House Vinyl New Releases - News

repressed !

Berlin born and bred producer Ben Rau has been steadily carving out his own brand of stripped-back and groove fuelled house music over the past few years, forming his style as resident DJ for Enzo Siragusa's Fuse parties , before going on to release material with the Fuse London label amongst others such as JusGrooveIt and Body Parts.

Here though we see Rau take strides in his own direction with the launch of his brand new imprint Inkal Music, a vinyl only imprint predominantly focusing on material from the label owner himself.
Taking the lead on the package is title-track 'Don't You Know' which sees Rau deliver a hypnotic slice of dubbed out house fuelled by heavily swung percussion, rumbling subs, snaking dub swells and an enchanting vocal hook uttering the track's title.
On the flip Ben offers 'Metatrack' and takes a more robust approach bringing a sturdy rhythmic foundation to the forefront whilst wandering acid licks, spellbinding atmospherics and vocal shots ebb and flow throughout the compositions eight minutes.

Following on from 2015's mammoth release, Work Them Records call in Flexxseal boss Christopher Joseph, Parisian duo Behzad & Amarou and label founder Spencer Parker to remix CAIAZZO The Dredge EP. Punchy kicks and eerie drones initiate Christopher Joseph's recreation of Lowbrow as numerous dusky atmospherics ebb in and out of the mix. Next up, renowned Concrete Paris residents Behzad & Amarou deliver a mesmerising slice of techno with intricate percussion, floating pads and metallic aesthetics in their remix of Dredge. On the B-side, Work Them's Spencer Parker presents two versions of Refraction that emphasise ample low-end, sinister whirrs and an undulating synth that will continue to shake clubs throughout the future.

Returning with his signature sound, Cuartero is releasing his Moon Crash EP on the revered Hot Creations. Two high-paced, underground rollers to energise and hypnotise, completed by a masterful groove-heavy remix from DJ Sneak & Tripmastaz.

Moon Crash combines a sturdy, looping low-end and rhythmic, mid frequency percussion. A playful mix of synth and vocal chops, stabs and blips, transform into an invigorating ride. The legendary DJ Sneak and fellow house gangster, Tripmastaz, combine forces on their SP1200 Fire Mix, turning the original Moon Crush on it's head with affected vocals, a rejuvenated bassline and a jackin' house beat.

Cuartero hails from Malaga, Spain, and has been releasing music since 2009 on labels like Desolat, Moon Harbour and Saved. In 2015 he was named Best Newcomer DJ at the DJ Awards and in 2017 he won Best Tech House Artist and Artist Of The Year at the Vicious Music Awards.

A zonked-out, spectacularly fun, and dynamic EP from the Australian producer whose previous efforts have appeared on Lobster Theremin's Distant Hawaii and Seb Wildblood's All My Thoughts. Lively, punchy drums throughout, splashes of tropicalia here and there, smatterings of dubby strangeness sprinkled across, and wash upon wash of pads everywhere.
A jolly good time to be played in big and small rooms alike.

21st century urban electric gospel reggae. Warning: this tune might make you believe in God..." JohnDeLaHughes, Discogs, Oct 2016.

Warehouse Find!

Time for a cheeky, under the radar one from new Delusions signing Flight Mode. One track either side for extra-loud full-fatness. Two variations on a theme, taking us on a deep, dubby, disco tip. A crisp, rolling groove and echoing stabs swirling around one of the best bass lines ever produced. Global Communications getting stoned with DJ Pierre on the A side. Carl Craig and Moroder hanging out in the kitchen of the after party on the flip side. Play loud, live long and prosper!

Fresh for 2018 the ever pioneering Octave One are bringing us some brand new music for the new year. Using their much loved Random Noise Generation alias the upcoming release entitled 'N2 The Enfinate , contains a new single as well as a remake of 'Rock my Soul' in the form of the 'Reborn Vocal Remix'.
The first Random Noise Generation release was 'Falling in Dub' in 1991 and sounding just as fresh 27 years later,'N2 The Enfinate' is due for release this March. For this single a retro energy has been explored in the title track 'The EnFinate', running parallel to a more contemporary groove and rolling, marauding baseline. The second track on the package, 'Rock my Soul' (Reborn Vocal Remix) starts with a strong intent and a weighty bassline paving the way for precise and bright chord stabs.
The single is taken from the new album 'Endustry', a full body of work encompassing 7 full length cuts, set for release in spring.
After touring and making music for decades the spirit and essential energy of the craft is what keeps them eternally inspired to keep creating and touring the globe... 'Once it takes hold of you you can't stop even if you wanted to.' say the brothers.

