Launauze has created a platform for his innovations and genre-spanning productions.

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13,66
DJ Fudge, Ralph Session Feat. Chinua Hawk - Golden

DJ Support: Danny Krivit, Mousse T, Michael Gray, The Shapeshifters, Seamus Haji, Moplen, Dr Packer and more...

House Music veterans Dj Fudge & Ralph Session make their debut on Groove Culture with 'Golden', featuring the powerhouse vocals of Chinua Hawk. The track is a surefire dancefloor weapon, built on a foundation of bumping bass and infectious house beats. Syncopated synth stabs add a touch of playful energy, perfectly complementing Hawk’s soulful vocals that radiate warmth and positivity. Package includes 2 remixes from Groove Culture bosses Micky More & Andy Tee who add a beautiful live Jazz instrumentation to this great records!

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14,71
Nupharmic - Chunky EP

Nupharmic

Chunky EP

12inchDORE002
Domain Records
17.02.2025

Nupharmic, duo from early 2000s with just one release on the record, are back in the game! Tony Goldstone & Phil West reunited one more time to bring back their dubby, exclusive and timeless sound to our music era. 

Special thanks to Tony for recreating lost files and making this possible!

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13,03
Raxon - Speicher 134

Raxon

Speicher 134

12inchKOMEX134
Kompakt Extra
14.02.2025

When a new RAXON release drops it’s always strongly recommended to firmly hold your socks and pants as they might get blown off. And oh dear… We caught him in an extraordinarily randy mood for his 4th outing on our prestigious Speicher series. “Acid Call” is a positively rude high energy funk beast, ready to take dancehalls of any size or color to pieces. With “Don’t Cry Pluto” Raxon turns into a punk version of the legendary Pied Piper, graciously luring us away from this boring village into a world of fun-fueled madness. What a guy, this Raxon!

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11,72
Two Opposites - Void Century

Those who possess BARBATUS001 have already read the first chapter of Captain Barbatus D. Wreckords’ journey. The odyssey continues with the second episode, as the pirate voyages across The New World.

In the sophomore album of the Barbatus tales, the story delves into the mystery of the “Void Century”. The epic is musically deciphered by two young, yet seasoned Napolitan sailors Luigi and Andrea, better known as Two Opposites.

The duo delivers an episode of Barbatus' interpretation through the lens of Italian romanticism. You will hear trance-infused electro, you will hear sirens calling, you will hear the secret government’s conversations.

Find the next poneglyph on Valentine's day, February 14th at your favorite record stores around the world.

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14,08
Phase Fatale - Scanning Backwards LP 2x12"

Scanning Backwards, Phase Fatale’s second full-length album originally released on Berghain’s in-house label Ostgut Ton in 2020 is now reissued via his label BITE on limited edition pink marble vinyl after being long sold out and sought after. Using the connection between weaponized sound and psychological manipulation as a conceptual foundation, Hayden Payne explores the ways in which music – and sub frequencies in particular – are used to influence thinking and to synchronize emotions and behavior: from military technology to sound systems and the physicality and sexuality of queer techno culture.

Known for his innovative post-punk takes of dance music as featured on EPs for unterton and Ostgut Ton, the Berghain resident draws on his background as both a guitarist and sound engineer to create a heady mix of broken rhythms, noise-, and shoegaze-inflected techno, often at slower tempos. The result is music with space and pace to expand, highlighting the intense rushes of frequencies found in both sonic warfare and functional dance music. Over eight tracks named after a combination of historical and fictional narratives from literature and science fiction, Payne’s rhythmic excursions explore different manifestations of sound as power – specifically within the context of seeing Berghain as an instrument itself. This is also reflected in the album artwork, taken from an early flyer for the SNAX party series and an obvious ode to the fetishization of power dynamics.

In his own words: “All tracks on the album, no matter the style, were tailored to sound a certain way in Berghain – something I figured out through years of dancing in the middle of the floor, DJing as a resident and investigating what frequencies really penetrate the body. This includes speech and high-frequency, brain-penetrating instrumentation and drilling textures that I had not utilized so often before, but which I think also have an effect on thought and memory. It’s especially true in a space where gay and fetish roots combine with music in unexpected ways, almost in a cultish manner. A musical and physical deprogramming and reprogramming, psychic driving and de-patterning, the erasing and replacing of memories.”

Ultimately, Scanning Backwards surveys not only the manipulative properties of electronic music (mantras, loops, subliminal messages) but also how rhythm facilitates both moving and thinking in synchrony; a pulse of coordinated sound- and brainwaves.

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27,69
Rochelle Jordan - 1021 (LP 2x12")

Rochelle Jordan

1021 (LP 2x12")

2x12inchERE1080
EMPIRE
13.02.2025

1021 is the third studio album from Toronto singer/songwriter, Rochelle Jordan. Originally released in 2014, 1021 is the album that forever changed Rochelle’s trajectory as an artist. Filled with moments of honest and pure self expression yet still showing signs of who she has eventually become, the album showcases Rochelle’s resilience as an indie artist, her unapologetic risk taking, and her drive and uncompromising belief in herself. The album’s production is filled with lush, airy, evocative beats, with her vocals drawing comparison to the iconic R&B superstar, Aaliyah - in fact, “Ease Your Mind,” was co-produced with Eric Seats, who produced the iconic Aaliyah track, “Rock the Boat.” Since then, Rochelle has gone on to become a major player in the R&B and dance spaces, most recently working with Kaytranada on his new album. To celebrate the 10 year anniversary since it’s release, 1021 will be making its debut on vinyl for the very first time. 2xLP, pressed on Baby Blue Galaxy vinyl and includes a 24x36 double-sided poster, as well as three additional songs not originally included on the album - this is strictly for the Day Ones.

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22,27
DJ Romain - The Lost D.A.T.S. Part 2 - Unreleased House Music 1997

Last May, Hard Times captivated us with The Lost D.A.T.S (Part One)—a remarkable collection of unreleased and freshly unearthed gems from the vaults of NYC legend DJ Romain. But the story didn’t end there. To our surprise and delight, Romain had delivered an even larger treasure trove of beats—too many to reveal all at once.

Now, Hard Times is proud to present the next chapter: DJ Romain – The Lost D.A.T.S (Part Two).

"1996-97? Yeah, that’s when New York was still NEW YORK!

That was around the time we really started to get hold of exotic herbs. Copper Haze, hydroponic! The vibes in the studio were always lovely. I had hair at the time! Dread-Locs down to my shoulders... I was still rockin’ the Wallabees, or British Walkers as we called them - representing for Brooklyn and my West Indian roots!

There was no social media, no supervision, nobody all up in our business… It was classic "mind your own business" NYC Vibes! I was DJing at a lot of the hot clubs and THE hottest afterhours in the city. There were nights when I saw Micheal Douglas roll into the afters with Grace Jones - they were there to party and unwind and I was there dropping the dope tracks for the people.

When it was studio time, with my homie Matt Echols...I was probably setting things off with some quality herbage, a big ass bag of Funyuns and my trusty SP-1200, lol. I had picked up some tips and tricks from Todd Terry and by '96-'97 I was a Shaolin with it myself! This was around the time tracks like "Flowers" and "Only Love Can Break Your Heart (Dub)" were tearing up the clubs. I wanted to be able to get my ideas out with no problem, and by then I had a lot of confidence...

Being able to Dj in some of the hottest NY hot spots at the time, I was able to really see what worked and what didn't on the dancefloor. The best House Dancers from around the world and around the Tri-State area would be at my jams. I'm talking Ejoe, Voodoo Ray, maybe kids from the Mop-Top Crew... I was definitely taking note of the kind of rhythms and sounds that would make them go crazy on the dancefloor!

And that's how we went about it - I laid down the rhythms that made it happen in my sets and translated the vibes I was picking up from NYC itself. Matt threw down musically and we were just being as creative and inventive as possible! But we always kept in mind that our job was to make the people on the dancefloor jump!

A lot of the jams from those days got signed to various record labels, we dropped a lot of them on our own label...and some of them ended up in the archives - until now!"

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16,39
Various - Say Cheeze! EP

This vibrant musical compilation captures the ideal balance of groove and depth, showcasing the creative energies of Andrey Djackonda, Etzu Mahkayah, and TooRare. Radiating joy and positivity, this release is filled with intricate sounds designed to create a feeling of uplift.

Boasting diversity, each track has a character of its own, yet aligns and contributes to the overarching narrative of the compilation—a voyage through emotive rhythms and audible expressions that ignite the soul. With its infectious grooves and immersive depth, the record radiates a refreshing energy and stands as a celebration of music’s power to connect and uplift.

Perfect for welcoming 2025 in style and with spirits high, Say Сheeze is more than just a collection of tracks. It delivers a resonant message of positivity and energy, making it a must-have for anyone on the hunt for tunes that inspire movement and joy.

Panna Cotta Music, a division of MixCult Records.

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14,24
Josh Ludlow - New Transition EP

Here comes a first EP by Josh Ludlow for Toy Tonics. Mastermind of Make a Dance aka M.A.D. records. London’s best kept secret (or not so secret anymore) of new underground dance weapons that are played by everybody who counts in the scene.

Josh delivers a hot 4 -tracker that will move people on dance-floors worldwide. Combining 1990es filterhouse influences, 2000’s indie dance and some of the edgy contemporary funk moods that are lighting up clubs these days. The post - techno generation likes it funky and Josh delivers. Fitting perfectly with the vibe of Toy Tonics this EP will find a lot of friends. In fact Josh knows how things work.

Josh Ludlow has been steadily honing his craft over the past 15 years. Starting out releasing Drum & Bass under the ‘Squash!’ moniker in the late 2000’s whilst also playing drums in bands. The former gave way to live touring and it was only in 2020 when Josh resurfaced with some new electronic music.

The impetus for releasing this new material was when Josh Ludlow & Ben Lewis formed there beloved project ‘Make A Dance’ (which then went on to establish the imprint) M.A.D. Records during the pandemic.
Since then M.A.D have made a big impact on the underground scene, become regulars at places such as Fabric, Heidegluhen, Gottwood and gained DJ support of propel such as Laurent Garnier, Optimo, Palms Trax and Peggy Gou and across BBC Radio1 and regularly Cover show’s on NTS for Long Running Host’s Moxie and Apiento.

This is just the beginning.

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9,87
Paranoid London - Arseholes, Liars, and Electronic Pioneers LP 2x12"

repress !

Paranoid London, the electronic band of Gerardo Delgado and Quinn Whalley, has become synonymous with stripping acid house back down to its basics, rescuing the sound from smiley faces, rave, and sugary excess while paying respects to its gay, black, American roots. Performing mainly live with hardware only, often with vocal guests, as well as unique hybrid DJ sets, the duo has established a tongue in cheek, grumpy punk sound and attitude without taking it too seriously.

Following 2019’s latest album PL and a bunch of 12” singles and edits, their new long-player Arseholes, Liars, and Electronic Pioneers refers to the cavalcade of c***s we find ourselves surrounded by. Our only respite being the joy that musical geniuses bring. The cover artwork and gatefold of the vinyl reflect this with a collage-like poster including personalities of all kinds, from politicians and royalty to music legends. When we asked them to highlight key music pioneers from their picks, they mentioned American electro don Aldo Marin, British producer Andrea Parker and Post Punk band WIRE.

Inspired by early ‘90s British prog house on the likes of Sabres Of Paradise Records and Guerilla Records, the album presents a step up on their production while the anarchic attitude remains unaltered, unadulterated and undiluted.

In Quinn’s words: the album has a slightly more Hi-Fi sound than previous efforts, but retains the urgency and punk rock attitude that we're known for. It was tested over the summer, where it lit up festival stages at Glastonbury, Houghton, Love International, and many, many others.

As expected, PL has recruited a bunch of special guests on vocals including Primal Scream’s Bobby Gillespie, US house veteran Monica “DJ Genesis” Lockett, the novo-New Romantic/gothic, Jennifer Touch, and Joe Love, from Fat Dog, Brixton’s current ones-to-watch. As well, previous collaborators Josh Caffe and Mutado Pintado return for new recordings. All bring something unique to the party, while integrating perfectly with PL’s Fuck you! circuitry.

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25,17
Bash Man - Bash to Basics EP

Bash Man

Bash to Basics EP

12inchSTEPBACK007
Stepback Records
05.02.2025

Bash Mans ‘Bash to Basics’ EP marks a major milestone for Scotlands Underground Techno scene.

Edinburgh, Scotland - Stepback Records proudly announce the highly anticipated release of ‘Bash to Basics ‘ EP the debut 12” vinyl from Glasgows own BASH MAN, aka Jamie Morrison. Dropping on Jan 31st 2025, the records captures the essence of raw, unfiltered techno and embodies Bash Mans unwavering dedication to the underground music scene.

With previous digital releases on labels like Scott-Fear Es Posh End Music, and Tom Carruthers Non Stop Rhythm and Data Sync labels, Bash Man has already carved out a name in the dance music world. However, this 12’ release promises to be a transformative highlight, cementing his reputations a force to be reckoned with in the techno community.

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14,08
Mangiadischi - MD006

Here it is, the sixth chapter in the sonic journey of Mr. Mangiadischi.

Continuing the dance-floor assault, MD006 delivers four tracks, each with a unique story but all with the same aim: to make you move to the rhythm.

• A1 - Mamma
A Balearic groovy deep house nostalgic tribute to the most important person we have in our life. This track blends warm melodies with heartfelt emotions, making it the perfect homage.

• A2 - Genug Vans
Intergalactic soul/post-disco space-tech. A cosmic voyage through pulsating rhythms and celestial sounds, designed to take you on a dancefloor odyssey.

• B1 - Fenel
A very modern interpretation of this '76 Algerian artist's funk/pop/world/country mesmerizing masterpiece. This track merges elements of funk, pop, world, and country in a blend that transcends genres and eras.

• B2
A disco/funk/pop-rap in its most modern and groovy version. Infectious beats and catchy hooks make this track a surefire hit for any set.

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12,19
The God Machine - One Last Laugh In A Place Of Dying LP 2x12"

Neuauflage zum 30-jährigen Jubiläum!

Zum ersten Mal seit seiner ursprünglichen Veröffentlichung im Jahr 1994 auf Vinyl erhältlich und jetzt auf über 2 LPs verteilt, um ein besseres Klangerlebnis zu bieten.

Das Doppelvinyl wurde von Frank Arkwright in den Abbey Road Studios geschnitten und von Robin Proper-Sheppard aus der Band betreut.

The God Machine waren eine alternative Rockband, die 1990 in San Diego gegründet wurde und in ihrer kurzen Lebensspanne zwei sehr einflussreiche Alben auf Fiction Records veröffentlichte, 'Scenes From The Second Storey' (1992) und 'One Last Laugh In A Place of Dying' (1994).

Jim Chancellor, Chef von Fiction, schreibt: "The God Machine sind einer der unbekanntesten Influencer dessen, was heute als Post Rock / Metal bekannt ist." Er zitiert Lobeshymnen von so unterschiedlichen Künstlern wie Tool, Rage Against the Machine, Mogwai, Converge und vielen mehr.

Arun Starkey von Far Out – The Independent Voice of Culture trifft den Nagel auf den Kopf, wenn er sagt: "The God Machine klingen wie nichts, was vor ihnen kam. Sie klingen wie The God Machine, was auch immer das ist, und der Name hätte nicht passender sein können."

Obwohl sie begeisterte Kritiken für ihre zwei bahnbrechenden Alben und Live-Auftritte als Support von Nick Cave & The Bad Seeds, The Cramps, The Fall, My Bloody Valentine und The Jesus and Mary Chain erhielten, litt die Band darunter, zwischen zwei Stühle zu fallen, weil sie "zu Indie für das amerikanische Publikum und zu rockig für das britische Publikum" war.

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31,72
Sex Judas feat. Ricky - The Book Of Dreams / After Sex LP 2x12"

Oslo’s Sex Judas feat. Ricky announces 2 x LP for Norway’s Snick Snack Music
The band’s varied concept album portrays a break-up of epic proportions and releases Jabnuary 2025
Digital Release Date: 3rd May 2024
Vinyl Release Date: Jan 2025

“Are you ready for the big disaster? The moment when everything unravels?

On their third album, Sex Judas feat. Ricky portrays a break-up of astronomical proportions. The band's mascots, Sex Judas and Ricky, embodied by artist Sindre Goksøyr, find themselves in the midst of a separation, and their feelings are sprayed all over the big screen.

But what is actually going on? Sex Judas feat. Ricky consists of the musicians Tore Gjedrem (Ost & Kjex), Sidiki Camara, Ivar Winther, Tracee Meyn, Tore Brevik, Kristian Edvardsen and Linn Nystadnes, a stellar team part of Oslo's musical underground. Together, they play a mixture of funk, disco, post-punk, traditional music from Mali and electronica that always moves the dance floor, with two previous critically acclaimed albums on the Scottish Optimo Music and a Norwegian Grammy to show.

Sex Judas’ third album, ‘The Book Of Dreams / After Sex’, is a double disc and a two-part musical affair. In the first part, Sex Judas' version of the breakup is depicted in a band format, with music inspired by the alternative 80s. Think Grace Jones, Tom Tom Club, DAF, No Wave, and the Compass Point Studio backing band in a blissful cocktail.

