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The first release on Kon's, new KonTemporary imprint.. sees the crate diggin selector, producer and remixer extraordinaire reworking George Duke's late 70s jewel "I Want You for Myself."
Kon's masterful arrangement highlights the desirous pleas of lead vocalist Lynn Davis while showcasing the very ahead of its time instrumentation (there are even hints of Larry Heard to be heard here) of Mr. Duke's musical masterpiece Carefully breaking down and building up the arrangement, Kon even pulls out previously unheard vocal gems from George Duke himself hidden in the original stems giving the listener a glimpse of the studio vibe during its recording.. This release also boasts the original version taken directly from the studio masters of the highly sought after 12". All in all floor stomping disco magic from one of the world's best remixers further sonically enhanced by Boston native Caserta on the mix.

Live & Direct from the club to your speakers: 'Mango Hill Records' Proudly Presents The debut of Miami Songstress, Funk & Boogie sensation Mia! The Chilean/Afro-Cuban born and raised in Miami, Florida native directs influence from the night life scene here in
Miami and her brief time in New York City.

With a musical upbringing by her father who's been producing
Dance and R&B titles since the late 80's, The multi-Instrumentalist projects songs of love, passion and ecstasy as she tells her story on "Something 'Bout Your Love". Instrumentation by Childhood friends M.J., bring you a deep bassline, synthetized keys and a deep nasty groove that can't lose.

Mastered By The Legendary Alex Abrash (Fania-Allstars, Marvin Gaye). Enjoy this instant Miami, Classic by Mia!

Oh, Juan! We love thee, we love but thee with a love that shall not die ‘till the sun grows cold and the stars grow old.
Once in a blue moon, there is a star for whom we see limitless possibilities, whose inevitably long and fruitful œuvre all but insists we do everything in our power to nurture and provide support.

We diligently examine that sky, seeking rarefied meaning from an often desperate and banal universe, and over this past decade you have surely proven one of the brightest, most wondrous and tenacious cosmic forces we’ve encountered.
Your kaleidoscopic wealth of personality, your emotionally urgent storytelling, your obsessive-compulsive weaving of voices siphoned from the pop culture æther, your ability to synthesize teachings from the Atlantic Northeast, Caribbean and Fatherland to pen an ever-evolving musical autobiography; these superhuman strengths are not lost on us.

The 'Oxford House' EP is particularly special, as 'Fahrt Im Himmel' was our fateful introduction to your work, and though that meeting in a writhing maniacal pit of half-naked sweaty bodies was nearly five years ago, it still lives romantically close to our hearts. We just know the world will fall in love and 'Let It Go', just as we did.

It’s exciting to see you merge a musical adolescence with the now evolved Juan Ramos of 'Oxford House', recognizing your significant coming-of-age and never shying away from your roots, but rather confronting and embracing them at your every turn.

We will continue to champion your creative process and output, in hopes of fueling your inherent quest to illuminate uncharted regions of your vision.
... With all our love, always and forever, the ESP Institute.

Kolja Gerstenberg serves up a funky four track lo fi House and Disco EP for Lumberjacks in Hell. The German drummer has previously released on Suol and Smile for a While.

The Jane Antwerp, celebrating its third birthday this year, is launching 'The Jane Vol. 2 - Depth Of Focus'. The vinyl is limited and contains amongst others 2 tracks exclusive to this compilation (Sue Avenue and Frankey & Sandrino), the classic TonyLionni track Found A Place and Making A Living, a house classic from 1994 by The African Dream. The Jane Antwerp, celebrating its third birthday this year, is launching its second cd 'The Jane Vol. 2 - Depth Of Focus' Chef and co-owner Nick Bril, who is as passionate about music as he is about food, joined forces with his resident dj Maxim Lany to bring you a double vinyl and CD with their own take on timeless music.They each made an exclusive selection of tracks that reflect the vibe of the Michelin starred restaurant throughout the years.Artwork was done by Joris Voorn himself, being a big fan of Nick's work and The Jane in general.The vinyl is limited and contains amongst others 2 tracks exclusive to this compilation (Sue Avenue and Frankey & Sandrino), the classic Tony Lionni track 'Found A Place' and 'Making A Living', a house classic from 1994 by The African Dream.

After the Swedish grammy-award winning "Sunday" and the 2017 EP 'Ta Paus', here is the third and last part of the 'Hemma'-trilogy.
The end of an exploration of HNNY's home ('hemma' in Swedish) where he both lives and makes all of his music.

Named after a turning point in the life of the artist, the EP is a deeply personal record about being at and away from your home. D
estinations and places fly by in and between tracks, with the track titles giving more hints about the journey.

'Follow Your Heart' is the new single from Holly Johnson, taken from his first album in 15 years. To be released on limited coloured vinyl 12' and download only, the vinyl includes an extended version of the original and the Frankie Knuckles & Eric Kupper Director's Cut Remix. The album will be released in September and is followed by his first UK tour since the late 80s. More singles will be released, but this is your first taste of the new music!

Repress

Burgeoning Producer Demi Riquísimo Makes An Instant Impact With A Debut Vinyl Only White Label,
On Semi Delicious. 'a Lifetime On The Hips' Exquisitely Blends A erce Array Of Analog House, Acid
And Disco, For A Tasty Four Tracker That Is Not To Be Bypassed!
Kicking It Off With The Wavy, Undulating Club Number 'sarong Song', Demi Showcases His Dance
oor Focussed Style From The Off As The Track Is Textured Crisp Percussion And Cosmic Stabs, A
Certied Club Heater! Backing This Up Is Ep Title Track, 'a Lifetime On The Hips', A Punchy, Retro
Synth tted Cut, lled With A Sultry Looped Vocal.
On The ip And Picking Up Where The A-side Left Off, 'vernon' Builds The Atmosphere With A Rolling,
Acid Tinged Groove And Disco Fuelled Breakdown, Before nal Cut 'lost Quay' Closes Out The Ep In A
Trippy, Tribal Infused Fashion, And Is One To Fully Lose Yourself In!
Early Aaa Promos Have Found Their Way Into The Hands Of Djs Like Âme, Horse Meat Disco, Hifi
Sean, Rex The Dog, Philippe Zdar, Auntie Flo, Loods, Agoria, Cassius, David Squillace And Dino
Lenny

The second single from the forthcoming Lay-Far album "War Is Over".

DJ Counselling returns to SoSure Music with a musical trip aimed to take you on a reflective journey for the soul.

DJ Counselling returns to SoSure Music with a musical trip aimed to take you on a reflective journey for the soul.

DJ Support:

Liar
Daisy Hyde
Jon Dasilva
AME / Kristian
jaye ward
Rich Hawtin
Joe Ashworth
dop
tim lorenz
MEAT
Huxley
Jack Rogers
Jimmy Freer
joyce muniz

Following a successful EP in 2019, featuring remixes from Osunla
& Pocz, Olindo Records are proud to present “Wono”, the debut collaborative album from Koichi Sak& Afla Sackey.

The album is a deep exploration of Koichi's love of both electronic and West African music, in close collaboration with Ghana-born master percussionist, singer, band leader, teacher and songwriter, Afla Sackey.

Featuring 7 tracks ranging from the meditative “Yamb”, which features master kora player Kadialy Kouyate, to the acid infused, slow house workout of “Niege”. Passing through a contemporary highlife take on advance single “Suolo” and an album version of the previously released “Jingo”.

Koichi Sakai is a London-based producer and DJ, a well-known head in London music circles thanks to his role in co-founding the legendary Afrobeat Vibration nights alongside Dele Sosimi. He has previously recorded and released music with Kay Suzuki as Afrobuddha, and they recorded a set together for Boiler Room.

Afla Sackey is leader of 10-piece afro funk and highlife orchestra, Afrik Bawantu, and the man who the likes of Kokoroko call when they need some extra power on the percussion or a singer to lead their Church of Sound tribute to Ebo Taylor.

Koichi Sakai & Afla Sackey’s first collaborative project on Olindo Records, the “Wono” EP released late last year, received widespread support, particular from Gilles Peterson on BBC Radio 6 Music, Defected Radio, Mafalda, Hector Plimmer & Zakia (NTS), Tony Minvielle (Jazz FM), Tim Garcia (Música Macondo/Jazz FM), Music is my Sanctuary, TwistedSoul, Mari* & Papaoul (Worldwide FM), Alan McKinnon and DJ Harv.

We still have copies of Koichi Sakai’s Wono ep OR004 and Betsayda Machado LP ORLP003 should you like more.

The Magic Silk EP marks ROTCIVs return to Luv Shack Records - with three fresh original joints, this time alongside brother in arms Das Komplex, who delivers two new originals on the B side.

“It’s the Magic” is an italo infused house track, brimming with dramatic leads, a super tight and intelligent drum sequence, deep harmonies and solid bottom end. While being a lot slower in tempo, “Your Highness” lacks nothing in the power department - a fat rhythm section and a soaring acid line are the spine of this extraordinary cosmic stomper. Lastly, ROTCIV takes us on to a trippy tropical island with the synth heavy shuffler “Moleggio”.

On the flip, we have “Silk” by Das Komplex. Starting off as an EBM track with industrial feel, it gradually evolves into a hypnotic chugger with a sneaky boogie Bassline. The EP closes with “Aurora”, a perfect blend of NY disco attitude, synthesizer weirdness and balearic sleaze.

This first EP is inspired by earlier prodcutions adding in the mix today’s codes and references.

Listening to the EP, one can hear samples and Lo-Fi works as well as the sound of mythical machines like the TR909 and TB303.