"Politics Of Dancing Records releases the third number of their famous P.O.D Edits series. Quite a line up on this one, with Shonky, Franck Roger, 2VILAS and John Jastszebski reworking some house classics and underground gems. A weapon for your crate not to be missed.

Shy Luv Release Shock Horror EP (Black Butter) Premiered via Pigeons And Planes Dz...the electropop hitmakers managed to repackage '70s beats and vocals into a modern digital musical experience'-NYLON 'Joyrider' is a song that seems to cruise through... climbing to a spectacularly cosmic climaxdz-NOTION'...electronic beauty featuring a disco pop, funk-fuelled bassline' - ImposeAfter kicking off 2017 with excitedly received singles Joyrider and Shock Horror.
Shy Luv are back today with two new tracks Nightingale and Never Let Me Down (Intro), rounding off their Shock HorrorEP. Premiering on Pigeons And Planes, the full release is available to stream and download now. Joining the trippy disco of the previously previewed EP title track (featuring JONES), whose arresting CGI-laden video has ranked up over 750k views between YouTube and Vimeo (where it was highlighted as a Staff Pick), and the lush nocturnal funk of Joyrider, which was trending on the Spotify Viral Chart (Global #22, UK #8, US #31) and went to #3 on Hype Machine, new vocal track Nightingale' alternates between silky soul vocals and bumping hip hop interludes, while the atmospheric string-laden EP opener Don't Let Me Down (Intro) builds to a powerful crescendo. Listen to the EP and read an interview with Shy Luv HERE Released on Black Butter, the Shock Horror EP presents a new phase of the Manchester band's evolution, traversing timeless disco, funk-punk and electronic sonic touchstones while carving out their own playful aesthetic and live, organic feel. All tracks are written, performed and produced by the band, with Karma Kid demonstrating he is not only an accomplished musician, writer and producer, but a talented front man as well. Having made their live debut supporting SG Lewis at KOKO in November (they perform as a three piece with live vocals and instruments), Shy Luv have also announced several festival dates for this summer, with further show info to follow.

vinyl only

All Day I Dream returns for another Summer Sampler with seasonal tunes from the likes of Jonas Rathsman, Sébastien Léger, Volen Sentir, Leo Grünnbaum, YokoO, and more.

Wonderous pads, delicate percussion, and soft voicings cohesively blend the 9-track compilation into a spectacle of aural bliss, weaving between dancefloor friendly and the more sonically relaxing tracks under ADID's signature modus operandi.

Facundo Mohrr & Valdovinos' 'November,' kicks off the release with an effortless gliding bassline, soothing mallet melodies, and subtle Marlena Shaw vocal chops, conjuring graceful imagery like leaves falling in Autumn woods.

Throughout the compilation are a number of darker peak-time tunes like Jonas Rathsman's 'Nazca', Leo Grünnbaum's 'Beast In The Dark', and Sébastien Léger's 'Blowfish'.

Whether it's the psychedelic plumage on YokoO's Soft Retouch of Life Less Ordinary's 'Moments,' the warm vibraphone pluckings on Jamie Stevens & Joe Miller's 'Wanderjahr,' or the exotic drum work on Rowee's 'Butterflies,' the Summer Sampler is a compelling and well-rounded compilation that showcases All Day I Dream's mood-transcending flairs.

Cassius and Pharrell Williams surely need no introduction to anyone alive. Boom Bass an Zdar have been one of the top 5 players in the French House Music scene since the early 90s, also covering Downbeats and other excursions from what seemed to be hip at the moment. Pharrell definitely is the current #1 if you're talking about any music in the charts that's funky and danceable.

In 2016 Cassius asked youngster Kolja for a remix for their first Maxi of their upcoming Album - Ibifornia but back at the time no Vinyl release was planned. In 2017 the S4AW guys asked them if they could do a 12 of this great tune. All parties involved agreed and so here we are - with an additional, previously unreleased Disco remix on top. Surely this will make a super summer hit for the beach and the clubs likewise...

