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Maeve is the record label run by three close friends, Mano Le Tough, The Drifter and Baikal.
For Maeve's eighth outing it has enlisted the talents of long time friend Ed Davenport. The record grew from a chance hearing of some new material at Ed's studio one night and after a brief discussion it was decided that the tracks would find a fitting home at Maeve.
Although recently more known for his harder techno releases under the moniker Inland, Silver Walks is some what a return to Ed's roots. Slower, emotive, more contemplative tracks, recorded over a pretty short period of focused studio time.
'Silver Walks' is a synth-led jam. The arpeggiator holds pride of place as the centre of the tune with filter tweaks complementing its progression. 'Kuromaku' has a tougher attitude - heady and cosmic with a deep kick. It means 'black curtain' in Japanese.

Originally released in 2008 'The Lab' is one of the definitive Tsuba releases from the now disbanded Peace Division.
The undeniable Peace Division groove which made PD one of the most respected duos in house music is in full force throughout this EP. The beat-perfect arrangements that Drake and Henry were known for are here too but there's an increased warmth throughout with the use of sparse chords, subtly used samples and gentle layering of sounds.
From the heavy John Ciafone-esque vibes of Theory and "We Want You" to the smooth liquidity of Get Over it via the futurist updates of the traditional house template of Basik of In My Mind this EP is Peace Division at their very best.

BLTRS04 sees the return of Petwo Evans and what a glorious return it is! Charting moves into epic peak-time techno and electro territory, we anticipate this being their biggest release to date. See for yourself

repressed !

After years of mainly working on coproductions, Andre Crom started to dive deep into solo studio work in november 2015, and since then has been pretty much obsessed with nothing else. 

These tracks belong to the first results of these endeavours, more will soon follow.

The EP opens with "Jaunde", a detroit-influenced spacy cut, somewhere between techno and house. Building on the foundation of a solid Kick&Sub groove we are welcomed by a deep and hypnotic arp theme, wrapped into warm bass pads and a classic string. A perfect track for the later hours of a set.

"Ritus" is aimed more towards building tension, an energetic syncopated stab lead, demanding claps and a tight groove build towards an epic breakdown, before a warm pads gives resolve.

"Momentum" is clearly the peaktime cut of the package, built around driving percussions and an intense arp lead.

Charlotte De Witte, one of Belgium's most promising newcomers and known from several EP's on Turbo, makes her OFF debut with a remix of Jaunde, taking things into a more linear and darker direction.

Dissonant is back with a very significant new signing, Cardace & Perazzini and their most complete artistic statement to the date displayed in two parts. 'Noir Jungle - Part I", sets the tone to this exciting project where the talented Italian duo explores different dimensions, taking house and techno as basis to build up with amazing diversity a truly unique style on top of it. 'Grow Box' engage you into a fascinating mysterious route, using strong undercurrents of sub bass and spacious reverb processing, to inspire a truly immersive experience. The detail in the drums is paramount, constantly evolving throughout the track and propelling the metallic textures and spoken word samples towards a dynamic end-point at the deep end of the techno spectrum. 'Noir' leads the way with a catchy hook rooted in cinematic jazz samples that flirt with the crisp drum programming, creating a piece that moves gracefully between tight house rhythms and loose live sounds. This juxtaposition gives the track a natural flamboyancy as well as an atmosphere of seduction, without ever losing sight of the fundamental funk at the heart of the Cardace & Perazzini sound. 'Jungle Terrace' leads the way with a dynamic, enchanting workout that rides on an hypnotic experimental synth tone and a many-layered groove built from organic percussion. These drum licks and wooden ripples lend a natural feel to the track as it twists through crafty edits and a mysterious vocal sample, creating a truly distinctive dance track in the process. This is a record that gives the taste of the forthcoming double-pack, introducing the core qualities and diversity of Cardace & Perazzini' sound while raising anticipation for what else they have in store for us on Noir Jungle part II.

