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The next various artist release on Houseworx "Lost Housetracks vol.3 " welcomes 4 new artists to the Houseworx family!

Siggatunez from Germany, Anton Mayer from Russia, Freischwimmer from Japan and last but not least, Rhymos from UK.

The kids are alright: still lacking any concern for the rules of electronic dance music, London's Krautpop duo Walls continue their voyage to distant planets, hovering over alien continents and gazing at the radiant beauty of another world's sunset.

Skream is set to release a brand new single 'Anticipate' on November 14 on Tempa. The ever-prolific producer has spent the summer touring festivals around the world including Glastonbury, Global Gathering, Electric Daisy Carnival, Glastonbury and Coachella.

Raumakustik should be a notion - at the latest after their successful
single "Glaub Mir Doch" this year. The duo from Dresden, Germany
was always on the go in 2011 with several releases and remixes for
Labels like Deich Records, Klang Gymnastik or Keimzelle. And right
before 2012 they strike back with "Traumtanzen". This is pure
dancefloor pleasure and already approved within the last months. To
complete the label debut of Grain Audio Mister Marcapasos (Toka
Beatz, Housesession, Dusted Decks) delivers a real house remix to get
you back to the good old days.

Autumn is inevitable, so is another 12' from Absys Records. This time it's an album sampler for the forthcoming second compilation by the name of 'Mystical Deep vol 2'. In a similar vein to the previous wax release, we've got three exceptional tracks to present to you.

SK 011, 444, Centralbron, Midsummer Night, Babar, Russian Folksong, Carbon Oxide, I Love Water, all those brilliant Tiga productions... We really don't know what else to say - just try to imagine the history and future of this dance music thing we're all involved in without Jesper Dahlbäck... Nah, rather not, right Being part of Jesper's discography is the greatest thing that has happened to Studio Barnhus up until now and these two tracks, Fransson and DX2 RMX, are up there with all those previously mentioned masterpieces.

Matt Star returns to Mainrecords. Together with his older brother Locke, who is also the labelboss,
he produced two melodic technobombs, which are predestined for the big floors.
But thats not all. The Maintrack "Gaucho" gets an heavy remix by knowone less than Petar Dundov
in his typical hypnotic melodic style...

We are very pleased to hear how mainrecords developed their style this year!

House music ranging from grimmy to funky and melodic. These guys know which buttons they have to press.

A floor monster that keep all of CC's quintessential romantic touch but reshaping it in a different way this time.

Second release on iS Records, The A-side, The Future Never Was combines sparse beats and pads held together by a growling stuttered bass, which gives the track an industrial feel but on a techno/house tip. On the flip, Fake The Feeling, draws on sounds beyond the current trend for vintage analogue in an original take on the house blueprint. The B2 track Out of Orbit is 4 minutes 48 seconds of Tech soul, for the floor or the headphones.

It is a great honor for us to welcome such a living legend, a pioneer from the Chicago House scene: Mr K' Alexi Shelby !
At the age of 12 he was already moving in the right circles, befriending Frankie Knuckles and Ron Hardy whilst frequenting the famous Warehouse. His upbringing in Chicago in the 70s and 80s meant that he was exposed to a range of genres and different styles of music including Stevie Wonder, Prince, Curtis Mayfield and David Huff. These same names would prove to be the roots of his influences.

Follow-up 4 Track 12' to the first Volume that was released earlier this year.In line with the concept of these two EP's, the tracks were again taken from Juergen Junker's
Live-Set, recorded straight out of the machines.

Karat delivers vinyl extracts from his last compilation KATAPULT FESTIVAL. Especially composed for this records, we are proud to bring them in their best support.

Over the last few years we have all seen an emergence of new methods of spreading and accessing music. Some might say this is normal market evolution, we say we keep enjoying music as we always have, on vinyl that is!We love vinyl; we love its sound, we love its shape & we love the feel of it in our hands.. Our goal is to offer a medium, paying particular attention to the recording process, which will not only conserve the cherished ritual of music listening, but will also deliver a properly put-together abundance of well made, richly defined ear snacks, from genres of all sorts both old and new.

We welcome a newcomer to the Audiomatique roster as talented Brazilian producer Wehbba comes to the fore with the glorious "3Days'. Wehbba has explored many zones of the tech-house genre and now brings his expertly polished beats to Steve Bugs pioneering label.