For this first realease, we have been eager to put the spotlight on artists we strongly believe in, who are rising talents

of the French House music scene: Madcat, who is often featured on the Pont Neuf label, and Deborah Aime La Bagarre

who is close to the Parisian crew Vryche House.

The artists and founding members Basile de Suresnes and Ten Fingerz complete the roster.

LIMITED GREEN AND RED VINYL WITH DIGITAL DOWNLOAD INCLUDED.

All-conquering Dutch heroes Kraak & Smaak have taken the electronic music scene by storm in recent years with a slew of killer collaborations with the like of Mayer Hawthorne, Romanthony (RIP), Eric Biddines (Golden Rules), Parcels, and many more. Their live show has seen them play every festival and club worth the mention from Glastonbury to Detroit Movement, Coachella to Space Ibiza.

After their debut album 'Boogie Angst' established them in the spotlight with heavy Radio 1 support from Pete Tong and Annie Nightingale, the band followed up with breakthrough albums – 'Plastic People' and 'Electric Hustle'. Launching them to another level, these albums featured the standout singles - 'Squeeze Me (feat. Ben Westbeech)', and 'Let's Go Back (feat. Romanthony)' which have both become ubiquitous through TV ads, funky dancefloors and tens of millions of streams.

Riding high they then released a seminal piece of work in the shape of their fourth studio album - 'Chrome Waves'. An album that is a joyous fusion of disco, funk, indie, electronica and pop all smooshed together with Kraaak & Smaak's unique sonic signature throughout. Teaming up with a crew of ultra-talented vocalists: Sam Duckworth (Get Cape. Wear Cape. Fly), John Turrell (Smoove & Turrell), Stee Downes, Capitol A, Joi Cardwell, Janne Schra and their very own live band singer - Berenice Van Leer , they created an album packed full of dancefloor-ready jams for all occasions…

It was received well by both fans and critics alike, picking up a coveted Mixmag tune of the month award, topping European club charts, becoming a staple on radio playlists everywhere, and of course selling out on the original vinyl pressing runs.

Well after much demand we are now reissuing this masterpiece on a 2xLP limited edition green and red vinyl and once again you can own it on wax. A present for both the fans of old who missed it the first time around, and those who have discovered Kraak & Smaak in more recent times.

Repress...!

Two funky sounds tracks from Lego Edit & Vito Lalinga b2b on
the new Legofunk records 7 inch.

Having been fans of Italian powerhouse Pino Presti’s music for a long time, it’s a special moment for the Spaziale team to now be releasing the master’s music. "SPZ006" sees Stefano Ritteri offer up a club leaning version of a Presti classic, 'Come Back To Me', and new takes on two tracks uncovered from the Pino Presti vaults that have never before been released.

Having reached out to Pino, who withdrew from the spotlight a number of years ago, the Spaziale team discovered he was sitting on some unheard, unreleased material. Spaziale’s Stefano Ritteri jumped at the opportunity to work with these recordings, resulting in Ritteri versions of both a Presti classic, ‘Come Back To Me’ spaced out into the galaxies, and two of these never-before-heard tracks recorded back in 1985.

Using the original master tapes Ritteri weaves in subtle synth lines, added drum machine hits and tape echo delays to the arrangements providing punchy Balearic takes on these hidden treasures.

Pitto is not one to flood the scene with new music considering he’s only released two ep’s in the last three years. He takes the time to let ideas evolve and it’s clearly noticeable on last year’s EP on ‘Something Happening Somewhere’ sublabel ‘Ooshaa’, where his feel for an almost poppy hook is perfectly combined with his love for darker electronics. On the ‘Baila baila EP’ –his return to Heist after his last ep in 2018- he explores this path further. The EP is filled with live percussion, a dark and rolling acid line, chopped beats and catchy piano riffs. The three originals are accompanied by a remix courtesy of Pete Herbert that has ‘summer’ written all over it.

Opening track ‘Sammie’ has a beautiful sense of melancholy to it, where an emotional piano riff is combined with some 80’s tinged vocals and loads of live percussive elements for a smile inducing experience.

‘Discko’ takes a darker approach with a deep and ‘dubby’ low end and a guitar riff that wouldn’t be out of place on a Caribou track. The horn section and synth lead give it a real crossover appeal and it’s the kind of track you imagine working just as well on a summer festival as in a dark basement.

On the flip, there’s the title track ‘Baila’, a proto inspired acid stomper with a nice wink to early 90’s dance music vocals. An acid line gives the track its backbone, but it’s the combination of Pitto’s chords and instrumentation that give this track it’s unique edge.

The EP finishes off with Pete Herbert’s remix of ‘Sammie’. Pete’s version has that full-on summer appeal with his recognizable style of modern day island disco. He adds a bit of drama to the track with some big breakdowns, changeovers in the piano riff and turns the Balearic vibe up a notch with an added dreamy solo.

We’re happy to have Pitto back on Heist and this unique and diverse EP is one we hope will create a lot of smiles on the dance floor in the coming months.

Yours Sincerely,
Lars & Maarten

On Volume 2 of The Ladies of Too Slow to Disco, DJ Supermarkt has brought together 16 compelling tunes and hidden gems from 1974-82 that tell a deeper, more political story, while taking the suave sounds you love into new territory: soul, gospel and jazz. The songs on this compilation are from women who were taking control of their own careers, making an independent stance in the some of the most trying years for women in the history of the recording industry. In an effort to tell the often untold, yet deeply influential, stories of this delicious period of music, Volume 2 highlights songs from players who broke through the machismo that sat upon the glass ceiling before them to create classics.

As with every TSTD release, you will uncover lost classics and should-have-been-hits into the overdue limelight. You’ll find confessional funk and sultry disco, 5th Avenue flounce and soulful midnight aching. You will discover artists here who were movers and shakers from the 1970s Women’s Music movement, artists determined to fashion a music industry that worked for them. You’re in the company of musical royalty. The Ladies of Too Slow to Disco 2 brings you the smartest writers and singers, Grammy winners and unforgettable performers, all at the peak of their powers.

+ New Compilation of the critically acclaimed west coast compilation series by DJ Supermarkt.
+ 180G double vinyl, Gatefold with liner notes, download code.

Very LTD!! 1x each customer!

French Disco maestro Dimitri From Paris' Le Edits imprint returns for it's fifth special release, bringing you only the finest and most beautifully executed lovingly reworked classics from the four corners of the discotheque dance-floor. Hot on the heels of the last handful of releases (all now highly sought after and collectible, of course!) Dimitri is back once more and he's proving that 'quality over quantity' is what really counts in today's musical landscape. When you buy a Le Edits release, you know you are holding something très magnifique in your hands!

Le Edits No.5 sees the ultimate disco DIVA step into the picture, a truly inspirational and legendary vocalist whose name is known across the musical galaxy - Chaka Khan! Any self-respecting fan of Soul, Funk, Disco and beyond will undoubtedly have a few of her records in their collection, but not any like this one. Two all-time classics penned by Disco legends Ashford & SImpson, get the DFP touch this time around with the evergreen and world-conquering dancefloor anthem 'I'm Every Woman' taking up the A-side of this release. As ever, this huge track gets a new lease of life in true Le Edits fashion, respectfully reworked and rearranged from the master tapes - you've never heard it like this before! On the flip, Dim treats us to a more underground, rare slice of Chaka with the epic stylings of the mighty 'Clouds'. A true cult classic that is a bonafide Paradise Garage anthem and easily one of the most dramatic Disco cuts ever. We get to hear the incredible arrangements and strings refreshed, while Chaka soars over what is one of the diamonds of her extensive catalogue. Incroyable!

If you've been following the label you will know that only the finest Disco reworks are released on Le Edits. Extra-special versions of classics and rarer than rare tracks, all lovingly re-touched and mixed from the reels and master tapes each time, fully sanctioned and created in conjunction with the artists, rights holders and Above Board Distribution. 100% official and essential. This is no 'under the counter' operation, Le Edit is here to bring back some quality and class to the re-edit game by doing things, once and for all, properly and respectfully. No re-press guaranteed. Utilising the highest end tip-on heavy duty sleeves, and outer protective sleeves, pressed onto 100% virgin vinyl. These new mixes have been legitimately commissioned and will not be available digitally. This product cost 4 times as much to produce than your average Disco edit 12’’ because Le Edits believe in quality first and foremost.

Illyus & Barrientos were the names on everyone’s lips last year as they continued to impress with every single release and DJ set throughout 2018. They return to home label, Toolroom, with a vinyl release of their latest singles ‘The One’ and 'Shout'.

In true Illyus & Barrientos form ‘The One’ is a peak-time, raucous affair with gospel like vocals laid over the top of some insanely hooky brass sections and pounding drums! While ‘Shout’ is crammed full of fun and energy much like the personalities of these two Scottish heroes as they layer that classic Loleatta Holloway vocal over a tough and driving tech house backing.

Produced & Arranged in the 1992 By Don Carlos andStefano S-Tone Tirone.
After so many years the record is still very current and sought...The Don Carlos Jazzy Mix is a very gem of the 90' Italian house !

The Editorial express train rolls into town once again, with five brand new disco house gems juiced with that raw funk feeling from some of the hottest talent on the scene right now.

Taking the A side The Funk District opens with a mid-tempo funk infused bomb, filled with sensuous vocals, jamming bass riffs and spiritual organs. Matt Hughes follows with a looped up, low slung, housier number, steeped in striding bass lines and flanging guitars.

On the flip rising star Cody Currie picks up the pace with the summery glistening keys and off kilter stabs on ‘Aquarian Girl’ subtly laced with a double dose of acid. Up next, The Owl focuses his contribution around a squelching bass, staccato guitars and a brotherly troupe behind the mic, capturing that raw energy expertly.

