House Vinyl New Releases - News

Klasse Wrecks label boss' Luca Lozano and Mr. Ho team up for the second in their Visions Of Rhythm series. Following on from the smoked out, trip hop inspired musings on the last EP the duo get busy with Trancey leanings, Deep-Beat and Minimal meltdowns.

With this deep and mellow techno 12" brought to us by Max Mode, Renascence continue their quest to unearth fresh and unheard of producers.

3FM003 is composed by 3 diverse soulful tracks all recorded live which are set to be played everywhere this winter. The EP opens with 'Healer', an emotional slow jam driven by warm pads and original voices that probably will bring your memory to Theo Parrish's 'Flower'. Following is the club oriented 'Story', a straight House track guided by a 4/4 drum machine pattern and permeated with a loved up vibe. The EP ends with the deeper 'Time Can Tell': broken rides, key solos, groovy bass-line.. Jazz!

For his 1st Life Notes release, Life Recorder introduces his new Motion Process alias to show up his more techno oriented influences. The Guiding Lines EP starts with the evocative and classic Detroitish energy of "For Da Mind" and offers a 4 track adventure shaping and building a trip to some deep atmospheres and mental textures dressed up on driving basselines, hi hats and percussive elements.

Inspiriert vom Post-Minimalismus und modernen Klassizismus zeitgenössischer Produzenten wie Nils Frahm, Max Richter oder Steve Reich, veröffentlichte der britische Techno/House-Produzent Sasha sein Album "Scene Delete" innerhalb der "Late Night Tales"-Serie. Nun erscheint die dritte und letzte, limitierte 10" Auskopplung mit zwei Remixes des Warp-Duos Plaid und des Kölner Produzenten Christian Löffler (Ki Records). Weisses 10" Vinyl mit Download-Code für MP3/WAV/FLAC-Formate. Auf 1.000 Stück limitierte und nummerierte Auflage.

clear vinyl pressing! The Final Wish - The final release on our beloved House is the Cure charity release imprint.

It's been quite a ride. For the past three years, our House is the Cure imprint has been our way 'giving back' through the power of music. Along the way, we've had the distinct privilege to feature music by some of our industry's most recognized names - all personally donated - to assist with our charitable visions with House is the Cure. Our final release serves to continue the enriched musical traditions with House is the Cure and features New York legend The Nathaniel X Project, industry icon Joey Negro, the sublime talents of Patchworks, and the cool, crisp hands of France's DJ Leandre. From all of us at Kolour Recordings - we thank you dearly for all your support with House is the Cure. It's made a difference beyond measure.

repressed ! 180g !

The Mekanism's vinyl only label Worx gets it second outing courtesy of TIJN, a Uk born rising star of House Music. His music is straight on point House that has addictive qualities has won vinyl fans over with his recent EPs on his own Haus Wax and 124 Black. Here he offers 3 club cuts plus a jacking remix from House Of Warez of the lead track 9090. House of the highest order.

11th release on Going Good, fittingly by XI (Sex Tags Mania, SUED). With earlier releases fetching up to at least 3/4 times original value, XI's work is in demand and this will be only their 4th release since their first in 2009. Quality over quantity being the mantra it would seem.. Plus running labels, putting on parties, producing under various other guises and DJing/performing live around the world also feeding into the size of output.

Continuous movement of ones foot (first foot) then second foot - two feet. One foot (first foot) then second foot (two feet) - continuing movement. Selected & None Selected Sequences of human movements may lead into ecstatic trance states. Regularly repeating pulse (beat/tactus) establishes tempo, supports and directs participants. Here are some songs to teach you.

The Square and Compasses (or, more correctly, a square and a set of compasses joined together) is the single most identifiable symbol of Freemasonry. Both the square and compasses are architect's tools and are used in Masonic ritual as emblems to teach symbolic lessons. Some Lodges and rituals explain these symbols as lessons in conduct: for example, Duncan's Masonic Monitor of 1866 explains them as: "The square, to square our actions, The compasses, to circumscribe and keep us within bounds with all mankind". However, as Freemasonry is non-dogmatic, there is no general interpretation for these symbols (or any Masonic symbol) that is used by Freemasonry as a whole.