After his ace remix for Nicolas Jaar's 'Space Is Only Noise' here on Circus Company, our man Dave Aju is back with an appropriate dose of in-between original music for the fall season.

Volta Cab has made quite an impact on the Nu Disco / Deep House scene since last year. He is a multitalented, versatile producer, performing brilliantly in a range from from Nu Disco, Deep House, Soul, Techno to Breakbeat.

Its limited & handstamped & vinyl only ! The concept: just a drum machine and a synth - pure analogue dj-tools!

During a time when its more fashionable then ever to sample Kenny Dixon, 'Alright' uses a small and respectable vocal splice that references Ferguson himself, Marvin Belton, & Ferrispark Records.

played and Supported by Chris Liebing,Tommy Four Seven,Speedy J,Adam X,Norman Nodge,Colin Dale,Dave Ellesmere,Brendon Moeller,Audio Injection,Forward Strategy Group,Arnaud Le Texier,Ness and more.
Second release for the label created by Darkcell. Another step in the deep darkness of the modern techno, industrial, where the sounds come together to repetitiveness. Sounds powerful but always hidden by a fog that makes the original track for a walk in our modern times.

For our 24th release, we decided to bring you guys again the ultra talented producer from italy : SIMONCINO.

Once again, Erol Alkan and Boys Noize have teamed up, for what has become a stunning re-imagining of last years smash single 'Avalanche'.. Determined to avoid a taking an obvious route, the pair originally intended to commision a spoken word interpretation- the natural choice was the melifluous Jarvis Cocker.

Edward O’Sullivan Lee “but my friends call me Bunny or Striker Lee” was born in Kingston, Jamaica on 23rd August 1941. He started in the music business plugging records for Duke Reid at Treasure Isle, Coxsone Dodd at Studio One and Leslie Kong at Beverley’s. “I used to do plugging… when I say plugging I used to get their records played on ‘Teenage Dance Party’ and we’d dance so if you had a record to plug you’d put it on and dance to it and show the latest moves”.

Warehouse Find!

Alexkid has been releasing top drawer house music on labels such as F Communications, Rekids and Ovum since 1997. With over 75 remixes on a labels such as Simple, Room With A View, Get Physical and G Stone, it's fair to say this man brings a certain level of quality to proceedings as this, his debut for Freerange, will confirm.

Theo roars into a fierce, uglier-than-ugly edit, with no let-up for thirteen minutes, when it crashes to a standstill: a hurtling, mesmerizing ride, multi-layered and clustered with synth washes, bleeps and alarms, galloping drums, clattering percussion.
Burnt's Shangaan variation is perforce more chilled, lithe, reverberating. The drums are crafted and fatback, with moody vocal interjections and haunting keys, chocka with dub thrills and spills, lethally spiked with bass.

It's with the arrival of Looping State Of Mind that you finally realise that, for The Field's ambient techno explorer Axel Willner, the loop never stops. While fans and critics alike point to 2007's phenomenal debut From Here We Go Sublime - included in Pitchfork's Top 100 albums of the 2000s - and 2009's equally stirring follow up Yesterday & Today as standalone points of the Swede's music; it becomes clear that they appear as mere snapshots of what, for the producer, is a continual cycle of revolutions.

MAV is an oldtimer on the Fokuz imprint with his last release from back in 2006. That was a banger though, called Ocean Phantom. Now dutch synth master Mav is back on track with a collab with Syndrome's Krone to add some neuro bass lines to the matter.

You know the summer is finally here when two of the southwest beatsmiths come together to re do Serani's almost smash hit in a bouncy d&b style.

Taken from their forthcoming debut album, the spellbinding "Alive In Us", Darkness Falls announces their next single, the melancholic and mysterious "The Void". Featuring the heartwarming tones of lead singer Josephine Philip, who co-writes with band partner Ina Lindgreen, the whole album was produced by leading Danish composer and recording artist Anders Trentemøller.

The EP's exorbitant success and it's makers constantly evolving sound brings their relationship into late summer 2011 as Cadenza announce their sixty seventh cut; the 'I Ching' solo EP from Felipe Venegas. The two track EP triggers with "I Ching" and its spell binding intro of thundering gong crashes and jangling bells, betraying an almost story like theme as sporadic tom's and intense brass melodies converse with one another intensely.