In part two, depicting Ricky’s breakdown, the band has created their most experimental music to date in close collaboration with contemporary composer Ole-Henrik Moe. The songs influenced by Ole-Henrik's tones are fluid and beautifully ambient, with inspiration ranging from 30s and 40s film music, Norwegian folk, contemporary electronica and IDM topped with Moe’s modern string arrangements.” - Snick Snack Music

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22,48
The Orb - Okie Dokie It's The Orb On Kom LP 2x12"

“Okie Dokie It´s The Orb On Kompakt“ is already the 13th album of one of Britian's most prized cult bands. We feel it's better that way, because the music of The Orb only has an intensive effect when taken in as a long playing full length. And it proves with this lovingly conjured collection of songs brought together like a collage. The first half of Okie Dokie showcase The Orb´s love for minimal Techno and Schaffel/Shuffle as it is so obviously present in the foreground, while the second half is only reserved to the classic Orb-ish ancestral domain. There are wonderful guest appearances by Schneider TM and Kompakt´s ambient-guru Ulf Lohmann. As many of you know, there is so much history about The Orb you could write a book. Since Jimmy Cauty and Alex Paterson, in the flush of euphoria invented Chill Out and Ambient House in the first summer of love 1988, an incredible amount of things have occurred. The following timeline should give you a rough idea. - Alex Paterson gives up his job as roadie for Killing Joke. - “A Huge Ever Growing Pulsating Brain That Rules From The Centre Of The Ultraworld” is not only the record with the longest title of the world, but it also marks the departure into the new sonic worlds of post-Rave Ambient. - While Cauty goes different ways with The KLF, The Orb re-form themselves and have a big hit with Little Fluffy Clouds in 1990. - The debut album “The Orb´s Adventures Beyond The Ultraworld“ hits the Top 30 in England. - The Orb produce “Higher Than the Sun“ for Primal Scream. - The Orb perform “Blue Room“ as chess-playing aliens at Top Of The Pops. Everything goes. - “Blue Room“ clocking in at 39:58 minutes goes into music-history as the longest time for a chart single ever. - The Orb achieve great success in Glastonbury '92 + '93. - The Copenhagen double concert “to the sunrise and sunset” is eternalized on record: “Live 93“ - Previously a floating member of The Orb, Thomas Felmann becomes a fix member in 1997 - No joke: Robbie Williams takes part of The Orb for a short time. The collaboration “I started A Joke“ is released on a benefit compilation - After 2002 The Orb found with Kompakt a new ambient-loving partner and release a row of singles and play live, as the trimmed-down version as Le Petit Orb. And one more for the extra hush-hush: The Orbs first album “A Huge Ever Growing Pulsating Brain...” was actually a Kompakt release. You can check it out. Besides the actual label Wau! Mr. Modo you can read... Kompakt Discos. Ha!!
Mit „Okie Dokie It´s The Orb On Kompakt“ liegt nun das circa 13. Album der britischen Kultband vor. Das ist gut so, denn The Orb's Musik wirkt eigentlich erst im Longplay-Format so richtig intensiv. Die Stücke sind, wie man das von ihnen kennt, liebevoll collagenhaft miteinander verwoben. In der ersten Hälfte tritt The Orb's Liebe zu Minimaltechno und Schaffel in den Vordergrund, während die zweite Hälfte ausschliesslich der Orbschen Ur-Domäne Ambient vorbehalten ist. Es gibt wunderbare Gastauftritte, wie etwa Schneider TM und Kompakt's Ambient-Guru Ulf Lohmann. Zur Geschichte von The Orb könnte man ganze Bücher schreiben, denn seit Jimmy Cauty und Alex Paterson im Rausch der Euphorie des ersten Summer of Love anno 1988 Chill Out und Ambient House erfunden haben ist viel passiert. Extrem viel. Die folgende Auflistung soll einen ungefähren Eindruck davon vermitteln. -Paterson hängt seinen Job als Roadie für Killing Joke an den Nagel -„A Huge Ever Growing Pulsating Brain That Rules From The Centre Of The Ultraworld“ ist nicht nur bis dato die Platte mit dem längsten Titel der Welt sondern markiert den Aufbruch in die neuen sonischen Welten des Post-Rave Ambient. - Während Cauty mit The KLF andere Wege geht, reformieren sich The Orb und landen 1990 mit “Little Fluffy Clouds“ einen Riesenhit. -Das Albumdebut “The Orb's Adventures Beyond The Ultraworld“ geht Top30 in England -The Orb produzieren „Higher Than The Sun“ für Primal Scream -The Orb performen „Blue Room“ als schachspielende Aliens verkleidet bei Top Of The Pops. Alles geht. -“Blue Room“ geht mit 39.58 Minuten als längste Chart-Single ever in die Musikgeschichte ein - The Orb legen 92 + 93 Glastonbury flach - Ein Copenhagener Doppelkonzert zum Sonnenauf- und Untergang wird auf Platte verewigt: „Live 93“ - Bisheriges „floating member“ Thomas Fehlmann wird 1997 festes Mitglied - Ohne Scheiss: Robbie Williams wird für kurze Zeit The Orb-Bestandteil. Die Kollaboration „I Started A Joke“ erscheint auf einer Benefiz-Kompilation. - Ab 2002 finden The Orb mit Kompakt einen neuen ambientverliebten Partner und veröffentlichen eine Reihe wunderbarer Maxis und treten live, vornehmlich in abgespeckter Form als Le Petit Orb in aller Herren Länder auf. Ein kleiner Treppenwitz am Rande für Erbsenzähler : Schon The Orb's erste Platte („A Huge Ever Growing Pulsating Brain...“) war eigentlich eine Kompakt-Veröffentlichung. Ihr könnt nachschauen. Neben dem eigentlichen Label Wau! Mr. Modo stand nämlich folgendes ...Kompakt Discos. Ha!

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23,49
ORLANDO VOORN + HAN LITZ - WHAT I LOVE

Introducing What I Love by Orlando Voorn + Han Litz - A 4-Track EP Get ready to dive into the rich fusion of soulful beats and sophisticated grooves with What I Love, the latest 4-track EP by electronic music pioneer Orlando Voorn and jazz flautist Han Litz. This release perfectly captures Voorn's innovative mastery in electronic music paired with Litz's exquisite melodic touch. What I Love is a sonic journey, mixing the best of house, jazz, and electronic fusion with a unique, timeless vibe that fans of both artists have come to adore. Each track on this EP is crafted to captivate and elevate - from soulful harmonies and intricate rhythms to Litz's mesmerizing flute lines that add an organic, uplifting energy to Voorn's powerful beats. Whether you're a DJ, a long-time fan of house music, or new to the genre, What I Love offers a fresh take on sophisticated soundscapes. Don't miss your chance to experience this extraordinary collaboration. What I Love is out now, so bring it to your collection and let the groove take over!

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15,55
Henrik Schwarz & Bugge Wesseltoft - Oh!

This is a follow up to our last successful piano duo release "In Spite Of Everything“. This time it is four hands on two grandpianos and a computer. Henrik on robot automatic disklavier grandpiano and Bugge playing a grandpiano. Reworked from live recordings at famous Radialsystem in Berlin. Cinematic, acoustic, minimalistic, playful, complex. Studio recordings made from stereo live concert recordings only possible with the help of new AI Stem separation. The full EP will be available on a specially pressed black-white vinyl.

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20,38
Giuseppe Angeloro - Takinti EP

For the fourth release we called on another Italian talent, Giuseppe takes us back to the sounds of the late 80s, warm sounds and powerful grooves influence every track, Italo house, post punk, techno, synth pop are some of the nuances that characterise this record.

hardware : Yamaha DX7 - Yamaha TG 500 - Korg monologue - Jomox xbase 999 - Alesis SR 16 - Behringer crave - RME Fireface 800 - Alesis 3630 - lexicon mx200 - Mackie 32.8

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12,56
Callisto - True Nature Unfolds LP 2x12"

Celebrating the 20th anniversary of Callisto's impactful debut album, Svart Records is proud to bring it to you for the first time ever on wax! Callisto is a post-metal band from Turku, Finland formed in 2001. They've headlined several tours in Europe, opened for High On Fire on their UK tour, and showcased in Canada and the United States. Whilst their early works are hardcore and metal, the debut album True Nature Unfolds has a strong sludge metal and doom influence. It was recorded in 2004 by the late Mieszko Talarczyk (Nasum) and introduced to Earache Records a year later through Johannes Persson (Cult Of Luna), earning the band worldwide distribution. True Nature Unfolds was originally released only on CD in 2004 by Fullsteam Records in Finland and Earache Records in the US and UK a year later. The album delivers a breathtaking mix of atmospheric soundscapes, heavy riffs, and haunting melodies. Each track invites you on an emotional journey, blending post-metal intensity with introspective lyricism. Don’t miss this powerful musical experience—let the journey begin! The 20th anniversary edition of True Nature Unfolds is presented on double vinyl in a glorious gatefold cover, with new album art by the band's drummer Ariel Björklund. Available versions are the Svart exclusive green/red/black marble vinyl, limited golden yellow vinyl, and classic black vinyl. Release date December 13th, 2024.

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34,41
Quiroga - French Kiss

Italian magic man Walter Del Vecchio aka Quiroga is back on Hell Yeah. After the success of his Acid Dropout EP here last year, this time he offers up a varied package of tasteful and timeless house music with a deep and Balearic twist.

Naples artist Del Vecchio is a Hell Yeah mainstay who has also released a fantastic LP here, Passages, and always takes inspiration from the Mediterranean energy of his hometown whether making late-night jams or house anthems.

The heartfelt 'French Kiss' opens this one with super smooth and classic deep house drums topped with a sweet female vocal and jazzy chord work. It oozes romance while the Baia Club Ambient Version is a blissed-out post-club comedown with soft acid lines, ambient pads, flutes and chords straight from a '90s afterparty.

'Ask Coppede' is another breezy and soulful house jam with live-sounding drums and percussion and golden chords that keep the good vibes flowing. Balearic bass gem 'Cala Ventosa' shuts down with gentle cosmic leads and glowing pads drifting through the night sky over supple electro rhythms.

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14,08
Ferrari - Terrooooir

Ferrari

Terrooooir

12inchIDM002
Italo Deviance
29.01.2025

Born and raised in the outskirt of Milan, Ferrari began playing drums in post.-punk bands at a young age. Meanwhile, he also started his career as a DJ and producer, ending up releasing tracks on some important labels and playing in various parties all over Italy and Europe. He’s the resident of Milan’s finest party ‘’Anna Molly’’ and affiliated with BSR crew. Ferrari’s project embodies all his influences: from rare Disco gems to House with hints of Detroit Techno

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13,40
KHRUANGBIN - Hasta El Cielo 12" + 7"

Globetrotting Texan trio Khruangbin are set to release ‘Hasta El Cielo’, the band’s glorious dub version of their second album ‘Con Todo El Mundo’. The full album has been processed anew along with two bonus dubs by renowned Jamaican producer Scientist.

The band’s exotic, spacious, psychedelic funk aligns with the dub treatment particularly well. Indeed, keen fans won’t fnd this a surprising release. Dubs of tracks from their frst album ‘The Universe Smiles Upon You’ appeared on limited vinyl releases of ‘People Everywhere’ for Record Store Day 2016 and ‘Zionsville’ on the Boogie Futuro remix 12”. The especially eagle-eared willhave caught a dub of ‘Two Fish And An Elephant’ playing over the credits of the track’s celebrated video.

“For us, Dub has always felt like a prayer. Spacious, meditative, able to transport the listener to another realm. The frst dub albums we listened to were records mixed by Scientist featuring the music of the Rootsb Radics. Laura Lee learned to play bass by listening to Scientist Wins the World Cup. His unique mixing style, with the emphasis on space and texture, creates the feeling of frozen time; it was hugely influential to us as a band. To be able to work alongside Scientist, a legend in the history of dub, is an honor. This is our dub version of Con Todo El Mundo.”- Khruangbin.

Formed of Laura Lee on bass, Mark Speer on guitar, and Donald “DJ” Johnson on drums; Khruangbin’s sounds are rooted in the deepest waters of music from around the world, infused with classic soul, dub and psychedelia. Their 2015 debut album ‘The Universe Smiles Upon You’ was heavily influenced by 60’s and 70’s Thai cassettes the band listened to on their long car journeys to rehearsal in the Texan countryside. 2018’s follow up ‘Con Todo El Mundo’, which received hugely positive critical reactions and radio play around the world, took inspiration not just from South East Asia but similarly underdiscovered funk and soul of the Mediterranean and the Middle East, particularly Iran.

Since the album’s release, the band have continued their almost non-stop approach to touring, playing over 130 dates in 2018 alone. They return to the UK this summer for festival shows at Green Man, Latitude, Mostly Jazz, Funk & Soul Festival and Barclaycard British Summer Time.

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27,31
The Snuts - W.L. LP

The Snuts

W.L. LP

12inch0190295059798
Parlophone
28.01.2025

After a ferocious start to 2020, which saw the band land a top 15 album chart position with their debut Mixtape EP, a #1 spot on the UK vinyl chart, #1 in the Scottish album charts, an appearance and sync in a UK-wide multimillion pound Strongbow ad campaign, FIFA21 soundtrack sync and over 30 million streams, The Snuts have announced their raucous, hook laden debut album, W.L. – out 2nd April on Parlophone Records.

The campaign has gone from strength to strength with the band amassing over 100,000 social followers and daytime support from Radio 1 as well as creating an incredible heartfelt video for single Somebody Loves You in partnership with The Scottish Refugee Council with the video’s production budget and all proceeds from downloads of the track going to the charity.

Adored up and down the country for their uninhibited, sweat-drenched live shows, the band have also announced a UK tour for the end of 2021 – totalling over 30,000 tickets including 3 sold out nights at the legendary Barrowland Ballroom in Glasgow with tickets selling out for that and multiple other dates on the tour in minutes.

Hailing from Whitburn, West Lothian, The Snuts have well and truly found their stride on W.L.. Produced by Tony Hoffer (Beck, Phoenix, M83) and recorded at the Firepit London, the album encapsulates the band’s journey from four working class kids growing up with a dream in Whitburn, to becoming one of the UK’s most exciting and vital bands of the new decade. The album opens with the poignant ‘Top Deck’, winding through a voyage of genres including the raw, rousing, hip-hop driven ‘Elephants, heart-wrenchingly honest ‘Boardwalk’, the undeniable pop banger ‘Somebody Loves You’, the hauntingly heartfelt anthem ‘Always’ and the main stage festival ready hymn, ‘All Your Friends’.

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27,69
Mary Halvorson - Cloudward LP

Mary Halvorson

Cloudward LP

12inch0075597902334
Nonesuch
28.01.2025

‘One of the finest jazz guitarists of her generation, Halvorson is possessed of a questing, restless spirit.’ – Jazzwise

‘With an album of string quartet music as strong as this one, she is worthy of as much renown in the classical field as she holds in the jazz community.’ – New York Times

‘One of America’s finest guitarists. Halvorson’s musicianship is open-minded, demanding and richly engaging.’ – Uncut

Nonesuch Records releases Cloudward by Brooklyn-based guitarist, composer, and MacArthur fellow Mary Halvorson on January 19. The album features eight new compositions by Halvorson, performed with her sextet Amaryllis, the improvisatory band that performed on her critically praised 2022 albums Amaryllis and Belladonna comprising Halvorson, Patricia Brennan (vibraphone), Nick Dunston (bass), Tomas Fujiwara (drums), Jacob Garchik (trombone), and Adam O’Farrill (trumpet). Labelmate Laurie Anderson also is featured on the album track ‘Incarnadine’. Halvorson and Amaryllis will tour internationally following the release of the new album, including January dates in Europe, as well as at the Big Ears Festival as part of Nonesuch’s 60th anniversary celebration.

Halvorson says, “All of the music on Amaryllis was written in 2020, during the thick of the pandemic, in one of the more bizarre time periods I’ve experienced in my life. While composing for Amaryllis, I expanded upon certain musical concepts I’d developed in my life up until that point—the ones that felt fruitful—and left others behind, hitting the reset button and attempting to build from scratch. Two years later, after the release of the first album, I was still writing music for Amaryllis.

“All the music on Cloudward was written in 2022, mostly in the fall and winter, when things started moving forward. Life felt like a creaky machine starting up again,” she continues. “Air travel, however chaotic, had resumed, and we were once again cloudward. Performances and tours and recordings were happening after a long hiatus and with a renewed sense of gratitude. This band, for me, was quite simply working, both musically and personally, and the main thing I felt while writing the music was optimism.”

The Guardian said Halvorson’s 2022 double release “shows how far this single-minded original has come, and affords a glimpse of how far she may go. Both sessions confirm how years of jaggedly lyrical solo and ensemble improvising and a quirkily subversive affection for mainstream music have now nurtured a composer of unpredictable but warmly expressive character… These are new landmarks in Halvorson’s already inimitable discography.” Pitchfork said, “Amaryllis and Belladonna are distinct statements; one could hear either album on its own without a sense that something is missing. But they are most powerful when taken together, like a landscape and its reflection in rippling water.”

Halvorson has released a series of critically acclaimed albums, from Dragon’s Head (2008), her trio debut featuring bassist John Hébert and drummer Ches Smith, expanding to a quintet with trumpeter Jonathan Finlayson and alto saxophonist Jon Irabagon on Saturn Sings (2010) and Bending Bridges (2012), a septet with tenor saxophonist Ingrid Laubrock and trombonist Jacob Garchik on Illusionary Sea (2014), and finally an octet with pedal steel guitarist Susan Alcorn on Away With You (2016). She also released the solo recording Meltframe (2015), and most recently debuted Code Girl (2018, 2020), a new ensemble featuring vocalist Amirtha Kidambi (singing Halvorson’s own lyrics), trumpeter Adam O’Farrill, saxophonist and vocalist María Grand, bassist Michael Formanek, and drummer Tomas Fujiwara.

One of New York City’s most in-demand guitarists, over the past decade Halvorson has worked with such diverse musicians as Tim Berne, Anthony Braxton, Taylor Ho Bynum, John Dieterich, Trevor Dunn, Bill Frisell, Ingrid Laubrock, Jason Moran, Joe Morris, Tom Rainey, Jessica Pavone, Tomeka Reid, Marc Ribot, and John Zorn. She is also part of several collaborative projects, most notably the longstanding trio Thumbscrew with Michael Formanek on bass and Tomas Fujiwara on drums.

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33,57
Cypherphunk - Autonomy EP

Cypherphunk

Autonomy EP

12inchCWX05
Chiwax
28.01.2025

Mark Hawkins has had a career in music spanning the past 25 years.
It has encompassed torturing Goa trance ravers with esoteric techno records on Welsh hillsides in the mid '90s, hanging with UK house heads like the DiY and Smokescreen sound-systems around quarries, fields, clubs and pubs in the Midlands, after which he found his initial niche in producing punky techno around the turn of the millennium for labels like Djax Up Beats and Mosquito.
After an eight-year stint producing, releasing and playing out proper underground house music as Marquis Hawkes on labels like Houndstooth and Aus Music, making techno records for DVS1's Mistress imprint and Len Faki's Figure recordings as Juxta Position, alongside other work under the names Contactless and Falcon Black Ops for Unknown To The Unknown, Hawkins now embarks on the next phase of his career, which will gradually amalgamate his broad influences into one unique sound.

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11,72
Anané - Let Me Be Your Fantasy LP 2x12"

With her new “Let Me Be Your Fantasy” remix package, Anané continues to solidify her position as one of the most talented and charismatic recording artists in the world today. It’s never easy to take on a classic disco tune, which in this case is a song originally released in 1978 by The Love Symphony Orchestra. But working with producers Two Soul Fusion (Louie Vega and Josh Milan), Anané has crafted a new version of this song that retains the glamour of disco while also injecting a raw toughness and rhythm perfectly suited for today’s dancefloors. As is her custom on her remix packages, Anané has pulled together an outstanding team of producers to lay down their own very unique and high impact mixes, including Masters At Work, Dimitri From Paris, Mousse T, Blackchild and Moplen.

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24,58
La Pointe - Umbra

La Pointe

Umbra

12inchSTM005A
Secret Teachings
28.01.2025

La Pointe debut on Damian Lazarus’ Secret Teachings with ‘Umbra’, featuring remixes from Nathan Fake and Jonny Rock. The experimental label opens its 2025 schedule on 24th January with the Geneva-based trio’s warping original backed by a pair of late-hours remixes from two of the best in the scene.

Emerging from a confluence of rave culture and artistic mastery, La Pointe make an impressive label debut on Damian Lazarus’ Secret Teachings imprint with the enigmatic ‘Umbra’. The release, set for 24th January, is accompanied by stellar remixes from revered producer Nathan Fake and the ever-versatile Jonny Rock, delivering a sonic journey that transcends the ordinary. La Pointe, a trio formed by Geneva-based techno pioneers Crowdpleaser and Entlet alongside New York City’s Jonny Sender, represents a fusion of cultural and musical legacies. Rooted in the dynamic after-hours scenes of Geneva and New York’s underground club culture, the trio creates music that is both innovative and steeped in tradition. Their studio, located in an old factory by the meeting point of the Rhone and Arve rivers, lends its name—and its industrial inspiration—to their project.