Friend and supporter of the Bass Cadet team, Jenifa Mayanja steps up for the new chapter of the Orbits series. She offers three very personal tracks, carefully crafted, evolving in their own space-time, showcasing a crossbound vision of deepness and soulfulness. Partner in life, DJ Jus-Ed is also here on the remix duty. This release definitely wraps up a family affair about good vibes !

Die Berlinerin Meggy ist nun schon seit langem eine gefeierte DJane und Sängerin, die sich mittlerweile mit einer Reihe großartiger Soloveröffentlichungen auch als Produzentin einen Namen gemacht hat. Erst im Mai deisen Jahres kam ihre "TIMES" EP auf Suol heraus, für die sie nicht nur eine Menge Lob und DJ-Support einheimste, sondern auch eine Platzierung in den Beatport Deep House Top 30. Jetzt ist sie zurück mit einer weiteren neuen EP - "WELCOME TO THE V".

Fresh 12" straight from Moscow based squad IDA marks label's second release. It's 2 original raw warehouse jams by Nikolay Sunak, accompanied with 90s style rave remix by Uninc & Kolomensky and dark dub by Owlson.

thatmanmonkz turns up the winter time heat with 4 slices sure to toast all the buns.

LTD repress !

Based in Amsterdam, Ghetto Chords is more than just your typical kind of House music maniac. with raw sampling techniques and an extensive re-use of Jazz, Soul and Blues chords, he is basically reinventing the sounds of the ghetto.

Alex Finkin is a music producer/DJ based in Paris, France. Eclecticism is his favorite style. This is how Alex jumps from a scene to another: house music, jazz, blues, Latin, musicals, electro pop, rock, gospel etc... Playing more than 6 instruments on the record, Alex worked as a music producter with Aloe Blacc, Dimitri From Paris, Louie Vega, Dj Spinna, Sebastien Grand, Greg Gauthier, Dj Fudge, Rocco, Manoo, Djeff Afrozila, Kenny Bobien & Many others...

Clément aka Malouane, is a young promising Paris-based producer who doesn't care about anything but groove. With his typical sound, Malouane experiments different production approaches and give all its meaning to the word 'sampling'. He recently launched his label "In Any Case Records" to continue his ascent on the French newcomers' house scene.

Young french duo Dub Striker are early defenders of the pure and strong house music. Influenced by artists like Gerd, Milton Jackson & Fabio Monesi and giving to their sound a raw garage atmosphere, Wilko and Olivier are renovating the French house scene's image with strong drums and mind-blowing melodies.

Release Description :
Voyage Animé is a mental and spiritual trip dedicated to house music. With deep resorts to funk, disco and garage, this 4-track record invites the listener to wander in different atmospheres and places.
Mastering by Dj Steaw. Limited 300 copies. 180gr record.

The record starts with Untouchable Funk, joy anthem that takes you directly between hot summer beaches and festival nights memories. That track translates perfectly Ghetto Chord's love for sampling and groove.

A2 Alex Finkin's Get in is probably the house hit we were waiting for so long. With a shrewd recipe based on filter house and disco, Alex brings us back to the glory days of the early 90s French touch.

Build on a heavy but smoothy old disco loop, La Petite is that kind of track you'll keep in mind for the rest of the afternoon. With steady strings, basic drums and a forceful use of filter, young producer Malouane hit the bull's eye.

Piano House Track is an insolent interpretation of garage house sounds signed by two kids doing their stuffs in Daddy's basement. Old track produced by Dub Striker back in 2014, that summer house chorus will finally be available on wax.

Inspired by the wild world of competitive pen spinning, Vancouver producer Big Zen unleashes his breakout EP "Key3", the second release on Planet Euphorique. Named after a prolific spinner who introduced a rare move the 'tipped sonic', the record brings 360° four-to-the-floor revolutionary realness. With shimmering, elated melodic highs sending you into a lucid trance, the chunky bumping basslines demand your feet back to the dance floor. Four big tracks for the ravers and pen spinners alike, Key3 is the gateway to cloud 9.

Superhuit Music presents Boogymann's 7th concept album: Boogymann & Friends. Boogymann & Friends is an eight track concept album comprised of two parts: with remixes from the original album Delight and other previously unreleased tracks that are best described as strong funky house music. The two EPs combine influences ranging from deep to disco sounds of the elite level world renowned house producers such as: Gene King, James Duncan, Manoo, David Duriez, Rocco, Dan Electro and Boogymann himself. After six albums, Teo "Boogymann" Moritz returns with this concept album and once again showcases his status as one of the greatest DJ/producers for the global house dancefloors.