Developing on the momentum of 'Forgive Me Love' and 'Naoko', which gained support from the likes of Bonobo, Maya Jane Coles, Pete Tong and other prominent figures, Lorca returns to Naked Naked with three new cuts that have their eyes set firmly on the dance floor.
2014 has been a successful one for the young producer. With a busy DJ schedule, that included a debut set at Panorama Bar, and this release follows on from those experiences and is geared towards the big rooms Lorca has become accustomed to.
On 'Calcutec', Lorca wraps an anthemic baseline around a wild, tech-ridden groove, while 'Ndlamu' takes its influence from Africa, utilizing hypnotic vocal chants over tribal grit. The alternative mix moves into trapper territory as its rumbling bass line and infectious lead, bubble under until reaching a climatic finale.
If anything, this latest EP proves that Lorca is more than just a versatile producer. You can only guess at what he will offer up next.

FOR FANS OF
Breach, Dusky, Medlar, George Fitzgerald, Axel Boman, Bicep, Youandewan, Leon Vynehall, Gerry Read, Midland

Sunday Money returns with another indicative vinyl-only release in the form of the Alien Funk EP from Australian born producer Morgan Hyslop AKA Morgan. This is her second release on the label and features four stunning new tracks that are very much an extension of her imprint debut, Queens EP. Expect more of her signature deep & sparse grooves and deft production from this most singular of talents.

Warehouse Find!

Red D is back for a follow up to his brilliant Chez EP which dropped last year and this time he's going for the jugular! The man responsible for
some of the finest house music of the last decade as FCL (with San Soda) and FCL vs VFB (with Motor City Drum Ensemble) knows a thing or two about
what makes the dancefloor lose its s**t, with tracks such as Let's Go Seven, It's You and Can We Try all testament to this.
When he's not DJing at the likes of Panorama Bar or hosting his own stage at Tomorrowland, Red D can be found running his own mighty fine We Play House label from his Ghent HQ.
Moan The Mania opens this release in suitably back to the raw fashion! A minimal drum machine groove and clipped bassline lay the foundations of this tribute to all things jacking with a sprinkling of porno groans to help you on your way. This is sleazy machine funk at it's very best. Next up we have a remix from Eli Escobar, the native New Yorker who has recently been making major waves following the release of his LP Happiness on Classic.
As someone who has remixed the likes of Lana Del Rey, Kim Ann Foxman, Honey Dijon and Holy Ghost we knew he'd be the man to take Red D's baton and run with it.
Keeping the overall vibe of the original intact
Eli cranks the energy further with additional in your face percussion parts and a couple of perfectly placed build ups. Flipping over we have Chase The Cat which takes a similarly stripped-back and minimal approach as Moan The Mania but goes heavier on the 707 beats. Finally we have Dusk Or Dawn closing the release with a deeper mood.
Simple FM synth stabs and glassy chimes provide a tender and naive-sounding counterpoint to the basic beats.
Red D proving once again that limiting your tools and not over-complicating things can often have so much more impact when it comes to house music.

12" with transparent sleeve, 180g Vinyl The Press Group's new issue is a tale of lost love and broken hearts. 'Blaine Mcconchie' is a con-stantly evolving minimal-heyday-inspired trip through bleeping artifacts driven by an organ chord, while on the flipside 'Dog Park' is a classic groover for lush summer evenings. On B2 Frankfurt's Phil Evans gives 'Blaine Mcconchie' his treatment taking the central melody and building a sparse rhythm workout around it.
Third 12" from The Press Group co founder Rupert Marnie including a remix by Phil Evans (Pager Records/GOSU)

Coast 4 cuts, by artists name, Aldo Cadiz, Sosa Ibiza & Mr Wox. The purest underground sound quality and deep bass grooves, with large terrace pure sound, what all artists need in their luggage of music, drumbeats, basslines, vocal everything you need a great vinyl. We have a support grandisimo, with artists like Svent Vath, Ricardo Villalobos, Andrea Butano, Paco Osuna, and many more

REPRESSED !!

The Oscillat Music imprint is back with Sense Of Swing EP.

It is our distinct honor and pleasure to welcome Todd Osborn to the Argot family with his stunning new single, Elastic 68. This double A sider came together over the last three years thanks to regular communication between the Michigan-based savant and label founder Steve Mizek. Its two tracks exemplify Argot's musical direction and check a major item off the label's bucket list of releasing a record by Todd. With nearly mythical finesse, the title track finds Osborn presides over a marriage of sassy, gleaming motifs and invigorating acid lines. Its assertive bass line grabs dancers by the scruff before the unleashing a torrent of churning acid riffs that could stir even the most jaded chin-scratcher. 'Authorized Dealer' is tougher and even more acid-forward, stomping and squelching as it drags the dancefloor into the dungeon for beating it won't soon forget. Vital Sales Points: - Supported by Kornel Kovacs, Midland, XXXY - Releases on Running Back, Ghostly/Spectral Sound,

Supported & played by:
Ame, Acid Pauli, Lou Cooper, Bara Bröst, Riva Starr, Secret Cinema, Tom Fndley, Piemont, Edu Imbernon, Daniel Mehlhart, Marc Poppcke...