Closing out the EP, Ed Wizard & Disco Double Dee sends listeners on a slower, soulful eyes closed trip through the funk stratosphere, perfect to warm up the dance or as that final record to finish it off.

The second Keep on Wankin EP continues Hell Yeah label boss Marco's on going quest for the perfect remixes. This time out he serves up the most Balearic Gabba influenced material yet and takes you on a trip to the clouds with Bjorn Torske and Fango both stepping up.

First up is Bjorn Torske's take on everybody's favourite Luminodisco tune 'Oh Mary.' It's an impossibly adventurous 11 minute epic with buoyant chords dancing over trilling guitars. Lush, multi-layered and brimming with musicality, this is the sort of dubbed out yet percussively lively masterpiece that will mark the high point of any set as it washes over you time and time again.

Then it's to Fango's chunky and spaced out take on Somerville & Wilson's 'Yantar.' It's been the final track of all recent Fango sets around the world for a while now and that won't change any time on thanks to the slow build to a colourful dub disco peak. It takes you ever higher on wandering lead synths as the fat drums pump away below. Essential stuff.

Press:
Resident Advisor New Tracks Review

"This unhurried, euphoric bit of cosmic disco will bowl over a daytime festival crowd in just about any country"

DJ Support:
Andrew Weatherall (A Love From Outer Space), Kolsch, DJ Tennis, Tim Sweeney (Beats In Space), Benjamin Frolich, Front De Caseaux, Gerd Janson...

Siegmar Fricke has made a name for himself in the tape culture since 1981 - with a mixture of Musique-Concrète and Post-Industrial. As a former label owner of "Bestattungsinstitut" he released numerous works that went beyond EBM, Electro, Techno and Ambient. In the heyday of the netlabels he focused mainly on his own productions, which he then made available as free downloads. Since 2002 Siegmar has been active with clinical sound experiments under the pseudonym "Pharmakustik". In 2005 he started his collaboration with Maurizio Bianchi from Milan, who has dedicated himself to "industrial decomposition" since 1979. For his Time Compression EP on Infoline, Siegmar Fricke has unearthed compositions from the period 1992-1994 and curated them anew. A phase in which he listened to the radio day and night and connected his sampler to the stereo to record material around the clock. He listened to many radio shows from England or Holland, which often broadcasted techno, trance and acid. At that time those sounds were new territory for him. He recorded inspiring sequences at first go, edited them and then let them flow into his own productions. The result was "future-pop collages mixed with sequencer-controlled trance and sampled voices", to put it in the words of Siegmar Fricke.

When Glitterbox maestro Simon Marlin, aka The Shapeshifters, reunited with CHIC's Kimberly Davis to bring us Second Chance, the track gave us the ultimate Studio 54 dancefloor feeling. Becoming an instant disco anthem, it was playlisted on Radio 2, giving the whole nation a reason to groove. Now Glitterbox Recordings present a record box essential, the 12” vinyl featuring the stunning original, a remix from Italian producer Moplen and The Shapeshifters Reprise. Putting a new spin on the much loved tune, Moplen, takes on ‘Second Chance’ by adding his distinctive drum sounds to the extended remix, crafting a rhythmic disco vibe and making the most of the exquisite strings. The Shapeshifters Reprise delivers a slow and dreamy build up that evolves to funk-filled bass, complimenting Kimberly Davis' punchy chorus. This special delivery also features the Accapella, an essential tool for discerning disco DJs. Music this good deserves to be heard on wax.

XXX is back with an Split 12“ EP. On the A side we have Spencer Miles and on the AA side Zakmina. Once again XXX brings artists from all around the globe together on 12“. Spencer Miles brings us some dark brooding tracks all the way from Oregon, while Zakmina from Lithuania adds up to the heat with two bangers that for sure will shudder the dancefloor. The artwork is by upcoming photographer Joost Termeer, who is based in Utrecht in the Netherlands. When he heard the track he thought of fire, which was the inspiration for the artwork. We couldn’t agree more.

Riff Edits is a new and mysterious vinyl only imprint. Debut
release with two tracks ep for the balearic and nu-disco
lovers with an essential edit of a UK electro gem with an
infectious bass line plus tribal chant and on side b a re-edit
of a very rare divine italo disco rarity. Tip!

Mister T. Records is the result of the merger of Technodrone Records (the label that produced Chevals' first EP in July 2016) and the Parisian collective Partage ton Groove.

Being a huge fan of Mister Saturday Night, the label's objective is to promote emerging artists that produce party-oriented tracks such as disco, afro and tropical edits. After a solid afro house EP by Leonard Lampion, they've decided to go further and to create their very first vinyl: who else but Chevals, the guy that started it all

This EP contains 3 amazing disco edits aiming to represent the emotions coming from of electronic dance music. A side: MTT001 opens with a powerful disco banger. Made for smashing clubs and crowded dancefloors, 'Everybody Dance' truly is a party anthem crafted for party's peak time.

The first track on the B side starts with a refined and regular beat which gives an old electronic - rock-like - atmosphere to the track. After a tense break, 'Sweet Dubnamite' sharply bursts into a cataclysm of funky synths. Finally, 'Brown Baby' is the slower tune of the vinyl and gives room to soulful vocals and deep keys.

The fourth installment on Madrid based Night Shift Records is served by label boss Javi Frias, offering a couple of top notch disco edits. 'Just Give It Up' is the A side track, a obscure late 80s boogie track with a house feel that has been retouched and extended to get the maximun pleasure on the dance floor. On the B side you can find 'Come On And Take Me', a disco funk mover with a killer groove, nice vocals and tight synths that surely will make you scream for more.

The St. David Jam trilogy is complete! Once again, the Italian producer plunges into the depths of his music mine, chisels out a few rough gems, and polishes them off until the glinting diamonds beneath are exposed. As advertised, this EP is disco through and through. “Sexy Funk '98” is a slinky shuffler that gets the engine running and “I Got the Music” is a schmaltzy twirler that settles the party squarely under the mirror ball. The reverse is both more feisty and laid back. It starts with “Where U Move,” a lighter number with a hint of tropical rhythms and beachy sunniness. With “The Connection,” the 12-inch comes to a joyous conclusion; the sampled crowd cheers and jeers sound like a dance floor begging for an encore at the end of a long night.

Salsoul Records are proud to present another crate digging anthology of jams that have been lovingly reworked, this time by mighty French mixer The Reflex!

A superbly selected and tweaked set of 4 tracks from the archives for the modern dancefloor is what's on offer here, ultra-loud pressing, remastered from the original sources and lovingly touched up by The Reflex. We have cuts from Loleatta Holloway, Skyy, Rafael Cameron and Candido. Some big names there, but you haven't heard them sound like this before. We all know by now that The Reflex goes the extra mile with his mixes, these are works of dancefloor art! One cannot underestimate the importance of these tracks on contemporary dance music, but the Funk is the most important thing here, amazing records to dance to that capture a time in NYC when clubs were places to be, sanctuaries of escapism, hedonism and expression.


a A1. Loleatta Holloway - Mama Don't Papa Won't The Reflex Revision
b B1. Candido - Dancin' & Prancin' The Reflex Revision
c C1. Skyy - Let's Celebrate The Reflex Revision
The Reflex Revision

Voluminous Arts happily announces its second official release, a 12 track digital album and accompanying 3xLP limited 3 color vinyl edition entitled “Disco” by Gavilán Rayna Russom’s elusive alias Black Meteoric Star.

This is not a Disco record. The title deliberately troubles the music biz’s incessant tendency to hierarchize genre classification over the experience of listening. If you must categorize these mutant sounds think of them as a proposed alternate score for those long, caffeinated sessions in Abby Sciuto’s forensics lab, the soundtrack to a heavy workout in the Westchester Danger Room or perhaps the musical accompaniment to deep body investigations of your own ancestral memories. What this record really is, and why it’s called “Disco” has to do with the layering of time and life energy present in the spaces where we have traditionally danced to music which are sometimes called Discos. From the pounding urgency of “Muscle Machine” through the unbridled night vision romp that is “Fluid Feline Forms” and the shimmering investigations of “Whispers Between Worlds” to the extended lazer pointer focus of “I’m Unmelting” this record lays out a broad slab of practice-based research into the ghosts we connect with on the dance floor. Whether it be through partying in former industrial buildings, contested spaces of labor built on lands violently appropriated from indigenous people, uncomfortably inhabiting vacuums in queerness left by the AIDS epidemic, lifting lineages through sampling, or the relentless cycle of whitening that accompanies dance music’s march into the market, our experiences in the Disco have been permeated by the spectral and the haunted.

Through rhythm and frequency, organized over time, this music blurs the veil between the living and the dead inviting those who move to it to connect with experiences beyond that false binary. What you have here is another fantastic Black Meteoric Star record, as always made without multitracking or overdubbing, recorded directly from single live takes. It is is utterly consistent with all that name has come to mean, but on “Disco” Black Meteoric Star’s vision has been allowed to expand into an almost mythologically epic space. Ancestral time works differently. Settle in and absorb the frequencies. As the closing track suggests, the virtual Disco these sounds evoke is for “Freaks Only”.

If you’ve visited Ibiza in the last few years, there’s a fair chance you’ll have encountered DJ Pippi and Willie Graff. The experienced duo has been DJing together on the White Isle for years, finding time between sundown sets to make music together in Italian veteran Pippi’s home studio. The pair’s first collaborative EP dropped on Drumpoet Community way back in 2007, with the belated follow-up appearing a decade later on Compost Disco. Here they make their bow on Leng with the “Lunares EP”, a typically warm and woozy collection of cuts named after the Spanish word for “polka dots” (a fashionable item in Spain and the Balearic islands throughout the 1980s).