Every Visionary Artist Has A Defining Work - Their Personal Magnus Opus. For The Polymath
Andrew Bayer, 'in My Last Life' Might Be Just That.
Grammy Nominated Through His Production Work With Above & Beyond, The Berklee College
Of Music Graduate Co-produced Their #3 Us Album 'common Ground' And Is Also A Writer
And Producer On Lo Moon's Indie Electronica Hit 'loveless'.
As A Dj, The New York Native Has Graced The Stages Of Tastemaker Electronic Festivals Such As
Edc Vegas, Electric Zoo And Creamfields, And Headlined Clubs From La To London - With A
Forward-thinking Sound That Will Be Catered For By Forthcoming Club Mixes Of The 'in My Last
Life' Songs.
But It Is As An Album Artist That Andrew Bayer Has Sculpted His Reputation As A True Innovator
- An Artist In The Classic Sense Of The Word.
It's A Journey That Began With His 2011 Debut Lp 'it's Artificial' - Described By Mixmag As am
Incredible Album Of Sophisticated Electronica'. Traversing Glitch Hop, Progressive House And
Electronica, It Signalled The Arrival Of A True Talent On Anjunabeats.
It's 2013 Follow-up, 'if It Were You, We'd Never Leave' Took An Even Bolder Creative
Direction. Ditch The 4/4 Beats Completely, Andrew Instead Conjured A 16-track Sampladelic
Odyssey Featuring Sufjan Stevens, Ane Brun And Des-ree - Earning Comparisons To Dj
Shadow, Moby And Flying Lotus By Xlr8r.
Five Years In The Making, This Third Lp 'in My Last Life' Represents A Humanising Of The
Enigmatic Producer's Sound - Comprising Of 8 Heart-felt And Emotional Songs Penned And
Delivered By Norwegian Singer/songwriter Ane Brun And The Talented Alison May
Respectively. It Is Also, Quite Simply, His Defining Work To Date.
An Artistic Statement And A Perfectly Considered Body Of Work, 'in My Last Life' Owes Very
Little To The Dancefloor That Andrew Is Often Associated With - Instead Drawing Its Inspirations
From Influences As Far And Wide As Talk Talk, Aphex Twin, Kate Bush And Atoms Of Peace.
Through Its 8 Songs, The Lp Plots An Enchanting, Carefully Spun Tale Of Love And Loss -
Explored Through The Narrative Prisms Of Reincarnation And Immortality.
Alison May Swims In The Overwhelming Sensations Of Love In The Ethereal Electronic Washes Of
'tidal Wave', Looks At Love Through Reincarnation On The Dreamy 'in My Last Life' And
Whispers Of Stalking Ex-lovers From The Beyond The Grave On The Shuffling Trip-hop Beats Of
'immortal Lover'.
Ane Brun's Three Turns, Meanwhile, Are As Diverse As They Are Majestic. Nodding Back To
Classics 80s Ballads From Kate Bush And Sade, 'love You More' Is A Slow-building Indie-pop
Beauty Loaded With Joy And Musicality. Somewhere Between Aphex Twin And The Xx, 'hold
On To You' Is A String-laden, Bittersweet Love Song To A Partner That She Can't Quite Keep
Hold Of, Whilst The Psychedelic Synth-pop Journey Of 'your Eyes' That Could Easily Be Filed
Next To The Best Work Of Mgmt, Passion Pit Et Al.
And Then There's Closer 'end Of All Things', An Anthemic, Arm-waving Electronica Excursion,
Where Alison May Sings In Ode To A Recently Lost Love - Capturing All The Celebration,
Uncertainty And Emotion Of The End Of A Beautiful Road.
A Perfect Closer, But 'in My Last Life' Is Also An Album That Needs To Be Taken In Its Entirety.
Taking As One Cohesive And Beautifully Constructed Whole, The 8-track Lp Represents An
Journey That Will Surprise, Stun And Overwhelm Those That Submit To Its Charms - A Truly
Personal Masterpiece With All The Musicality And Detail That Andrew's Fans Know And Love Him
For.