Alleviated Records is proud to present the DONNIE TEMPO EP re-issue. Darren Brandon, producer behind artists such as Nature Love (Night Life Collective), Knu Je' (Distant Music) and Club Ice (Black Market International/MCA) and DJ Quad gives us this 3-track ep. Deeper house-music enthusiasts who are into the HISTORICAL facts and aspects behind the music will find much interest in the selection MENTAL PROBLEM on this EP. Mental Problem has it's own special place in the history of Chicago and the development of this music that the whole globe now enjoys. There were many dance tracks that were EXCLUSIVE to the dance floors of clubs in Chicago that were never released as commercial recordings, well - not until this issue of this very DEEP and ENERGETIC selection that embodies elements of ACID, DEEP and TRIBAL dance cuts. Enjoy!

Since his first release in 1997, Hanna has been a body of art with the agenda of putting ambiguous chord structures and harmonies into an electronic music envelope. The more popular works lying in the deep house and techno genre. The Apron release called The Never End, opens and closes with ambient pieces without drums or percussion with strange titles ''Being'' and ''When'' which are improper adjectives or nouns that symbolize the ambiguity of the chords and beauty of the sound. The other 4 pieces nudge previous unique Hanna minerva that makes this a special and impressive release.

CB004 Comes from Michael James. Vinyl only.

fter doing a couple of remixes over the past years Noise Destruction is back on Hellcat Tunes with a new EP.
This DJ duo from Novi Sad, Serbia has released tracks for labels like Neuform, Laus, Proloop, Headtunes, iTECH soundsystem, People that make the music,etc.Now these guys are delivering the versatile Zeebeats EP, packed with true house grooves.
Heavy baselines, tight rhythms, old school chords and evolving synth lines is what this EP is all about.

Patrick Topping returns to Hot Creations with his 'Taking Libz EP' and demonstrates why his reputation carries such weight with three special tracks that act as a master-class in how to create music that will consume dance floors.
First up is 'Brayed' which takes the listener on a loopy and enriching journey, whilst 'Howk' is a classic foot-to-the-floor number. Concluding the EP is 'Taking Libz', the title track that sees Topping firmly hold onto his crown with this unstoppable cut.
i-D Magazine described Patrick's style "that is characterized by punchy, chugging baselines that have become weapons in the sets of many a DJ." Started his career DJing at the club night Motion in Newcastle, he was quickly snapped up by Jamie Jones, for Hot Creations. Releases on the label and a residency at Paradise DC10 in Ibiza soon followed and 2014 saw him release 'Get Beasty', 'Forget' and 'Voicemail' featuring Green Velvet and concluded with a hattrick of awards including winning the DJ Mag Best Newcomer, Track Of The Season and Best Tune awards in their Best of British Awards.

First solo release for talented newcomer Pepe Villalba, who previously made his debut on Panea Records. He delivers four eclectic tracks spanning from breakbeat to acid house, crossing downtempo atmospheres that slightly touch deep house. Standing out release !

Bursting from the bubbling underground club scene of Tel Aviv, Bauhaus Records is a record label headed up by veteran scene originators and world renowned The Block club first residents DJ's Amichay Matyas and Yogo, in partner with well-experienced label and artist manager, Udi Niv. Buahuas Records aims to provide a creative ground for a collective of local underground electronic producers & DJs, emphasizing the art of organic & analog sound and down to earth house music.
Their experience of nearly 20 years of playing for Tel-Aviv's underground dance floors, regularly rubbing shoulders with pioneers and leaders of house, disco and techno as well as their vast milage in the DJ booth, enables them to cherry pick the hidden treasures and unknown local gems of their scene whose highly secretive to many others
While unofficial edits and tracks have already played in biggest clubs and venues in the past year, Bauhaus are finally ready to share their official debut release, presenting the label's prime producer.