They begin with the slow-burn sunrise bliss of “Lunares”, a shuffling and glassy-eyed affair in which evocative, emotion-rich strings, heady vocal samples, echoing sitars and lilting guitars slowly rise above a thickset backing track rich in dubby bass, swelling pads, starry electronics and snappy drums. Capable of tugging at the heartstrings, it’s a sublime slab of mood-enhancing bliss perfect for both weary dancing and sofa-bound relaxation. “Saxolicious” lives up to the premise of the title, with Pippi and Willie wrapping snaking, effects-laden saxophone solos around a languid, slow motion groove bristling with hazy intent. Expect chiming electric piano chords, dreamy pads, rolling grooves and another fine bassline that will worm its way into your subconscious, spark up a spliff and stay there for days.

The EP’s final musical moment is, if anything, even more spaced-out and intoxicating. Employing extra-slow beats and a prominent jazzy bass guitar part, the pair invites us to get locked in to a chuggy rhythm. Throw in druggy synth lines, tactile electric piano stabs and some suitably cosmic effects and you have a hallucinatory treat that would no doubt have gained the approval of the late, great Andrew Weatherall.

Schenkelspreizer Vol. 8 - Give The Monkey Spreizer, Seniore!

Wow, this one's a biggie! Some smoothed out modern Soul for the discerning right here... dig it!
Released in 1980 Charles Johnson's ‎"Baby I Cried, Cried, Cried / Never Had A Love So Good" is a formidable double-sider, the A-side is a sweet slow jam where Charles lays it on the line in true grown man's fashion over a slick backdrop that is not a million miles away from some Philly style loving. The B-side is the big one though, a proper modern dancer, lovely production and the band is fully in the pocket. Drop this one and watch the dance light up, real music for the dancefloor! This particular 45 has long been a collectors item, and on a good day it can fetch hundreds on the Soul scene. This is a fully legit reissue, and features the classic golden Alston label artwork. A truly beautiful record, with each side primed to be played at the right time. Don't sleep!

Released with love and respect by: Above Board and TK Disco, Miami FL. 2020.

(EN)Rainbow Disco Club (RDC)'s regular artist sauce81 provided us with two unreleased tracks. sauce81 mercifully said "I would like to help RDC which was cancelled due to COVID-19." Beyond Space And Time was launched end of last year with DJ Nobu's 2LP compilation as festival's another musical imprint. The 7 inch record, "I Wanna Show You EP" will be the next release from the label. "Love Is The Harmony ft. Ben Hadwen" is on the B side. The track was played at the end of his set at RDC streaming event "somewhere under the rainbow!", energetic house/disco track made us all dancing through the screen.

MUST HAVE !!!!

Berlin's Cinthie has grown to become one of the most revered and respected figures in contemporary electronic music in recent years both in her hometown and across the globe. Her touring schedule regularly sees her playing her inimitable DJ style in hotspot cities like Paris, London, Amsterdam, Barcelona, Stockholm, Seoul, Osaka, and of course her beloved hometown Berlin where she was born and raised on the ever flowing current of electronic music coming from the city. Djing in said city since the early nineties as a teenager Cinthie's depth of knowledge radiantly shines through in her sets and her productions, which traverse through a broad range of classic and contemporary House and Techno sounds. Recent times have seen Cinthie look inwards towards her aspirations for the future, and as a result, dedicated a huge portion of her time to building her own studio, featuring a wide spectrum of some of the most noteworthy vintage drum machines and synthesizers in existence. Along with Diego Krause, Ed Herbst and stevn.aint.leavn, Cinthie represents the Beste Modus / Beste Freunde collective, amongst running Unison Wax and We_R House on top of the main labels and most recently launching her 803 Crystalgrooves imprint to critical acclaim, a platform which will become a huge focus for her own productions for the foreseeable future. On top of this there’s a burgeoning relationship with Will Saul's Aus imprint bubbling away with her debut for the label dropping in November 2018. Cinthie has also recently shifted focus towards Elevate Berlin, a label collective, digital and physical record store in the heart of Friedrichshain, a home for all of the label collectives output as well as releases from friends and affiliates.

LUXXURY aka Blake Robin makes his Deep&Disco debut with a pair of tracks heavily steeped in classic West Coast sunshine and vintage disco vibes. For the 12 Inch release D&D has collected a quartet of remixes by Whatever/Whatever, Greg Wilson, A Vision of Panorama and JKriv that take the tunes off the beach and onto the dance floor!

The final release of music from Noel Williams' solo recordings reaches an apex, with Music Street. Electro as he would do it, with hooks and touches of an ear for pop, with added bass and swing, giving it that boogie.

Written with his wife, the late Betty Wright, appearing in 1983 on his Tashamba label - a spin off from Konduko - and some three years before her own, "pop" version was released.

Music Street pulses, a story of Downtown in song, with snap hats and programmed bass highlighting the shift from the Ex-tras "band" to a studio focus. Vocal and instrumental are a DX soundclash, as vocoder hits the Boogaloo beat.

The final Discomix moves close to the source, welcoming Philadelphia's Universal Cave collective of Brian Cassidy, Shawn Ryan and Ryan Todd to step up State side. The collective, party and label have been releasing cassettes, CDRs and 7" edits since 2012, featuring the in-house's crew, as well as the likes of The Beat Broker, Jaz and DJ Duckcomb.

Their remix extends, loops, flips and dubs with respect and eyes on the floor. Teasing the intro, before vocal is loops and whirled, reverb and echo to fall through. That's where I want to be.

After a first year of activity with 3 beautiful single reissues, SOL DISCOS presents its first album, with the compilation Message In Our Music, selected by WAXIST. Focusing on Modern-Soul genre, the selection ranges from 1976 to 1983 and gathers a nice selection of independent and private press records, all officially licensed.

From the David Nathan's downtempo previously unreleased version of "Ain't Nothing Like The Love", to the beautiful Glen Missick's gospel dancer "Message In Our Music", the album aims at providing to the listener a glimpse of the wide spectrum of productions that exist in this musical genre.

Some of these beauties are officially reissued on vinyl for the very first time, including some highly sought after records such as "Deep Inside Of You" by The Harden Brothers, "My Dream" by Harvell Guiton, or "Love With Me" by Don Scott.

The album has been fully remastered by The Carvery in the UK, and features liner notes for each of the songs, plus exclusive pictures provided by the involved artists & producers.

Nearly two years on from their last Casino Edits outing and marking six years of the label itself, Casino Times return for Casino Edits #5.

The A is a beefed-up take on a punchy European disco staple.
An infectious groove is coupled with fluttering arpeggios and a rigorous bassline that builds tension throughout to deliver some peak-time power.

Meanwhile on the flip, B1 brings synthesised and organic voices together with eerie melodies and a low slung beat, creating a rock-infused haze.
B2 finishes the release off on a house tip, with a relentless percussive loop that bends between mind-melting FX and an uncompromising square wave bass..

Obscure & Obsolete strike again with another collection of rare grooves featuring classic remakes & unreleased versions. 5 cuts in all. Two mixes of Patti Boulaye on the A-side and hard to find mixes of Juan Torres, Kikrokos, and Methusalem on the flip.

Re issue of Timmy Thomas's long sought after "Afrcaino" 12" excavated from the deepest realms of the TK Disco vaults.

When it comes to this Deep Disco cut, Africano is one of those tracks that became a dancefloor favorite of Danielle Baldelli who during the 80s played Disco, African records, American R&B, and reggae to create what has been since become known as the Afro-Cosmic scene at the height of Club culture in the discotheques of Northern Italy.

Remastered, represented and brought back into focus for 2017's DJ bags and dance-floors!

As usual, these TK represses are always done in the proper manner. 100% legit re-edits, from the archive, remastered and released in conjunction with Henry Stone Music / TK Disco - Miami FL.

The Sound of Detroit by one of its unsung heroes, Amp Fiddlers new album Motor City Booty coming straight off the D Funk assembly line, a full on dance floor affair from Motown to P-Funk, Techno and Neo Soul. This 12 track album produced by Amp Fiddler & Yam Who includes the massive 'Soul Fly' sounding like a Mark Ronson production had he been hanging out with George Clinton's Parlet followed by the bonafide P-Funk anthem 'Steppin' both featuring the stunning vocals by the Dames Brown girls.
Amp Fiddler is credited for taking both a young J Dilla and also Q-Tip under his wing teaching them his Akai MPC techniques, setting the path for some of Hip Hops finest recordings which have defined the shape of things to come.
His musical collaborations & current duties include: Moodymann's musical maestro, keyboard wizard for Theo Parrish's live band, a longstanding Funkadelic member, co-writer for Sly & Robbie, Prince, Maxwell, Jamiroquai & Seal to name a few.
The LP features and exclusive Live version of Superficial only available on this format!

The Sound of Detroit by one of its unsung heroes, Amp Fiddlers new album Motor City Booty coming straight off the D Funk assembly line, a full on dance floor affair from Motown to P-Funk, Techno and Neo Soul. This 12 track album produced by Amp Fiddler & Yam Who includes the massive 'Soul Fly' sounding like a Mark Ronson production had he been hanging out with George Clinton's Parlet followed by the bonafide P-Funk anthem 'Steppin' both featuring the stunning vocals by the Dames Brown girls.
Amp Fiddler is credited for taking both a young J Dilla and also Q-Tip under his wing teaching them his Akai MPC techniques, setting the path for some of Hip Hops finest recordings which have defined the shape of things to come.
His musical collaborations & current duties include: Moodymann's musical maestro, keyboard wizard for Theo Parrish's live band, a longstanding Funkadelic member, co-writer for Sly & Robbie, Prince, Maxwell, Jamiroquai & Seal to name a few.
The LP features and exclusive Live version of Superficial only available on this format!