Damian Lazarus' magical live project The Ancient Moons returns today with their new single Five Moons.

The band led by Lazarus, is comprised of Ben Chetwood on drums, Rob Gentry on keyboards, and new vocalist J Appiah. On Five Moons they are also joined by the Australian punk sensation Chela for a dubbed out, soulful excursion into the darker recesses of the dancefloor.

The Ancient Moons first debuted in 2014 with Lover's Eyes, and followed that with the acclaimed album 'Message From The Other Side', dubbed a 'a journey into techno's dreamiest recesses' by The Fader and a 'psychedelic masterpiece' by Vice. Since then The Ancient Moons have travelled the world with their highly immersive live show, supported Roisin Murphy on tour and played at Glastonbury festival and Melt! amongst others.

Last year the band resurfaced, after locking themselves away to record in the Italian countryside, with I Found You, which nabbed a BBC Essential New Tune and stunning remixes from Black Coffee and Patrice Baumel. Today Five Moons offers another glimpse into this summer's forthcoming album..

special triple pack for all you Freind Electric lovers out ther - contains 3 classic releasesfer010: j. alexander - endless (kenny larkin remix)fer013: tagträumer 2 - your soul (remute / j. alexander remixes)fer016: burnt poly - brass beginnings (mike wal

As owner and curator of the Exotic Dance Records label , J. Albert has released a steady handful of projects on his Brooklyn based imprint , as well as showcasing new music from Deejay Xanax and Person Of Interest . Add to that, recent releases on the 1080p label and Black Opal , and J. Albert is fast making a mark on the scene for his raw and undiluted deep fusion of house, techno and jazzy vibes. His debut EP for Hypercolour opens up with 'Don't Hide It' ; a bumpin' and jazzy flavoured house cut, resplendent with rolling snare drums and warm stabs, a sampled double bass riff and choppy vocal refrains 'Xtra Sauce' is another stellar house track, fans of the Ron Trent/Prescription Chicago sound will instantly find an affection here with the rolling drums and soft keys, all pushed along at an energetic pace, whilst 'Vista' finds J. Albert in more playful mode, carving out a 10 minute jackin' underground house vibe that cuts raw and hypnotising.

Next up on Dusky's renowned 17 Steps label is the return of long term pal Kiwi. Having supported the lads on 9 of the 17 Steps tour dates and having also provided the 15th release in the label catalogue - the fellow Londoner now readies his 'Oooh' EP which comes backed up with a remix from Feel My Bicep affiliate Hammer.

Kiwi's sound is one defined by positive, kinetic feeling - joining the dots between Detroit Techno, Soul and Balearic. With previous releases on Futureboogie, Life and Death and Moscoman's lauded Disco Halal imprint, he's garnered several accolades including reaching number #85 in Mixmag's Top 100 tunes of 2017 and sitting at #1 in the genre chart for a total of 9 weeks with his 'Orca' EP back in 2016.

Now - continuing on his ascent, Kiwi lays out a pair of rapturous, gooey House jams that lands right on time for the festival season. On 'Oooh' - Vocal lines swirl over a largely beatless backing track. A rich, balmy feeling unfolds behind synth chimes and layered delays which work together to form an irresistible summer DJ tool. 'Andromeda' then follows up and blends 80's soundtrack-tinged stabs with crispy drums and thick sub bass before being accompanied by a pulsating synth line that carries the track to a delectable crescendo. Hammer then closes things up with a somewhat hallucinogenic take on 'Oooh' with LFOs, analogue sweeps and blobs of acid bleeding together to cap off an altogether warm and woozy trip.

repressed !

Lake People's Point EP outlines the idea of an album and manages to unfold a climax. While the opener 'Point in Time' delivers a playful, floating-hypnotic depth, 'tipping point' chills the dance floor with a relaxed groove. The B-side shows a much darker character than his previous releases. With unconventional sound-frameworks it oscillates between electronica, ambient and IDM. The ethereal melancholy that Lake People promised gets richer and is taken to another level. He created a liaison between the A and B side, which each stand for themselves, but are connected by their soft, rounded aesthetic appeal. In addition to the recently released remixes for Kollektiv Turmstrasse, Nico Stojan or Here is Why, the Point EP demonstrates the great diversity of styles pursued by Lake People.

