Techno Новости
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Intense Techno EP from the Berlin based producer LADO (AFU Limited, Nachtstrom Schallplatten, Dancefloor Killers).
The Ghost Pepper is a dark, pushing Techno track with threatening, stabbing synthies on a heavy pounding bassline.
The second track, Acid Steps, is more floating and driven by a minimalistic, slowly developing 303-line based on a solid, uncompromising beat.
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Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
'Radar' by Parisian DJ and producer NiKiT is Electronic Emergencies' first release in 2020. Two years after his debut, NiKiT has once again delivered a stunning mini-album. His idiosyncratic and particular style within the realm of techno flirts with electro, and sometimes even has a dubby touch. Compared to his debut 'Arcanes', NiKiT's sound has expanded and is more spacey, while staying powerful and very danceable. Celebrated Dutch painter Ditty Ketting conceived the mesmerising cover art.
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Please lend your ears to this new pastoral and nostalgic beauty from Swoop And Cross, aka London based Portuguese composer/musician, Ruben Vale. Like a soundtrack to a melancholic and romantic silent film from long past, the tracks on Stories Of Disintegration wind their way into your subconscious, softly easing you into a state of memory and longing. As though you are watching your life on rewind...and waiting to hear what happens in the music. The languid and dreamy piano motifs are counter balanced by more rhythmic electronic flourishes, and together they form this very contemplative set of sounds. Put this album on late at night with someone that you love!
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Samuel van Dijk aka VC-118A returns to Delsin and gives us a taste of what's cooking in his futuristic electro lab. On this fierce two-tracker 'Crunch / Plonk' the Dutch producer presents two rough cuts of his trademark machine sound. Three smoke-filled endless loops add up to the a-side for a taste of his forthcoming album early next year.
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Yila, an ex-Londoner based in Ljubljana collaborated with two Dj's: French London based Giom and Slovenian Alleged Witches.
The combinations were the focus; each person bringing their unique style, this natural melding deciding the genre without confines, guided by the Dj's understanding of what works in the club.
Sprinklings of nostalgia meet a future thinking fusion of dance music with a focus on slick production. There is a subject matter; not expressed through the contrived mind but through a subconscious sonic delivery, allowing the political nature of the music speak for itself.
Mastered by Brian Sanhaji @ Calyx
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A re-issued classic from the veterans of the genre, welcomed back via the Direct Beat Classics (DBC) label.
1) "Electro Techno" - Thunderous Street beats and cyborg vocals rule under the futuristic atmosphere of Detroit in this
legendary throwback of electronic funk. Still a signature tune in their catalog of greats...globally proven to start the
party.
2) "Black Planet" - A funky bass secured rhythm laid atop sparse percussion. Straight groove made to ride into your next
voyage.
3) "Electro Techno (MicroKnox Remix)" - Rehashed & restructured for the street...a splendid taste of the future from the
original material. Hyper tech-lines, subsonic bass & beefy drums remixed to rock venues properly. Electric, in full swing.
4) "The Flight" - Robotic rhythms standing tall against a cosmic backdrop of bass kicks & steely synths created for lift off.
Perfectly piloted into the Aux-Quadrant for your funk filled journey. Ride the vibe.
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"3x12" - Vinly Only.
The second instalment of minimood's multidisciplinary fusion series features Die Wilde Jagd with an extensive rework of the neo-romantic ’Morgenrot’ as well as a vast array of diverse remixes by Ancient Methods, CV313, Luigi Tozzi, Roman Flügel, Rude 66, Steve Bug, The KVB, Vactrol Park, and Variant. This gatefold 3x12" vinyl only release is visually enhanced with intricate hand-drawn artwork including inlay by Dusseldorf based artist Susanne Giring. Written and recorded by Sebastian Lee Philipp with his Uhrwald Orange studio collaborator Ralf Beck, ’Morgenrot’ originally appeared on Die Wilde Jagd's debut album in 2015.
For this release, Philipp and Beck re-visited the song: the ensuing ‘Fangschuss Version' enjoys an augmented arrangement, additional instrumentation and a haunting guest vocal by New- Zealand based singer Nina Siegler. In Philipp’s words, the 'Fangschuss Version' constitutes “a venture to capture the spirit that has been guiding this fusion release - a desire to explore the concepts of friendship, time, distance and memory. An attempt to unveil fragments of the unseen and to reveal the surge of a distant remembrance in an embracive listening experience." 'Morgenrot' subsequently gets a highly varied remix treatment by a range of carefully selected artists.