BlackFoxMusic is celebrating its 10th birthday with its 25th release. Our new compilation - Kapitel 5' comes in a rebellious outfit, but holds a variety of electronic music.

As usual it features tracks from exceptional artists, who haven't released on our label before:

Douglas Greed who has released on labels like Exploited, Parquet Recordings or BPitch Control wrote a smoothly rolling track for our compilation. - Methology' seems to have an ever evolving melody on top of a very strong basement.

The new Shaddock comes courtesy of Boost Riders, alias of a well known hip hop producer from Madrid.
They deliver a classy and catchy latin Freestyle Tune featuring a prominent voice sample. "People Like Me" has been lying in the label's drawer for some time, it is a personal favourite and this track is the reason why Shaddock Records was founded.
Finally the time for its release is here - backed on the B-Side by a mind-blowing and much darker electro/industrial remix by DJ Stingray.

Spanish musical genius Henry Saiz provided one of Balance's most memorable efforts on the 19th volume, utilising vinyl, cassette, reel-to-reel tapes and over 100 field recordings to create an incredible patchwork of sounds that came together as a beautiful whole. Ever keen to provide something unique, he returns to the series for Balance presents Natura Sonoris: an expansive mix comprised completely of exclusives from his award-winning label.

I wanted to do something special for the 10th anniversary of Natura Sonoris' he explains, and also it's been six years since my last CD mix—also for Balance—so we thought it was the perfect timing to do a new collaboration.' As such, he has used only exclusive and unreleased tracks from his label family, many specially commissioned for this continuous 140-minute long mix. Upcoming releases get a debut airing, firm favourites from previous years get new reworks, and Saiz himself provides a slew of new productions.

The ghosts of dark '80s electro-pop like Depeche Mode hover in the tortured vocals and dramatic mood of Saiz-penned opener Lone Wolf. Muted chimes abound on Hal Incandeza's Contacto, providing the perfect segue way into the hypnotic marimba arpeggios of Bufi's Bird Song. Things take a global twist with the African and Latin rhythms and melodies of RIP BESTIA and Landikhan and deeper turns via A Friend Of Marcus and Saiz's shimmering remix of Damabiah. Joep Mencke's Sonder picks up the energy with its driving beats and strong melodies, before a double helping of the masterful Brassica gives the mix a more intense, direct edge and healthy doses of breaks and acid.

The mix takes on a more chugging, energetic feel with Marc Marzenit's The Walrus and the detuned 8-bit melody madness of Victoria Rodriguez's Moon On A Bright Day, followed by an ascent into euphoric melody with Brian Cid's Luminous Black and Saiz & Tentacle's synth-tastic The Prophetess. The mellifluous vocals of Saiz's The Light get a gorgeous, piano heavy update courtesy of bRUNA, providing a standout moment in the mix, with the stark contrast of Saiz's remix of Sistema's Entreé a near-beatless interlude that again recalls those '80s greats in its emotive melodies.

The final third of the mix comprises largely of a masterclass in production from Saiz, such as the glistening chimes of his Petar Dundov collaboration No Name and the warped hooks of his remix of NVBSL's Woodhouse. It's punctuated by a brooding, sprawling epic from Voltaeric, with the intense sound design and deep atmospheres of Sandman, and closed with another Spanish musical genius Henry Saiz provided one of Balance's most memorable efforts on the 19th volume, utilising vinyl, cassette, reel-to-reel tapes and over 100 field recordings to create an incredible patchwork of sounds that came together as a beautiful whole. Ever keen to provide something unique, he returns to the series for Balance presents Natura Sonoris: an expansive mix comprised completely of exclusives from his award-winning label.