Berlin based electronic mainstay Marquis Hawkes has announced details of his second LP 'The Marquis of Hawkes', due out 24th August 2018. Ahead of this, Hawkes will release a new single featuring acclaimed UK soul singer Jamie Lidell on the 20th July. The single, entitled 'We Should Be Free', features, alongside the low slung but melancholic original version, three reinterpretations of the song, remixed by Hawkes himself. Both this, and the essential previous single from June, 'Don't U', which featured the vocal talents of Ursula Rucker, will appear on the forthcoming album in an extended version.The album will be the producer's second LP for us, following his critically acclaimed debut 'Social Housing' for the label, which was released in 2016. Entitled 'The Marquis of Hawkes', the new album adheres to a specific sound palette whilst still displaying eclecticism across its eight tracks. Opening with the beat-less droning ambience of 'Beton Theme', the album takes in a variety of themes from across the house music spectrum, from the deep and dubby meditation of 'Instrument Of Thought' to the body jerking rhythms and retro bass stabs of 'Tough Love', the introspective mood of 'The Matrix', to the soulful New Jersey styled House grooves with a contemporary twist of 'Sunset', building through the optimistic joyousness of 'Hope In Our Hearts' before closing with Lidell's heartfelt and passionate emotional overload on 'We Should Be Free'. First emerging in 2012, after being sought out by Glasgow label Dixon Avenue Basement Jams, and having previously been heavily involved with the free festival sound-system culture, the London born artist's iconic sound has taken shape with the influence of music from cities like Chicago, Detroit and New York alongside the UK's underground house scene.
With both depth and clarity of vision, Marquis Hawkes' second album for Houndstooth expertly hones a shining hybrid of classic slamming house and grittily soulful optimism, making for a career-defining piece of work.

Marquis Hawkes is an alter ego adopted by long time electronic music producer Mark Hawkins, founded for his house music focussed activities. Hawkins decided it was time for a reboot after being head-hunted by old friends Dan Monox and Kenny Wasp, who had just founded Dixon Avenue Basement Jams in 2012, particularly as the material differed from what he'd previously released.

Hawkins solidified his sound during this period, taking influence from house music's Chicago, Detroit and New York home bases alongside the UK's deep house sound. Fusing these styles with contemporary production values, he developed a style synonymous with his Marquis Hawkes alias.

Whilst branching out to release on other labels like Clone and Cremé Organisation, he caught the attention of London club fabric's artist-led label, Houndstooth. They signed him on a long term deal, giving visibility to his DJ profile that meant he could play music full-time.

In 2016 his debut album 'Social Housing' was released to critical acclaim, and the following year, a stellar string of releases on Will Saul's AUS Music label culminated in the ubiquitous club and festival hit, 'The Basement Is Burning'. A track inspired by Hawkins' own shocking experience of a fire in his apartment block, it was played heavily on radio across the summer of 2018.
Looking forward, this new 12' EP for Houndstooth under the Hawkes alias is scheduled for release on June 29th, and features a vocal collaboration withUrsula Rucker, Hawkins is also pursuing other music projects and identities, some known, like his Juxta Position project, which he uses for more industrial but groove based techno material, but others which are more incognito, and may well remain as such.

SIS, the alias of Burak Sar, returns once again to Crosstown Rebels. Following on from releases such 2012's Round Pen, 2015's Sombra India and last year's The Blindside, the German-born producer- heavily influenced by his Turkish roots- presents us with this tribal triple-threat.

SIS explains that it was sending his first ever demo tape to Crosstown Rebels in 2004 that initiated his relationship with the label and tells us to 'expect some rolling dance floor breakers' .

Karmir Nur gets the EP underway. Sensual strings abound with a heady, tribal chant that lulls you into a state of hypnosis. Tima rolls along, building slowly as the layers pull you in deeper still towards those familiar strings. Dandini brings back the tribal chanting. The vocals are backed by mesmeric drums, perfect for an intoxicating, dance floor procession.

Burak Sar has released a number of records on renowned imprints such as Get Physical Music, Mobilee and Cocoon Recordings as well as running his own successful label, Cocolino Records.

Fine announce their second release from Tilman with warm, subtle and swinging House for your pleasure.'

Volkan Akin is here with his debut EP on the imprint representing minimal mood diversity in three originals with analogue feeling.