From the 'whistle while you work' opening of 'Zimbabwe', the summer grooves of 'Tapioca' to the dramatic crescendo of 'Oceans', New Navy's debut 'Uluwatu' EP demonstrates the Australian bands powerful songwriting ability and consistent style.

Having just celebrated it's 50th release with Photek's 'Closer' 12', Tectonic moves straight into bold new territories, introducing a new artist to the label: namely Distal from Atlanta, USA. His approach to music production is refreshingly dynamic and eclectic, taking elements of the familiar and making it sound obscure while injecting plenty of energy and dancefloor savvy throughout his productions.

One can hardly imagine the genre-busting, culture-crossing musical magic of Outkast, Prince, Erykah Badu, Rick James, The Roots, or even the early Red Hot Chili Peppers without the influence of R&B pioneer Betty Davis. Her style of raw and revelatory punk-funk defies any notions that women can’t be visionaries in the worlds of rock and pop. In recent years, rappers from Ice Cube to Talib Kweli to Ludacris have rhymed over her intensely strong but sensual music.



There is one testimonial about Betty Davis that is universal: she was a woman ahead of her time. In our contemporary moment, this may not be as self-evident as it was thirty years ago – we live in an age that’s been profoundly changed by flamboyant flaunting of female sexuality: from Parlet to Madonna, Lil Kim to Kelis. Yet, back in 1973 when Betty Davis first showed up in her silver go-go boots, dazzling smile and towering Afro, who could you possibly have compared her to? Marva Whitney had the voice but not the independence. Labelle wouldn’t get sexy with their “Lady Marmalade” for another year while Millie Jackson wasn’t Feelin’ Bitchy until 1977. Even Tina Turner, the most obvious predecessor to Betty’s fierce style wasn’t completely out of Ike’s shadow until later in the decade.



Ms. Davis’s unique story, still sadly mostly unknown, is unlike any other in popular music. Betty wrote the song “Uptown” for the Chambers Brothers before marrying Miles Davis in the late ’60s, influencing him with psychedelic rock, and introducing him to Jimi Hendrix — personally inspiring the classic album Bitches Brew.



But her songwriting ability was way ahead of its time as well. Betty not only wrote every song she ever recorded and produced every album after her first, but the young woman penned the tunes that got The Commodores signed to Motown. The Detroit label soon came calling, pitching a Motown songwriting deal, which Betty turned down. Motown wanted to own everything. Heading to the UK, Marc Bolan of T. Rex urged the creative dynamo to start writing for herself. A common thread throughout Betty’s career would be her unbending Do-It-Yourself ethic, which made her quickly turn down anyone who didn’t fit with the vision. She would eventually say no to Eric Clapton as her album producer, seeing him as too banal.



Her 1974 sophomore album They Say I’m Different features a worthy-of-framing futuristic cover challenging David Bowie’s science fiction funk with real rocking soul-fire, kicked off with the savagely sexual “Shoo-B-Doop and Cop Him” (later sampled by Ice Cube). Her follow up is full of classic cuts like “Don’t Call Her No Tramp” and the hilarious, hard, deep funk of “He Was A Big Freak.”

What a year 2010 was for Walls.. not content with signing to the prestigious Kompakt label, the shimmering shoegaze electronica of their debut self titled album went on to receive glowing critical acclaim including Mojo's coveted Electronic Album Of The Year (beating out Caribou, Matthew Dear and LCD Soundsystem no less), 4/5 in The Guardian, 9/10 in NME (as well as featuring in their albums of the year), iDJ, Vice and more superlatives from Groove, DJ mag and a host of blogs and websites.

Rainbow Arabia have been one Kompakt's most endearing acts to
work with us in years. The husband and wife duo Danny and
Tiffany Preston started our year out with the genre-defying full
length 'Boys And Diamonds' which went on to become one our
most acclaimed releases of recent time - the Los Angeles Times
went so far as to proclaim 'Rainbow Arabia are L.A.'s new electro
heroes' in a recent feature.

Das formidable Porträt der Reggae-Ikone ist in der 10-Track LP-Vinyl-Edition wieder neu aufgelegt! - Lincoln Barrington "Sugar" Minott (25. Mai 1956 - 10. Juli 2010) war einer der ganz großen jamaikanischen Künstler, ein Sänger mit unnachahmlicher Stimme, Produzent und Soundsystembetreiber. Er begann als 13-jähriger Teenager im Trio The African Brothers, 1974 ging er zu Studio One, wo seine Solokarriere startete, er gründete sein eigenes Label Black Roots und feierte schließlich im Jahr 1981 den Top 5-Hit "Good Thing Going" in den englischen Charts.