The original mix of ‘Umbra’ is a hypnotic exploration of light and shadow, blending atmospheric melodies with deep, pulsating rhythms—a testament to their ability to craft soundscapes that resonate emotionally and physically. Nathan Fake’s remix ventures into intricate, textural layers, marrying ethereal tones with electronic intensity. Jonny Rock injects a raw, off-kilter groove and late-hours energy into his reinterpretation, blending his eclectic influences from disco, funk, house, and beyond. The genesis of La Pointe is as captivating as its sound. Crowdpleaser and Entlet are celebrated architects of Geneva’s rave scene, running the legendary after-hours party The Shark for over a decade and hosting luminaries like Alexander Robotnik, Boo Williams, and Sonja Moonear. Jonny Sender, a stalwart of New York’s downtown music revolution in the 80s to 00s and bass player of post-punk band KONK, brought his unique perspective honed in venues like Mudd Club to the trio when he moved to France. This debut appearance on Secret Teachings is not just a collection of influences but a narrative woven from decades of underground culture and musical exploration - making it a perfect fit for Lazarus’ label as he continues to champion boundary-pushing artistry, curveball signings and inspired remix curation.

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13,66
Trentemöller - Into The Great Wide Yonder 2x12"

2025 Repress

Wide Yonder’ is a truly remarkable album, offering as much depth and soul as it’s predecessor, yet sounding ultimately fresh and different. Above all, the ten tracks show an artist that’s willing to take risks, find in- spiration in new places and move beyond the sound of his previous album. Trentemøller: ‘Of course I didn’t want to make the same record twice. So the album is for me a logic development from ’The Last Resort’’. Instead he just started to collect new ideas, without thinking too much about the direction the music would take him: ‘The only thing I knew was that I’d want the music to sound more organic and analog.’ Compared to the intimate electronic mood pieces of ‘The Last Resort’, the ten tracks on the new album indeed have a more strange, mystic and dramatic vibe, with a lot of dynamics, distorted, driving twang- guitars, real and electronic drums mixed with haunting synths. With ‚Into The Great Wide Yonder‘ Trentemøller is not only exploring new moody and atmospheric universes, but combines his sense for glorious soundscapes with a firm melodic and tonal touch. The original chord progressions and feel for melodies is fundamental to him, and that‘s also the reason why most of the instruments are played by Trentemøller himself on this album. ‚I like the possibility to be surprised that chords and melodies change into something new. The music that I like most lets the themes and sounds come back in different disguises‘. The Danish multi instrumentalist and producer shows an unexpected talent for finding vocalists that fit the mood of his songs. The first single of the album, the beautifully tender ‘Sycamore Feeling’, featuring Marie Fisker, is a typical highlight. In fact, all the vocal tracks are stunning. Trentemøller chose to collaborate with the English artist Fyfe Dangerfield from UK based Guillemots and Danish singers Solveig Sandnes and Josephine Philip from the debuting Danish indie girlduo Darkness Falls. They all manage to add their own sound and flavour to the album, while their voices blend perfectly with Trentemøller’s atmospheric songs. This is an album that keeps growing for a long time, as every track works its way stealthily under your skin. The sound of ‘Into The Great Wide Yonder’ might be one step ahead of his previous work, but we still easily recognize the hand of Trentemøller, in this inspired collection of songs and atmospheres. The sonic richness, sharp contrasts and daring musical colours are vintage Trentemøller. Into The Great Wide Yonder’ might demand more from the listener than ‘The Last Resort’, as it ended up being quite a dramatic album. This album is more noisy, there’s more happening.‘ But getting to know the tracks definitely is a rewarding experience, as the album will keep growing and growing for a long time to come and its safe to say that Anders Trentemøller has managed to create

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20,13
J. D. (Puma) Lewis - Shake It - Make It Loose (LP)

The combination of their musicianship and the cutting-edge technology at the studio resulted in a masterpiece of pure, state-of-the-art funk and boogie. The album features all the hallmarks of great 80s music: fresh synths, drum machines, and powerful lead vocals from John Davis. Upbeat tracks like "The Cat (Puma)" and the title track sit comfortably alongside more soulful songs like "Tears" and "Hearts of Gold," while "Dancing Shoes" remains one of the era's catchiest dance tracks.

Still, Shake It - Make It Loose holds a few mysteries. Why was it released under the unusual name J.D. (Puma) Lewis? And what's the story behind tracks like "The Cat"? While J.D. Lewis stood for John Davis Lewis's full legal name, Hudson sheds light on the "Puma" connection: "At the time, I was working as a promotions manager for Puma sportswear. Jörg Dassler, son of Puma founder Rudolf Dassler, was a friend of mine and financed our studio sessions." As said, these sessions took place at Hartmann Digital, a state-of-the-art studio in Untertrubach, Bavaria, where iconic artists like Nena, Yello, Visage, DAF, and Soft Cell recorded.

The use of such an expensive studio would have been out of reach for the two musicians without Puma's backing, which also explains why there is a title like "Dancing Shoes." When we had licensed the track for the Boogie On The Mainline compilation in 2018, we had the chance to speak with John Davis (who sadly passed away in May 2021 due to COVID-19). Davis revealed that there were plans to make a video for the song in collaboration with Puma, but those plans fell through. In the end, the album was signed to the Deggendorf-based Metrovynil label.

Interestingly, the original contract reveals that the first version of the album only contained six tracks. Metrovynil added two more: "Sexy Highschool Lady," a track Davis recorded solo, and "Party Rap" by The Dynamite Two, which had no connection to Davis or Hudson at all. The album's credits also list a "Fred Fiore" as the person "who made all of this possible." Hudson, who sees himself as the producer, has no idea who Fiore was - likely another fabrication from the label. "That's just the kind of thing Metrovynil did," Hudson comments with some regret.

Despite the behind-the-scenes confusion, the music spoke for itself. The original pressing looked and sounded fantastic, featuring a stylish cover shot of John Davis in a sharp suit. Now, with this first-ever vinyl reissue, we're thrilled to include additional photos and more background information in a deluxe gatefold sleeve.

This reissue includes all six tracks from the original Hartmann Digital sessions, plus two bonus tracks. From the original reel tapes, we unearthed additional material that Hudson and Davis produced together in the early to mid-80s. We're excited to share the previously unreleased tracks "Life's A Party," and "Walk Out On Me." The digital version of the reissue will also feature two more songs: "Red Drops" and "Pick It Up Off The Ground."

Shake It - Make It Loose is a classic boogie-funk album that belongs in every serious funk and disco collection. It showcases the undeniable talent of two true musicians and stands as a testament to the friendship between Reg Hudson and John Davis.

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23,49
Setenta - Apollo Solar Drive LP

10, 9, 8, 7, 6… the countdown to blastoff has started! Paris-based band Setenta is preparing for their upcoming 20th anniversary by releasing their sixth album, Apollo Solar Drive. The record is poised to be their best yet and is the culmination of an odyssey of artistic discovery. Setenta has been constantly striving for illumination through the years, yet also exploring the dark side of the human condition along the way. As the band describes it, this record is an Afro-Latin retro-futurist tribute to the sun. If their previous album, Materia Negra, launched the Setenta space shuttle crew into the void of “dark” matter and black holes, they now change course and valiantly approach the sun at full warp speed, taking us from darkness into the light. Miraculously, Setenta manage to bring some of the rhythmic and harmonic material they’ve explored on Earth with them, yet boldly dare to go where no one has gone before, challenging themselves to take their music, and their audience, to uncharted dimensions and new realms of existence.

In keeping with the themes of Materia Negra, FIP (Radio France) selection in 2020, Setenta’s sixth mission to explore “the great beyond” of “inner space” is aptly titled Apollo Solar Drive, emphasizing the band’s turning to the life-giving light of the sun for inspiration while playfully echoing the title of Eddie Palmieri’s Latin funk and social commentary masterpiece, Harlem River Drive. The overall vibe is warm and positive, propelled by the dual energy thrusters of funky, fierce beats and deceptively complex arrangements, yet going down smooth in the best sense of the word, like your favorite tropical cocktail or classic jazz dance fusion record of the 1970s. Of course this delicious treat is served with a special Setenta flavor all its own.

This time around, Apollo Solar Drive celebrates the trajectory of the band’s unique interstellar journey by deploying a resolutely jazzy, “funkadelic” angle to their beloved Afro-Latin music. Setenta’s band members tell their truths as a collective, with an emphasis on instrumental sections, focusing on the interweaving of multiple keyboards and guitars, while condensing the vocals to group choruses, as opposed to the solo voices of the past. The overall approach is more futuristic in its conception and realization, from the arrangements to the sonic engineering, although the rhythmic base still remains rooted in Afro-Cuban traditions as well as those of other Caribbean nations.

Pablo E. Yglesias (DJ Bongohead) of Peace & Rhythm (USA)

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20,80
Still Corners - Strange Pleasures

10th Anniversary Edition features: Transparent Green vinyl. Gatefold vinyl including lyrics. 18"x24" Strange Pleasures poster. Download code, including bonus track "We Have the Future on Tape". Digipak CD with lyric booklet. In celebration of STRANGE PLEASURES turning 10, Still Corners are releasing a very special remastered 10-year anniversary edition on transparent green vinyl. The album has been remastered by John Davis at Metropolis London, described by Jimmy Page (Led Zeppelin) as ‘a master of his craft’. The anniversary edition includes all the album’s lyrics (for the first time) on a gatefold album sleeve, Strange Pleasures poster, digital download, including a bonus download ‘We Have the Future on Tape’. Originally released on Sub Pop, STRANGE PLEASURES has developed cult status since its release in 2013. Opening song, ‘The Trip’, captured people’s hearts with one YouTube video acting as a virtual community for like-minded fans around the world. ‘Fireflies’ (Pitchfork, Best New Track), ‘Strange Pleasures’, ‘Beginning to Blue’ and ‘The Trip’ have been used across film and television since the album’s release.

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28,78
Wasia Project - Isotope

Wasia Project

Isotope

12inchWAS008
LaoLao Records
21.01.2025

Wasia Project's 2nd EP 'Isotope' now available on vinyl with a special etched design and exclusive pull out two-sided 584 x 420 mm poster. The collection is an impressive audio-visual concept that applies their classical training to wide-eyed, genre-bending, jazz-pop. The familiar warmth of nostalgia dovetails with the discomfort of the unknown as the duo process experiences of love, anxiety, confusion and hope through a singular voice: "ultimately a universal concept of all of us sharing the same emotions, but leading different lives".

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22,27
Jodey Kendrick - EDMZ1

This 12" contains the first sounds from EDM Z album, which will complete Jodey's 'Electric Dance Music' series. Very limited strictly no repress handstamped piece of Braindance. In the realms of imagination and creativity, there exists a man whose life is as diverse and eclectic as the beats he now produces. Born in the picturesque landscapes of Cornwall in 1953, Jodey Kendrick's journey began with the wind-swept cliffs as his backdrop and the crashing waves as his symphony. As a young lad, Jodey was drawn to the world of cinema. Inspired by the likes of Bruce Lee and Jackie Chan, he found solace in the art of martial arts and action-packed storytelling. With determination in his heart and a fire in his eyes, Jodey ventured into the realm of acting, honing his skills on the stages of local theaters before making his mark in the bustling streets of Hong Kong. It was in the neon-lit alleys of Hong Kong that Jodey Kendrick found his true calling. Embracing the vibrant energy of the city, he immersed himself in the world of Hong Kong action films, earning acclaim for his daring stunts and charismatic performances. With each role, he etched his name deeper into the annals of cinematic history, becoming a beloved figure in the hearts of moviegoers across the globe. But as the years passed and the reels of film kept spinning, Jodey felt the stirrings of a new passion within him. Beyond the glitz and glamour of the silver screen, there lay a world of pulsating rhythms and electronic melodies, waiting to be explored. Intrigued by the allure of electronic music, Jodey embarked on a new chapter in his life, one that would see him swap his martial arts moves for the dancefloor beats of Jungle Tekno and Drum and Bass. In the bustling metropolis of Hong Kong, Jodey found himself amidst a thriving music scene, where the streets throbbed with the rhythms of the underground. Fuelled by his love for music and driven by a desire to create, he immersed himself in the world of music production, crafting beats that reverberated through the city's concrete jungle. Today, Jodey Kendrick stands as a testament to the power of reinvention and the boundless possibilities of passion. From the silver screen to the dancefloor, his journey has been one of constant evolution and exploration. With each beat he creates, he pays homage to the winding path that brought him here, a path that weaves together the worlds of cinema and music into a tapestry of creativity and inspiration.

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14,08
LA SERPIENTE - ELAPHE DIONE

Following up on the 2024 released remix album You Are Dreaming! Random Numbers continues its presentation of La Serpiente’s immersive output with Elaphe Dione: The first full-length album of the multifaceted producer and a matured imprint of his distinct sound. The record includes five tracks and a digital bonus exhibiting a sonorous marriage between post-industrial esotericism and club-ready psychedelia; A labyrinth of elaborate sound design coiling around sharp rhythms, adorned by fractured voices spawned in obscure worlds. With sensibility towards granular detailing amidst a powerful cascading flow, La Serpiente’s versatile sonic arrangements coalesce into music that always breathes – A drifting current of enchantment materializing as a release that is both ornamental and symbolic in its vision.

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19,75
Cassius Select - 90 - Herd
 
2

Repress!

Next up on Accidental Jnr are 2 club ready tracks from Sydney producer Cassius Select that straddle genres somewhere between techno, bassline and hardcore. 90 is a gurgling brutal post-dubstep wobble fest at a house tempo whilst HERD offers up Select's trademark idiosyncratic vocal snippets wrapped up in most broken and shuffled of techno rhythm. Cassius Select lives in the undefined sonic boroughs of the hardcore continuum. His first EP explored the grittier end of techno under Australian label Hunter Gatherer followed by a 12" of unstable rhythm workouts under DJ Haus' UTTU label. The Toronto native is hell bent on inciting movement in the most unorthodox ways. Sonics crush genre-defining sounds into a pastiche of cryptic one liners and side eyes. Drums that invoke an impossible sense of swing and momentum. Most importantly Select's sound defines itself on the mission to deconstruct the world around him,to level out the playing field so everyone can have a bite. This year, Select joins with UK imprint Accidental Jr. to release a two-track fury of sound that snarls with every grimace.

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15,08
Sexy Sushi - Marre, marre, marre LP

“Marre Marre Marre” was recorded, composed, and burned behind the stove by Sexy Sushi.

Sexy Sushi is made up of Herr Silver & Rebeka Warrior, "Marre Marre Marre” was remastered in 2021 by Tony Chauvin. Originally released on CD only in 2007, this album is a medley of our least successful tracks.

The surface area of France is 670,922 km².

Without you, none of this would have been possible—it’s all your fault. So, thank you.

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17,86
Vegyn - Text While Driving If You Want To Meet God! MC (TAPE)
 
71

• Laser engraved, transparent red tinted single cassette.
• Full colour double-sided printed 4 panel J-Card.
• Super Ferro Normal-bias music grade tape.
• 43 minutes per side minutes (A- 42:55 / B- 42:52). (The mixtape totals 71 tracks at 1 hour and 15 minutes.)
• Not available since 2019 and reissued to celebrate the 5-year anniversary of its release in June 2019.
London-based producer and musician Vegyn unveils the reprint of his debut mixtape, "Text While Driving If You Want To Meet God!", a 71-track project originally launched in June 2019, now available again on cassette format. This time, featuring a transparent red tinted cassette chassis, this reissue offers fans a nostalgic journey through Vegyn's early experimental soundscapes. Crafted with Super Ferro Normal-bias music grade tape, each cassette boasts 43 minutes per side, meticulously duplicated in real-time for optimal sound quality. With clear front and back cassette cases, alongside laser engraving, and a double-sided full colour printed 4 panel J-Card. This reissue is set to captivate listeners once again. The cassette repress is scheduled to hit shelves in June 2024.

a A1 4 Year Break 126 Bpm
b A2 80's Nihtmare Setup [127.136 Bpm]
[c] A3 100 Leagues V2 [142 Bpm]
[d] A4 201886 002 _ [145 Bpm]
[e] A5 A Thousand 500 Apr V2 [149.287 Bpm]
[f] A6 All In Me All Of It - [124 Bpm]
[g] A7 Anothher Time Anothher Place [150 Bpm]
[h] A8 B... Arp Forever V3 [109.613 Bpm]
[i] A9 Bedtime Again V2 [130 Bpm]
[j] A10 Big Shoes Big Hands V3 [120 Bpm]
[k] A11 Buddy Lent Me The Pen Again V006 [218.814 Bpm]
[l] A12 Ch---- Pa------- V2 [169.706 Bpm]
[m] A13 Chords To Fix 002 [126 Bpm]
[n] A14 Country Song Without [187.089 Bpm]
[o] A15 Dean Told Me! [132 Bpm]
[p] A16 Deep Throwaway 003 [100 Bpm]
[q] A17 Desktop Speaker 003 [130 Bpm]
[r] A18 Dumb To Everythhing V2 [140 Bpm]
[s] A19 Evil Man Two V2 [120 Bpm]
[t] A20 Feet Too Tough 005 [128 Bpm]
[u] A21 Find Hihs Password 003 [96 Bpm]
[v] A22 First Of 2018 002 [140 Bpm]
[w] A23 Get This Thang Right Here 003 [170 Bpm]
[x] A24 Gnot Up! V2 [109 Bpm]
[y] A25 Go Tow Work [134 Bpm]
[z] A26 Gsc Cbd V1 [98.995 Bpm]
[xa] A27 27.Gsc Cbd V2 [98.995 Bpm]
[xb] A28 Happy Birthday Friendo! [154 Bpm]
[xc] A29 Here We Are - Chords Again [137 Bpm]
[xd] A30 I Only Play Games I Know [160 Bpm]
[xe] a31 If Not Someone Then Somewhere 004 [89.797 Bpm]
[xf] A32 Infinite Freeze Frame [96.532 Bpm]
[xg] A33 Iphone Speakerz [112 Bpm]
[xh] A34 Is It Rough Is It Tough [154 Bpm]
[xi] A35 It's All In The Eyes Of [124 Bpm]
[xj] A36 Its Okay Its Just Okay 002 [145 Bpm]
[xk] B1 Last Pieces Of The Year [120 Bpm]
[xl] B2 Less So More So [140 Bpm]
[xm] B3 Life Feels Good [91.71 Bpm]
[xn] B4 Malibu Hillside - [155 Bpm]
[xo] B5 Maybe Inspired [145 Bpm]
[xp] B6 Midday Sun [124 Bpm]
[xq] B7 Milk Dudz 006 [140 Bpm]
[xr] B8 Mistakes Were Made Risks Were Taken [155 Bpm]
[xs] B9 Monét Monét [135 Bpm]
[xt] B10 Nobody's Business [148 Bpm]
[xu] B11 Noise Making Problem [100 Bpm]
[xv] B12 Ns10 + Sub Combo Classic V2 [120 Bpm]
[xw] B13 Nuish [103.181 Bpm]
[xx] B14 Olbass All Bass 004 [140 Bpm]
[xy] B15 Once A Smoker - Always A Smoker [108.065 Bpm]
[xz] B16 52.One More For The Homies [115.203 Bpm]
[ya] B17 Picnic B_st_rd [112.380 Bpm]
[yb] B18 Picnic Trajegdy [142 Bpm]
[yc] B19 Positive Nightmare [134 Bpm]
[yd] B20 Post Thought Of Knowing Nothing [152 Bpm]
[ye] B21 Pull Shark [127 Bpm]
[yf] B22 Right Noww [150 Bpm]
[yg] B23Sadly Does It [123 Bpm]
[yh] B24 Safety At Night [99.226 Bpm]
[yi] B25 Save Yall Ready Know What It Is 003 [138 Bpm]
[yj] B26 Snslo Modem [135 Bpm]
[yk] B27 Thouhtless Thouhts [155 Bpm]
[yl] B28 To All The Photos Going Up Online Rn [118 Bpm]
[ym] B29 Try And Do A Cd After That [132 Bpm]
[yn] B30 Try Towards Overtime [140 Bpm]
[yo] B31 Veggie Burritotu [120 Bpm]
[yp] B32 Waitin On An Ambulance 002 [205.367 Bpm]
[yq] B33 What Goody In The Back [138.089 Bpm]
[yr] B34 Whhat The Fuck Did I Buy_ 002 [123 Bpm]
[ys] B35 Yo This Is The Next Tune Yah Get Me [124 Bpm]

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21,81
Marhu - La Monnaie

Marhu is set to make her debut on Electric Ballroom with a captivating two-track EP slated for release on May 24th, 2024. Inspired by the iconic Opera monument in her hometown of Brussels the lead track "La Monnaie" is a compelling blend of bittersweet melodies, intricate orchestral elements, epic violins and choirs intertwine with massive rave synth and acid undertones, creating a sense of powerful grandeur and drama. Marhu's fusion of classical and electronic influences brings a fresh perspective to the genre, captivating listeners with her creative ingenuity from start to finish. Reflecting on her debut release, the artist from Belgium expresses her excitement about joining Thomas Schumacher's esteemed label, Electric Ballroom: "La Monnaie" has been a standout feature in my recent sets, showcasing my ability to craft immersive musical journeys that resonate with my audience” Known for her infectious positivity and high-energy performances, Marhu's mission is to connect with her audience and take them on musical journey. We are thrilled to welcome this uber talent to the EBM family.