The Next Release on Organic Music Features the Deep House Project "Chasing Kurt" from Frankfurt. brought to life by the producer team Pascal Blanché and Wojtek Kutschke featuring the heartfelt lyrics of polish soul crooner Lukas Poloczek.
After rocking the house at Kater Holzig last week-end , we are very proud to present you their 3 last original tracks.
To Complete the Ep, A simply awesome remix from Jef K, whose on fire right now !!!

LIMITED EDITION WHITE COLORED VINYL! For our 1st vinyl release we are thrilled to welcome our label & booking act
PATRICK OLIWKA for the first, but for sure not last release on WONNEmusik. His love to electronic music began in 2002 and soon Patrick realized that he wanted
to create own sounds and pieces. The Result is his first Release ever on the
black gold. EARGASM comes with Remixes from the homebased Label acts NICOLAS
HANNIG & DAVID BUCKA. As a friend of WONNEmusik the 3rd remix of this
great Vinyl comes from PATRICK EBERT. We think you'll agree, that we delivered an absolutely EARGASM release for this fantastic spring/summer season, so it's your turn to hear some EARGASM on the Dancefloor! - Do not forget your WONNE in your next set."

Nny Records Is Back With A Compilation That Includes Four Songs Loaded With High Quality, An Ep That Is Like A Swiss Army Knife And That It Will Serve To Animate Any Kind Of Party. On The A Side We Can Listen To Nicson (flumo Recordings) Who Delivers An Excellent "straight To Heaven" In A Deep-house 90's Mood, Full Of Energy And Class; After Him F. Vinuesa (solid Tapes) Approaches Lo-fi And Acid Paths With "highlands", A Tune That Is Is Capable Of Transporting You To Another Dimension. On The B Side Mateis E. Aqir (jungle Gym Records) Presents "natural Sense", A Track That Also Takes You To A Different Dimension, This Time More Oriented To Open Spaces, In A Balearic And New Age Mood Fused With A Leftfield Touch Which Is A Delight; And To Close The Compilation We Have The Great Work Of I See You In The Plants, The New Aka By Pablo Diskko For Productions In An Ambient Techno-dub Wave That Absorbs You And Catches You. A Superb And An Essential Work.

Hysteric returns to Violette Szabo with four more sensual DJ cuts!

Summer 2018 sees the beginning of the mysterious TZU series. The first in the series boasts 4 heavily swung cuts delivering deep textured grooves designed strictly for the dance floor. No names, no nonsense, just quality underground sounds.

Rube Goldberg Series begins. We have selected some of the finest talent from across the globe for our first release.

Volume One delivers four unrelenting groovers; individually flavoured, each artist brings something fresh to this overall consistent collection of tracks. Intricately complex in their creation, yet ultimately these tracks perform a simple task, much like the machines of the late R. Goldberg.

At long last, Mr. Jacob Korn gets drafted into Team LPH! Technically, he's been in our orbit since 2015, when he remixed a Leo Wölfel track for LPH WHITE, but it's only now that we're presenting an EP of originals by him. About time!

My Business is classic Korn—a little nerdy (intricate arrangements; twisty, turny top-line melodies), a little ravey, a little goofy, a little feisty, and a lotta fun. Four sure-shot firebombs that'll slip into any set, hand in glove, real nice.

Try 'em out. Wield 'em well.

A chance encounter at university during the Acid House summer of '88 and subsequent bonding over Baby Ford's 'Oochy Koochy' established a life-long friendship between Leicester lads, Jimi O'Callaghan and Al Green. Inspired by the sounds of Detroit, early NY House like Murk and Masters at Work and the emerging UK sounds of LFO, Orbital and Aphex Twin, the pair began DJing and making music as The Wild Geese. Their first EP, 'The Wild Geese EP', was released in 1994 on their own Giddy Goose Recordings imprint. The guys pressed 500 copies and, with Jimi's connections made interning with Pete Tong's FFRR, sold copies direct to London shops. The record sported packaging designed to look like an American 12' and an accompanying press release attributed the EP to a fictitious DJ duo hailing from Wisconsin. Rave reviews followed and a distribution deal was struck with Vital UK, who produced and sold another 500 copies worldwide. Another EP followed a year later. Sadly, plans for a third EP on the label never materialized, but the pair remain close to this day. 24 years later we are honored to reintroduce this genre-defying, uniquely forward-thinking EP to today's dance floors.