Tasty Brazil Disco Funk for the second Ufo Edits stryke.

Amigos, Hotmood are on fire and there are few people who can deny it. Disco de los Muertos fits the tongue-in-cheek ethos of Whiskey Disco by way of groovy bass, Rhodes and subtle spoken samples. Each of the four songs in this group will work the floor day and night.

More vinyl remixes from Psychemagik with the long awaited official 'Dancehall Days' remix sanctioned by Jack Hues from Wang Chung himself. Jack liked Psychemagiks re-edit of Dance Hall Days so much he contacted the duo and offered them the parts for an official remix.

The result is a monster dancefloor friendly beast that is true to the original edit but with some extra magik! 'Psychemagik stand out from the crowd with high production values and innate musicality. I usually find remixes tedious, but this takes you on some off-world journey - very cool.' Jack Hues (Wang Chung).

The Black Pearl is very proud to present a real 80´s futuristic proto club banger from the STRÖER Brothers, with lots of clubby remixes by buddies & friends. The original track "Night Falls" was only released on a very limited hand-spread promo 12inch, which was especially pressed for the Kunstdisko art-project for the 24th Olympic games in 1988 in Seoul / South-Korea. Together with the Goethe Institut they created the "Kunstdisco" project for germany, which was located at the Yoido Ankara Square and took part for the german Seoul Olympic Art Festival. The Ströer Brothers, who were responsible for the video & music sector, invided and encouraged 25 young german composers and producers (among of them was the young DJ West Bam) to produce new music for the Kunstdisco between Rap and new electronic club music from the end of the 80´s. The Ströer Brothers, together with Howard Fine & Nadeen Holloway, were presented  through many DJ´s who played their music that they espacially created for this event. Next to the in-house project Mudegg, the single audio tracks of "Night Falls" were givin to musical buddies like First Touch, Enzo Elia, DJ Rocca, Siggatunes and Manelet to remix them and Black Pearl is more than proud to present a great variety of remixes, styles and visons on the original track. 

Belgium’s Krewcial takes the reins for the latest Riot Records release with a four tracker of gospel, soul and funk inspired disco house anthems.

Starting out as a beatmaker and MC in his late teens, Pascal Garnier has truly been here, there, everywhere and done it all. Now favouring the soulful sounds of nu disco and disco tinged house he’s released on the likes of BBE, GAMM, We Play House and Lumberjacks In Hell.

For ‘His Name EP' the A side is taken by two hands raised, gospel leaning house cuts readymade to bring elation to any floor they’re put before. The flip sees a soulful disco number sit side by side with a funk fuelled jam giving you four peak time cuts that ring the ‘All Killer, No Filler’ bell with complete confidence.

Heavy, heavy, heavyweight Boogie here from the legendary Salsoul catalogue!
The man - Leroy Burgess - with his frequent collaborator 'Red' Greg Carmichael turned in this insane 2 sider in 1981 ('Dancing into the stars' on the b-side!), both cuts just ooze that synthed out disco soul that Burgess is known for, super deep and with flawless production. Extended jams on both sides, tracks that go on and on in the best possible way! Simply put, this one's is an ESSENTIAL! Leroy's influence on House and Garage music should not be understated and it's records like this one that prove this over and over again!
Record's like this still get spin in the clubs, they still have people losing it on the dance-floor! Timeless dance music from one of the most legendary artists and labels in the game. This record is all about having fun, partying & losing yourself in the music, an essential classic that has stood the test of time for the last 30+ years & is now available again, legitimately remastered & repressed for 2017 in conjunction with Salsoul Records, NYC. You NEED this one!

Onda Nova is a new label brought to by hip-hop and boogie producers
Lordfunk (from Boogie Butt Records) & Moar (from Trad Vibe Records). With this new 7inch, they wanted to offer two top Brazilian Disco House tunes. “Corcovado” is a Deep Disco House tune for beach times under the sun. On the flip, you’ll find “Caminho”, a Disco Samba House track for party dancefloors. Moar & Lord Funk just added their touch of magic with respect to the original songs!

For the 25th instalment from House of Disco we see Munich duo and Toytonics regulars COEO explore pastures new with an EP bathed in the neon glow of the 1980’s. Inspired by cheap karate films and old Baywatch episodes the duo hone in on something new for them along all the old machines and familiar sounds.

‘Habibi Dub’, the opening track elevates the forgotten about pan pipe to joyous summer perfection for slow motion running on that honeymoon in Hawaii. The second of three originals ‘Sharks, Lies & Videotape’ takes the dune buggy for a blast along the beach looking for trouble while the next third offering ‘Joe Armstrong Theme’ defends your dojo from unwanted nighttime intruders.

Alongside the originals are two superb remixes from one of our favourite producers Lauer and young Irish team Mix & Fairbanks.

Beware: Schnitzels Cuts 4 in outer space! Coming back to you with laser-fried perfection, rebranded in a cosmic blend and revamped to deep space perfection.
Imagine a twist of Afro-synth history combined with a roller skate jam from the U s of A, re-rubbed with chopped vocals, disco bleeps and arpy baselines.

Now available at any intergalactic reseller for only '412457 space credits or an equivalent in your currency of choice.

Flevans returns with a killer 45 for the funky dancefloor! Leading the way is 'Who's Got Me' - an up tempo disco/boogie cut with more slap bass than a clone army of Larry Grahams... It's a tasty dancefloor number with a BIG top line from none other than Laura Vane (MJ Cole, Gnarls Barkley, Laura Vane and the Vipertones) who absolutely owns the vocal duties as anyone who is familiar with her work would expect. Oooh Weee!

Over on the other side we have more classic-sounding Flevans material with the party starting funk breaks of 'Take Your Money'. His signature jazzy keyboard and guitar licks converse with cheeky vocal samples all flying in and out of this slick production in a delightful fashion. It's all about the beats on this one - it's a guaranteed foot mover!

Two Fresh Dancefloor-friendly Cut-ups From South London's Nebraska. 'the Guitar' Flips Addictive Jazz Guitar Loops Over Golden-era Hardcore Hip Hop Breaks. 'the Vocoder' Obsessively Re-thinks A Tiny Fragments Of Harmony From A Less Well-known Version Of A Disco Classic.

Drum-heavy disco-dub vibes from south london sample master Nebraska. Spacey, trippy, exploratory jams reminiscent of Jamaica's influence on early 80s NYC dance floors . Get loose, people.

Paxton Fettel embodies everything we're about at Kolour LTD. "Will it Berghain" is the culmination of a vision that was designed with paying homage to the reason(s) we all started doing what we do. With previous releases on Apersonal & his debut LP on Greta College Workshop - we're pleased to finally welcome Paxton Fettel to our family at Kolour LTD in 2016
More from Kolour LTD in 2016.

The second instalment from a well known Brighton based record label sees Carbonara Tomkinson & Eintopf return alongside resident producers and label mates, breathing new life into unknown rarities.Vinyl only, as somethings in life, be it food, sex or music are better when they remain physical.

Love Bite compiles the efforts of a cadre of talented DJs-cum-producers from across the globe for a selection of 4 songs each tailored for before, during and after peak time at your pool party or discotheque.

The second release on Kon's officially licensed KONtemporary imprint is here.. this time he takes on one of disco's anthems to devastating effect, deftly reworking Sylvester's evergreen 'Over & over'.

A true dance-floor bomb, 'Over & over' is just one of THOSE records, originally written by the legendary team of Ashford & Simpson it's inevitable that this jam oozes class. Kon has lovingly freaked the original master tapes into 2 brand new, fresh versions that will undoubtedly find their way into any self-respecting disco freaks DJ set. On side A we have his 'Found a friend remix', a beautifully reimagined and restructured version that leaves lots of space and let's those wonderful strings really soar, finally crescendoing in total disco glory! It's no wonder that the mighty DJ Harvey has been closing his sets with this one. Pure class. On side B we are treated to an amazingly bold 'Dub mix', in keeping with the traditions of the classic labels, West End, Prelude, Fantasy and Co, it's sparse, melodic and contains just enough juice to keep the people dancing and asking for more! This is an essential official release, 2 future classic mixes from one of the world's best remixers further sonically enhanced by Boston native Caserta on the mix. Licensed courtesy of the Concorde Music Group.

Man Tear are back with this high-energy emo-disco record, originally scheduled for release some
11 years ago! A sweet little 7'' is what their equally fast-footed and broken-hearted fanbase are
finally being offered. On the record we find two captivating dance pop ditties from the greatest
band to never make it, once again proving that it’s all about love - not about emotions! Let’s hope
this release is the spark that sets Man Tear’s future ablaze. Let’s hope for death to self-loathing!
Death to expectations! Death to laziness! Man Tear are back, maybe!

Mark Seven's PARKWERKS.. Hard, Raw, and Raunchy Dubs for DJ's

New York's indie disco freaks Phenomenal Handclap Band is back with a second single on Toy Tonics: Jail. With remixes by Detroit's Waajeed and Marcel Vogel of Lumberjacks in Hell. Including a club edit by Toy Tonics head honcho Kapote. The band was responsible for one of Toy Tonics' biggest tracks in 2018: Judge Not: The Ray Mang version became a hit on open minded dancefloors around the globe: with support from DJ's like DJ Harvey, Cassius and Gilles Peterson (who put it int his - best track of the year' list) but also more house DJ's like Berlin's Keine Musik Crew, Soundstream or Superpitcher. The band's members are kind of heroes to many connoisseurs of the funk/ disco scene. The band leader Daniel Collas was playing keys in Amy Winehouse legendary backing band. Other members are connected to Mark Ronson's crew or San Francisco's Stones Throw universe.. just to give u the bigger picture. With The Phenomenal Handclap Band they blend the unique vibe of 1970ies Power-Soul in the traditon of Charles Stepney and Rotary Connection with today's new disco vibe. Parcels, Toro Y Moi, Roosevelt are not that far. Important fact: All played live, no samples. Mixed by the champs at DFA. The band is part of Toy Tonics's masterplan to expand their dancevibes into more live played scenarios.. stepping out of the strict DJ context. Fun fact Paul McCartney wrote the band a letter saying how much he loved their music when he first heard the band on BBC Radio 1.