Rising from Miami's thriving bass music scene. Inc a Ptr1 remix

collecting orders for a repress!
A boy named Suzanne. Travelling from Los Angeles to Portland and back to Los Angeles again, Suzanne Kraft's vinyl debut) features four tracks of frenetic sunshine ecstasy.

Party girl grows from a a collaboration between 2 artists coming from different fields in music. NicoNote brought her Voice and  Indie-Soul Stylings to Limo's Club Production Sound. The release is completed with hot remixes by Dapayk, Guido Nemola and Dachshund. This simply but very Cute and intense Spleen made Party girl be here!  Enjoy !

From the producer of Sally Shapiro and creator of the stone cold classic 'Spacer Woman From Mars', together with the mysterious Stockholm producer Le Prix, comes this beautiful slice of spine tingling italo disco pop.

2024 Repress
Following the legendary first two, stoically super minimal records “SOG 1“ and “SOG 2“ that provide ecstasy disguised as boredom on Kompakt Extra/Speicher in 2007, and the outstanding beautifully bizarre “SOG - Abweichung“ on Profan in 2010, we are now listening to “FREMDE HÄNDE“. Like its predecessors, this SOG stands in the tradition of „The Art of Omission“ with Wolfgang Voigt variegating his preference for the bluntly straightforward quaver bass in two different forms. The A-side contains a tonally noncommittal sequence ambling across the keyboard in quantised form, reminiscing of the arpeggiator (accompaniment function) function of early 70ies' and 80ies' synthesizers. On the B-side, daring and thoroughly unquantised quaver rhythms rock around a bass drum that, as the only straight element, tries to keep the whole thing together. The result sounds a little like a delirious Can Live.

Nach den legendären ersten beiden stoisch-superminimalen, als Langeweile getarnten Ekstase-Platten “SOG 1“ und “SOG 2“ auf Kompakt Extra/Speicher in 2007 und der überaus skurril-schönen “SOG - Abweichung“ auf Profan in 2010, hören wir nun “FREMDE HÄNDE“. Auch diese SOG steht natürlich ganz in der Tradition der “Kunst des Weglassens“. Wolfgang Voigt variiert hier seine Vorliebe für den stumpf-geraden Achtelbass auf zwei verschiedene Weisen. Auf der A-Seite haben wir eine tonal unverbindlich über die Tastatur wandernde Sequenz in quantisierter Form, die an die Arpeggiator (Begleitautomatik) Funktion früher 70er und 80er Jahre Syntheziser erinnert. Auf der B-Seite kreist die Achtel-Rhythmik in eher rockigem Sound ganz und gar unquantisiert und rhythmisch gewagt um die Bassdrum, die das Ganze als einzig gerades Element versucht zusammen zu halten. Das klingt ein bisschen wie Can live im Vollrausch.

Deep`a & Biri return to Rotary Cocktail with their "Hybrid Lava" EP.On the A side, they bring us a deep raw track which takes you on many twists and turns. What starts as a lush beauty builds into a raw energetic monster. As the synth mid bass kick in the tracks takes on entirely new energy. A nod to the old school, but with a fresh twist.

Hallucination Limited delivers a limited edition vinyl only release from none other than fellow New Yorker"Zev of Wolf + Lamb. Gathered here are Zev's strongest outings for the club since the brilliant "Forget The World feat. Beckford".

Far too few labels these days are releasing decent electronic music. Acre Records from Edinburgh, Scotland set out to regress the balance

"PositiveNoise" is collaboration between System 7 and British house music legend A Guy Called Gerald who now lives in Berlin, and is one of two tracks on the new System 7 "UP" album that they worked on together. The original club mix's exuberant sounds and crisp beats exude an infectious feel-good quality and a bright tech confidence inspired by Berlin's leaner sounds - already gaining plaudits and plays for its modern club sound. *The Carl Craig remix strips down the original, and twists and turns for the dancefloor with dubby deep techno in Carl's own legendary style. A.Mochi's remix is a darker interpretation, with a long dropdown featuring shimmering S7 trademark sounds and a breakbeat build-up

let's remember to culture beat - mr vain

finally repressed!