While Vactrol Park navigate the original audio material into beautiful ambient territory, Ancient Methods showcase an epic masterpiece of enchanting medieval-vibed techno. The KVB turn the track into a dreamy cold-wave trip and Rude 66 dives into a dark, primetime, anthemic dimension. For Roman Flügel, it’s a slow, organic, starry-eyed approach and Luigi Tozzi transforms 'Morgenrot' into hypnotic & loopy, minimal, deep techno. The rework by Steve Bug plays with the original's melody and a danceable kosmische-infused house cut emerges.
The final two remixes are both crafted by legendary Echospace Detroit mastermind Stephen Hitchell: absorbing deep trips into mesmerizing dubtechno by CV313 and into foggy lo-fi ambient by Variant.
To say we're simply just "excited" to get this phenomenal album by Double Geography out would be a monumental understatement - it has been on rotation here at INVINC HQ pretty much constantly for a couple of months now.
Double Geography is Duncan Thornley, one half of Weird Weather who have released on Emotional Response, Going Good and the Whip+Lash imprint, exploring sometimes hypnotic, sometimes abstract experimental tech-tronica.
Double Geography, however, takes us deep into the undergrowth, into the world of plants. With tracks named after a variety of flora the music could loosely be described as laidback ‘balearica'. However, where much of that genre (if it can even be called a genre) has spawned so much insipid, mediocre coffee table ‘lounge music', The Indoor Gardener has retained that crucial element of tripped out psychedelia that transports us just that little bit higher.
Technical wizardry is also very much apparent. Thornley's day job as an audio engineer shows. The unique character of the sounds we're hearing seem as rich and diverse as the natural world that inspired their creation.
So relax, take a deep breath and take a wander round this botanic paradise - a psychedelic Garden of Eden for the 21st century.
"The perfect record for taking a trip without actually going anywhere....another winner from the Invisible Inc camp....will bring a bit of light to the dark times ahead" Alexis Le Tan Full Circle / Bahnsteig 23 / Born Bad / Idle Press
"So amazing.....all tracks sound spectacular" Monika Seta Why People Dance / Dance In Chaos
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Pink Vinyl
Electronioca Hardtek papa !! One of the joyfull rare record offer a impossible melt of style... Well done !!!
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Landscapes of dystopian worlds, both emotive and driving,
unveil new forms of life here as Nightdrive’s “Miracles” LP
travels through the far east regions of house and techno with
this 10-track release. As this marks “Rough Cuts 02” for Too
Rough 4 Radio, “Miracles” is as much a transcendent force
of ethereal tunes as it is effective for any dance§oor. What
you’ll uncover across this release from this St. Petersburg
based producer is a traversing blend through IDM, Deep
House, DnB, and Techno through the lens of lush,
atmospheric soundscapes
Four high alert Cyborg nightmare files. Predictions of wars on hypergravity planet sectors in the distant future. Fullmetal Cyberspace. Errand messages from off-world vegetation. 'The mycelial body is as fragile as a spider's web but the collective hyper-mind and memory is a vast historical archive of the career of evolving intelligence on many worlds in our spiral star swarm'.
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
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- A1: Vakula X Mira - Hypotheses
- A2: Vakula X Mira - In Search Of Ancient Civilization
- B1: Vakula X Mira - In The Wake Of Trismegistus
- C1: Vakula - Lemurian Balad
- C2: Vakula X Nevertii (Feat Olena) - Om Namah Shivaya
- D1: Vakula X Nevertii (Feat Olena) - The Message
- D2: Vakula X Nevertii - New Civilization
- D3: Vakula X Nevertii (Feat Olena) - Sacred Forest
In Search of Ancient Civilization is an contemporary electronic work at its finest, although the tools used to shape its sound are linked to a folk tradition. For that matter the album features musicians from within Vakula's creative circle. Tracks that needed specific vocals and also rare instruments such as harp, fujara, tambourine have been produced in collaboration with Olena Nevertii and Yaroslav. The artist has sampled himself while throat singing along with field recordings in natural surroundings.