Razor-N-Tape welcomes Chicago native Chrissy into the disco fold with an EP that gets down and dirty in all the right places.
As a journey through various underground dance sounds, this record covers some serious ground - from up-tempo space disco, to slow-chugging 70s R&B, and even an official edit of a Dance Mania housey freak-fest on Rag Tyme's Fix It Man. Jump on it!

Les Disques Magnétiques is a new sub-label from Les Disques Bongo Joe presenting their first release with Ediacara, by Ethyos 440. Emerging from Geneva’s underground scene, Ethyos 440 is the meeting of groove band L’éclair and DJ/producer Dj Laxxiste A. This ultimate late-night-infected-dub-live band pairs sequencers and human grooves, analog instruments are played live on riddims, fx’s, and samples manually executed with a dub-mix approach towards the extreme. This this brand new EP will fit perfectly for any party, any DJ set or any late night playlist.

Salsoul Records are proud to present another crate digging anthology of jams that have been lovingly reworked, this time by mighty French mixer The Reflex!

A superbly selected and tweaked set of 4 tracks from the archives for the modern dancefloor is what's on offer here, ultra-loud pressing, remastered from the original sources and lovingly touched up by The Reflex. We have cuts from Loleatta Holloway, Skyy, Rafael Cameron and Candido. Some big names there, but you haven't heard them sound like this before. We all know by now that The Reflex goes the extra mile with his mixes, these are works of dancefloor art! One cannot underestimate the importance of these tracks on contemporary dance music, but the Funk is the most important thing here, amazing records to dance to that capture a time in NYC when clubs were places to be, sanctuaries of escapism, hedonism and expression.

All producers on this timeless EP known for their contribution to NuDisco/Deep House Music. 1 Life records has enlisted the services of top talents. Deep house veterans Mateo & Matos wrap drifting deep spheres, lilting electronics & warm synth rhodes chords around a chunky groove on his fine beat interpretation for a brighter & breezier deep house vibe on a remix that benefits greatly from a squeezable synth bassline & some undulating TB-303 style acid motifs, while Rune Lindbaek deliver with Frisvold a driving chunk of dub-disco/deep house fusion rich in sparkling synthesizer lines, sun-kissed chords & his own rubbery post-punk bass. Studio don Vincent Inc bring unforgettable impressions & inspiration for mind, body & soul together with his remix. 4 tracks came together to tell music stories about hypnotic deepest stuff, depression, happiness, loneliness, love, miracles & magical experiences

Salsoul opens the vaults once more to today's top editors and remixers. This incredible 12" sees Aussie legend Late Nite Tuff guy take the reigns. Side A boasts a monstrous filtered rework of Instant Funk's 'I Got My Mind Made Up' spread out across the whole side for maximum Disco impact. Flip it over to side B for some serious Tuff Guy reworkings of Orlando Riva Sound's 'Body To Body Boogie' & Salsoul Orchestra's 'Ooh I Love It', both nipped & tucked in the finest way, by a true school Disco head who knows what's up! Fully licensed, sanctioned and released by Above Board distribution and Salsoul Records, 2019. Accept no imitations!

THE definitive collection of one of dance music's most enduring and infamous left-field anthems, across 2 x 12"s and 1 x bonus 33rpm 7"!

The collaborative team of Arthur Russell and Steve D'Acquisto crafted some of the best wonky disco not disco cuts during their short lifespan and 'Is It All Over My Face' is one of their crowning glories. Collected here, to celebrate the 40th anniversary of this gloriously weird record, are all the best versions from then, and now. Even a quick dig in the archive yielded some treats with the male and female acapella appearing for the first time EVER, featuring on a specially 33rpm cut 7" alongside Larry Levan's promo 7" mixes. Also, the instrumental version has never been released before, but it is here for this very special limited package in it's full, unedited glory. This is one for the heads, an essential do-not-miss RSD special edition for those who are still 'love dancin' 4 decades later, housed in a classic special West End disco-bag. Don't sleep!

Produced in collaboration with Sony / Above Board distribution, 2020.

Skyrager presents the first in a series of dance floor edits designed for optimum peak set destruction!
'Beat Girl / Wonderful' is already generating heat on worldwide dance-floors in the skilled hands of crack selectors including Hunee, Lovefingers, Mark E and more.

'Beat Girl' is our A-side, a heavy, throbbing EBM monster... like something discovered on a long lost Belgian white label with it's sharp French femme-fatale monologue and nagging acid bass-line. Trust us, this one sounds ultra-heavy on the system! Things get a little 'sexual' about halfway through and then those guitars kick in, yes, GUITARS, scuzzed out, fuzzed out chords run rampant over this beast and you're gonna love it. This is that sleaze, put your phone away, pick up the amyl and JACK.

'Wonderful' is just that, a ridiculously rare South African (!) cover of Italo overlords Klein & MBO's cut of the same name. There shouldn't be much more to say here, but you should know that it's a stellar combo of hypnotic drum machine rhythms, mind melting synth bass-lines and super dreamy spoken word vocals. It's almost as if she's speaking directly to you as you lose yourself in the smoke and lazers, let go, you know you want to...

Limited information on this release, it contains two super edits that have been heavily road tested on a certain soundsytem that is currently doing the rounds. Not much information beyond that but the music speaks for itself. Slow mo with energy. More soon

Limited information on this release, it contains two super edits that have been heavily road tested on a certain soundsytem that is currently doing the rounds. Not much information beyond that but the music speaks for itself. Slow mo with energy. More soon

For their sixth release London based record label and clubnight Snap, Crackle & Pop return with another slice of the post punk and kraut influenced electro/techno sounds that are coming to define the label. The latest release comes from Niv Ast and it serves as a follow up to his appearence on this summers Relish compilation. The EP leads with an ice cold slab of post punk swagger in the form of Quebec / Makolet which gets the remix treatment from previous collaborators Khidja, the Romanian duo strip the percussion back for the dancefloor and tease out the track's darker side with more than a hint of acidic malevolence. For the B-Side Disco Monroe offers a nostalgic slice of pitched down French Electro undoubtedly influence by the Djs recent residencies in Paris. Optimo Music's Mr TC rounds off the EP with his unmistakably left field vision to give the track a dark tropical re-imagining.

The Hong Kong based Homesick team are back with their yearly release of quality reworks that has made the label sought after since their first release back in 2014.
For the 8th opus they're going back to their Disco roots and have worked with Cocktail D'Amore regular "Trent" for four edits that have been thoroughly tried on Asia's dance floors for the past two years.

Welcome to our 2nd EP of Original tracks from 12tree's new label, Hot Piroski. The label is a boisterous mix of Space Disco, Deep Funk edits and Balearic Beats. The Previous EPs saw support from Radio 1 Essential Mix, Pete Herbert, Ursula 1000, Phil Mison, Justin Rushmore, Dan McKie, DNS beats, Primavera sound and more ...

A side: 'In the Sun' - featuring soulful vocals from Katty Heath over a Deep disco re-edit that morphs into a deep house-tinged groover.
On the flip: 'Magic Dust' - poolside blissed out beats on a vapour wave tip. 'Guitar Solaar' - soul-tinged groover with a wiff of Marvin Gaye.
All tracks Produced and recorded by 12Tree at his studio in Barcelona.

After CUT MY RECORDS a new label based on the same concept of editi and limited copies... Off The Radar is an independent label founded by Mirko Casalini and Francesco "Biga" Bigazzi.
The label was born from the desire of his founders to produce edit of obscure and underrated tracks, working on record from their collections, aiming to release tracks that are more "dj oriented" than the original version. They want to edit music of many kind always following one important rule, only music OFF THE RADAR

With Dark Slice 02, La Dame Noir records is serving up 4 tasty re-interpretations of T21 classic "Take The Shock Away" in the line of their latest Darkness Has Never Been So Bright releases. Originally re-produced by co-founder Relatif Yann, long time resident Dawad and the amazing Mounissa on the vocal, the EP also presents 3 dancefloor remixes produced by indie band Vox Low and disco-house specialists Pete Herbert and Fred Berthet. Once again the Marseille-based, La Dame Noir record label is cultivating their love for disco basslines, sensual vocals, and new wave atmospheres.

Fine Touch’s debut on Money Cat Records comes in the form of 4 simmering tracks that stitches together raw materials from Chicago, Paris by-way of Africa, and Philly. Penthouse Edits Vol. 2 captures these feverish sounds in the dial of percussive, soul drenched grooves aimed at the listener and dancer alike.

Fine Touch is a NY-based DJ and Producer who's been shaped by his time in dance hubs across the East Coast. Impacted by the communal and spasm inducing aspects of sound, he’s groomed a penchant for state side + cross Atlantic rhythm and groove. The music is a result of foraging the past and engaging in present day reality, fully dispersed into clubs and gatherings.


Money Cat Records - Round black records bringing good luck. Linking motion with emotion, dance unites the body and soul of all who participate. Music from Brooklyn to the world. Established in 2018.