I wanted to do something special for the 10th anniversary of Natura Sonoris' he explains, and also it's been six years since my last CD mix—also for Balance—so we thought it was the perfect timing to do a new collaboration.' As such, he has used only exclusive and unreleased tracks from his label family, many specially commissioned for this continuous 140-minute long mix. Upcoming releases get a debut airing, firm favourites from previous years get new reworks, and Saiz himself provides a slew of new productions.

The ghosts of dark '80s electro-pop like Depeche Mode hover in the tortured vocals and dramatic mood of Saiz-penned opener Lone Wolf. Muted chimes abound on Hal Incandeza's Contacto, providing the perfect segue way into the hypnotic marimba arpeggios of Bufi's Bird Song. Things take a global twist with the African and Latin rhythms and melodies of RIP BESTIA and Landikhan and deeper turns via A Friend Of Marcus and Saiz's shimmering remix of Damabiah. Joep Mencke's Sonder picks up the energy with its driving beats and strong melodies, before a double helping of the masterful Brassica gives the mix a more intense, direct edge and healthy doses of breaks and acid.

The mix takes on a more chugging, energetic feel with Marc Marzenit's The Walrus and the detuned 8-bit melody madness of Victoria Rodriguez's Moon On A Bright Day, followed by an ascent into euphoric melody with Brian Cid's Luminous Black and Saiz & Tentacle's synth-tastic The Prophetess. The mellifluous vocals of Saiz's The Light get a gorgeous, piano heavy update courtesy of bRUNA, providing a standout moment in the mix, with the stark contrast of Saiz's remix of Sistema's Entreé a near-beatless interlude that again recalls those '80s greats in its emotive melodies.

The final third of the mix comprises largely of a masterclass in production from Saiz, such as the glistening chimes of his Petar Dundov collaboration No Name and the warped hooks of his remix of NVBSL's Woodhouse. It's punctuated by a brooding, sprawling epic from Voltaeric, with the intense sound design and deep atmospheres of Sandman, and closed with another mesmerising trio of Saiz productions that culminates in the epic chug of Spiricom (See You Soon). Throughout Saiz peppers the mix with samples from his own productions, layering them subtly with other tracks to great effect, and across nearly two-and-a-half hours he twists and turns at just the right times to ensure this is a captivating listen that captures a range of moods.

I wanted to showcase the spirit of the label's music and its eclectic musical variety and also create a coherent speech that brings the listener to many places,' explains Saiz, that "journey" experience that I try to create in my sets which is what I like to find when I listen to an album, a set or any piece of art that uses narrative. So I tried to create an intense and visual musical experience.'

Nowadays it makes no sense to release a mix that is something the audience can find in a free podcast or a club show so I wanted to use only new exclusive tracks. Also for me, it's kinda "boring" to do the same thing you do every weekend—even if people like it and expect that. It's more challenging and fresh to work with new stuff and build something up from scratch.'

Janis is hell of a Frankfurter. Born and raised that is. His bold imprint "House is OK",being run with two friends was started 1 year before "smile for a while", so there was surely some kind of inspiration coming from that end.

Robin De Wolf is a man of many talents (and identities). Almost two years ago, he co-produced a groundbreaking debut EP on our label, as one half of SHIN. At the moment, he's making a name for himself as 'Phara' with uncompromising hard techno on labels such as Black Sun and Stockholm LTD. And now he delivered us three solid tracks under his new alter ego 'Robert D'. While 'Un Ni Yo is a house track with a wavy sound and affective synths, the second A-sided track 'Dommel' is a banger that begins with a smooth intro that changes over into hard kicks and raw bass chords. On the B-side, you can find a more melancholic uptempo track that goes by the name of White's Wisdom. Interstellar Funk' tops it all off with a remix of 'Un Ni Yo' that combines the wavy sound of the original with synth-heavy electronics. An absolutly killer EP!

Number 3 of this 4 piece exclusive 12-inch series! All tracks are specially produced for Steffi's Fabric 94 mix cd!

The Divergent label is set to build on the success of its first release with a standout second single this spring, this time from exciting new artist End To End, co-produced by label boss Bimas. The single also features a remix from the head honcho as well as Stephan Krus and is another fine package that is set to further cement the reputation of this up and coming imprint.

Paolo Aliberti is an Italian artist who has worked with labels like Melodica and Stealth since starting out in the '80s. His big and bouncy techno sound has a focus on melody, groove and harmony, and he recently linked with the CEO of Media
Records to start this new alias End To End.