"I try to perform as honestly as possible" — the soundbite borrowed from late dancer Dudley Williams for this record's second track could have been uttered by The Mole himself. It's this candor that has allowed us to bear witness to a very marked and very audible transition from his days as a producer in Montreal to becoming a part of the Berlin scene. And what we have here is one result of that very explicit sonic metamorphosis.
De La Planet is our dyslexic subject's third studio album, one that stays true to his ethos of weird above all in the best possible sense. And yet it feels like something distinctly new. Tapping his enormous reservoir of vinyl and sampling the odd film have acted as complement to the jaw-dropping arsenal of synthesizers at de la Plante's disposal—a battery of machines he's been quietly improving his skills on during the past few years. Or not so quietly, perhaps. The man himself would probably say "I'm coming out of the woodshed", and go off on a tangent about Sonny Rollins and his saint of a wife. But that's a story for another sheet.
While the days of Franco-Canadian dollar-record digging are behind him, this album is nothing if not quintessential Mole. And the opening Harmony Day makes sure to let us know we're in for a beautifully strange ride. But not without a dance floor throwdown first—by way of the symphony of pleas, bargains and one-line artist manifestos that is Going With The Hat Man. From its own dizzying heights through to the sci-fi inflected thumps of Braineater Returns, all the way to He Frank's earworm of a wonky cowbell, it's a charter through seldom explored lands. After The Hat Man gets the instrumental treatment, we proceed to Sandwich Time Is Coming, which sounds like a sonic wink at the portrait of Prince presiding over Colin's turntables—or is it the Klee illustration of a man expelling a smiling turd right next to it Either way, this one smells like it's 4:20. Which makes sense, as just one track later we get "I like to get high. So what Don't you" And there's no arguing with that thick percussive groove. The cinematic ambiance of Soft Translation and esoteric ripples of River Highways round out the trip, before Time Out sends us on our way with an early-aughties beat to march along to. Ding ding, time's up. This trip through La Planet is completed. Though we're tempted to jump the fence, relax and stay a while.
But wait, there's more. Call now and you'll receive a modular-only bonus track harkening straight back to the 80s. That's right, this underwater love song goes out to all the Elle Macphersons formerly populating those teenage bedroom walls out there. Romantic, eh

It's an honour for CE to welcome the Electro super group of of Keith Tenniswood aka Radioactive Man, Phil Klein aka Bass Junkie, Simon Brown aka The Dexorcist and Matt Whitehead to the label for CE022. Keith, Phil and Si are electro pioneers of the UK sound who have inspired the label long before it's inception in 2007. Matt Whitehead has been with CE from the start featuring as Signal Type with Sync 24 on CE001 and appearing on several of the early releases. Welcome to the "Resonance Committee" The Resonance Committee are a core of 4 like minded producers committed to keeping the electronic groove alive via vintage analogue technology. "Created and mutated for those who know, who feel the flow of electricity in their veins, their brains. We remain unchained!" Meetings are held twice a year in a London studio where live jam sessions are recorded and edited for your listening pleasure. Expect to see more members join this ever fluctuating collective for future releases. RC 2017

Limited to 100 copies!!
Megafon is the first in a line of releases from Diskodans recordings. Where dancing, joyfulness and the northern music producers of Scandinavia will, once again, be at the top of their game.

More classic, ghetto Chi-town business from the DM vaults here - 2-Bit Project's (aka Larry Thompson of LNR fame!) 'Bump That Pussy' EP is another hot, collectible entry into the DM catalogue. This special, enhanced 2017 repress version features all the OG cuts (except 1 short skit) and boasts 2, yes 2!, exclusive extended edits from UK man of mystery and all round house digger extraordinaire Jonny Rock. If you know JR's steez then you know he knows exactly what is up with the underground. He's neatly extended the 2-Bit originals (which were originally very short tracks!) and teased the funk outta the right crevices for all us lucky folks. If you like that raw, rugged, Chicago, minimal fonk that Dance Mania are known for, you'll love this one. A killer, solid and in-demand EP. One for the headz. Massive record, pure power all the way through and an essential weapon for the record bag! Fully, legit reissue done with the permission and assistance of Dance Mania records and Mr. Parris Mitchell, Chicago USA.