Having traveled Stateside for 016 from Steve Parker, Quartz Music return to Europe and more specifically, Spain for our new release and another debut. Stepping up with his "Found In Translation" EP is, Simon Garcia.

Following the soothing 'Landscapes Of The Future' compilation, featuring selected ambient works by Argentina's nest (Jonas Kopp, Gustavo Lamas, Leonel Castillo...)
GREENER RECORDS is proud to present its rst split EP, with label boss ANDRES ZACCO and brother in soul FRANCO CINELLI.

Coming out with one of the most anticipated and long-awaited albums so far on Brainfeeder is Samiyam aka Sam Baker. 'Sam Baker's Album' is 40 minutes of pure listening pleasure, a series of woozy, off-centre hip hop instrumentals drawing heavily on Baker's love of electronic funk but never in hock to it. Intensely detailed and carrying considerable emotional weight, this is not 'Rap Beats Volume 2' but an album of fully-realised pieces of music which stand on their own without the need for an MC's intervention.
Ann Arbor native, Samiyam (born Sam Baker) moved to Los Angeles in 2006. In his short time out West, he has become one of the city's most progressive and recognized producers, a man who has spearheaded the revival of interest in instrumental hip-hop music over the last few years. Baker's 'Rap Beats Vol.1' collection was the very first release on Brainfeeder. He has also collaborated with old friend Flying Lotus as Flyamsam as well as having releases on Hyperdub and Poo-Bah records.Samiyam describes the work contained in his "Debut album" simply as, 'my favourite stuff' - and what could be better than that

The new Sound Signature is from Chicago artist Specter. When Theo heard a a CD given to him by the artist he just had to release this track. "A comrade from Chicago passed me a cd with some serious tracks on it. All of them I recognized except this one

This is RetroMetro's first vinyl outing and it's worth the wait. The four tracks of sweet soul music from Sailor Moon take you right back to that time when a bassline could bring a tear to your eye, and a one-note synth line could make your heart burst with joy.

Merc Music proudly presents new Artist "Edward", a new light emerging from the Black Country underground.
Having passed Mark E a CD full of left field house music Maxa & Naxa finally make their way onto vinyl with Merc.
Here lies deep distorted driving 4/4 beats and looped disco monotony, following in the vein of previous Merc releases this pushes the sound even further. You don't need us to tell this is the real deal folks - one of the best 12's we've heard all year !As with previous MERC releases - this is limited to initial pressing only - Get with it

Hey is Helmut Erler, one half of Hey--Hansen. In "Wuzlguzl" he presents a children's song from Austria.
In his original dialect he sings about the five fingers on the hand and what they have to do with the plums on the tree! The flip turns the song into a psychedelic lullaby.

Once again, with spring, comes another addition to Vakant's fruitful and ever expanding family. We welcome the man formally known as Cesare vs. Disorder, for the first time releasing under his given name Cesare Marchese.

supported by: Timo Maas, Seth Troxler, 2000 And One, Nick Curly, Audiofly, Nic Fanciulli, Marco Carola, Mathias Kaden, Steve Lawler, Michael Reinboth, Milton Jackson, Adam Port, Chris Tietjen, Raresh, Davide Squillace, Joshua Iz, Federico Molinari, Lauhaus, Shinedoe, Luca Bacchetti, Meat, Gavin Herlihy, Simon Flower, Julietta, Monika Kruse, Anthony Collins, Simon Baker, Arado, Todd Bodine, Fabrizio Maurizi, Ralf Kollman, Paco Osuna,
Martinez, our man from Copenhagen, saw great success last year with his album "The Paradigm Shift" and with his tight, rolling-house sound becoming a distinctive trademark.It's taken almost a year to collect all the remixes of "The Paradigm Shift", but it has most definitely been worth the wait. Moon Harbour boss Matthias Tanzmann has rounded up an illustrious group of remixers, including the winner of a very successful remix contest done in collaboration with Juno Download.

This time around we will be celebrating the third release on Arpa Records from label owner DJ SODEYAMA entitled "LIFE". This release sees the ever enterprising DJ return to his roots with an uplifting house track with a deep rooted acid bass and a booty shaking groove that can explode on any dance floor. For the remixes Arpa Records have been lucky enough to invite the talents of the one and only RADIOSLAVE who has provided the lucky listeners with over 12 minutes of pure unadulterated minimal bash.