Now he follows up a debut remix with a great new single for Divergent. The fantastic original mix of 'Labyrinth' is a strong, driving production, aimed firmly at the darker floors, and is certain to find favour with plenty of techno's leading DJs. It has slick and icy hi hats, rougher claps and forceful kick drums all surging along and taking you with them as synth sweeps and weird vocals add to the tension. It's a real dance weapon indeed.
Label boss Bimas then steps up to add his own spin and flips the cut into a more boisterous and bristling techno roller with futuristic synths, smooth hits and tripped out pads all hypnotising you as the groove rolls on. It's a moody affair that really stands out.
Last of all, DJ/producer Stephan Krus, who has fifteen years in the game and has been resident at some of Italy's key techno clubs— reworks the track into a dark percussive workout, with brooding pads and menacing bass all locking you in.
This is a fine techno offering once more from the impressive Divergent label.

early support from MANIK, Martin Landsky, Anja Schneider, M.A.N.D.Y, Gorge, Danny Howells, Maceo Plex, X-Press 2, Paul Lorraine, Terence:Terry, Droog, Laura Jones, Enzo Siragusa, Layo & Bushwacker, Shinedoe, Huxley, Mr G, Dusky, Brothers' Vibe, Leon, Terry Francis, Geddes, Claire Ripley, Carlo Lio plus many more....

Introducing Klorin, a collaboration between Kenton Slash Demon and Norin, also known as the lead singer of Swedish synth-pop trio Lust For Youth. Their debut EP 'Noncompliance' floats inbetween industrial hypnotic techno and dark ambient, created in a number of early morning sessions in Kenton Slash Demon's Copenhagen studio. "We were fascinated by the idea of combining something that was almost primal or tribe like rhythmically with an atmosphere that felt tecnologically advanced and futuristic - aiming to capture a feeling of being detached from society in an industrialized, achromatized and modern world.

Psychic Advisor- is a worldwide affair- mysterious Makybee Diva from Down Under,Snad- hailing from Chicago, L'amour Fou on B1- the project of Move D and his friendsfrom Taipeh- Benoit and Marco- plus last but not least Arnaldo reppin' Berlin / UK /Argentina, closing down the compilation on B2. You might consider this record as a clubnight from start to finish- there is everything from slow euphoria to crystaline deepness, from shake-everything-moments to differentstates of a sweet dream - but it all fits as if it was bound together. Full Cover artwork as
always by Stefan Marx.

AUS follow up some landmark records from the likes of Bicep, Shenoda, Youandewan and new addition Fold with the return of a label-favourite - the esteemed man of the moment Marquis Hawkes who offers up his first full length EP on AUS in the form of 'Chances'. In the wake of his recent outing on Houndstooth as well record on Dixon Avenue Basement Jams and Clone Jack For Daze, the London born Berlin based producer does what he does best for his AUS debut and lines up three rapturous jams packed with Disco loops and tough analogue drum work all suffused a signature degree of grit. The title track filters into focus as truncated and funky loops are set tumbling one after another propelled by ripe, punchy drums before 'A Very Deep Groove' then follows up with syncopated rhythms laying the groundwork for a rich, hypnotic mood. 'Free Of Sin' then finishes things up and sees Marquis building steadily blooming tension through sparse sampling and naturally sequenced drum tracks that close the doors on a stellar 2015 for AUS.

British 808 enthusiast Pierre Codarin delivers the third release on Huxley's No Idea's Original imprint with a trio of cuts.Having impressed the likes of Raresh, Radio Slave, Mr. G, Art Department and Rolando with his PC record label's first outing this year, Codarin's productions are skeletal house grooves with the sort of raw energy and depth that Baby Ford has perfected. 'D Express''s intricate layers of percussion and warped atmospherics, 'Das Neff''s trippy, fractured electro and closing track 'Concrete''s pounding, shuffled mechanics all serve to create a rich debut 12 from Codarin on NIO..

The debut release from UK based label Brick Recordings "Cracking Skies", is a three track EP written and produced by Rob Gribbin. Featuring subtle deep house and techno grooves. The attention to detail and sonic quality is evident within the music.