What would electronic music be without remixes This is a question Andrew Claristidge had to answer last year after releasing his first solo album « danser ou mourir ».Reworking the song of an other musician is a common thing nowadays. What is the purpose of it What if we would do the same in literature Imagine asking Philip Roth to rewrite Houellebecq... This is pure fantasy and this came to Andrew´s head.He started asking fellow musicians such as The Hacker, Cosmo Vitelli, David Carretta...to remix his songs. Blown away by the quality of what he received he couldn't stop himself to make its entire album « remixed » and to share it with the world in form of « danser ou mourir, relecture »
Bonus tracks with digital:

08. Automated Motion (Relecture by Baroque)
09. Mechanical Love (Relecture by Mike Theis)
10. Règlement de compte à la Cigale (Relecture by Beaumanoir.)
11. Discovering The Source (Relecture by 99LETTERS)
12. The coasts of French Cornwall (Relecture by The Third Half Time)

It doesn't get any deeper than this! A classic, overlooked EP from Wayne Gardiner aka Classic Man from 1993 on the legendary Nervous Records label, "No More Mind Games" is up there with the classics of it's era. That sparse, jazzy, soulful, early 90's NYC edge is present in all the tracks here and the whole EP is solid from start to finish, all killer, no filler!

Kicking things off, "Rapid Winds" is a vibe heavy, pad laden beauty that rolls along gently and touches all the right spots while the following 2 mixes of "Keepin On" chop up D-Train and Raw Silk vocal snippets into a bouncing organ driven banger, keeping the Disco spirit alive in true Garage fashion! Rounding out the EP is 2 storming alternate mixes of "No More Mind Games", built around a vocal sample lifted from the accapella version of Quests classic "Mind Games", used here to devastating effect alongside Gardiners deep vibes and choppy drums. Serious business.

"No More Mind Games" has long been a sought after EP by discerning House lovers and is a true underground classic.
Re-mastered and re-pressed here, for the first time, in conjunction with Nervous Records, NYC. Now's your chance to own a copy of a forgotten club classic from the golden era of NYC House music.

In house music circles, the name Jazz-N-Groove is spoken in reverential tones. The Florida duo Brian Tappert & Marc Pomeroy caught Frankie Knuckles' ear with their first co-production, and went on to release on classic labels including Suburban, Strictly Rhythm and AM:PM, as well as founding the seminal Soulfuric imprint. Best known as Jazz-N-Groove, they released under a variety of aliases, including Defected Records' first ever single, the UK Top 10 'Can't Get Enough' under their Soulsearcher guise. Now the relationship comes full circle, as they join the ranks of Defected's 'House Masters'.











CD2

"Hyacin delivers a 3 tracker ep on his own imprint. Vinyl Only"

After making waves a few years back via his Potatohead People project (with AstroLogical) and co-producing Illa J's critically acclaimed self titled LP, Vancouver based playboy & producer Nick Wisdom steps out from behind the boards to deliver his first solo release for Bastard Jazz.

The "Intimate Strangers" EP mines deep into Nick's proclivities for disco, hip-hop, and house flavours. "Good Times" kicks things off with a snapping four on the floor, deep Rhodes chords and a rollicking bassline and vocals courtesy of Mr. Wisdom himself. "Feelin' Alright" heads into outerspace disco territory with cosmic synths, walking bass, and sultry vocals courtesy of Reva Devito (HW&W, Kaytranada). On the flipside "Don't Tell" brings in some 80s boogie vibes with downlow vocals from San Francisco's K-Maxx, while "Rock The Cash Bar" is an instrumental party rocking hip-hop jam sounding like a modern day Showbiz & AG.

Following on from their exceptional 'Jojoman' release in 2015, the Romanian trio Premiesku strike gold again on Ralph Lawson's highly respected 20/20 Vision imprint.The 20/20 Vision label has been pumping out quality music for over two decades, and is one of the UK's defining independent dance labels. The focus over the years has always been on quality and that approach is one that has paid off with this EP being no exception. The new floor shaking EP 'In Sfera' is a tight package of dance floor groovers that will be sure to kick any night into 5th gear. Every track has its own unique flavour that compliment each other flawlessly, with FUSE boss Enzo Siragusa concluding the collection with a remix of the title track. A champion of all things deep, minimal, and stripped back, Enzo has evolved his unique sound that is showcased in the final number.The trio pride themselves on pushing the boundaries of electronic live music performance, both technically and sonically and have already tasted success on influential labels such as Apollonia, All Inn Records, Vakant, Pressure Traxx and Djebali to name a few. They take their custom made analogue hardware all over the globe, including world renowned festivals like Lovelands, Sunwaves and Modernity as well as top clubs including Amnesia Ibiza, Rex Paris and Stereo Montreal. Most recently the guys were back spinning at the legendary Fabric London, you can check out their preparations and technical set up ahead of the show here.It was clear that after Premiesku took number 21 in Resident Advisors Top 40 Live Acts that 2016 really increased their impact in the underground scene and now they have firmly established themselves as one of the world's most sought after groups, with the latest EP once again seeing them utilise their expertly crafted and infectiously percussive productions.