There's a message behind the carefully made-by-hand fantasy aesthetics of the production and its unconventional voice. Vakula's fascination with the Ancient world moved him through the history of humanity, to the point where his findings were insightful enough to warn the listener: "It's time to wake up".
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During the last 5 years Herrensauna has become one of the most esteemed spaces of Berlin's queer underground. Showcasing a sound between experimental sonics and heavy techno in an open and intimate club setting, the collective has launched a batch with some of the most influential artists of the new generation of techno such as residents SPFDJ, Héctor Oaks and co-founders CEM and MCMLXXXV. With Tresor as their main home in a monthly basis, they have expanded their vision internationally with showcases at clubs around Europe and key appearances on Boiler Room as well as an upcoming Herrensauna Takeover with the 4 residents B2B to close the UFO1 stage of Dekmantel 2021.
Now Herrensauna are set to kick off their record label presenting music by the underground talents they have been supporting in a series of vinyl EPs. The first installment includes tracks by in-house resident Cadency aka Héctor Oaks, Copenhagen's Fast Forward member Sugar on the A side, and the duo of Peder Mannerfelt & Pär Grindvik aka Aasthma featuring London's Dale Cornish as well as Historical Repeater, the collaborative project of Copenhagen-based producers Ctrls and Solid Blake, on the B side. While on artwork duties is Berlin-via-Porto multidisciplinary artist Mauro Ventura who will create a painting for each release.
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- A1: Damage Machine - Hybrid Mind
- A2: Cenobit - Alles Ist Zu Spät
- A3: Quato - Energizer
- B1: Qualkommando - Trinity
- B2: Lawrencium - Speedtongram
- B3: Noizefucker - Darkstream
- C1: Nekrosystem - Karma Vibes And Witchcraft
- C2: Voldo - Panik Attacks Since 1980
- C3: X-Core - Devilbeat
- D1: Occulkot - Gateway To Annihilation
- D2: Qualkommando - Skullcracker
- D3: Pain Alliance Vs Komprex - Shadowrun
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
The project began as an experiment. Haley switched digital audio workstations, rebuilt his palette of sounds, and tasked himself with simply trying it out. The exercise freed him of expectations and permitted a process that echoed the tones of more immediate external environments. A gravity had seeped in; resulting material shifts between bleakness and sublime suspense, awe at the expanse of existing, in looking back and letting go. “It’s a sort of sad smile and a wave goodbye but at the same time hello, a 'welcome to your life’ moment,” Haley says. Take the storm pattern sequence from “Gaussian” to “Ultrafiche of You”: a queasy, contemplative vignette rests on a single soft-synth cloud before the latter’s percussion ripples across the sky. With trademark stutters and swells, the composition conjures the sensation of searching in the afterglow. “It’s a love song, and I don’t write many of those.”
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Modularz welcomes Italian producers Conrad Van Orton & VSK who have both released a wealth of strong releases over the years. As fans of their sound Developer asked the two producers to create something special for Modularz and this is the result of that. The release contains 6 powerful techno cuts that will work perfectly in both the club or the warehouse.
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Red Vinyl Limited Pressing
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Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
'Keep it Simple' is anything but, the atmosphere came from an early morning field recording in the departure lounge of Milan airport, the chatter and noise comes over as something almost alien and the melody came later after an alcohol soaked evening sitting by candlelight with friends, playing the piano. Despite it's multiple layers it has only one message - give trance a chance. 'At Last' is a more direct affair, with a classic call and response pattern, the 0-coast shouts aggressively at the microbrute and the microbrute responds with a howl not dissimilar to a lost whale calf calling for its mother.. either that or its just a banger.
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Another phenomenal release on the already acclaimed Blumoog Music. Three tracks of absolute quality and pure energy. Mreux opens the project with ‘Radar’, an explosion of psycho-acid that will take you to a new dimension. ‘Deep Space’ is characterized by a powerful and mentally persuasive groove, a journey to the edge of the mind.
Scandinavian techno legend Joel Mull (Parabel , Drumcode, Hproductions) contributes with ‘Deep Space remix’. A very strong techno cut with a solid kick and relentless percussions, pure techno in form and beauty Limited edition coloured vinyl makes this release on Blumoog Music even more appealing. Don’t miss this episode as it will give you a taste on what’s to come in the near future.
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Maurizio one of the founding members of Concrete Records drops 2 original tracks that bring us into hypnotic landscapes full of deep groove and abstraction.