The next full length from techno tastemakers Delsin is co-released by the man who made it, Morphosis aka Ra.H aka Rabih Beaini, on his own Morphine Records, as well as by close associate M>O>S. Entitled "What Have We Learned", the Lebanese-born producer's album is due in April 2011

REDSHAPE presents PALISADE! After his huge releases on Delsin, Music Man, Styrax Leaves and the own Present imprint Redshape founded his new project PALISADE to release the worldwide debut single So What on Dial's House sublabel LAID.

Martinez, our man from Copenhagen, saw great success last year with his album "The Paradigm Shift" and with his tight, rolling-house sound becoming a distinctive trademark.It's taken almost a year to collect all the remixes of "The Paradigm Shift", but it has most definitely been worth the wait.

When we heard Pompeya for the first time and were told they were from Moscow, we were like: - What! Are you kidding This is probably the first Russian band singing in English with such a classy Brit touch and male vocal being very strong and sophisticated at the same time.

Whoever may think that hardcore belongs to the Dutch and the Italians (and an occasional American), you might want to reconsider.
Emerging from Spanish soil, hardcore producer Wasted Mind (born as Jos Gonzalez in Toledo, Spain)
proves that Spain is so much more than just winning the World cup and serving excellent garlic drenched dishes

now repressed !!!

contains remixes by Pär Grindvik, Alexi Delano & Toni Rohr !!!

This single is a surprise to all and is the first new official solo material from the mysterious dubstep magnate since 2007. Not to say Burial hasn't been busy, seeing how the man just released a collaborative effort with fellow electronic pioneers Four Tet and Thom Yorke. Their combined length is 20 minutes, 41 seconds.

After several releases on labels like Bar25, Microtonal, Dantze and Etui Records End Of Tape finally hit the box with their Tape Jam EP.

These guys don´t talk with each other, they just do music and that´s the best. The result of this gone wrong musician friendship (but tight producer team at the same time) you can celebrate with this EP.

This is no snow from yesterday, it´s the musical climatic change of tomorrow - without any opportunity. Played & supported by Paco Osuna, Anderson Noise, Lexy, Electric Rescue, Beatamines, Gabriel Ananda, Piemont, Carlo Lio, Markus Kavka and many more.

Not long after his "Miles (inc. Nick Curly Remix)" release, DJ SODEYAMA's follow up on ARPA Records is about to hit the shelves.

Boot & Leg 7 hit the ground with an 100% Jamaican dubstep booties. Recent worldwide anthem Be Carefull and Bang Bang gets a wicked treatment that's ensure those tunes to ram most floor within the upcoming year. Enjoy!

Kameezol 2 repress... A picture at a nice price !!! One of the very first hardfloor records... A dry medium kick, changing all the time during the tracks... Loads of fun in da mix... Lots of eyeblink and cheezy cook.... And what a beautyfull Picture Disc ! Woutcha ! You might have noticed that for the 10th years anniversary of Toolbox we decided to produce real loads of special things this year... Expect more soon !

*** picture disc ***

We have a release by another amazing up-and-coming talent from Australia: NATHAN G! Nathan had a fantastic 2010, with huge releases for Miguel Migs' Salted imprint (88 Keys to Love) and for Large Music (No Limit, Inner Spirit). Here, Nathan delivers two stellar deep house cuts: Blur The Line and Diamonds In The Sky.

Averse to any easy classification, Rainbow Arabia's continent-trekking, kaleidoscope pop is rooted in no particular time or place, employing modern technological processes to an array of musical cultures and eras.

2 little rollers here as this imprint drops tunes by label owners and producers these 3 guys are new blood to the scene, and have decided the wayto go is to fund their own label and grab the bull by the horns .

Alphahouse head honcho Butane teams up with upstart label-mate Andras Toth for the essential Futures EP. Intelligent and introspective, yet never losing sight of the dance floor, this is poignant modern dance music.

Everybody love soccer. Soccer is the world's official game. Soccer merges people and culture. So why don't we play it~ For this release our artist Franco Cazzola ( already producer for Carnival, Material, Upon you, Toys for Boys, Monique Musique ) discovered the famous theme "Stadium" wrote in 1978 by the italian Oscar Prudente.