Let's be frank: I'm a Prins Thomas fan boy. It is not a secret and therefore there is no reason to hide it awkwardly. So, when he asked me to write something about his second solo album (unmistakably called 'Prins Thomas 2'), the smart Norwegian knew that I wouldn't come up with any cruel things to say. The good thing is: even if you are not a fan boy or girl, you won't find any of those here. 'Prins Thomas 2' is stunning from start to finish. While its predecessor and his album works with Lindstrom took care of the krauty, rocky, brainy and 'real musician' side of things, the man from Oslo goes back to the starting point of his recording career: one man and his idiosyncratic way of making people dance.

The seven tracks on this LP or the eight on the mixed CD (including two bonus tracks) owe as much to the traditional methods of house or techno and extraterrestrial disco (I shipped around the 'S'-word here) as they disregard it and they are as characteristic to Thomas' studio space (I used the 'S'-word here) and his sound aesthetics as they are to his infinite will to surprise. Directly from the guts of the man behind Full Pupp, Internasjonal and a gazillion of tailor-made remixes, you get to hear joyful reminiscences of the late and great Arthur Russell in 'Tjukkas Pa Karussel', nasty drum jams like 'Flau Pappadans 1', 'Bom Bom' or the Perkmiks of 'Bobletekno' next to the sheer and untainted beauty that is 'Symfonisk Utviklingshemming'. The spirits of these recordings are light-hearted, sincere, a joy to listen and dance to and cumulate in an album that deserves the name. Whatever the train is called that has Prins Thomas at his helm, you better get a ticket.

Robyn announces the RMX/RBN vinyl series along with a new remix of Be Mine by Mark E. The limited vinyl will roll out in pairs every week from September 29th. See below for schedule.

The RMX/RBN project saw Robyn invite some of her favourite artists in dance music from across the globe to remix key tracks from throughout her career.

Set of 5 limited Remix 12"s, with remixes coming from Cassius, Joakim, Axel Boman, Zhala & Heal The World, The Black Madonna, Mr Tophat, Wolfgang Voigt, Mad Professor Harry Romero & Mark E

This is a 3 tracker from rising french artist Too Smooth Christ (who is half of electro duo Glass Figure and co-runner of SuperGenius label.) He released several records on Ville Nouvelle, Super Genius, Fuego International, and a lot more are planned for the next months like an EP for Kalahari Oyster Cult and an album on nocta numerica this autumn.
One one the record of the summer for parisian DDD record store and supported by Antinote DJs Zaltan and Geena.
A1 is some late 80's infused mystic house groove, A2 a dreamy electro ballad that could easily fit in an exotic adventure Z movie.
B side is more an early 90's bleep/acid house odyssey with Psyché Rock like bells and a quiet nearly trancey TB bassline.

Floating Points released new record 'PL3DJ', by Unknown Artist on his Pluto label.
The 12" features a ten-minute long, layered house track on the a-side, and follows his Reflections - Mohave Desert LP released earlier this year.

Church Volumes 003 featuring Nicholas, Seb Wildblood, Jesse Futerman & Philip Budny.

After a couple of well-received contributions to New Breed of Deep House and Finest NY House 2011, House producer Washerman releases a 4-track EP that's just chock full of all that great 4/4.