Fjordfunk is Jann Marius Dahle. He started releasing records back in 1998 and is part of the Norwegian disco scene. His earlier productions has gained the support of diverse people like Idjut Boys, Francois Kevorkian, Anu Pilai, Laurent Garnier, Andrew Weatherall, Headman, Michael Mayer, Steve Bug, Bjorn Torske, Prins Thomas and Tim Sweeney. This album is inspired by ambient, Detroit techno, disco, funk, rock, dub, jazz and latin. Already getting early support from the A love from outer space outfit of Sean Johnston and Andrew Weatherall. He's already booked to play at their Convenenza festival in France later tihs year where he will perform live with Amy Douglas(DFA).

It´s about to going down - summer is here and we´re following up with NBASTWAX004.

It is HDSN again, showing off his constantly growing production skills by pleasing us with four juicy cuts, which gonna send you right into those vibes we were starving for so long.

Don´t Forget To Boogie' is both retro and futuristic. Classic four to the floor grooves wrapped into a fine balance of Disco and House textures, chased by soul drenched vocals, which make you wanna flip this over and over! Back of his sell out and wildly popular Keep The Funk Alive' EP expect our man to return to #datsoulthang with another 70s infused 12 Inch stomper and excursion into the spirit of the good ol days all brought to you the HDSN way. This is a vinyl only release - limited to 300 copies + sticker inside save yours

Following on from Calm’s stunning By Your Side album on Hell Yeah late last year, it is now revisited with a series of special remixes. Part 1 finds the Japanese artist himself revisit one track, while Mind Fair also step up with fresh new versions.

First up, Calm reworks his own ‘Mellow Mellow Sadness’ into Mellow Mellow Acid. It's a super slow burning and soothing remix with a gentle acid line drawn out of tumbling drums. Blissful chords ripple out to the horizon and you can really feel the sun on your face with this one.

Golf Channel and International Feel disco duo Mind Fair step up to flip ‘My Home Town’ into a long legged and gorgeously hazy downtempo disco bomb. The chords shimmer and shine and will have people swaying with their eyes shut and is sure to become a huge track this summer.

This is a fantastic, summer ready package once again from Hell Yeah.

Canada's percussive house label, Breathing Room Records, looks to Japan for its third release. The Foreign Wind EP comes from Tokyo's Kota Motomura, a trained composer who has an ear for unconventional sounds. Previously only releasing a 12" on Kung Foo Records in 2012, Kota has recently lined up a second EP for Edinburgh's Hobbes Music which has already garnered support from the likes of Laurent Garnier, Tim Sweeney and Bill Brewster, to name a few.

As someone who lists such diverse influences as Arthur Russell, Carl Craig and Adriana Calcanhotto, it is no wonder the four tracks on Foreign Wind approach you from a more left-field direction. "Melody" takes influence from a Kenyan instrument called the nyatiti. Alongside an electric guitar and a relaxed groove, this quirky piece will help warm up any dancefloor. "Aqua" combines latin percussion with squelchy analog synths and fluttering keyboard flourishes to transport you southward. The driving rhythm of "Sumire" is meant to make you dance, alongside the rising synth work, it's a strictly peak-time tool. Closing out the EP is "Light & Darkness", a hypnotizing composition full of bird song, mallet percussion and peculiar ambiences that really do help form a contrasting mood.

Nu-Cleo, a new Rhythm of Paradise alias, steps up to the flight deck for the 18th release on Love Notes From Brooklyn with the spell binding, otherwordly wonders of ‘The Outerzone EP’.

With an eye on the cosmos Nu-Cleo take a trip out around the galaxy, heavy on the sweeping synths and intergalactic keys whilst housing drums that appear to bend the laws of physics, tough and tactile, transporting you to other planets. Celestial bleeps and interstellar samples blend with delicate pads throughout the four tracks giving each it’s own unique yet futuristic feel that clearly nods to the likes of UR and Marc Mac. TIP!

The musical manifestation of the warm glow that can only come from hitting the town with your friends, Horse Meat Disco and Amy Douglas have achieved peak nu-disco euphoria with 'Let's Go Dancing'. Backed by all-original and live-recorded instrumentation, Horse Meat Disco's unmistakeable strutting style is unstoppable, while Amy's impressive vocal range captures the energy of an entire nightclub dancefloor. With a little help from their friends Luke Solomon and session musicians on bass, drums, horns and keys, London's nightlife champions have finessed their style, perfectly representing the Glitterbox sound ahead of an album forthcoming on the label in 2019. This very special 12' release is the first taste of the new material, enhanced by a groove-ridden Dimitri From Paris dub and glorious extended remix from the maestro on the flip. Stay tuned for more of the same stomping delights from the Horse Meat Disco boys.

Ancient rites of witchcraft and wisdom are the theme for Red Laser's 2nd release of 2020, with chief sound sorcerer Kid Machine consulting the eight schools of magic to create a spellbound opus of Manctalo mystery.

Across the 8 defined classes: Divination, Abjuration, Enchantment, Necromancy, Illusion, Conjuration, Evocation & Transmutation; Kid Machine renders these archaic energies into reactive musical matter. Much like mages and hierophants have kept centuries-old traditions and processes; the studio wizardry of Kid Machine reflects the various epochs of electronic music preceding it: the wistful yearning of vintage Italo coalescing with the charged energy of Northern English dance music and crafted via a meticulously sourced array of esoteric sound tools.

Side A's 'Magico', schooled in Divination, opens the LP.
A rugged rhythmic synth line nicely tweaked and with tasty clavs it's further expanded with glassy keys and a vocal refrain reminding us of its future-predicting powers.
'Make Me Feel Alright', protecting us with Abjuration, employs both squelchy and staccato synthesizer functions to construct its impenetrable gilded fortress. Banishing its foes to far-away lands with classico leads and a chord progression steeped in Italian nostalgia.
Snappy freestyle beats, galloping arps and searing melodies enchant 'S.D.M', an alchemical hybrid of electro-disco and pulsating EBM that would surely convince plenty, previous, non-compliers to frequent the poppers-drenched dark rooms of Europe's nocturnal underbelly.

Meanwhile, channelling dark necromancy, 'You're Love' closes off disc one with some of the most authentic, Italo-inspired keyboard interchanges and spirit-raising sequences available on the album.
Next come the winds & tides of Illusion and Conjuration. 'NGAFFS's' anthemic licks emanate off the wax. Broken down to 'not giving a flying fuck', it's Kid Machine's most spine-tinglingly epic track to date; uniting all under its Tesla-like harnessing of zero-point energy. Add coital thrust and you find us physically trying to grab the holographic, multi-dimensional synth fractals from the air in front of us upon first listen!

'Muszic' continues with another grandiose Manctalo coup de grace, full of sentiment and yearning.

Inviting Evocation through smokes & strobes, 'Modera' sees amyl nitrates recklessly thrown into the cauldron, tantalizing arpeggios stroking our most erogenous zones with abandon.
Finally, 'The White Hotel', assigned: Transmutation - is a tribute to the infamous nightspot contained within Red Laser's immediate territory, and home for the crew's many spectacular parties.
It's a fitting homage as galloping analogue sequences march over sensual strings and moody chord progressions; evoking that irreplaceable feeling of being surrounded by your favourite homo sapiens in one of the most hedonistic locations on planet Earth.

"Those who don't believe in magic, may never find it...".

A Berlin based collective of music aficionados launch a limited and lovely 7" platform for club-ready flipped classics.

Simple, effective
Floor food for all moods...TIP !

Róisín Murphy, one of music’s most creative forces, shares a new track ‘Incapable’, produced by long-time collaborator DJ Parrot aka Crooked Man and released via Skint Records. Murphy’s ‘Incapable’ is a shimmering, shuffling, club ready house track set over 8 minutes, her vocals ebbing and flowing with the groove of the beats. Quite simply put it is irresistible.

remastered 2018 , orange vinyl

Carving out an enviable reputation across the globe for his distinctive and highly personal brand of House music, Kiko Navarro's voyage of sonic discovery has been going strong for almost three decades now. From London to the Far East, Kiko has travelled far and wide with his music, embracing sounds from each continent as he goes. Kiko's new album, Afroterraneo- also named after his music label- defines the sound of his home. The album incorporates sounds touched by the Mediterranean Sea, drawing influences from Europe, Africa and his roots in the Balearic Islands. Afroterraneo is all about fusion. It includes Afro-Cuban songs like "Okere", "Karabali" and "Ekobio Monina", Midwest-African flavour on "Ihabogi Rawaly" and "Beréde", Flamenco with "La Fatiga", Balearic emotions with maestro Joan Bibiloni on "El Salto Del Martin" and "Vida", South African vibes on "Olwakhuthando", Afro Mbira lines with European TB303 acid blips on "Cacao Ceremony" and it all ends with his own tribute to his mother on "Para Mama". Born on Mallorca, Kiko's sound reflects the sun-drenched, slow living atmosphere of the Balearic island he still calls home. Obsessed from an early age with the more soulful side of US House music, Navarro's DJ skills soon attracted the attention of nightlife behemoth Pacha who offered him club residencies both in Palma and in Ibiza. Next came a monthly gig at Space Ibiza and the rest, as they say, is history. A true Renaissance Man; now also a family man, today's Kiko Navarro is perhaps even more focused and dedicated to his life in music than ever before. An album tour this year will see him play DJ sets in Italy, Bulgaria, Macedonia, Greece, Japan, South Korea, China with many more to be confirmed. Whether in the studio crafting records or in the club controlling the dance-floor, Kiko's musical mission has become the habit of a lifetime.