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12,56
Various - SOCA JAMS

Words from the label:

Re-issue label Sentinel Island Disco returns to the stage with their long-awaited soca compilation featuring highly sought after soca cuts, raw 90’s soca house and deep blends of reggae, calypso and disco.

Structured by a PARTY and a SOUL side, the compilation offers a snapshot of the 90s electronic soca scene in all its multifaceted glory. The party side serves up a selection of pulsating, feel-good party tracks that encapsulate the carefree spirit that is the very heartbeat of soca parties. While the soul side explores a more introspective soundscape, where soulful vocals and deep electronic beats merge to create a powerful emotional experience and where melodies linger long after the music stops.

Label owners Barney Graman and Coco Vink have spent the past 3 years on bringing these lost and obscured recordings back into the limelight, some of which now pressed on vinyl for the very first time. All tracks are carefully remastered and some have been edited or remixed for the modern dancefloor, while staying as close as possible to the original brilliance.

The result is more than just a collection of songs; it’s a celebration of soca’s rich heritage and its ability to unite both different cultures as well as divergent musical themes, from joyous celebration to soulful reflection. All in all, a must-have compilation for all the collectors and aficionados of the rich and uplifting music of the African diaspora, as well as DJ's, dancers and music lovers looking to spice up their collection with some incredible soca music!

Comes as a transparent colored vinyl, featuring a small booklet with artist and label pictures as well as full liner notes on the genre's history and introduction of the tracks.

Limited to 500 copies.

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22,65
TAYLOR SWIFT - The Tortured Poets Department LP 4x12"
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60,29
Stojche & Convextion - Granada

2024 Repress

There isn’t many who would disagree with the underlying sentiment that electronic music makes us feel something extraordinary. Much in the same way, the possibilities for creative discourse and cosmic interactivity are accessible to anyone with an open mind. It’s in this place where these possibilities materialise, and it’s in this space where SYNCROPHONE 39 operates within.

You see, you won’t find cleverly constructed adjectives or nonsensical descriptors for the music presented here. It doesn’t need them. The music speaks for itself, much in the same way the artists do. Stojche has been carving out timeless techno for two decades now, working tirelessly without fanfare to enrich a scene that sits close to his heart. Whether that be through releases on his own imprint TANGIBLE ASSETS or the ever expanding a.r.t.less, his trademark sound signature is synonymous with the soul of Detroit. You may be hard pressed to find anyone else who’s been as consistent with this sound over the years as he has. On the other hand, Gerard Hanson aka Convextion has been doing exactly that without fault his entire career. So the combination of these two artists on this release makes perfect sense.

Syncro39 is a celebration of core values in music. Of devotion to a singular obsession crafted over the course of decades devoid of trends or cheap influences, social or otherwise. It’s that unwillingness to compromise and to put everything on the line in the pursuit of the dreaming process that makes this a special release.

One thing is for certain. Those who are inspired by Stojche’s signature original and the timeless journey of Convextion’s remix,
will carry themselves through the smoke and haze into the sunlight as it takes some time for the rush to subside. That’s probably an apt abstract for this release thus far. For the most part though, the narrative for Stojche has only just begun.

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14,50
CHAIN OF COMMAND - SOME ASPECTS

In 2007, Anna Logue Records have already released this 7″EP from unsung UK minimal synth post-punk heroes CHAIN OF COMMAND.

While they would have deserved a vinyl release already back in the 80’s, there was only their contribution of the actual track “Some Aspects” to the brilliant and highly sought-after compilation LP “Subtle Hints” (UK 1983, Sane Records). They had recorded a couple of more tracks using Roland SH-09 and sequencer, Roland TR-808, Boss DR-55, Electro Harmonix DRM 32, a customised Ibanez Blazer Bass, Korg Micro Preset, Logan String Synth and Arp Axxe, which unfortunately didn’t make it onto any further release until the 7”EP was released.

All songs date back to 1982, recorded in Liverpool, UK, so if you’ve missed out on the first edition, then here’s your chance to grab a copy which now has a wonderful newly designed fold-out poster sleeve, as always by the great Steve Lippert!

7″EP features: limited 2nd edition of 117 copies, revised artwork, two-sided foldout poster sleeve, double-sided hand-numbered postcard, exclusive download for unreleased track “Three Intruders” (and maybe more).

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10,04
DLR - Money Till I Got None LP 2x12"

DLR drops his first album since starting Sofa Sound Bristol - ‘Money Till I Got None’.

The album is a tongue in cheek reflection on modern life, society, politics and of course MONEY. The never ending thirst and need for it; the stress and freedom it can bring; its power, its illusion and all its contradictions.

Drawing on life experiences from a relatively privileged position, but also from travelling and meeting many types of people across the UK and worldwide, the album explores different perspectives about money from varying sections of society.

In the 7 years since his last album, DLR has been through highs and lows, played big shows, struggled, released classic tracks and spent, spent, spent, spent. 'Money Till I Got None' is his journey of frustration and realisation and his first fully solo album in terms of production, but with a stellar lineup of vocalists and musicians to bring invaluable perspectives and experiences to the project.

Established poets, story tellers and MCs such as Fox, Rider Shafique, Jakes and Gusto bring unique insight, upcomers Freddy B & Kathryn Brenna add crucial flavours and we welcome Hal (Snazzback) on keys plus additional musical direction, with further instrumentation from Abbey Neave & Joe Bradford.

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29,37
AZURE BLUE - THE NIGHT OF THE STARS LP

‘The Night of the Stars’ is the fantastic sixth album from Swedish dream pop favorites AZURE BLUE. The album pushes the quality to its peak, exhibiting a richer, clearer, and more luxurious approach to the patented AZURE BLUE sound across ten enticing tracks. Three of the songs generated significant buzz when released as singles. Album opener ‘Rise’ is a shimmering track with a rushing drumbeat topped by luxurious layers of analog synths and a Peter Hook-like bass. The song is a dream pop anthem featuring a timeless chorus and vocal harmonies from AZURE BLUE’s long time companion The Land Below.

The crystal-clear topline in ‘Three Times The Drama’ shines over electric guitars and analog synths to create an immediate pop song with great summer hit potential. The song is also a bittersweet dedication to Tobias Isaksson’s mother, who recently passed away, and its completion provided comfort following a period of unspeakable grief. The album also includes ‘Define Your Dreams’—a bright flare first previewed during the dark days of the pandemic with massive synth walls and lyrics that suggest that while difficult times have passed, more difficult ones may be coming. ‘Visions and Themes’ will have its premiere on October 25 when it is released as the fourth single from the album, while the remaining six tracks provide even further evidence of the brilliance of one of Sweden’s most internationally acclaimed indie artists.

Mixed by Tobias Isaksson and Ollie Olson. Mastered by Håkan Åkesson at Nutidstudio.
Artwork by Alexander Palmestål. Design by James Tassos and Steve Lippert.

12″LP features: limited edition of 300 copies, 140 grams crystal clear vinyl, hand-numbered double-sided postcard, download code.

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19,29
Trees Speak - TimeFold LP

Trees Speak are releasing their new album TimeFold worldwide on 15 Nov 24 on Soul Jazz Records.

Trees Speak return with TimeFold, their sixth release on Soul Jazz Records, further expanding their ever-evolving sonic universe. This new album builds on their signature blend of hypnotic krautrock rhythms, post-punk angularity, and experimental soundscapes while venturing into new terrain by blending influences from avant-garde electronics to ceremonial sound forms.

On TimeFold, Trees Speak (comprised of the Tucson-based duo Damian Diaz and Daniel Martin Diaz) push their musical boundaries from expansive, intergalactic landscapes to eerie, imagined 1970s Italian and French sci-fi horror film scores. The album seamlessly weaves John Carpenter-esque synthesizer motifs with ambient sound sculptures, conjuring immersive worlds that are both cinematic and otherworldly.

The album also incorporates the duo’s deep-rooted influences, which span across electronic pioneers like Jean-Michel Jarre (Oxygene), Tangerine Dream, and Karlheinz Stockhausen. Drawing on the revolutionary techniques of Musique Concrète, TimeFold features experimental track splicing, looping, and collage work that harkens back to the golden age of avant-garde music. At times, the album channels the ceremonial tones and hypnotic rhythms reminiscent of early 1970s krautrock, fusing these sounds with organic instrumentation like dulcimers, adding an earthy, drone-like ritual quality to the experimental electronic framework.

A new element in this release is the inclusion of spoken word by Ashley Christine Edwards, which lends the album a haunting, apocalyptic edge. Her contributions evoke a tone reminiscent of the 1970s avant-garde scene, recalling literary and conceptual artists like Ruth White. The spoken words create a sensory experience akin to ceremonial chants, adding to the atmospheric intensity of the album. These vocal elements tie into the overall theme of TimeFold, which continues Trees Speak’s exploration of futuristic technologies and the communication of nature, with the evocative concept of trees and plants acting as organic hard drives storing data and knowledge.

Drawing further influence from Italian and French horror cinema, Trees Speak explore cinematic tension throughout TimeFold, creating a layered listening experience. The record transports the listener from the haunting, desolate beauty of Southwestern desert vast landscapes to an auditory space that melds early electronic experimentation with the contemporary urgency of conceptual art.

Since their debut Ohms in 2020, Trees Speak’s prolific output on Soul Jazz Records has continually redefined genre boundaries. TimeFold solidifies their position as visionaries in experimental music, offering an album that is as much a meditation on future technologies as it is a tribute to the avant-garde traditions that have come before.

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18,78
El Michels Affair - Boy Kills World

“The music by Ludvig Forssell and El Michels Affair provides suitably thumping accompaniment.”
Soundtrack performed by El Michels Affair, an American cinematic soul group led by musician and producer Leon Michels.

* Leon has worked with a who’s who of talented musicians, including a brief spell as part of Wu-Tang’s touring band, he started making music under his own steam with the express intention that it be sampled by hip-hop producers. Jay Z, Beyoncé, Travis Scott and Don Toliver all used his work for their songs.
Bill Skarsgård stars as "Boy" who vows revenge after his family is murdered by Hilda Van Der Koy (Famke Janssen), the deranged matriarch of a corrupt post-apocalyptic dynasty that left the boy orphaned, deaf and voiceless. Driven by his inner voice, one which he co-opted from his favorite childhood video game, Boy trains with a mysterious shaman (Yayan Ruhian) to become an instrument of death and is set loose on the eve of the annual culling of dissidents. Bedlam ensues as Boy commits bloody martial arts mayhem, inciting a wrath of carnage and blood-letting. As he tries to get his bearings in this delirious realm, Boy soon falls in with a desperate resistance group, all the while bickering with the apparent ghost of his rebellious little sister.

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25,00
Murcof - Twin Color

Murcof

Twin Color

12inchIF1094LP
InFiné
12.12.2024

Twin Color - Vol 1 marks the grand return of Murcof to producing a full-length album in all its glory and generosity, nearly two decades after the release of Cosmos in 2007. Celebrated for his classical, minimalist textures and unique soundscapes, Murcof has established himself as a master of modern ambient music alongside Tim Hecker, Alva Noto, and Johann Johannsson. With this new album, Murcof takes a bold step forward, embracing a distinctly cinematic and dystopian narrative influenced by the great science fiction films of the 1980s. This new direction immerses the listener in atmospheres that are at times dark, at times filled with nostalgic brightness, drawing inspiration from post-punk and synth-wave, while partially reconnecting with his early experiments with the Nortec Collective.

Premiered at Mutek Montréal in August 2024, Twin Color is also an unprecedented audiovisual performance, created in collaboration with Simon Geilfus, based in Brussels, who has nourished and colored the album’s production. This immersive performance, conceived in the IRCAM studios in Paris in 2022, unfolds the album's tracks against a backdrop of moving natural landscapes, as mysterious as they are fascinating, highlighted in the album's visual elements.

Twin Color - Vol 1 will be available in vinyl, CD, and digital formats, each with track listings adapted to the listening experience. This album reaffirms Murcof’s unique sonic signature, blending analog synthesizers with modern production techniques to create a multisensory experience, propelling Murcof into an exciting new decade.

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22,48
Dinky - Hold me Tight

Dinky

Hold me Tight

12inchRCM019C
RHYTHM CULT
11.12.2024

Rhythm Cult's unstoppable momentum continues after achieving consecutive

number-one positions across online and physical platforms. RCM019, their most

recent release, welcomes the incredibly gifted Chilian producer Dinky into the fold.

Dinky's hypnotic blend of deep house, strong techno, and precise minimalism has

earned her a residency at the famed Panorama Bar, in Berlin confirming her position

as a unique voice in the electronic industry.



The EP kicks off with the soulful and uplifting "Come Hold Me," a futuristic house

anthem that effortlessly fuses tribal rhythms with intricate stuttering synth patterns.



Dinky provides the unmistakable and irresistible vocal hook that suggest this will be

a summer anthem in the making. "She's Got Nowhere To Go" follows, riding on an

insistent one-note bass line and yet more addictive vocal snips, complemented by

disco stabs that complete the party vibe. Dinky's skilful use of stuttering glitches and

inventive sample manipulation showcases her love for minimal detail and angular

funk.



Finally, dOP turn in not one but two remixes of their unique and unconventional take

on house and techno. First, their reinterpretation of "Come Hold Me" takes us on a

journey to the deeper realms of house, riding on a low-slung acidic bass groove

while enveloping the listener in waves of lush synths, perfect material for warming up

dancefloors or setting the mood for the early hours. Then they wrap “She’s Got



Nowhere To Go’ around an elastic bass and dosed with warped synth lines to create

an irresistibly explosive dancefloor weapon.



The EP exudes sophistication, weaving intricate futuristic house sounds that are

imprinted with the influences of Balearic, acid, and deep house. These heaters are

undoubtedly set to light up dancefloors throughout the summer season. With this

exciting collaboration, Rhythm Cult further cements its position as one of the

industry's most cutting-edge labels, and Dinky's addition adds a distinctive

dimension to their roster.



Prepare to find yourself absorbed by this exceptional release from two forces

shaping the future of electronic music.

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13,66
2 FLYING STONES - PROGRESSIVE TRANCE E.P.

(Limited to 500 copies, 12”, 33RPM, High-quality Picture Disc, in high-quality PVC-sleeve) In October, a picture disc of 2 Flying Stones was released and sold out in under 24 hours. As a result, we chose not to repress it but to create a picture disc with a new image.



2 Flying Stones are undeniably one of the leading names in early trance music. Their tracks, including "MAYBE TOMORROW", "KALYPSIA", "NUCLEAR JESUS IN PARADISE", and "A GREAT DAY", possess a timeless quality.

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20,13
Sam Annand - Cupar Grain Silo LP

'Cupar Grain Silo' is Sam Annand's first release on the Blackford Hill label. Its nine tracks blur the lines between ambient electronica and sonic history, as synthesised melodies and rhythms reverberate through the extreme acoustics of the disused Cupar Grain Silo in Scotland. Built in 1964 as a sugar store, the silo towers 60 metres above the surrounding Fife countryside. Its industrial life was short: in 1971 it was closed, and barring a short period as a grain store, remained empty for decades.

In 2014, Sam Annand was given access to the silo as part of the Resono project, set up to study a series of highly reverberant locations across Scotland. The ambitious industrial architecture of the Cupar Grain Silo has given the space a reverberation time of 36.5 seconds. This measurement describes the time a sound takes to decay or 'fade away' in a closed space. To put this in perspective, the Cupar Grain Silo reverb time is around three times longer than that in cathedrals like York Minster and St Paul's.

"The acoustics are immediately noticeable when climbing the ladder into the main chamber", Sam says. "The sound of your voice begins to circle around and above you, inviting you to shout, clap and bang objects to excite the space into revealing its intimidating architectural voice."

Sam began to experiment with musical compositions which responded to the unique acoustics of the silo space. He used impulse responses – a short, sharp sound like a gunshot – to record these acoustics, allowing him to experiment with the silo's reverb in his production. Sam's compositions were performed using a modular synth system, a Roland Juno-6 polyphonic synthesizer and a bowed ride cymbal.

"Chords can be constructed in time by hanging successive single notes in the air," Sam describes, "The flutter echoes from the immediate cylindrical walls can be used to create bursts of scattering spatial imagery and harmonic blooms, following short percussive moments."

Originally recorded on 21st May 2016, 'Cupar Grain Silo' is now released on 12" vinyl with an accompanying booklet of imagery and essays. The compositions are at once true to the unique architectural acoustics of the silo whilst also being playful and experimental with the creative possibilities it offered. Arpeggiated melodies ebb and fall across extended call-and-response shapes formed by the silo's reverb; modular drum patterns crackle like dying machinery; whilst bowed drones waver and wash over.

"We all love reverberation," reflects Prof. Peter Stollery, Professor of Composition and Electroacoustic Music at the University of Aberdeen, on the project. "As kids, we play in it – yelling in forests and caves, surreptitiously dropping objects in huge churches – mouths wide open at the lingering smears of sound which come back to us."

In 'Cupar Grain Silo', Sam Annand has harnessed the extraordinary acoustics of the disused silo to tap into this sense of joy and amazement that reverberation can bring.

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20,97
Various - Japanese Post-Punk, Goth & New Wave, 1980-1991, Pt. I (MC) TAPE
  • A1: 黒色エレジー*– 花粉犯罪
  • A2: Surrealistic Men– "覚醒期
  • A3: Bárbara - Can! Can! Can!
  • A4: Anemone - 鋳物工?
  • A5: Rap - 空間のあなた
  • A6: Real - Kids
  • A7: Oxz - Fall Into Night
  • A8: Still - Just A Song
  • B1: Allergy - インポテンツ
  • B2: Inu - 305
  • B3: Suicide - Celebration
  • B4: Gara - Karyatide
  • B5: Böhm - Possessed Love
  • B6: 餓鬼道 - 赤い?
  • B7: Unknown Artist - Unknown Song
  • B8: Desertshore - 栄光製造機
  • B9: Dark Mine Fields - Why
également disponible

PT II[16,77 €]


DINTE presents a cassette-only two-part Japanese post-punk, goth & new wave mixtape, the first in a tranche of regionally-focused mixes produced in partnership with Philadelphia's punk archivists World Gone Mad.