Transit Records 005, "Without End Hours', comes loaded with phat, but definitely distinct dancefloor bangers that take the title of the EP quite literally. They cover a full night (and day) out in the club, and range from dark, technoish House (- When Your Groove Is Mine"), over uplifting re-interpretations of classic House anthems ("Without End Hours"), and Dystopian Tech-House (Negativ Dekadent Remix), through to sizzling After Hour House (Zuckermann Remix). Ryoma Sasaki's originals show his love for classic electronic music blueprints and how he is able to turn them creatively into something compellingly fresh and contemporary. It feels like listening (and dancing) to something you know, but not from the past, more so from the Now. And while they wonderfully work in that now of the night, Negativ Dekadent turns this familiar feeling into an uneasiness with the future, only to make you forget about it in the abyss of his beats and overwhelming synth patterns just before the morning breaks. Finally, Zuckermann fully beams you into the slightly distorted new world you might find yourself in anyway at 11 am on a beautiful sunny morning on one of those (Berlin) dancefloors.

For Modern Dancefloors excavates an unexplored corner of Chicago house history highlights Chris Ike & John Kardaras' who in the 90s under varying names. Edits by Savile & Steve Mizek.

The second installment for the label comes from Sheffield based artist Tommy Vicari Jnr.The EP starts with Always Be Here, track which gives the release the name and sets up the mood with an uplifting vibe.Rudow explores more esoteric realms, bringing you into deeper states of mind.Ramshackles ventures into more dub influenced territory, expansive chords and a twisted beat make it a monster in big sound systems.Untoucome closes the EP with a heavy bassline, sprinkled with some tripped out sounds making it perfect for a closing trip.

A1) New vinyl groove techno producer Ruben Martinez and the famous Romanian singer Alexandra Stan large pump version already known in the World, joins this fusion of Romania and Spain to create this magnificent version for all techno lovers, highly recommended for vinyl lovers.

A2) The Colombian duo formed by MicroBeats & James Corquita presented Deep Inside Me a track that combines the elegance of House sound's with aggressiveness and forcefulness of Techno Sound.

"With the 7th release IAZIKZAZUBAMI , Michael Claus & CM-4 , Joakim Hellgren and Garben presents 4 strong cuts full of deep raw acid grooves which all be made directly for the club ."

This release was a follow up of sorts to my remix of Ricardo Tobar's « If I love you ». Having spoke to Jerome Mestre of Desire a few times since the remix, he and I decided that it would be great to follow it up with a dance focused release. The idea behind « Parisian Summer » came after I played the Weather Fesitval in Paris during the spring of 2013. The atmosphere was amazing and so many new ideas emerged from my experiences there. « PartyDaze », « Svetlana » and « MadDance » were all created ahead of my show at La Machine that weekend. All three of those tracks were made with the purpose of capturing that raw energy that was being given off by some of the best crowds I've ever witnessed. In Paris they party with you not to you, so it was important for me to create songs that captured those moments when the crowd was at their most energetic. « Irregular Bedfellows » was created as a nice counterbalance to the high energy drive of the previous three tracks and « Uneven » was to bookend of the whole EP. Created several years ago it languished in the completed folder on my hard drive. Never really finding its right place until this project came along. It sits squarely in the middle of a relaxing dream and a feverish nightmare, truly Uneven. ' D'Marc Cantu - May 2014

Here is tablon's forthcoming release. After two EP's by Arnaud and Sarp Yilmaz, this young parisian label presents its third 12" release.
Known as a main parisian house figure, Dolibox comes now with "Sofi is Acid", a deep four track EP. Going from percussive house grooves to deep, planing moody cuts, his characteristic style talks for itself.

The reality is a relative concept, and our life is made up of fantasy and illusion. Our music is the key of our thoughts, and our sound can help us to discover it. 'Nothing is real' express our vision in a period where information is false and manipulated most of the time'
Alberto Iovine and Alessandro Fumagalli aka Modular Project announce the launch of their new label, in partnership with Rebirth Records.
The 001 is the brand new work from Jay Shepheard. With a steady stream of releases starting back in 2007 Jay is an established and well recognised staple of the scene. He has released on a diverse range of labels including Diynamic, Pets Recordings, Freerange, Buzzin Fly, Poker Flat, as well as his own respected Retrofit imprint. Nominated for best Deep House and Nu Disco artist in the Beatport awards, Jay also played many of the world's most respected venues including Fabric, Panorama Bar, Secretsundaze and Boiler Room.
The three tracks that make the 'Heat EP' are rich in depth and quality with trippy synth lines, strong basslines and grumbling FX, giving us a taste of Jay's new musical direction.
Modular Project take 'Heat, Nothingness & Unification' into a spaced out version with luscious melodies, post-punk guitars and new wave vibes, driving us into a deeper journey.

repressed !