Rockwell's rise to prominence as a rare, distinctive talent has been exciting the electronica music circuit the world over. Critical, thankfully, being the trusty forefront for all things audio-aesthetically delicious, presents the 'Aria EP' - 4 tracks of sound sublime, exemplifying Rockwell's refreshing angle on energy in the club combined with the characteristic, meticulously playful technicals, precise and thrilling as ever.The charmingly rustic intro of 'Aria' unleashes striking Flinstones-esque wooden triplets, scaling the track as stirring vocals weave through; haunting and uplifting at once, the title-track exudes sheer class. Slightly more buoyant, 'Live For The Moment' infuses an energetic tempo with profusions of ear-carressing funk and those ever-characteristic percussive twists - naughty all over. Swiftly plunged into apocalyptic darkness, the Ulterior Motive boys take a sinister liking to 'Noir'. Distinctly menacing and genuinely frightening, what better to bully the atmosphere than Hell-raising bass and staccato violins. Listen out for the breakdown bass - horrific and enriching, this track is dark by Devil's definition. Icing on the cake collaboration with underground legend Untold comes in the form of 'Rehoku Sunrise', a tribal earthy worldly masterpiece of running drums and raw, wild samples, glazing the soul in bliss. Bellissimo.

Label owner, Ryuji Takeuchi, teamed up with Germany's all time favorite, Lars Klein, to drop this 'Final Weapon' to the dance floor all over the world.

Three artists contribute to this exciting new Splitsound!The veteran Tony Matt (also known as Gummish) producer for over 15 years delivers two tracks full of groove: "Alcatraz" and "Chrome". On this last one puts the hands the german Martin Woerner that creates a remix for cool dancefloors. On the B side instead find the young Monque, that offers its own hit (been played last year by ELLEN ALLIEN,RICHIE HAWTIN,RINO CERRONE,CAROLA PISATURO,SETH TROXLER,XPANSUL) in 2010 version.

To kick things off Riskotheque and Matt U unleash 'The Elephant Man'. An eeire atmos creeps in, accompanied by dissonant chords. The drop snaps to a pulsating sub bass, driven by crisp and sharp beats. A serious low end work out, guaranteed to work the bass bins. On the flip Droid Sector and Draft Portal lay down some solid beats which rolls into a trance influenced riff acompained with dreamy vocals from Kira Anniles.

Der Titel des siebten Studioalbums der kalifornischen Punkrocker bezieht sich auf Mike Ness" doppelte musikalische Heimat. Der Songwriter und Sänger von Social Distortion huldigt auf "Hard Times And Nursery Rhymes" sowohl dem düsteren Amerika eines Hank Williams wie auch dem bluesigen Herumstolzieren der Rolling Stones etwa während der "Exile-On-Mainstreet"-Ära. Altbekannte Einflüsse, die hier jedoch in den Vordergrund treten: "Hard Times And Nursery Rhymes" ist das rockigste und gleichzeitig beseelteste Album der Gruppe, die weltweit über vier Millionen Alben verkaufte. Dennoch finden Fans den typischen Punkrock-Roar in jedem Stück wieder: vom Opener "California (Hustle and Flow)" bis zum düster-rockenden Hank-Williams-Cover "Alone and Forsaken". Aber auch Springsteen- und Tom-Petty-Fans dürften diesen Sound mögen. "Hard Times And Nursery Rhymes" ist das erste Album der Band nach "Sex, Love And Rock "n" Roll" aus dem Jahr 2004. Für Fans von Gaslight Anthem, Rancid, Bad Religion, Tom Petty, Bruce Springsteen und Tiger Army. Die 2LP hat zwei Bonus-Tracks.

Jetaime, staying true to our name, drop yet another large helping of sensual beats, with Volume 2 of our 'Love Session' series.

A side 'Timeship' is backed up with anthemic 'Chamber of Secrets' a track that will only be released on Vinyl. Getting massive support from the likes of N-Type, Rinse FM & the rest of the dubstep elite.

As summer falls away, Aconito Records rises again with more experimental sound designs and deep atmospheres on this new limited-edition record, Gaia's Archetype. Featured here are two productions by Hironori Takahashi of Japan, as well as an edit from label owner Nax_Acid. Inspired by the emotions he discovered at Japan's 'Metamorphose' open-air festival, Hironori wished to express feelings of contrasting unity - light and dark, human and nature - in his music.

Cadenza herdsman Luciano welcomes another amazing musician to the label´s illustrious gang of house producers. Having released a series of striking records on Berlin´s Vakant, Tolgas music flows seamlessly into Cadenzas vanguard club sound.