Ethereal and strong at the same time, this tracks are made for being played in the most disparate dj sets both as regular "dj tools" and as real killer tracks.
To confirm this, the two Tensal remixes lead the release to even more extreme territories, without however deforming the "mood" of the tracks.
A perfect match for a release that has a well-defined and very powerful sound.
Limited edition of 150 copies
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Emerging producer Patrick Conway delivers the goods on the second EP to be released on Art E-Fax.
E-FAX002 is a selection of submerged breaks, dark and spectral bass grooves and washed out melodies all combining to make release that is as eerie as it is infectious. A producer who describes his influences as being 'transcendental meditation, UK Rave, Sheffield bleep/Warp records, Carl Craig circa the early '90s, Silent Servant, Shabba Ranks and joss sticks smoking out the studio', it's not hard to hear the shadowy, dense smoke and heavy calm that unifies those inspirations.
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Repress!
NX Records is a collaboration between Matthew Herbert's Accidental Records and the Department of Music at Goldsmiths, University of London.
In May 2013, the label launched with an introductory mixtape and live performances as part of the Puregold Festival launch at the Southbank Centre. NX Records has continued to release new, critically acclaimed music, host numerous events and run an annual pop up record shop.
The label's mission statement is to create a new model for the music industry, connecting exciting talent from the renowned creative hub of Goldsmiths - and the wider community of South East London - with the ever-experimental Accidental Records.
Our aim is to build connections between emerging artists, education, the industry and audiences. NX is a professional label that works alongside, not in opposition with, DIY artists.
The first in our series of experimental split 12"s focuses on instrumental electronic music.
Goldsmiths student and modular wizard Sam Hostettler evokes a daydream meeting between Vangelis and Burial, with his impossibly lush synthscapes shot through with dubbed out percussion. Meanwhile, La Leif's blend of crunchy, electroacoustic techno and outernational field recordings should hit the spot for fans of Karen Gwyer or Shelley Prior.
NX12X is out on Feb 1, with a launch party at The Glove That Fits on Feb 14. Come grab a copy of the vinyl, and have a dance...
Following up on his highly anticipated debut tape from 2018, TAFKAMP returns and delivers INDRUKKEN II - an exciting trip through a selection of musical impressions from the Rotterdam-based artist. Limited edition tape run!
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Introducing new London label Premature Recordings, founded by Ben Galyas, focussing on 'progressive electronic music'.Obuscule is the debut release from South London based artist, homas9000. Two tracks, produced in early 2017 using modular synthesizers and DIY recording techniques: the meandering Veolia, all hazy reverberation and distortion; and the industrial Droid, with defunct drum machines, screeching pads and twisted breakdowns.
Banging owesome sheperland special.
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After closing the first part of Fundamental Records' experiment called Music for The Other People Place, the second part begins. Music for The Other People Place. Experiment 2. A special and highly limited electro / electronics project (tributed to James Stinson), produced by different artists that will remain anonymous, if they choose to...
The Drip EP brings together four distinctive producers and one set of sounds - The Drips. The result is a compilation of 4 tracks that bring the swing and sampling of some of Accidental Jnr's finest to produce a soaking wet dancefloor.
First up is label boss Matthew Herbert with a trademark groove that harks back to his Wishmountain moniker albeit found lurking in the swamp. Cosmo Sheldrake takes a slight departure from his usual multi-instrumentaling live-looping avant-folk to deliver a track that could only be described as travelling circus aqua-techno. Bahraini born, French / US bred and now Edinburgh dwelling video game builder, sound designer and sometime Scottish league football referee Yann Seznec opens the B-side with an absolute stormer of a rain drenched club hook. Sussex based producer Crewdson and builder of such electronic instruments as the Eggiophone and Concertronica closes proceedings with a drizzling evolving 2-step number.
Kick off 2019 with In The Dark Again 11! This latest installment brings together 5 great tracks. The Bleak Engineers from St. Petersburg (Svetlana Zombierella and Alexander Moralez), lead the way with their irresistible groove and melancholic synth melodies on - Scientific Science'. Next up with a heavy hitter called - PTP' is Synkronized, the specialist in dark electronic sounds out of Russia. Coming in third on the A Side is a fascinating sinister baseline with a hypnotic build-up titled - Electronic Humming', produced by Pablo Dissko (born in Greece, living in Amsterdam).