Following on from a hugely successful 2014, culminating in a nomination for 'Label of the Year' at Gilles Peterson's Worldwide awards, Rhythm Section International is back with a real statement of intent for 2015. Stepping up for RS004 is Canadian producer 'Local Artist', who delivers a 3 track EP via his native Vancouver, his second release following a stunning debut on Anthony Naples' Proibito label. On the Feelings EP, Local Artist presents 3 very different tracks, tied together by a decidedly dubwise approach to production. From the glaring dub siren in 'feelings (digital dub)' to the hazy step of 'Place I' via the uplifting shuffle of Ozone, the record is as versatile as it is effective. The clever use of delay, spaced out atmospherics and sound-system dynamics on this 12' has been championed by the likes of Ben UFO, Osunlade, Noise in my Head, Alex Nut, Damiano Von Eckhert and Jack J who have all been vocal early advocates of the release. Occupying the grey area between house, dub and techno, the EP also doffs it's cap to the sound of the Canadian Riviera, a la Mood Hut, while paying respects to the pioneering studio work of King Tubby and Rhythm & Sound.

Raum Musik 100 is coming from Edgardo Alonso better known as Sakro. He is hailing from Mexico and we have been following his work for quite some time now. Therefor we are quite happy that we finally found the perfect match of tracks to put this single together. The title track of the EP "No time to explain" already attracted a lot of attention during the summer when a handful of djs that were lucky enough to already have it, have been dropping the tune on some bigger stages and festivals and it quickly became a sought after track. We are very happy about our 100th release and as always we hope you enjoy the music as much as we do. Cheers and happy birthday Raum !

Early Supported by Ame, Luke Slater, Len Faki, Guy Gerber, Dj Tennis,Vince Watson, Gel Abril, Christian Smith & many more..Written, arrenged, produced & mixed by the house legend TERRENCE PARKER..ABT says welcome to legendary Terrence Parker , who dropped this wonderful track, presenting his project 'The Lost Articles'..The remix package features a special re interpretation from neither less than JOHN TEJADA, plus other 2 versions from the Italian outstanding duo DIRTY CHANNELS and the label boss FRANCESCO BONORA & MARCELLO ARLETTI.

FEEDBACKS:

AME: Thanks, Best Mix John Tejada
Christian Smith: liking the original the most. old school, but good.
Luke Slater: thanks for the music
Dj Tennis: Nice package.
Len Faki: love that!
Guy Gerber: big fan of Terrence .thanks
Tsugi Magazine: coool Tejada remix tx
Robert Owens: Cool track
Vince Watson: Liking John's remix on this
Claude VonStroke: Downloading for Claude VonStroke
Brothers Vibe: Solid mixes!
Shinedoe: Francesco Bonora & Marcello Arletti Remix for me, thanks!
Terrence Parker: All the mixes are great but my favorite is the Francesco Bonora & Marcello Arletti Remix! I love it!!! :) 10/10
Gel Abril: sounds nice will try!
Steve Lawler: Downloaded, thanks.
Ralf: wow! Francesco Bonora & Marcello Arletti Remix
Guy J: John Tejada for me , thnx
Alessio Mereu: awesome ep!! thanks!!
M.A.N.D.Y.: thanks
Patrick Zigon: amazing ep! Considering for an airplay my Biotop Radioshow on sceen.fm!
Dj Sossa: cool
Ilario Alicante: downloading for Ilario Alicante, thanks for the music
Salvatore Freda: Bella release e di prestigio. L'originale ha quel feeling insuperabile ed e la mia preferita, anche se in alcuni set potrei scegliere di suonare quella di Tejada che mi piace anche.
Jorge Savoretti: nice warehouse grooves!
Hermanez: Very nice release !!
Slam: will road test thanx
Zoe Xenia: Awesome pack!
Rame: i Love dirty Channels Mix Thank you !
Paco Osuna: Will try thanks ;)