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16,77
ECHO AND THE BUNNYMEN - What Are You Going To Do With Your Life ? LP

" What Are You Going to Do with Your Life?' is the eighth studio album by British post-punk legends Echo & The Bunnymen, released on April 16, 1999. The album saw the band continue a trajectory set with 1997's 'Evergreen', embracing more introspective themes and melodic approach to its arrangements.

" Featuring an inspired selection of collaborators including strings from the London Metropolitan Orchestra and two songs featuring the American rap rock band Fun Loving Criminals, 'What Are You Going to Do with Your Life?' featured two singles, the title track, and the atmospheric fan favourite 'Rust', which would mark the band's final Top 40 UK single.

" Celebrating 25 years of 'What Are You Going to Do with Your Life?', the album is issued on vinyl for the very first time, alongside expansive 34-track 2CD and digital editions (18 tracks previously unreleased!), which feature B-sides, alternative versions and previously unreleased live versions of both tracks from the album and classic Bunnymen tracks.

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23,49
Various - Le Grand Ouest 1978-1988 (LP)

This compilation features tracks released between 1978 and 1988 in Western France.

Through this compilation, we strove to highlight a little-known regional scene, characteristic of the diverse and sometimes opposing music movements of the 80s. Through this musical journey across the Brittany, Normandy, and Pays-de-la-Loire regions, we sought to showcase a resolutely indie aesthetic, sometimes conceived in some of France’s most unusual studios, such as a bunker and a caravan.

We’ve found it difficult to make attribute an established, well-defined genre to some of the tracks featured on this compilation. They draw, each in their own way, from the rock scene that dominated the 80s in France, from countercultures, from American stars who shone on the country’s radio stations and in its record stores, and even from local folk music.

While one could hear an harmony across the tracks featured on Le Grand Ouest, channeling this manifold energy onto a record required extensive research through the Brittany, Normandy, and Pays de la Loire regions’ discographies. Over the three years since the release of Le Grand Sud-Est, we have meticulously researched the references of artists, musicians, studios, labels, and publishers from each region. We sought to trace each artist to identify and listen to all their works from that period, and, when possible, collect unreleased recordings, left as demo cassettes on the artists' dusty shelves.

The synthesis of this research, presented here under the title Le Grand Ouest, hopes to remind us of the timelessness of the indie scene in our country, through the lens of the 80s Western France’s scene. Whereas Le Grand Sud-Est exhibited the funkiest sides of the Provençale and Rhône-Alpes scene, Le Grand Ouest leans towards a more mellow, introverted music, an expression of groups of friends united by the joy of playing together.

The first 500 copies of the record come with an extensive booklet with unpublished photos, press clippings, and texts for each track.

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21,22
Liou - Night Warrior EP

Liou

Night Warrior EP

12inchREVOLT!009
Revolt
05.12.2024

REVOLT proudly presents its latest release, a powerful 4-track EP by Liou, recorded in his Athens studio. This limited vinyl-only release showcases Liou's signature blend of diverse sounds and influences, seamlessly weaving unexpected twists with rich sonic textures and immersive atmospheric soundscapes.

Night Warrior kicks off the EP with punchy basslines and epic vibes, enhanced by acid and cosmic vocals, perfectly crafted for peak-time dancefloor action. Dark Matter delves into a breaks workout, creeping up your spine and taking control of your movement, making it a secret weapon for any DJ set. With Atom, Liou offers deeply electrifying rhythms infused with twirling acid riffs and raw emotion, a track that resonates on a profound level. Equinox rounds out the record with energetic dreamy synths, ideal for those early mornings. Music destined to unite bodies in the rave zone.

Comes with a color-printed tracing paper poster designed by Angeriki, inspired by the paradox, the freedom of thought and the twisting of perception.

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17,44
Truthspeaker - HYP.apophysis:godgene.4s24

Berlin-based truthspeaker returns with a full-length Album with 9 new tracks. With forcefully driven rhythms and mystifying atmospheres, they have made previous appearances on labels such as PUPPY, Post Hoc, Ectopic, and Massive Gain while also playing worldwide, from Berlin’s Berghain to touring the North American underground, making appearances throughout New York, Los Angeles, Chicago, Providence, Portland, Richmond, Baltimore, and Nashville. The artist has built a reputation for delivering a transcending, occasionally unpredictable, yet intensely immediate listening experience for the dance floor. Citing previous experience in noise and experimental music, truthspeaker is establishing a functional yet disruptive sound, opening up obscure spaces within the confines of the harder edges of dance music.

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15,08
ETCH - Scream of the Butterfly LP 2x12"

True Sneaker Social die-hard Etch returns with a monumental new album. Scream of the Butterfly shows the depth and breadth of one of the illest producers operating across the many spheres of club music with a distinct “you ‘kay?” slant.

From the moment the low-end pressure and loaded samples rear their heads on the opening track, Zak Brashill demonstrates his intent to sculpt Scream Of The Butterfly as a proper album — an end-to-end listening experience full of peaks and troughs which focus on sonic storytelling much more than club functionality. Throughout his imperious output to date, the man like Etch has displayed an affinity for sound design to match his instinct for what bangs on the spectrum of dubstep, garage, jungle and hip-hop, but now he’s gone postal on soundworld-building, with a grip of heavyweights drafted in to help set the scene.

Fellow Sneaker alumnus J-Shadow lends his maverick footwork science to ‘Star Fallen’, while UK rap anti-royalty Lee Scott brings his unmistakable Runcorn drawl to dusky head-nodder ‘Not Surprised’. UK bass-synth-ambient enigma E.M.M.A drops in for the moody, meandering midpoint ‘Stepford Lives’, and Killa P and Emz deliver blazing bars to the double dose of ‘Prayer Wheel (Left You Fi Dead)’ and ‘Heat Map’ respectively.

Elsewhere Brashill follows his own razor-sharp instincts into warping stop-start drum science, widescreen downtempo with teeth, seasick synth studies, moody-but-cosy 140 and lots more besides. Nothing comes as standard, but Scream of the Butterfly is ruff when it wants to be, subtle and spacious if the vibe demands it, and consistently packed full of the detail and intrigue that we’ve come to expect from one of the most inventive and reliably sick producers in the contemporary bassweight firmament.

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26,85
DaRand Land - Wander Being LP 2x12"

DaRand Land, who hails from the post industrial confines of Buffalo, NY was one of the leading figures of Deep4Life, a cult label known for submersible oriented, yet dancefloor-friendly productions. With ambient synth-driven tones and heavy funk basslines being at the center of his sound, DaRand Land’s music often evokes an introspective quality, without losing its groove fundamental. DaRand’s works, which span decades on deep house labels such as Downbeat, Confluence and Pulp have been described as “uncompromising” and has afforded him a passionate following of listeners who seek a more emotive, thought-provoking brand of underground music.
Teaming up once again with Scissors and Thread - the perfect fit for his sound - DaRand Land drops an album full of crafty, trippy house for the heads. Wander Being contains 10 tracks on the double vinyl release with a pair of additional tracks for the digital release. The vibe is deep and sleek, with a rough, bumping edge. The title track sets the tone, a smattering of percussion accompanying a thick, round kick drum and Rhodes chords, giving off a classic Detroit feel. Tracks like Turn to The Music ramp up the energy somewhat, but overall the tracks sit in the sweet spot between dancefloor burners and soulful, jazzy, deep cuts. Noticeable is the space given to each element across the tracks - the hi-hats sparkle, the snare snaps, and the basslines roll and rumble. Add to this the magic melodic flourishes provided by the pads and synths, reminiscent of the late Mike Huckaby in places, made this whole album a thoughtful, joyful experience.
„The genesis for the Wander Being LP”, says DaRand “was a desire to return to the essence of some of my original Deep4Life productions. How was this accomplished? Principally, through the exclusive use of hardware components, minimalist arrangement, and a minds-eye approach to source the musical elements. In particular, the single, The Nature of Reality was written to convey a sense of what it feels like to be in a state of suspended animation. There is a natural tension introduced via the organic, swirling pad progression juxtaposed against endless vocal echoes and the low-end groove of the bassline. Thematically, I wanted to carry this forward through the entirety of the album.
balancing subdued keys and strings with ethereal tones and atmospheres

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23,49
Schlammpeitziger - Meine Unterkunft ist die Unvernunft LP

Schlammpeiziger, who had previously only been known to us for his top hits and T-shirts, burst upon us like a wild boar in search of affection in the middle of the coronavirus lockdown. He nested in our fully vaccinated home, drank our Eversbusch, ate from our plates, slept in our bed (wait - wrong fairy tale) and repeatedly urged us to organise egg runs with his testicles (after some contortions, we gave up trying). Childish faecal humour, far-fetched obs(t)enities, juicing, a desire to dissolve, composting of thoughts. In excesses of lack of concentration, the chains of associations curled and meandered like Jo's famous curlicue drawings. Every evening, after we had forcibly levered him out of our flat, he would ‘walk’ home to put together very unique , dreamy pieces. In the blissful brainfog of those days, for example, ‘Handicapfalter’ was created, for which the congenial °Bär° made our flat into the corresponding video. Among other quirks of the little gut-breather, we were fascinated to observe his phobia of literature and books. Just hold a printed page in front of his face for a few seconds and he writhes on the floor crying. A level of phobia that only my own laughable disgust and fear of writing myself can compete with. Jo shudders at the thought of reading sentences that build on each other in a meaningful way, and I shudder at the thought of having to write them down because I have something ‘to say’. A certain affinity cannot be denied. We are much, much more pleased by snatched-up, misunderstood or misheard snippets, hollow but unforgettable phrases, the diamond stoner humour of our ancestors. ‘From one turn/ I stop/ to walk on/ in all directions’ (as it murmurs in “Selten Gesehenes”), describes the process quite nicely. After all, Jo is ahead of me in that he can simply break off every tedious sentence and let it fade into music. Back to the essentials. It's five to 12 for the Schlammpeitzger (scientifically Misgurnus). The shy goby is under threat from climate change, so perhaps this vinyl is the last expression of life of the specimen that we have been allowed to look after sporadically since the lockdown phase of the corona epidemic. And it's turned out pretty. Even the aesthetically gutted like me and my beloved husband can THINK about sex when they see these sublime, silvery fart bubbles! It's tender as a fart. Make love!!!!!

Schamlose Dubtöse: Do you have words. Do you have sounds. Impertinently harmless piano tinkling turns into tugging zounds of increasing severity. It is not dubbed (would be unethical) but dubbed. Sounds dubby, as you can imagine. (Instrumental)

Loch ohne Licht: Possibly vaguely misogynistic. Could also be that there was simply no light in the hole. The sparse snippet of lyrics (‘du biss mir och esu e Loch ohne Licht’) sounds like one of those stroppy Cologne replicas whose anti-charm is hard to resist. Buzzing and grooving.

Selten Gesehenes: Casual. Confident. Soft. Fragrant. Thoughtful but lively.

The Arabian Vietmanese (instrumental) is probably the food we trust in the case of the munchies we get when we watch other people smoking weed. Transcendental and psychedelic states casually permeate the humdrum of everyday life. Klar Knuspermarsch: Marches and floats at the same time. Klebt Runner: Soundtrack to the cult film of the same name. Tyrrell Corporation loosens up. Ungenutzte Sätze: Stinks somehow, because there is dangerous proximity to comprehensible and then also critical statements here. Instead, the sinister electronic cheapness of Carpenter soundtracks can be heard. Parzipan: Actually, the time of origin was not so roaringly funny and simple, but for Jo it was also a gruelling, slow letting go of his brother. Here he sends him off with a gentle nudge into the vastness of a hopefully happy beyond.

Clara Drechsler

Schlammpeiziger, der uns bislang nur durch seine Top-Hits und seine T-Shirts bekannt gewesen war, brach mitten im Corona-Lockdown über uns herein wie ein wilder Eber auf der Suche nach Zuwendung. Er nistete sich in unserem durchgeimpften Zuhause ein, trank unseren Eversbusch, aß von unseren Tellerchen, schlief in unserem Bettchen (Moment - falsches Märchen) drängte uns wiederholt dazu, mit seinen Hoden Eierlauf zu veranstalten (nach Verrenkungen gaben wir den Versuch auf). Kindischer Fäkalhumor, weit hergeholte Obs(t)zönitäten, Entsaftung, Auflösungswunsch, Gedankenkompostierung. In Exzessen der Konzentrationsschwäche ringelten, kringelten und schlängelten sich die Assoziationsketten wie bei Jos berühmten Kringel-Schlängel-Zeichnungen. Jeden Abend, nachdem wir ihn gewaltsam aus unserer Wohnung gehebelt hatten, „ging“ er dann heim, um dort sehr eigene, verträumte Stücke zusammenzubasteln. Im seligen Brainfog dieser Tage entstand z.B. „Handicapfalter“, für das der kongeniale °Bär° aus unserer Wohnung das entsprechende Video machte. Neben anderen Marotten des kleinen Darmatmers beobachteten wir fasziniert seine Literatur- bzw. Bücherphobie. Halt ihm nur sekundenlang eine bedruckte Seite vors Gesicht, und er windet sich weinend am Boden. Ein Grad an Phobizität, mit dem sich nur meine eigene lachhafte Abscheu und Angst vor dem Selberschreiben messen kann. Jo schaudert beim Gedanken, sinnvoll aufeinander aufbauende Sätze lesen, mir wiederum beim Gedanken, sie hinschreiben zu müssen, weil ich irgendetwas „zu sagen“ habe. Eine gewisse Verwandtschaft ist nicht zu leugnen. Viel, viel mehr freuen uns aufgeschnappte, falsch verstandene oder misshörte Fetzen, hohle, aber unvergessliche Phrasen, der diamantene Kifferhumor unserer Vorfahren. „Aus einer Drehung/bleibe ich stehen/ um in alle Richtungen/weiter zu gehen“ (wie es in „Selten Gesehenes“ raunt), beschreibt den Prozess schon ganz schön. Immerhin hat Jo mir voraus, dass er jeden leidigen Satz einfach abbrechen und in Musik ausplempern lassen darf. Zurück zum Wesentlichen. Es ist fünf vor 12 für den Schlammpeitziger (wissenschaftlich Misgurnus). Die scheue Grundel ist von Klimawandel bedroht, vielleicht haltet ihr mit diesem Vinyl also die letzte Lebensäußerung des Exemplars in Händen, das wir seit der Lockdownphase der Corona-Epidemie sporadisch betreuen durften. Und die ist hübsch geworden. Selbst aus ästhetischer Erwägungen Entdarmte wie ich und mein geliebter Mann, können bei diesen sublimen, silberhellen Pupsbläschen DENNOCH an Sex denken! It´s zart as a fart. Make love!!!!!

Schamlose Dubtöse: Hast du Worte. Hast du Töne. Impertinent harmloses Klavierplätschern geht über in ziepende Zounds von zunehmender Strenge. Es wird nicht domptiert (wäre unethisch) sondern dubtiert. Klingt dubtig, wie ihr euch vorstellen könnt. (Instrumental)

Loch ohne Licht. Möglicherweise vage misogyn. Könnte auch sein, dass im Loch einfach kein Licht war. Das sparsame Textfetzchen („du biss mir och esu e Loch ohne Licht“) klingt nach einer jener pampigen kölschen Repliken, deren Anticharme man sich schwer entziehen kann. Schwirrt und groovt.

Selten Gesehenes: Lässig. Souverän. Softig. Duftig. Nachdenklich aber beschwingt.

Beim Arabischen Vietmanesen (Instrumental) gibt es wahrscheinlich die Speise unseres Vertrauens im Falle der Munchies, die wir kriegen, wenn wir anderen Leuten beim Kiffen zusehen. Transzendentale und psychedelische Zustände durchziehen beiläufig den schnöden Alltag. Klar Knuspermarsch: Marschiert und schwebt zugleich.

Klebt Runner: Soundtrack zum gleichnamigen Kultfilm. Tyrrell Corporation macht sich locker. Ungenutzte Sätze: Stinks irgendwie, weil hier gefährliche Nähe zu nachvollziehbarer und dann auch noch kritischer Aussage gegeben ist. Dafür klingt die sinistre elektronische Billigkeit von Carpenter-Soundtracks an.

Parzipan: Eigentlich war die Entstehungszeit gar nicht so brüllend lustig und einfach, sondern für Jo auch ein zermürbendes, langsames Loslassen des Bruders. Hier schickt er ihn mit sanftem Schubs hinaus in die Weiten eines hoffentlich schönen Jenseits.

Clara Drechsler
Downloads

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21,05
Life In Heaven Is Free - Checker Gospel 1961-1973 LP 2x12"
 
25

Gospel melts into Soul in this dazzling collection of sides originally released by the Chess subsidiary.


Devised by the same team supporting the likes of Muddy Waters and Etta James at Chess, the vintage of Checker Gospel celebrated here is distinguished by its expertly raw, rugged, live feel — thumping bass and pounding drums, bluesy guitar and horns — and its keen engagement with contemporary realities and politics, with an underlying, unwavering commitment to the Civil Rights movement. Not forgetting its sheer, startling, richly diverse soulfulness.

Key architects of the Chicago Sound and Motown are amongst the scores of contributors: Charles Stepney, Gene Barge, Eddie Kendricks, and Leonard Caston Jr. are in the house… Morris Jennings, drummer on Curtis’ Superfly and Terry Callier’s What Color Is Love… Louis Satterfield from The Pharaohs and Earth Wind & Fire… Ramsey Lewis’ guitarist Byron Gregory… Phil Upchurch… Laura Lee…

Producer Monk Higgins joined Checker in 1967, bringing his experience of R&B and Gospel hit-making for the labels One-derful and Satellite, together with a loyal cohort of musicians. A protege of Willie Dixon, engineer Malcolm Chisholm set up the Ter Mar studio as if preparing for a live gig, carefully teasing measures of bleed into the microphones. With Ralph Bass from King Records running A&R, they knew exactly what they were after. ‘I’m using horns and an R&B sound in gospel recordings,’ said Bass. ‘We have no charts. All the musicians are given the chord changes. I want the cats to think when we’re cutting. I want spontaneity, and that’s what we’re getting.’ And: ‘There is more to gospel than just finding solace in the church. This follows the same message of Martin King, who was fighting for a new way of life. Kids are tired of hearing Jesus Give Us Help. They want a positive message.’

Focussed on the late sixties and early seventies, the twenty-five recordings here are all killer no filler, but try these four, random entry points: the heavy funk ostinato of the Violinaires’ Groovin’ With Jesus, working itself up into a post-James-Brown brass frenzy, sure to knock your socks off; Cleo Jackson Randle’s title track, for those who like their Gospel straight-up and hard-core; Eddie Kendricks’ achingly timely choral call-to-arms, Stand Up America, Don’t Be Afraid; the East St Louis Gospelettes’ heart-stopping, fathoms-deep rendition of Bobby Bland’s I’ll Take Care Of You.
A beautiful gatefold sleeve; a full-colour booklet with excellent notes by Robert Marovich; top-notch sound. Another knockout selection by Greg Belson and David Hill.