Reminiscent of works by the great Kerri Chandler, who's one of his major influences, the synth jabs, booming baselines and funky kick drum of tunes like the EP's namesake, "Be What You Wanna Be," "Feeling Good," and "Do It" are sure to win the hearts and souls of househeads abound. Let's not forget "Moody Life," also offered on this EP, for those who like it a little mellower & deeper.
DJ FEEDBACK:


Washerman blazes this one !!
-Groove Assassin

Great vibes from the washerman!!
-Ric McClellandSCOPE)

House as its supposed to be, thanks!
-Jay West

Do it c'mon Rub Da House for me!
-BENNA / Art Department

Bangin' EP Old School style. Thanks!!
-Louis Benedetti

Do It! C'mon is a nasty track! Definitely feeling this one big time, gonna play it immediately, thanks!
-Kevin Masterkev

Nice EP. Hyped and old skool sounding tracks!
-Tony Humphries / Jacko

Really good EP. Every track is a winner
-Ian Straker / Lost My Dog Records / Kahua Music

Really like Washerman.. quality house
-Frank Ryle

Perfect package! Thanks
-Dave Mayer

5 really solid cuts, especially digging Rub Da House and Be What You Wanna Be (Dub) Thanks!
-Danny Stott / Roland Nights

Pure Fire!!!
-John Rivera (Sounds Limited / Slip N Slide Records)

Wow what for an EP!! Do it! C'mon is firing!!! full support from me
-Mark Stone (UDM Show)

Definitely hear the influences... nice retro vibes
-Andy Ward

Very Much Like Kerri Chadler he must be a Kerri student, cause he has him down to the Teeee.... Very Kerri, Need I say more
-Freddy Turner
Nice
-Phil Hooton

Nice and Deep
-Fabrizio Carrer

Be What You Wanna Be is big action...like it a lot
-Niall Redmond (RTE Pulse,Irish Daily Mirror)

Cool classic-sounding house grooves
-Russell Deeks (This Is Why We Dance)

Deep & Groovy
-Joan Ribas (Ibizasoulstice Music / Pacha Hotel Ibiza)

Full support
-Franco De Mulero

It's all about the Moody Life joint!
-Parrish James

Nice & Deep
-Marques Wyatt

Pristine underground-esque deep house bringing back the beloved old skool rhythms and melodies... more please
-Mike Fossati (Spirit of House)

Circus Recordings boss Yousef teams up with renowned New York producer Harry Romero on Jamie Jones' Hottrax featuring a remix from 8 Sided Dice founder Alan Fitzpatrick.
Liverpool's Yousef has cemented a solid reputation as a reputable DJ-producer who's released on Cocoon, Desolat, Bpitch Control and Defected, remixed the likes of Chaka Khan, Sven Vath, Moby, Four Tet and Carl Cox, and is also the brain behind distinguished events brand and record label Circus.
Meanwhile, Harry Romero has been a force within house music for over two decades, with appearances on Ovum Recordings, Subliminal and Suara, whilst Alan Fitzpatrick has done recent remixes for Prime Numbers, Hot Flush and Hypercolour when not releasing regularly on Drumcode, Cocoon and Dusky's 17 Steps. Arriving on Hottrax, the artists join a roster spanning Patrick Topping, wAFF, Mat.Joe and Jamie Jones himself.
A purring bassline drives 'I'm Behind You' forward whilst intricate percussion joins echoing notes to generate a low-slung groove. Recent Fabric mix series inductee Alan Fitzpatrick's remix then ups the tempo by utilising heady piano melodies and piercing stabs before Yousef concludes the package with a crunchy solo outing titled 'Tightrope' that boasts energetic drums and stuttering vocal snippets.

ie heißeste Zeit des Jahres neigt sich langsam dem Ende entgegen - wir machen uns auf zu den Open-Airs der Hauptstadt und tanzen dem Ende des Sommers entgegen. Deshalb genießen wir die letzten Sonnenstrahlen oder den Duft des Sommerregens umso mehr! - Berlin du bist so wunderbar! ist nicht nur ein Gedanke, der uns bei den Partys dieser Stadt im Kopf herumschwirrt, sondern auch der Eröffnungstitel der about:berlin vol: 18. Nachwuchstalent MVCA steuert uns diesen Remix des Kaiserbase-Klassikers bei und gewinnt damit den about:berliner Remix-Contest. Neben den talentiertesten Newcomern aus dem Elektronica-Business, haben wir natürlich auch altbekannte Größen der Szene ins Boot geholt: Flume, Nico Push und Fritz Kalkbrenner bringen Bewegung auf den Floor, während MÖWE, Lexer und Fran anschließend zur relaxten Afterhour aufrufen.Nora En Pure, KlangTherapeuten, Max Manie und Klangkarussell begleiten uns mit ihren Tracks durch die Sommernächte Berlins.