Candido Cameron was a Cuban percussion maestro who had played with luminaries such as Dizzy Gillespie, Buddy Rich and Count Basie throughout his illustrious musical career which started in 1952. Fast forward to 1979 and Candido finds himself caught up in the Disco boom that had engulfed his adopted New York City. Feeling he could add his trademark quick-fire Conga and Bongo playing to Disco's straight 4 x 4 syncopated rhythm he cut some records with legendary NYC label Salsoul. The fruits of this partnership were 2 full length LP's and a handful of 12" singles that changed the face of underground Disco."Jingo" is an all-time classic dance record, sampled, edited, re-configured and coveted by too many names to mention! It's a killer funky Disco version of master Nigerian drummer Olatunji's 1969 percussion suite of the same name, Salsoul style, while over on the flip we have one of the deepest Disco records of all time; "Thousand Finger Man" a testament to Candido's percussion prowess and a spacey, beautiful voyage that has left more than an indelible mark on modern House music, often being cited as a huge influence by artists such as Masters At Work and more. Essential stuff basically, every collection should have a copy!

This 12" has got to be one of the toughest Salsoul records to find. Changing hands for up to £300 a time for a used copy. Now it has been re-mastered, re-pressed and made available again with all original label artwork intact with the permission of Salsoul Records, New York City.

Mark Picchiotti’s ‘Pump The Boogie’, originally released in 1998 under his Fondue moniker, is revived for 2020 dancefloors with a brand new 12” remix package on Glitterbox. Picchiotti, a Chicago native, has had an impressive career that has seen twenty five #1s on the Billboard Dance chart and a nomination as one of the Top 40 remixers of all time. Opening with Brooklyn boy and Razor-N-Tape founder JKriv’s remix, a red-hot groovy interpretation, spicing up the track with retro keys that bring the funk, followed by his Accapella. On the flip Picchiotti’s new Re-Pumped Mix of ‘Pump The Boogie’ keeps the groove ever-lasting with its infectious bassline and undeniable, jam packed, musical hook. Closing out the release Seamus Haji delivers his club-ready remix, with expertly-executed drops sure to get a hands-in-the-air reaction. With a package as sublime as this, there is no doubt it will be lighting up Glitterbox dancefloors and beyond.

In the previous reissues we talked so much about this fantastic piece and "Marie", a very cinematic and supportive song, that now it is appropriate to dwell on the re-visited version of Danilo Braca that extends beautifully on the AA side of this new remastered reprint. Danilo who lives in the big apple often frequents Ibiza, perhaps also for this he has been able to exalt the most rhythmic elements of "Shadows from Nowhere", putting the beautiful falsetto beats to excessive movements, just like the waves that wash themselves on the sandy beaches of the White Island. His teacher Mario Gentili from Layer Bows added a beautiful arrangement for the strings and his Italian-New York collaborator Alvise Marino spread some fragments of guitar powder on top. That's it. 9 minutes of pure bliss, but also of catchy rhythm!

'Mr Raoul K' und 'Manoo' präsentieren mit zwei Versionen von „Bara“ hoch-energetischen Afro House, der bereits in Sets von Größen wie Hyenah, Pablo Fierro, Musumeci, etc., zu hören ist. Auf der B-Seite der LP befindet ein warmer, organischer, aber sehr treibender „O Mera Dil“-Remix von Auztin Pauers & Ezrael, sowie ein wundervoll deeper „African Paradigm“ Remix von Kuniyuki.

Queen and Disco are back with a two track record " Nothin' Fancy EP" on their own imprint . On the a side we have the slower of the two tracks "Lets go all the way" a brass filled disco delight staying true to its original form. Flip to the b side and you are welcomed with a percussion laden groove that is up on tempo as well as excitable vocals with everlasting shouts of "be yourself".

Since their BBC Maida Vale session for Steve Lamacq in 2012, Soccer96 have been wowing rock, jazz, electronic and all kinds of audiences with their frenetic yet devastatingly tight live sets.

Flight Formation recalls the most jazz informed reaches of Detroit techno, so much so that house maestro Glenn Astro couldn't help but offer up an extended DJ-friendly edit. Also included on this release is an exclusive edit by the king of NYC disco Danny Krivit..

The Melbourne based experimental producer Danvers add his touches to Step Overs all in all making this an essential release for serious collectors that know quality......

Kampana turns to Brazilian diggers Tapioca Discos, who refresh two rare cuts for 7 inches of tropical grooves. ‘Preto Velho’ combines hypnotic percussion and laid-back uplifting vocals – a firm favourite of Antal. ‘Tartarugue’ is dancefloor euphoria with catchy playful vocals and anthemic synth, piano and horn lines over a sexy mid-tempo samba disco groove.

Italy, Germany, and France come together for Ombra INTL 009. Wishing you well in the 6th dimension ocean we call life. Parisian darkwave duo ORDER89 join Berlin's Local Suicide and Curses and Psychedelic guitar trip of Italy's Amarcord and Parma's Dark disco champion Dog.ma.

Disco divas, Funky queens and Glam ladies in 70's and early 80's Taiwan!

Due to it's extremely complex history, Taiwan in the 70´s saw the creation of some incredibly special music in which the sounds coming at the moment from the west collided with the special sensitivity of Taiwanese musicians, creating a delicious mixture you´ll need to hear to believe.

"Taiwan Disco" shines a light on the music created by Taiwanese women during those years (70´s & early 80´s) to present a mind-blowing collection of songs with sounds ranging from wild Funk to Space Glam, exotic Disco or fuzzed out Soul. Here´s the ticket to some crazy Taiwan nights, get those dancing shoes ready, it´s time to shake it!

Another rare nugget culled from West Ends incredibly influential back catalog. "There's Never Been Someone Like You" is a smoothed out soulful Disco jam and a Paradise Garage classic! Produced by the mighty Kenton Nix whose credits include working on records for Taana Gardner, Gwen McCrae and The Treacherous Three among many others and featuring the exceptional vocal talents of underground Soul singer Bobby Youngblood.

Kenton Nix was something of a prodigious production talent who worked on numerous independent and major label projects and was a good friend of Larry Levan and had the honor of hearing his rough mixes and versions through the Paradise Garage sound-system which helped shape the end result of the records he was involved in. "There's Never Been Someone Like You" has always been a popular and sought after 12" among Disco / Boogie / Funk collecting aficionados since it's release nearly 34 years ago in 1980 and continues to be an influential record now in contemporary dance music. An utterly essential Disco-groove!

This is the very first time this record has been re-issued and this pressing features both the long "dance" version and shorter 7" mixes of the track just like the original pressing from 1980. It has been re-mastered and re-pressed with the permission of and in conjunction with West End Records, New York City.

The boy wonder from down under, Slamb, delivers his first solo EP, packing three booty poppin' summer jams. Skillfully blending boogie and r&b samples on top of his slamming house beats to bring about that infinite pleasure just in time for a hot summer.

After the storming success of Take It To Church Volume 1, Midnight Riot step up for another sermon casting a divine light onto the dancefloor to showcase a new era of Gospel - Disco & House.

The emphasis here is on sublime feel-good productions and peaktime workouts from the past and present harnessing that divine spirit of gospel and packing it into club giants. Prepare for a midnight mass of gems from The Showfa, Yam Who, Stephen King and Sweet Jubilees and take the power to the dancefloor.

In October 2018 DJ Rocca and Almunia member Leo Ceccanti joined forces to deliver “Rhythm Collision”, a three-track EP of jangling, sun-kissed grooves, psychedelic dub disco and Afro-Cosmic flavours on Really Swing. 18 months on, one of that set’s standout cuts has been given a new lease of life courtesy of fellow Italian producer Alessandro Pasini AKA Deep 88. Since making his debut a decade ago, Pasini has earned a reputation as one of house music’s understated heroes – an artist whose hardware driven, retro-futurist take on deep house tends towards the timeless, melodic and atmospheric. With a deep love of turn-of-the-90s dream house, Larry Heard productions and sun-baked chords, his dancefloor-focused productions have often been called Balearic.

It’s perhaps fitting then that his reworks of Rocca and Cecanti’s “Ever Changing Bubbles” are as Balearic as they come. His “Balearic Mix” sets the tone, with Pasini layering trippy, dubbed-out and ear-catching elements – Ceccanti’s eyes-closed electric guitar solos, jangling acoustic guitar chords, warm dub disco bass, echoing spoken word samples, fluttering flute solos, drowsy organ motifs and the pair’s delay-heavy vocals – atop a crunchy, head-nodding, live style beat. While it deviates from the duo’s original version, it inhabits a similar sonic space – albeit in a more dancefloor-friendly way. Pasini excels himself on the accompanying “Balearic Dub”, stripping the cut back to its raw essentials – drums, metronomic bass –while toughening up the percussion and adding delay-laden instrumental snippets. It’s warm, woozy and otherworldly, with echoing voices, tactile musical motifs and restless delay trails combining to create a suitably hazy and intoxicating mood. By the time the touchy-feely flute and acoustic guitars begin to dance across the sound space, you’ll be lost in the groove and too happy to notice.

“Soul is My Salvation is a collection of dance friendly gospel songs. The mission is to simply uplift your spirit through music and word. Dance floor’s around the world mirror the reactions of Churches from the 70’s and 80’s when experiencing these recordings.” - Tone B. Nimble.

Released as a series of eight limited vinyl-only 45, when assembled together the covers reveal a beautiful design courtesy of designer Charlotte McCrae. A true collectors item.

Chapter 2 features a DJ friendly Al-Tone extended mix of the gospel boogie cut ‘Look Up’ by Moments Of Faith Singers, along with Lamont Butlers’ Ungodly War.