The B-side keeps it rolling with Greek artist KSTS' wicked Electro on his vocoder-driven tune: - Three Hundred Dark Times'. Closing out the collection is Alavux (born in Serbia, living in Macedonia), another true Electro master delivering a banger called - Bender', that leaves absolutely no questions.
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Part 3[14,08 €]
A testament to the growth of Adam Beyer’s scene-leading label, Drumcode annual A-Sides Vol.8 is the brand’s biggest yet.
The 25-track strong compilation, split across 7 EPs, features standout cuts Beyer has received over the last 12 months, but been unable to find room for in Drumcode’s regular release schedule, such is the volume and high standard of music that’s submitted.
Part 4 sees Juliet Fox provide the hypnotic ‘Was Beautiful’ with it’s spellbinding vocal samples, as Marco Bailey unshackles the trance-inducing ‘Haku’. The flip houses Tuscany’s Luca Agnelli with his glitching powerhouse ‘Apollo’ and Jay Lumen’s ferocious ‘Razor’.
The highlight-rich compilation also includes Jamie Jones & Darius Syrossian’s buzzy Drumcode debut ‘The Grid’, Nicole Moudaber’s first DC release in 5 years with the mesmerizing ‘This Is Us’, Will Clarke’s bass-drenched re-work of Adam Beyer & Bart Skils ‘Your Mind’ and Joey Beltram’s first Drumcode release in 11 years with the retro-tinged ‘Can You Feel It’.
The beloved Alan Fitzpatrick returns to the fold with the searing ‘Heiße Rakete’, while the exciting Hyperloop project links up with Upercent for the slinky loop-driven ‘Rouge’, alongside label mainstays Layton Giordani, who drops the stirring chord-driven ‘Chrome’ and Wehbba with ‘Mantra’, combining techno classicism with future-focused groove.
There’s a troupe of debutants donning the Drumcode jersey for the first time, including BEC, Shelley Johansson, Avision, Zimmz, Woo York, SAMA (in a terrific collaboration with Secret Cinema) and Ilija Djokovic, who delivers a shimmering highlight with ‘Aura’, a particular favourite of Beyer’s over the last year. Raxon also debuts on the label after a couple of quality additions to the Truesoul back catalogue.
Exciting young gun Weska brings heat to the compilation, while Veerus and Timmo follow up strong DC releases with a repeat dose. Elsewhere faithful contributors Ramon Tapia and Mark Reeve craft powerful dancefloor weapons.
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Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Cardiff based DJ and producer Guy Evans has been producing music since 1992, although it was only in 2014 that he had his first vinyl release on the Glasgow based label ALL CAPS.
Since then, he has released both new and archived material on labels such as ORGANIC ANALOGUE, CEJERO, CRISIS URBANA, EXOTIC ROBOTICS and many others. This EP marks the first release on his own label 'OTHER WORLD MUSIC' and features 5 tracks created recently by the producer which cover a broad range of styles, from Detroit house, downtempo ambient to futuristic sci-fi breakbeats. Some of the tracks on the EP have already gained airplay on stations such as NTS Radio and we look forward to hearing more releases from the label in the future.
Club-fueled horsepower drives this 9-track "Cinnamon Behind the Wheel," as the Asheville-based producer DZee weaves together a collection of shapeshifting landscapes of euphoric breaks, gritty industrial rhythms, hypnotic-induced dub and UK rave stunners into a cross-pollination of both UK and US inspirations. As the cofounder and operator of TRAM Planet, DZee forges new frontiers for the label with this wild ride into pure dancefloor heat for all sound system terrains.
Whether it's the arpeggiated vocals in the rave anthem "Expired Lotion Aug 29," the kinetic feedback beatdown of "Ho Ken Waa" or the electro breaks hybrid opener "Phantasy Rewind" - "Cinnamon" has as many shades of styles as it does bangers. But DZee flexes more than just versatility prowess here, as it clocks in at nearly 50 minutes, the release covers a masterful blend of wide range BPMs and seamless arrangement structures that run as smooth as the shifting gears of a high octane engine.
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Collecting orders for repress
Dutch producer Frank de Groodt, well known for his projects like The Operator and Sonar Base, produces his 4th release under the name Fastgraph. He already made big impact on Adults Esatz Audio label and kicked ass with 2 releases on Klakson. Again he drops 4 deep and dark Drexciya style electro tracks!! The raw deal for what he is best known for.