A shoo-in for soul compilation of the year.

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27,10
OKRAA - La Gran Corriente LP 2x12"

Colombian-born artist Juan Carlos Torres Alonso, aka OKRAA, presents his third sonic exploration on A Strangely Isolated Place titled, La Gran Corriente. This album marks a profound shift in Juan's creative journey, where themes of portals, the illusion of time, and the paradoxes of self-discovery converge into a powerful auditory experience.
Following a transformative visit to Bogotá in May 2023, Juan underwent an introspective journey that inspired a new direction in his music. This experience, which he describes as an encounter with "an infinite current behind or inside of everything," led to a complete reimagining of his work. Abandoning previous demos, Juan embraced a liberated creative process that was both challenging and exhilarating. 
La Gran Corriente is characterized by its innovative production techniques, eschewing fixed grids and BPMs in favor of fluid, organic structures and combining influences from Juan’s other production alias, ‘Laudrup’. This approach not only opened up new creative possibilities but also led to numerous "happy accidents," resulting in a body of work that is as unpredictable as it is cohesive.
At the heart of the album lies a poem written by Juan during production, a text that echoes the themes woven throughout the music. Translated loosely to English, the poem reflects on the nature of reality and time, with lines like "the land of oblivion is not real" and "the great current reminisces; time is an illusion." These words serve as both a guide and a reflection of the album’s deeper meaning.
La Gran Corriente is a record that invites the listener to unlearn and to immerse themselves in a sonic current that is both infinite and transformative. It’s a testament to the power of creative reinvention and the relentless pursuit of deeper truths through music.
Featuring artwork by Peter Skwiot Smith, La Gran Corriente is available on gatefold colored vinyl 2LP, mastered by Taylor Deupree / 12k Mastering.

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31,05
Hawaii8 & Friends - Archivi 1999/2021 LP 2x12"

Music from Pierre Chindemi archives. Ivrea born and based, founder and member of Drink To Me band.
Under several aliases (One Eye, Vülvá, Low Waves, Sui, Hawaii8, Bitch Volley) he produced more than one hundred tracks between 1999 and 2021.
Some were released on Stupro brucio Records, others online.
Many of them remained unreleased.
Cassettes, multitrack tapes, lost hard disks.

It was time to open this archive.

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36,09
ATLAS & K SUPER - TALK TO FRANK

ATLAS & K SUPER

TALK TO FRANK

12inchPLINIAN8
Erupt Records
25.11.2024

Next from the label that brought you "You Time", "Unrest Hazard 1" and "First Sign of Trouble" is a sizzling 5 track slice of 12" from renowned DJs and producers who get the crowd jumpin and pumpin, Deejay Atlas and K Super. The pair are known for an impressive back-catalogue of tracks the last few years on Ruff Cutz, SweetBox, Parallax and more, as well as for running the Certain Sounds label and parties in Manchester, UK.

This one takes a look at the less glamorous side of northern England's rave scene, the goings on under a dark night sky at a free party in a field somewhere near Manchester. Illustrated through tunes that possess the brooding spirit of 1993 and 1994 jungle and ferocious vocals, albeit as always when it comes to Erupt, with a modern twist for the 2020s that tells a story of the here and now.

Also featuring appearances from Buda and Wild Swan, as well as an EXCLUSIVE fifth track that you won't find on any digital releases of this EP!

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12,40
Ed Rain - Met him on a Wednesday

Ed Rain is somewhat of a “new” name on the label’s roster. 


His fresh debut LP, titled ‘Met Him on a Wednesday’, explores various channels of artistic expressions and ideas, compiled together into a cohesive and entertaining album. 

It is an immersive venture into post-genre sonic landscapes, providing glimpses into both the artist’s serious and playful sides, offering listeners a fun and captivating auditory experience.

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20,80
Psychedelic Budz aka Ciel x D. Tiffany - Wonk Donk

Banoffee Pies Originals continue with the 26th release in the series. D. Tiffany returns to the imprint with another collab outing, this time partnering with Ciel as the duo combine under their Psychedelic Budz moniker. Two of Canadas finest deliver two dynamic, off kilter club hitters with a special appearance from Adam Pits under his Lil Mushroom alias. Heavy and versatile productions for dance floor rotation from artists who have carefully honed their craft.

Berlin based, D. Tiffany of Vancouver, is a DJ, Producer and label boss at Planet Euphorique. Now returning to the Banoffee imprint following their Plushmanagements inc insert with regularfantasy back in 2016. A welcomed entry from prog trance revivalist who’s essential output continues to blossom.

Toronto based multi disciplinary artist Ciel whose contributions to the music sphere remain committed to diversity, inclusivity & community with a prolific career as a producer, DJ, pianist & composer ++ They’ve found involvement across groundbreaking projects like Discwoman, co founded label Parallel Minds & released notable contributions to labels such as !K7, Peach Discs, Coastal Haze & UU, all while continuing their monthly position as a Rinse FM resident.

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13,03
Parsley Sound - Parsley Sounds (LP)

Parsley Sounds was the glorious debut album for Mo Wax by Parsley Sound. The album was one of the iconic label’s final releases before it closed in 2003 and locating a clean copy has been extremely tricky of late, unless you're flush enough to drop 150 notes on it. Mercifully, the Be With reissue, put together with invaluable assistance from the group, should remedy this situation. It's a lo-fi, bass-heavy, blunted beat treat, warped with heat haze and dreamy soft-psych and has been criminally under-heard for far too long.

As with most cult-like records, Parsley Sounds has many influential fans, far and wide. From Four Tet and Caribou to NTS's modern day breakfast hero Flo Dill, its reputation has only grown in stature. At the time, the notoriously hard-to-please Pitchfork garlanded it with a scarcely achievable 8.8 whilst, just recently, the Numero Group's Rob Sevier described it as a "visionary bit of proto-Salvia Palth (or Steve Lacy)" via a Ghostly International missive.

Parsley Sound comprised super-talented duo Preston Mead and Dan Sargassa. They released an early single (the perfect "Twilight Mushrooms", featured here) on Warp Records as Slum, before signing to Mo Wax. Hidden behind a wall of sound - fuzzy layers of beats, bleeps and symphonic synths - they were convinced they made mainstream pop music. And, in many respects, Parsley Sounds really is a beautiful pop album. It overflows with memorable, gorgeous melodies and inspired songcraft. As the contemporaneous Pitchfork review correctly had it: "Parsley Sounds is one of those rare records that manage to sound modest while frequently pushing the sonic envelope."

Killer opener "Ease Yourself And Glide" is a thing of aching, soft-psych, wonky beat-beauty. A melodic masterpiece, part Crosby, Stills & Nash, part proto-Koushik, it presents a melancholy falsetto, surging bass and blunted lead guitar. As it climaxes, gorgeous strings are ushered in to see us out. Sublime. "Twilight Mushrooms" is up next and it's an acid-drenched, strung-out acoustic-led campfire wonder. Amid layers of tape-hiss and beautiful, sun-dappled strings, its understated vocal track provides a haze of wistful innocence.

The breezy "Spring's Near" is a krautrock-inspired chiming instrumental of heavenly excellence, its warm, skipping, motorik groove and dreamy synths completely infectious. Another total highlight, the technicolour "Yo Yo" initially presents itself as a more abstract, bleepy offering but as it organically swells into ever more beautiful places, with the addition of a choppy insistent drum loop, flute bursts, horns and sweeping strings, it puts one in mind of early Manitoba and Four Tet releases. Shimmering, blissed-out greatness.

The celestial harmonies and glistening harps of the wonderfully beatless, serenely sullen "Ocean House" are very much in conversation with late-60s meditative psych whilst, closing out Side A, the jaw-dropping, lushly experimental effort "Find The Heat" comes on like Arthur Russell meets Brian Wilson. Yep, *that* good.

Side B opens with the warped, bleepy "Stevie", a brief but beautifully wonky, soulful and intricate instrumental. The more upfront vocals that propel the fuzzy "Platonic Rate" have a refreshing swagger to them, the heavy bass and neck-snapping in-the-red beats too much for any system to deal with whilst the guitars and strings have a sweeping, cinematic feel which just beguiles. The slow, urbane soul of "Candlemice" will stop you in your tracks, no matter what you're doing. It carries a delicate sadness, as does much of the album in that classic "down lifting" style we so love here at Be With.

The fuzzing, buzzing "Templechurchmansions" is a searing, soulful dubwise detonation. Heavily stoned with slow-burning jazzy snatches and a tense, moody atmosphere, it's a Tricky-adjacent gem. The album rounds out brilliantly with the ominous instrumental "Neon Breeze" before giving way to the propulsive, almost incongruous punk-funk / disco-dub of secret "untitled" track "Caution", a scratchy, smacked-out groove-fuelled workout with a female vocal dripping with 'tude. Just sensational.

Under the watchful eye - and attentive ears! - of Parsley Sound themselves, the audio for Parsley Sounds has been carefully mastered by Be With regular Simon Francis, with a few much needed tweaks here and there, according to the artist's wishes. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at the always stellar Record Industry in Holland.

Preston and Dan always thought the colours on the first vinyl pressing looked a bit "washed out" vis-a-vis the original artwork which was way more vibrant. We feel we've got it popping back to the original intention with the restoration work here at Be With HQ. So with the audio and artwork now approaching completeness after 20 years, this long overdue re-issue could be considered its definitive vinyl release.

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24,16
JLM Productions - Variations On Being LP 2x12"

A1 Dharma
Opening the LP in lively fashion, JLM liberally flecks a detailed composition with exquisite breaks cymbals playing a key role in the evolving patterns as the track progresses while heavy layers of synth work forms a substantial atmosphere. Musical and resonant with micro melodies and sprinkles of FX, Dharma encapsulates JLMs everimpressive attention to detail throughout its seven minutes.

A2 Artha
Where to start with Artha Setting the scene immediately with an epic synth intro that whooshes through your mind to prepare you for what is to come, its immediately obvious JLM has crafted a modern day classic here. Crisp Hot Pants breaks drop before we are treated to inspiring, continually developing and rousing melodies with a tuneful 808 bassline playfully dancing below. One to drop any chance you get Artha deserves to be heard.

B1 Moksha
Delightfully clear, characterful percussion introduces Moksha, a dancefloor friendly piece which rolls along beautifully thanks to old school breakbeats seizing the initiative while fluid keys, filtered synths and waves of serene effects punctuate the production. The
kick-light breaks will stay long in the memory as perfect for both the headphones and the discerning dance floor, just as weve come to expect from JLM.

B2 Kama
Taking you back to the early Progression Sessions era with a modern scifi twist reminiscent of your favourite space operatics, Kama will sit effortlessly alongside tracks from those days and now with its simple yet memorable core wind melody, sprawled
across energetic breakbeats and wide layers of synths & pads to a typically appropriate bassline. Another fine example of the evolving diversity in JLMs production with Spatial.

C1 Boundary
Switching things up, JLM treats us to a notably laid back vibe as Boundary is introduced by understated, filtered synth work and explorative kicks before a mellow yet chunky break pattern provides energy to the track. Detailed as ever, a myriad of effects and
samples are introduced and dance around the mix with a wistful complexity, in a track destined to be in your playlist for some time to come.

C2 Hexis
Kicking things off with a filtered DJ friendly beat intro, Hexis soon drops with constant old school jungle synth work and periodical strings alongside rasping, striking breakbeats that drive the track forward with impressive energy. The breaks reverberate in and out of the mix at intervals as JLM toys with the listener at will, creating a tonally unique and vibrant composition very much worthy of our attention.

D1 Ideal Forms
Low pass breaks echo and jostle for position with FX free counterparts early doors in the finely crafted intro to Ideal Forms, slowly developing with a triumphant assortment of keys and synths before a third layer of breaks are added which underpin a detailed, yet never busy, breakbeat landscape. Occasional breakdowns offer respite in a glistening wilderness of comforting melodies and light ambience.

D2 Physis
JLM rounds the album off very much on form with Physis a suitably climactic piece that opens with a detailed array of percussion, synths and effects before superbly programmed breaks take over the mix. An occasional, all encompassing sci fi synth rush
permeates the atmosphere to almost cinematic levels, while a melodic bassline nestles below leaving you with a track (and an album) you will not forget.

Words by Chris Hayes (Spatial / Red Mist)

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25,63
Various - Acid Machines Vol. 2

LIMITED 200 COPIES POSTER EDITION (stickers included)

Acid machines is back for the 2nd release of the series. Dedicated to the darker, and more industrial side of acid, this VA release will definitely set some dancefloors on fire!
After Acid Machines 1, G303 is back with some more raw bangers for hot, sweaty dancefloors. With Paul Renard and Akkaelle, he's in very good company!
Screaming TB's and overdriven drums are definitely some of the key ingredients of this 2nd Acid Machines... this is VA release is definitely not for the VIP area...

G303's Offer more combines raw drums and distorted 303 lines into a pounding, hypnotic story.

Akkaelle's Planet P is a brutal acid banger that will transport you straight to Italy's proper warehouse raves! Raw as F***!

G303 and Paul Renard's "To the Moon" is a hard acid stomper to do serious damage on the dancefloors with that straight up banging ninetees feeling.

Paul Renard's Overdrive raises the bpms with his typical hypnotic style. This track is pure energy, this will definitely make some ravers sweat!!!

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12,56
A² - RM12030

RM12030

12inchRM12030
R.A.N.D. Muzik Recordings
22.11.2024

A², the pioneering UK electro, breaks and tech house project of Andy Panayi and Alec Stone release 4 new tracks on R.A.N.D. Muzik Recordings several years after the tragic death of Andy Panayi. This post-humous release is a dedication and farewell from his close friends and family.

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11,98
Androo - Tribute To Jackie Mittoo

Hybrid is a word used indiscriminately in our daily lives. This record isn't a hybrid; it's beyond hybrid, post-hybrid, so to speak. Does this phrase sound complicated to you, and are you never overly convinced by music theory and its caricatural aspect? Then forget what you’ve just read and listen to both sides of this record. You'll soon realise that these tracks are deliciously deft, drawing their essence from dub while leaving room for some skillful jazz writing. For those of you intrigued by melodies, the art of musique concrète or the exploration of dub music’s deviant angles, this record will easily find its place on your turntable.

The two sides of the record are cut with play, improvisation and effects, while leaving room for themes and ideas. If this record’s first chapter was born from a request to remix and pay homage to Jackie Mittoo, its themes tell another story. They have been declined and even reduced to an explosion point. The tracks are also driven by subtle details of musique concrète, giving the record the effect of an intimate musical production – but, above all, one of uncategorisable beauty.

In Androo’s case, this is hardly surprising. He is a craftsman who is unassailable in every respect, a poetic dynamiter and, for this reason, one of the most unpredictable musicians in Geneva (and beyond). His appetite for dynamite is perhaps an indication of his conception of music as, first and foremost, an experience. His highly personal and inventive tribute to figures from free jazz and contemporary music proves the point. But perhaps it is also an indication of his attachment to Jean-Luc Godard. You'd have to imagine Androo at his mixing desk without a pre-written script. The idea of editing infuses the record. The two sides are very much in this style and spirit: (un-)shot, meticulous, (ir-)reverent. In this respect, this record is a formidable proposition, and perhaps difficult to understand, but not striving to be understood.

Its combination of improvisation and composition is underpinned by a razor-sharp precision and dexterity that's hard to ignore, especially if you're curious about the art of sound mixing and the romantic accidents. It has a dexterity that transforms musical grids into romantic essays and sketches. A romanticism in which Androo takes us on a liberating musical experience that makes us forget the inertia of the ramping formatting of the record industry. In any case, this record is an invitation to (un-)think the category, and will delight any ear curious to wander into territories of intuition where the word hybrid no longer makes sense.

Text by Carl Åhnebrink

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24,33
Acopia - Acopia

Acopia

Acopia

12inchCWPT011
CWPT
20.11.2024

CWPT welcomes Acopia to the label with a reissue of the cult Australian bands self-titled sophomore album, available on vinyl outside of Australia for the first time.

Based in Melbourne/Naarm, Acopia’s music is a careful control of tension and release, sparseness and warmth, momentum, and space. Across ten tracks, the band’s three members move across post-punk lamentation, shoegazing DnB, smoldering trip hop and subdued electronic pop, as they carve out their own hazy world of romanticism and restraint.

The highly anticipated follow-up to the band’s stellar 2022 debut, ‘Chances’, this is a deeply emotionally sensitive record, equal parts refined and relatable, and a listening journey that is immediately understood while revealing new layers with each subsequent listen.

Alongside the physical release of ‘Acopia’, CWPT will also release two digital-only remixes of the band, courtesy of Daniel Avery and JD Twitch.

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18,45
Gosha Martynov & Natasha Sinyakova - Imena Rek (LP)

Following a fallow 2023, a rejuvenated Growing Bin return to your turntable with this sublime collaborative LP from Gosha Martynov & Natasha Sinyakova. On their first foray into the physical, the duo expand the spectral ambience and medicated breaks of their earlier work with lithe touches of organic jazz and Cafe Del Mar cool, creating a complex assemblage of dreamy downbeat and emotive electronica that's entirely easy on the ears.

Opener "Pozhaluysta" seduces with smart syncopation and beguiling melody, its flute and fretwork finding ample space to slip around Natasha's voice, equal parts Cocteau operatics and jazz-club coquette, in an expression of a want beyond words. The mood shifting "Osvobodi Menia" sees the solemn, snaking sound of a sampled duduk drift into an optimism of airy pads and escapist mantra, suspended in reverb until the end of time. "Ya Tebia Zhdala" began life as a break-led experiment, gradually evolving into a romantic and naive sketch rich with splashes of piano and dynamic chorus pads. Naturalist hymn "O Dereve" weaves a dark and intimate tale from the point of view of a veteran tree as its buzzsaw guitar loops blossom into multilayered vocals full of emotion.

Awash with sonar sweeps, sumptuous pads and rolling subs, the titular "Imena Rek" channels post-rave bliss into the hypnagogic anthem the contemporary IDM-ographic have been searching for. Infectious hooks and spaced out pads ride the breakbeat rhythm for a dreamy experimental pop banger from another planet. The sombre sway of "Rany", filtered through the fog of a broken cassette recorder, trance djembe and unpredictable bass tones rivals the finest Motion Ward or In:dex releases for crepuscular charm, while "Smeshno" sees serrated drones sink into a slinking rhythm, playing counterpoint to the tender chords and yearning vocals.

"Iskra" closes out the chiasmus with a return to the organic experience of the opener, the flute and acoustic guitar augmented with nuanced hand percussion and a music box refrain. Listening to this album is like a midnight walk through an ancient forest - an experience which both scares and tempts you at the same time. From touching damp moss to feeling the thick fog with your body and watching mushrooms glow in the dark, 'Imena Rek' guides you through the terrain.

Flawlessly arranged and executed, this LP alludes to a long lineage of innovative downbeat, feels absolutely essential in the present and pushes the trip hop revivalists towards a fascinating future - Gosha Martynov & Natasha Sinyakova have created a timeless piece of music,
but what else do you expect from the Bin?

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21,81
COIL - QUEENS OF THE CIRCULATING LIBRARY LP

Queens Of The Circulating Library stands alongside Time Machines and Nurse With Wound's Soliloquy For Lilith as a post-industrial pinnacle of sensory-warping long-form drone.