Moscow rolls through with a collaboration from founder Archie Hamilton and musical genius Benson Herbert, from Kerri Chandler's protege duo, Voyeur. Two original tracks, remixed by the legendary 100hz.

The record opens with the wonderfully trippy Systim. A driving bassline, barely recognisable vocal snippets and groovy organic percussive elements dance around a haunting piano riff that ebbs and flows throughout the track. Tension builds until a second acid bassline is finally revealed, causing dance floor madness.
Next up Herbavibe combines a big bassline, dreamy chords, Hamilton's trademark 303 and a catchy vocal hook to create a certified summer anthem.

100hz uses the entire b side to interpret System into a more classical workout, using the piano elements to their full potential and using minimalistic percussion to keep the listener enthralled. An after party gem that completes the package perfectly

INCL. LOSOUL & NORM TALLEY RMXS

The latest release on Guy Gerber's successful label RUMORS is a remix EP of The Dying Seconds' song 'Mora Minn'. Guy Gerber himself turns in a dub remix, whilst Acid Mondays and Elie Nissan & Jenia Tarsol's tales feature on the B side.
Guy's remix see the acclaimed DJ and producer turning the starting point into a wholly new and original sounding release. The dub mix puts Guy's outstanding production into the spotlight. Subtle yet intricate, Guy's take on the record pulls together echoing piano chords, a delicate guitar line and emotive, building strings over a gently propulsive bassline. It'll be familiar to those who have frequented Guy's famous RUMORS events series this season, with Guy's road testing of the release prompting many fans to ask what this new, distinctively Gerber-stamped track could be.
Meanwhile, RUMORS label and events mainstays Acid Mondays take the track into deeper and darker territory, with a faster paced beat and sub-bass flourishes offsetting trippy vocal samples.
Two fellow Tel Aviv talents, Eli Nissan and Jenia Tarsol, round off the EP with a rework that matches more of the original's drums, vocals ethereal piano line with amplified percussion and a dancefloor ready bassline.
The EP drops towards middle of a busy season for the label and events series; RUMORS Ibiza has become one of the busiest and most talked about daytime events on the island, with international parties in the likes of LA, Mykonos, Sardinia and, most notably, a London street party selling out within hours. To accommodate his ever-expanding fanbase, Guy will be playing a landmark headline show at London's historic Roundhouse on the day after this release.

Welcome to Poland: Another country in the midst of fearful flux; where a huge proportion of the country feel their voice is no longer represented by the government; where raw emotions are being exploited cheaply by media to distract, divert and crudely divide; where there is more of a need than ever for like-minded positive souls to unite without prejudice and work together for a better future. The headlines sound too familiar for many of us in the world. But just as Trump does not represent most people in America and Brexit doesn't define everyone in Britain, Poland's right wing government does not exemplify the majority of Polish people. Like all world citizens, our generation and younger are good-minded, thoughtful people who do want to bring down barriers and work together. Their vision is one of inclusion and one of a proud future and how we can improve the lives of our children and grandchildren... Not become entangled in embittered roots of the past. It's evident in Poland's thriving creative cultures from the provocative art of Katarzyna Kozyra to the literature and poetry and films of Wojciech Kuczok. It's evident in the stark optimist architecture of Daniel Libeskind. It's evident in Krakow's thriving club scene and the country's bubbling pools of electronic music talent. It's everything Catz N Dogz do: their attitude, their music, their labels, their WOODED festival and, perhaps most importantly, their friends. Not just there to carry you home; friends carry you everywhere. And right here on 'Friends Of Pets' Catz N Dogz are carrying their companions' creativity with the same esteem and pride they host their Polish festival. A cultural statement and powerful showcase of their country's great thinkers, creators, collaborators and disrupters in electronic music, across 16 tracks