Crafted by the distilled duo of Thighpaulsandra and John Balance, the 49-minute piece unfurls in swirling, cyclical waves, tidal as much as textural, channeling the spirit of levitational minimalism pioneered by La Monte Young. Touted as the first part in "a continually mutating series of circulating musickal compositions" upon its initial release in 2000, the album remains a compelling case study in Coil's exceptional capacity for mutation and extremes. The theatrical introductory monologue delivered by Thighpaulsandra's mother - a career opera singer, in her 80's at the time of recording - sets the stage for a grandiose ascension. Written by Balance, the text is declamatory but dreamlike, refracted through megaphone echo: "Return the book of knowledge / Return the marble index / File under "Paradox" / The forest is a college, each tree a university." As her voice fades, the lulling synthetic infinity deepens, congealing into transient crests of volume and haze, like slow-motion surf misting in moonlight. Thighpaulsandra describes their aesthetic intention as a "bliss out," static but shape-shifting, an amniotic drift towards an eternal vanishing point. A supreme sonic embodiment of the slogan on the sleeve of Time Machines, two years prior: "Persistence is all."

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27,69
Jónbjörn - Gárur LP 2x12"

Jónbjörn

Gárur LP 2x12"

2x12inchLAGAFFE011
LAGAFFE TALES
15.11.2024

Jónbjörn's 'Gárur' re­ects the ebb and ­ow of life, and is a sonic exploration of the nether regions of atmospheric electronic music. Jónbjörn, an Icelandic producer and purveyor of organic textures and soundscapes has just released his debut full-length LP titled ‘Gárur’. Translated to ‘Ripples’ in English, the album is a colourful display of intricately woven electronic grooves and hypnotic atmospheres. The 10-track LP unfolds like a 1-hour mixtape, each song seamlessly blending from one to the next. ‘Þeytt smjör’ sets the scene with a sequence of generative ambience – lush pads and synthesizers atop a backdrop of found sound textures. The album pushes forward into many beat-centric tracks across various genres – everything from Downtempo, Deep House, Electronica, and Electro can be found throughout. While each track borrows in­uences from across the dance music spectrum, the album is held together by Jónbjörn’s melodic and harmonic tendencies that encourage you to lose yourself in. Jónbjörn's process is heavily sample-based, often jamming carelessly to unearth new sonic possibilities. He records tracks live, triggering loops and effects spontaneously, and separates the creative process from mixing to maintain a sense of naivety. This approach allows him to capture the purity of initial demos, without falling into the temptation to overly polish the ¬nal product and lose that initial magic. Over the past three years, Jónbjörn has released a string of singles and his last full release on the Helsinki label ‘OO Recordings’, which featuredsix tracks on cassette. He has also been putting out music on his own label, Lagaffe Tales. In March 2020, he released his ¬rst full vinyl EP on his own label series, BROT, at a time when the global pandemic had closed almost all clubs worldwide. Additionally, he has released music on reputable labels such as D.KO Records, Neo Violence, Gestalt Records, Móatún 7, Bitterfeld Musik, Yellow Island Records, and FALK.

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31,05
Mangiadischi - MD005

The wait is over! MD005 is here, and it's a journey through space, time, and groove.

On the A-side, we start with The Ultimate Groovelord, a modern electronic post space-disco bomb.

Cosmic vibes and pulsating rhythms collide in a track designed to take you on a dancefloor odyssey.

Next up on the A2 is PiacerebbeTi, a mesmerizing fusion of newpop and deeptech. Hypnotic, deep,and smooth, this track delivers the perfect balance of modern sounds and intricate grooves.



On the B-side, the guest artist GaMan delivers Try A Gain, a superminimal and glacial modern hiphop edit that will catch you off guard with its eerie, stripped-back beats.



And closing out the EP is Fathermaker, a heartfelt tribute from Mr Mangiadischi to one of the most influential early 90's records that introduced him to the world of house and acid music. A banging, old school techno-y trip, with a fresh twist.



Limited edition, vinyl only.



Instant classic.

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12,19
James Tenney - Postal Pieces

Since its founding back in 2014, Blume has carved a unique place in cultural landscape, issuing free-standing works, spanning the historical and contemporary, that represent singular gestures of creativity within the field of experimental sound. Joining their broad efforts in building networks of context and understanding that already includes the works by Werner Durand, Sarah Hennies, Bruce Nauman, John Butcher, Jocy de Oliveira, Mary Jane Leach, Valentina Magaletti, Alvin Curran, Julius Eastman, Alvin Lucier, and others, Blume return with the first ever vinyl release to attend to James Tenney’s legendary “Postal Pieces”, Marking the first ever appearance of five of the suite’s works - “Maximusic, for Max Neuhaus” (1965), “Having Never Written a Note for Percussion, for John Bergamo” (1971), “FFor Percussion Perhaps, or... Night, for Harold Budd” (1971), “Cellogram, for Joel Krosnick” (1971), and “Beast, for Buell Neidlinger” (1971) - on vinyl, drawing upon recordings made in 2003, by the Amsterdam based ensemble, The Barton Workshop, under the direction of James Fulkerson. Among the most important and highly regarded efforts in Tenney’s canon of compositions, as well as within the history of 20th Century music, these five pieces represent a crucial bridge between Fluxus-oriented conceptualism, minimalism, and the microtonal complexities that would emerge in their wakes. Issued in a highly limited vinyl edition of 300 copies, it includes exact replicas of the original postcard graphic scores, and features newly commissioned liner notes by Bradford Bailey, Blume’s brand new edition takes great steps to centring Tenney at the eye the storm during some of experimental music’s most important years.

A student of composition under Carl Ruggles, John Cage, Harry Partch, and Edgard Varèse - remaining close to all of them, and later performing in both Cage and Partch’s ensembles - as well as acoustics, information theory, and tape music composition under Lejaren Hiller, James Tenney carved a wide path within the contexts of experimental and avant-garde music during the second half of the 20th Century. Not only was he a tangible bridge between the generations of composer’s who laid much of the groundwork and the later movements of Fluxus, Minimalism, and the broader practices of experimental music, but Tenney is credited as having contributed one of the earliest applications of gestalt theory and cognitive science to music in 1961, before helping to pioneer the field of computer music at Bell Labs, during the following years.

Over the course of his career, Tenney produced music of such complexity and sophistication - paying little mind to the seductions of taste or dominant tropes of its own moment - that his work and legacy have largely remained under-recognised by the broader publics that have attended to most of his peers. Perhaps more pertinently, the body of work he produced can be perceived as too varied and complex to fit neatly within standard creative histories or critical frameworks, comprising harmonically complex works for acoustic instrumentation, musique concrète, the groundbreaking 1961 “plunderphonic” composition, “Collage No.1 (Blue Suede) (for tape)” - sampling and manipulating a recording of Elvis Presley - as well as algorithmic and computer synthesized music. Even here, within this single decade, a clear image of Tenney’s endeavours remains elusive. In addition to penning important theoretical texts, he collaborated and / or played with Max Neuhaus, La Monte Young, Steve Reich, Philip Glass, Michael Snow, Terry Riley, and numerous others; was an active member of Fluxus; starred in and composed music for Stan Brackage’s films; regularly worked with the Judson Dance Theater; co-founded and played in the ensemble, Tone Roads, with Malcolm Goldstein and Philip Corner; was a vocal advocate of the works of Conlon Nancarrow and Charles Ives, playing a significant part in the revival of both of their legacies; and regularly collaborated as a composer, musician, and actor with his then-partner, the artist Carolee Schneemann, notably co-starring in her film, “Fuses” (1965) and her legendary 1964 performance, “Meat Joy”, as well as creating sound collages for her films “Viet Flakes” (1965) and “Snows” (1970). Curiously, for a relatively absent figure in the historical and critical narratives, Tenney seems to have been the thread that bound multiple generations and disciplines of avant-garde practice in New York during this period.

Tenney was deeply invested in the quality and perception of sound. By 1970, this led him back to composing exclusively for acoustic instrumentation (though sometimes processed with tape delay) - in most cases utilising non-well tempered tuning systems to explore harmonic perception - a practice that he would remain steadfast to for the remainder of his life. This development roughly corresponded with his relocation to California, at the outset of the 1970s, following an invitation to teach at the newly founded music department at California Institute of the Arts (CalArts) in Valencia. Finding himself in regular contact with the harpist Susan Allen and the artist Allison Knowles, as well as at a great distance from many of his friends, in 1971 he completed (with the assistance of Knowles and Marie McRoy) “The Postal Pieces”, a project he had begun in 1965.

A suite of eleven compositions, “The Postal Pieces”, stands among Tenney’s well known and celebrated compositions, and illuminates the dualities embraced by the composer, notably his use of sound to develop consciousness in and of others, and his willingness to draw on elements and observations of everyday life; citing his strong dislike of writing letters as being the primary inspiration for their inception. In lieu, he conceived to send his friends - John Bergamo, Allison Knowles, Pauline Oliveros, La Monte Young, Harold Budd, Philip Corner, Joel Krosnick, Buell Neidlinger, Susan Allen, Max Neuhaus, and Malcolm Goldstein - short scores on the back of postcards. The suite is composed around three themes: Tenney’s concept of swell form (utilizing repetition and progressing through a structurally symmetrical arch), intonation, and the desire to produce “meditative perceptual states”.

A hugely important addition to Blume’s ever expanding efforts in context building and networks of creative practice, James Tenney’s “Post Pieces” is issued in a highly limited vinyl edition of 300 copies, which includes a exact replicas of the original postcard graphic scores, and features newly commissioned liner notes by Bradford Bailey.

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19,96
Noel Gallagher's High Flying Birds - Back The Way We Came: Vol. 1 (2011 - 2021)

Over 1.5m albums sold in the UK and 3 consecutive no 1 albums for Noel Gallagher’s High
Flying Birds – plus a record breaking 10 consecutive chart-topping studio albums in the UK
for Noel.
- Debut eponymous album released 17th Oct 2011, debuted at no 1 with 122.5k sales and
achieved double Platinum status less than 6 months post release
- International Magic DVD release of the 02 Arena gig Feb 2012 certified Gold on shipment
-2011-2012 live schedule saw NG HFB visit 32 countries across 6 continents, playing 150
shows over a 15 month period. 406k headline tickets and 1.2m festival tickets sold
- Chasing Yesterday, released 2nd March 2015, no 1 album on release with 89.1k sales and
certified Platinum
- 2015-2016 18 month world tour covering 122 shows in 28 countries. Almost 400k headline
tickets and 1.25m festival tickets
- Who Built The Moon?’ released on 24th Nov 2017 - no 1 with 77,853 sales (almost 35k sales
ahead of no 2), Silver album after only 4 days and certified Gold 2 weeks post release
- Tour covering 59 shows in 17 countries with 245k headline tickets and 550k festival tickets
- Noel Gallagher’s High Flying Birds released a series of 3 multi-genre EP’s over the course
of 2019 and 2020
- 2019 saw a host of headline festival dates covering 150k tickets sold across the summer
plus tours of the USA and Australia with Smashing Pumpkins and U2 respectively

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30,21
Philipp Boss - Blau Zwei

The ninth vinyl release on the Oslo based Det Gode Selskab label, and you guessed it…more classy, and vintage sounds with an innovative modern take. At the helm of the release is the dynamite German beatmaker Philipp Boss as he explores refined 80s-esque flavours, with retro drum patterns, positive energy synths and charming bass lines. This 12” sees DGS broaden their catalogue with another essential weapon for the artillery of the tastemakers.

collecting

Order now. Collecting orders for repress.

11,72

Last In: 19 months ago
Bedouin Ascent - Science, Art And Ritual  3x12"

'Science, Art And Ritual' is a story of ‘process'. Growing up in Harrow (a then quiet suburb of London) in the 70’s and 80’s from the age of about 10, Kingsuk Biswas aka Bedouin Ascent's ears opened up to sound as he scanned the airwaves. The undeniable righteousness of 80’s dub via David Rodigan’s Roots Rockers shows was the first prominent influence he received, and with punk roots —and his burgeoning record collection— became exposed to the breathless post punk experimentation that followed in the early 80’s sweeping up free jazz, noise, dub and much more. Throughout though, he maintained his fascination with Indian Classical music which was a mainstay in his parent’s house and spoke with the same infinite space as Joy Division's 'Unknown Pleasures', and King Tubby’s Studio dispatches. Through those teens he assembled and de-assembled, knocking about with fellow travellers —punk bands, garage, space rock, noise. Something was happening. On-U Sound, ECM, Factory Records kept him plugged in and sane.

At that time Kingsuk's core studio setup revolved around his vintage Gretsch, Fender Jazz, Moog, TR-606 and rudimentary FX. He added congas, folk instruments, pipes, hand percussion, gongs, and jammed out shards of funk, noise, jazz fusion, electro and ambience into his hungry Tascam Portastudio. By 1987 these had morphed into what we’d now refer to broadly as techno, but the genre didn't exist beyond the reverberating walls of his bedsit, and he hadn’t yet plugged into the global conversation.

'Science, Art And Ritual' was released in 1994 by Rising High Records and was presented as Bedouin Ascent's debut album, although 'Music for Particles' (released in 1995, again on Rising High) was recorded even before —'SAR' sessions span from 1992-1993, whereas 'Music for Particles' were earlier from 1989-1992, with some older 4-track references from about 1986 too.

Weaved in throughout the album are subconscious references to music that Kingsuk heard in the past that still remained within sight as companions. The opening track "Ancient Ocean III", referencing the extinct ocean Tethis, unapologetically channels Tackhead, Colourbox, Mantronix and Lee Perry. The style was also deliberately juxtaposed to the prevailing sound in techno at the time, which had locked onto a rigid form of symmetrical kicks and light snare drums. Elsewhere 80’s soul and funk are frozen and captured in fragile glass lattices. Electric pianos resound throughout, such as in "He Is She", probably a half-memory of 70’s MOR radio from childhood sleepy night drives. A duel between kick drums from three generations of Roland drum machines —TR-808, TR-707 and R-8— is a central theme in "Transition-R", all in conversation, calling and responding. These were not just machines to Bedouin Ascent, but part of an extended family, with heart and soul.

Three decades after seeing the light, Lapsus is proud to present a special 30th anniversary reissue of this
left-field techno gem in a repackaged and redesigned edition. All pressed on a deluxe 3LP marbled vinyl and including a limited lithographic insert print of the original album cover. All tracks have been restored and remastered directly from the original DAT tapes, and the album also features previously unreleased tracks such as "In the Clouds" and "Thru Water" —regularly performed live at that time and produced in the same period as the album sessions in 1993.

'Science, Art And Ritual’ may refer to esoteric traditions in Indian philosophy, but equally embodies the collision of the science, the art and the ritual that is at the core of being immersed in a deep musical journey.

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31,89
Donna Summer - On The Radio’ -  Greatest Hits Expanded LP 2x12"

2025 marks 50 years since the release of Donna Summer’s debut international hit ‘Love To Love You Baby’. To herald in this milestone anniversary, we proudly present this newly expanded edition of Donna’s classic hits collection “On The Radio”. • This 24 track/2LP collection features the international hits that propelled Donna’s popularity through the decades, from her 1976 UK Singles chart debut up until her 2008 studio album and includes eighteen UK Top 20 hits. • They include ‘Hot Stuff’, ‘Bad Girls’, ‘This Time I Know It's For Real’, ‘Down Deep Inside (Theme From 'The Deep')’, ‘I Remember Yesterday’, ‘Love's Unkind’, the vocal powerhouse track ‘No More Tears (Enough Is Enough)’ with Barbra Streisand and the groundbreaking #1 ‘I Feel Love’. • Donna Summer gained prominence during the disco era of music, rightly earning the title "The Queen of Disco" and becoming one of the most successful recording artists of the 1970s and all-time best-selling female Artists. • She was the first artist to have three consecutive Double Albums hit No. 1 on the US Billboard charts, as well as becoming the first female artist to have four No. 1 singles in a thirteen-month period. • Donna’s catalogue has sold more than 130 million units worldwide and her music is still relevant today, as her music continues to fill the radio airwaves, appears in TV programmes, movies, as well as TV commercials. • In 2023, her daughter, Brooklyn Sudano, who along with Roger Ross Williams, directed “Love To Love You, Donna Summer”, a documentary that followed Donna’s personal life and career. The film had its world premiere at the 73rd Berlin International Film Festival and was screened at SXSW. HBO released it in May 2023. • Earlier this year, Donna was posthumously awarded a Recording Academy Special Merit Lifetime GRAMMY, as well as ‘I Feel Love’ being inducted into the GRAMMY Hall of Fame

a 1. Love To Love You Baby Single Edit
b 2. Could It Be Magic 7" Version
c 3. I Feel Love [Edit]


[f] 6. Love's Unkind [7" Version]
[g] 1. I Love You [Single Version]
[h] 2. Rumour Has It [Single Version]
[i] 3. Last Dance [7" Version]
[j] 4. MacArthur Park [Single Version]
[k] 5. Heaven Knows [7" Version]
[l] 6. Hot Stuff [Single Version]
[m] 1. Bad Girls [Single Version Edit]
[n] 2. Dim All The Lights [7" Single Version]
[o] 3. No More Tears (Enough Is Enough) [7" Version]
[p] 4. On The Radio [7" Version]

[r] 6. State Of Independence [7" Version]
[s] 1. She Works Hard For The Money [7" Version]
[t] 2. Unconditional Love [Edit]
[u] 3. Dinner With Gershwin [Edit]
[v] 4. This Time I Know It's For Real [7" Mix]
[7" Remix]
[PWL 7" Mix]

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33,19
Various - SLACKER006

Various

SLACKER006

12inchSLACKER006
Slacker 85
04.11.2024

Seth Troxler’s Slacker 85 imprint prepares to expand its repertoire of ne’er do wells and inspired outsiders, with two new singles shining a flashlight on talent at the characteristically esoteric producers on the fringes of Troxler’s always increasing circles.

American-Ecuadorian sound engineer and musician Andre Salmon has already left his fingerprints on underground dance music’s global scene, developing the current iteration of Inner City with Kevin Saunderson, as well as collaborating with house icons Paul Johnson and K’Alexi Shelby. Having already made a fixture of his supremely effective ‘Heartless’ mashup of Saint Etienne’s classic ‘Only Love Can Break Your Heart’, Slacker now welcomes Salmon to the family to exercise his studio technique and ‘sacred resonance’ deepness. The result is ‘La Mano de Dios’, a voluminous dance on the edge of house and techno, as smooth and impressive as the jets descending above the Terrace at DC10.

From Detroit to the East Coast, TB-203 delivers a contrasting energy on ‘Movin’. A fresh alias of NYC DJ, producer & label owner Tommy Bones, this bubbling, raw acid workout finds fresh heat at the intersection of jackin’ hip house and latin freestyle, driven by loose and lively vocals from DannyP. Underscoring Slacker 85’s commitment to party over posture, ‘Movin’ has been tried and tested to deliver on its old-school promise.

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14,92
E L U C I D - REVELATOR

E L U C I D

REVELATOR

12inchFP1847-6
Fat Possum
04.11.2024
  • A1: World Is Dog
  • A2: Cctv (Feat Creature)
  • A3: Yottabyte
  • A4: Bad Pollen (Feat Billy Woods)
  • A5: Slum Of A Disregard
  • A6: Rfid
  • A7: Instant Transfer (Feat Billy Woods)
  • A8: Ikebana
  • B1: In The Shadow Of If
  • B2: Skp
  • B3: Hushpuppies
  • B4: 14 4 (Feat. Skech185)
  • B5: Voice 2 Skull
  • B6: Xolo
  • B7: Zigzagzig
également disponible

Black Vinyl[35,08 €]


We’re teaming up with ELUCID and Fat Possum for a limited edition of 300 copies of a Rush Hour black ice coloured edition.

E L U C I D, one half of the illustrious duo Armand Hammer, is here with the full-length follow-up to 'I Told Bessie'. Further experiments in the sonic, expanding on the 'live' side of music paired with the embracing of chaos. Something you haven't heard, or not so for a very long time. E L U C I D is here to reveal the bleakness of reality.



---------------------------------------------------------------------------------

''There is never time in the future in which we will work out our salvation. The challenge is in the moment; the time is always now.''
James Baldwin

A raw, crackling urgency runs through rapper-producer ELUCID’s new album REVELATOR like an underground power line. There is no space here for sepia-toned reminiscences or indulgent self-mythologizing. Intellectual rabbit holes have been filled in with concrete and rebar ; there is nowhere to hide and no off ramp from the audio Autobahn that ELUCID has fashioned—a renegade Robert Moses with gold fronts, bulldozing the homes of the powerful and the complicit. REVELATOR brims with the energy of now, with a refusal to look away. Carpe diem in a murder one mask.

Born in Jamaica, Queens, ELUCID has been on the cutting edge of New York’s underground scene since the mid-2000s. From the beginning, he has defied both convention and expectation. He ran with Okayplayer darlings Tanya Morgan, but his own music eschewed their throwback charm for glitchy noise experiments and bass-swamped culture jamming. His 2016 debut studio project Save Yourself (re-released in a deluxe edition last year) announced him in earnest. But in recent years, his Armand Hammer releases with partner-in-crime billy woods have received significant attention and acclaim. Serving as a followup to his last solo album—2022’s comparatively balmy I Told Bessie—ELUCID hoped to “re-distinguish” himself with REVELATOR, setting himself apart amidst the increasing attention around the music he and his friends are making together.

For ELUCID, this meant setting bold new challenges for himself. One of these was diving further into live instrumentation than ever before—”getting my Quincy Jones on,” as he puts it. The testing ground for this approach was Armand Hammer’s most recent project, 2023’s We Buy Diabetic Test Strips’ Möbius strip soundscapes, warmed with instrumental flourishes and skin-shedding beat progressions. With REVELATOR, though, ELUCID strove to create an atmosphere of chaos, embracing experimental electronics and atonal sample bursts. He worked on much of the album with co-producer Jon Nellen, who comes from a background in avant-garde and Indian classical music. “I wanted to get as freaky as I could at this moment. I wanted people to hear things, maybe for the first time, or in a way they haven’t for a long while,” the rapper explains.

ELUCID arrived at the studio with a collection of noise sources: non-referential samples, glitches and noises. Together he, Nellen, and others created forms out of them and, as ELUCID recalls, “just started playing drums with it.” Their fried, distorted sound was directly inspired by Miles Davis at his most uncompromising—specifically, the tone-clustering funk track “Rated X” from his 1974 double LP Get Up With It. At times, the pairing of rap with avant-fusion sounds also brings Emergency! from The Tony Williams Lifetime to mind, perhaps in an alternate timeline where the late drummer was listening to Ice Cube’s AmeriKKKa’s Most Wanted.

“The World is Dog,” REVELATOR’s lead single, functions as the album’s aesthetic thesis statement. Like the Davis track, the textures are punishing, the tonality is in free-fall, and the driving breakbeat of a groove cuts in and out unceremoniously. Avant-jazz bassist Luke Stewart, who appears throughout the record, holds the whole thing together just long enough for ELUCID to tightwalk over the beat. This tension is exactly where REVELATOR sets itself apart; in a time of drumless loops, and safe soul samples, this is a high-wire act with no safety net. Similarly, the song announces the themes of the album within just a few phrases, evoking the way societies accept and adjust to new levels of debasement and brutality while suffocating under the weight of history: “Can’t clock the kill, all a mystery/Forced past will eating everyone eventually/The world is dog.”

Many of the songs on REVELATOR grapple obliquely with dissolution and disenfranchisement in America and across the world—the grim realities of our domestic sociopolitical climate and our involvement in foreign conflicts. “Much of my artistic and political sensibility comes from the Black arts movement here in New York,” ELUCID explains. “Recognizing the interconnected global struggles against oppression, artists and thinkers created works and actions in solidarity with freedom movements in South Africa and Palestine.” ELUCID cites intellectuals like Amiri Baraka, Kwame Nkrumah, Audre Lorde, Sonia Sanchez, and Nikki Giovanni among his heroes. (One track on the album is specifically inspired by Lorde’s work, “SKP,” citing the scholar’s paper “Uses of the Erotic: The Erotic As Power.”) Songs like REVELATOR’s insistent closer “ZIGZAGZIG,” find ELUCID applying up-to-the-minute messaging, making explicit reference to the conflict in Gaza: “Feed a war machine…from river to sea, in lieu of peace.”

Despite ELUCID’s preference for cacophonous system overload here, the rapper also provides moments of respite. Recorded at The Alchemist’s Los Angeles studio, the laid-back, wheezing “INSTANT TRANSFER” is a collaboration with billy woods, which crystallizes their shared sense of creative determination. “With much momentum behind us and even more on the horizon, I knew a purpose, and that every step was ordered to that purpose,” ELUCID said of the experience. Meanwhile, the jittery “HUSHPUPPIES” is a playful anomaly on the track list, providing a snapshot of ELUCID watching his grandparents in the kitchen while preparing for Friday night fish fry dinners.

“Love still rules over on this side,” ELUCID says. ”I’m raising a family. We are making meaning and finding joy in the midst of all the fucked up-ness of everything around us because the alternative is cowardice and slow death. We remain rooted. We celebrate our people and our wins. Struggle is necessary.”

“IKEBANA” is one of ELUCID’s strongest statements of purpose on the record, blending the record’s heaviest themes with its most hopeful sentiments. supported by a shoutalong refrain and an urgent prog-funk groove. Breaking away from images of dissolution and crumbling societal systems that populate REVELATOR, ELUCID notes that the only way to navigate life’s bleakest landscapes is to cling to love and believe in those around you—to look forward toward something better that may or may not be possible. For the rapper, one of the album’s most trenchant lines comes during a centerpiece of a beat drop: “Being alive/I must look up.”

“The lyric ‘being alive I must look up’ is important especially in the context of this album. Much of the album imagery is harsh and reflects the actual doom some of us experience. But still I/we exist,” ELUCID explains.

Every artist is, in one way or another, the product of their time, bound by life’s leaden gravity to operate within the space of that which is already known. But there are some who are able to shake free of these ties, to shape the culture as it unfolds, to make the present their own.
Revelation, as a concept, points to the scales falling from people’s eyes—something that has been hiding in plain sight becoming clear. “The revelator relates to things that have been talked about, things that have been forecasted,” ELUCID adds. “And now they’re really here, and everyone sees it. And there’s no escaping.” REVELATOR plays out with the unmitigated power of those storms, laying waste to any genre conventions in pursuit of a certain physicality. Here, ELUCID develops a wholly distinctive musical language to explore our fractured modernity.

REVELATOR's packaging was designed by longtime Armand Hammer / Backwoodz art director, Alexander Richter.

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35,25
Cybotron - Parallel Shift

Cybotron

Parallel Shift

12inchTRESOR313EP2
Tresor
01.11.2024
 
2
également disponible

Maintain The Golden Ratio[12,82 €]


Astral travel with Cybotron into the meta-narrative of the Parallel Shift, a new sonic fiction that raises many questions about military science of the near-future and the possibility of other worlds.
Descending backward through the rhythms of time, the Skynet module retracts from the hyper-structural society of 2100, edging toward the mid-century modern age teetering on the brink of what was then the frontier of “the future”. The system boots the Infiniti process, morphing into a cosmotechnic vessel coursing the superhighway of burgeoning general intelligence, seeking data from just before “the overshoot and collapse.”
R&D methods, rhythmanalytically applied, dissect the aftermath of an industrial society that burst through the ecological capacity of Spaceship Earth. Fractal visions of war and innovation spike and recede from and into the surfaces of reality being bent and guiding the eyes, ears, touch towards a laboratory in the year 1961. A nuclear expert, Don Lewis, receives orders to decrypt the mysterious black dodecagonal disc known as Fortec and the extraterrestrial biology unearthed in Roswell. He joins a team disassembling Fortec and studying the recurrent dodecahedral patterns linked to the human nervous system.
Through dismantling and probing, the team cycles through a saecular search devoid of finite conclusions, limited by Earth’s intellectual and technological prowess. One 1960s night, Lewis, while meddling with Fortec’s cyborganic innards, accidentally electrifies himself. His cyclotron and missile experience guides him to circuit-bend Fortec, stirring the entity from a mechanical slumber. Lewis and Fortec communicate in resonances, until it drifts back into a tranquil stasis.
The US Defense and contractors, unbeknownst to them, observe this breakthrough. They later permit Lewis to exit military service as the Air Force forms the Foreign Technology Division. Concurrently, MJ12 evolves into CY12, delving into second-order cybernetics. Lewis clandestinely keeps working on Fortec fragments, transitioning from military engineer to musician, pioneering the LEO module, a fusion of Fortec’s essence and audio engineering.
He shares his insights with Roland founder Ikutaro Kakehashi, aiding the creation of the iconic TR-808. Meanwhile, Fortec branches out, coining “Cyberspace” – a collective illusion of liberty unshackled by physical, political, or spiritual bounds, anchored in the equitable distribution of The Golden Ratio across realities. Yet “Cyberspace” morphs into a chaotic truth reservoir, spilling over into deception.
The Parallel Shift manifests in the perpetual “Now,” a collapsed event horizon where past and future are ensnared in a relentless present, unfurling along a dissolving timeline, overseen by a monolithic simulation under ceaseless watch…
— The Rhythmanalyst aka DeForrest Brown, Jr.

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14,71
El Kazed - Effective Nature EP

Following appearances on our first three releases and on Chez Damier's latest label 'House Of Chez', El Kazed is back with his first solo EP !

Over the years, El Kazed's sound has become more refined, but you can still recognise his own touch.

On that matter, the A side is a prime example : DeePulse and Yunni perfectly blends that famous FM bass with dreamy pads and a strong 90s Italian house influence.

On the B-side, The Positive stands out with a more club-friendly vibe. Our friend Lea Lisa did her own version of it, driving it even more in that direction.

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11,98
Porco Rosso - Global Player

Porco Rosso

Global Player

12inchZUPERFLEX001
Zuperflex Records
31.10.2024

Zuperflex is a new born Frankfurt label from Oskar Offermann and Porco Rosso aka. Luca Hartz.

The kick off release is from the almighty Porco Rosso himself, who delivers positive dance floor sure shots for every occation and had previously released on labels such as Pager Records, Blank State and others.

This action packed 4 Track Ep is filled with rolling baselines, captivating melodies, banging kicks and the typical energizing musical stories Porco Rosso is known for. Moving between House, Tech-House, Acid and Techno and playing around with the borders of genres, its hard to pin down this musical journey. But it sure works perfect from warm up until the after party and makes you move your body.

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12,40
PADDAN - FLUID TIME

Paddan

FLUID TIME

12inchLOV97
Lovitt Records
30.10.2024

Paddan's Sigtryggur Baldursson and Birgir Mogensen are lifelong friends from Kópavogur, Iceland, who started as mates on the local football team, then graduated to making music together as teenagers, and even later as young men doing time in the experimental punk collective KUKL, from 1983 - 1986.
KUKL was populated by survivors of the post-punk scene in Iceland in the early 80s, which is well documented in the film Rock in Reykjavik from 1982. The band was released by the Crass collective in London and featured members, apart from Birgir and Sigtryggur, like Guðlaugur Óttarsson, Einar Melax, Björk and Einar Örn, some of whom would become better known later in outfits like the Sugarcubes and their respective solo work and other collaborations.
Sigtryggur has a long career in music, having worked with among others, Emiliana Torrini, Howie B, Les Negresses Vertes, Tomas R. Einarsson, Petur Ben, KK, Kaktus Einarsson, and many many others. He also produces an award-winning documentary music show for RUV called Hljómskálinn.
Birgir Mogensen is a classically trained classical guitarist and bass player who has worked through the years with artists ranging from KUKL to Killing Joke to Spilafifl and Inferno5.
Birgir and Sigtryggur formed Paddan during the 2010s, and are now preparing to release their EP Fluid Time, which has been inspired by their perception of time and space. Birgir Mogensen says, "As a duo, we trusted our musical intuition and were guided by allowing the first idea to remain unchanged during the recording process"Recorded, produced, and arranged by the pair, Sigtryggur and Birgir play basses and drums along with various other instruments.
All recordings are played on live instruments except a modular synth which is programmed in the background of two tracks The duo is joined by the great harmonica and lap steel player Gaukur Davidsson on "Vaguely" and "Bug," and trumpet player Eirikur Orri Ólafsson on "Splash," not to mention the mixing expertise of Vaccines bassist Arni Hjörvar Árnason on "Bug," "Splash," and "Kokka," and sound-mixer Albert Finnbogason on "Vaguely."

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18,45
4am Kru - Incognito Rhythm LP 3x12"

Fresh off a rework of Papa Levi with single Ribena, London’s jungle pioneers 4am Kru drop their highly anticipated debut album Incognito Rhythm featuring all the tracks that have cemented their reputation as the go-to act for raw, live jungle music.

Having already taken the 2024 festival circuit by storm with appearances at Outlook Origins, Boomtown, Boardmasters, Reading+ Leeds, The Blind Tiger, Parklife Waterworks, Boundary and a milestone Saturday night closing set at Glastonbury’s Temple Stage, 4am Kru continue to draw audiences into the madness of their raucous blend of 1993-1994 influenced jungle. First bursting onto the scene post-lockdown, the falling monitors and flying bodies of their shows were particularly thrilling for ravers who had turned 18 in isolation.

Originally developing their live sound in indie bands while sharing a studio in Tottenham, the duo quickly realized that the traditional DJ set couldn’t contain the energy of their act. They have since surrendered to the chaos of their incredibly physical performances, nursing chipped bones and back injuries, deep finger taping, chalking up and wearing shoes designed for skipping rope whilst rewiring what it meant to move their bodies. Their innovation extends to the equipment, with the duo reinventing a way to deliver their signature throbbing basslines with a Roland SPD SX drum pad as thick as a car tire. Their upcoming UK tour this October promises to further showcase their immersive, disruptive sound.

4am Kru’s latest single Ribena breathed new life into Papa Levi’s iconic British reggae classic Militancy following the release of hard-hitting Wutt this past July, setting the stage for their most ambitious project yet. Their debut album draws from a wide range of influences in addition to 4am Kru’s signature blend of 90s jungle flavours, from obscure slow jam R&B like Angela Bofill, Janet Jackson and Prince, early hardcore bands like Hüsker Dü, off kilter Scottish folk, and even classical music. The project is a snapshot of the incognito, nocturnal world that the duo have dwelled in for the past two years, a time capsule of well-worn songs played between midnight and 4am. An extraordinary debut, 4am Kru’s Incognito Rhythm is an immersive, razor sharp, face melting journey through their show-stopping live sound.

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Les Imprimés - With You b/w Only Love

Les Imprimés is back in the studio working on their sophomore album and treats us to a smashing two-sider with the first two songs from these sessions. The A side "With You" is an instant hit for the DJs and dance floors. An uptempo, uplifting tune about a eeting encounter that leaves you craving more. Frontman Morten Martens doesn't waste a word over the shuffling drums and dancing piano lines. He sings about the pleasantly surprising impact of a chance encounter with a woman, whom he winds up pining for. Martens longs for her, but joyfully, as if just remembering such a connection is possible is what he really needed. The B side "Only Love" is built over a gritty, punchy drum break with a chorus that is simple yet profound, and the arrangement leans into the message. Martens sings of letting go of inhibition and fear and allowing love to have a chance to thrive. "Only love can set us free_"

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Various - Various Moods Vol. 3

Mood Child is back with 'Various Moods Vol. 3', a captivating collection of six tunes, each possessing its own distinct mood and power.

Led by founders Manda Moor and Sirus Hood, this superb album features standout contributions from label favorites Reboot and Marian (BR), while also shining a spotlight on fresh talent, including Crewcutz, Band&Dos, Sterium, Samarone, and Drewski.

Available now on both vinyl and digital formats, *
'Various Moods Vol. 3' continues Mood Child's tradition of delivering innovative, boundary-pushing music.

collecting

Order now. Collecting orders for repress.

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Last In: 17 months ago
Ceri - Can't Pay My Bills EP

From London to Ibiza via Berlin, inspired by Chigago and Detroit, Ceri finds her truth in proper house music. ‘Can’t Pay My Bills’ EP provides a message of hope during uncertain times. Acknowledged as a “rising selector” by Crack Magazine, producer, label boss and record digger Ceri steps into 2024 with a brand-new EP ‘Can’t Pay My Bills” via her imprint “Find Your Own Records”.

“The title track is inspired by the current economic situation in the world, and also features a positive message that reflects the values and true origins of house music, reinforcing the belief that we can overcome our circumstances and improve our situation” - Ceri


The new four track EP drips with Chicago, New York and Detroit jackin’ house with garage influence, and a sprinkle of ripping UK breakbeat for good measure. The people’s producer D'Julz steps up, on remix duties, contributing not one but two remixes to the label’s ongoing message of artist authenticity and collaboration. The remixes will be vinyl only, and the originals will see a digital release later in the year.

“I have collected D'Julz music for many years, his label started around the same time I started DJing, and it was and still is, one of the few labels that I buy on sight. I know it will always be quality. Something I aspire to do with my label too.”– Ceri

As an artist led label 'Find Your Own Records’ has become a home for genuine house legends Mr G, Fred P, Alex Arnout, and has rightly gained support from Mixmag, Resident Advisor, BBC Radio 1, BB6Music and BBC1Xtra.

Support for the label so far comes from the likes of:

Midland, Ben UFO, Move D, K-HAND, Fumiya Tanaka, Fred P, Paranoid London, Steve O'Sullivan, Tristan Da Cunha, Ryan Elliot, Lakuti, DJ Deep, Kerri Chandler, Chloe Caillet, Fred P, Jeremy Underground, Cici, D’Julz, Chez Damier and more…


As a DJ Ceri has performed marathon sets at Fabric, Corsica Studios, Pikes Ibiza, Thisishaven, and recently made her debut at the legendary Panorama Bar/Berghain. Confidently sharing the booth with club favourites Ryan Elliot, Jeremy Underground, Paranoid London and Objekt it’s certain the next year of live shows will be ones to remember for the UK artist. Inspiring far beyond the dancefloor, Ceri also regularly steps up as a masterclass host / panelist on creativity, mental health, meditation and wellness with renowned platforms Beatport, ADE, RedBull, Point Blank and Native Instruments, earning her a distinctive reputation as a multifaceted artist and
thought leader.

Ceri – ‘Can’t Pay My Bils’ EP is out on Find Your Own Records. Vinyl end of Feb tbc. The remixes re vinyl only. And the originals will be released digitally in the summer.

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