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2019 has sparked a new evolution for the transient broken beats of London’s Itinerant Dubs.
The enigmatic imprint has been running in silo since 2013, providing the final strongholds of the underground with innovative bass aesthetics and an intoxicating electro swarm. In fact, “It’s Magic” opens the A-side with a cold, bruising cut of metallic percussion wrapped around lonesome, dystopian bleeps and form-shifting synths. Minimised and stripped-back to its core functions, guided by bold infusions of breaks. “Oh She Dance” is the duo’s most playful construction yet, mashing up a loose jungle flow with more rigid breakbeat science to form a deathly machine-gun of sonics. Bullets keep spraying across “Salsa On Mars” - a raucous, percussion-heavy slice of dubbed-out house - albeit with a moodier, more introspective groove that takes its ammunition from London’s inimitable jazz arsenal.
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After his fantastic acid bomb 'Carve', released in 2014 as the opener of DMT 004, Lee Holman finally comes back to the label with a full E.P. And yes, if you know Lee, you know it is going to be analog-infected!
The vinyl opens with 'Provider', an in-your-face techno attack with a directly recognisable synth-line and some heavy claps that will drive you insane. 'Disarmament' takes us in much deeper territory, with some beautiful pads opening up through the track, while the a reverberated layer of percussion keeps the dancer on his toes. 'Breaking the Code' brings in the acid, while the track bleeps away to eternity, taking us further into Lee's dark universe. The E.P. finishes with 'Eagles in a Cage', a beautiful introspective piece of ambient music.
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MUSAR continues to explore the healthy landscape of underground and alternative electronic music with the debut release on the label from Nightwave. 'The Journey' is a fitting title for the Glaswegian producer, DJ and promoter, who has been a lynchpin for the city's vibrant music scene since her first release in 2010. In the time since, Nightwave has a developed a punchy and highly original sound that blends potent influences of acid, techno and forward-thinking bass music, with releases on DABJ, UTTU, Fool's Gold, DEXT and her own imprint Heka Trax.
For her MUSAR debut, Nightwave celebrates, in her own words, "joy, dance, exploring inner worlds, the celebration of nature and life and how it all interconnects". On a delicate tip, opening and title track 'The Journey' establishes the EP's "rainforest rave" aesthetic, spiralling upwards with weightless energy. It's underlying percussion steps forward on 'Jiboia Groove', which blossoms thrillingly into wave upon wave of ethereal, breakbeat-led rave.
'Monkey Puzzle' pulls a similar, if more uncompromising trick, only with its rhythmic timber instead succumbing to layers of rough-hewn, squealing acid synthesis and pounding snare drums. 'Forest Guru' meanwhile restores much of the record's spiritual equilibrium in one fell swoop, finding a clearing in the landscape to sculpt a rolling, detailed jam that's as playful as it is creative.
Naive founder and Lisbon's rave goddess, Violet generously remixes 'The Journey' in intriguing fashion, unravelling a trippy and tense riddle at the heart of the rainforest.
Pailhead was a collaboration of vocalist Ian MacKaye (Minor Threat, Fugazi), Ministry’s Al Jourgensen and Paul Barker, and drummer Eric Spicer (Naked Raygun).
In 1986, MacKaye was just a few years away from his genre-defining work in Minor Threat and on the cusp of starting an even more influential band, Fugazi. Al Jourgensen was also undergoing a transition with his band Ministry after the release of “Twitch”. He wasn’t the guy who would release the game-changing “The Land Of Rape And Honey” a couple of years later, but he was well on his way.
Alain met Ian when he was living in London. Both found common ground musically and politically and decided to collaborate on a project that would fuse elements of industrial music with hardcore punk. The result was a bunch of unique and unrepeatable hymns.
Pailhead released one first single “I Will Refuse” / “No Bunny” in 1987 and next year the 4-song EP “Trait”, both on the legendary Wax Trax! Records.
Limited edition of 500 copies on grey vinyl with deluxe sleeve with soft touch lamination and sticker with classic band logo.
On this confusing ball of mud we call Earth, where things sometimes appear to be drifting apart, it's refreshing to see things coalesce. MindTrip is pleased to announce F Method, which sees label boss Pfirter present 4 brand new tracks - rich in variety and very firmly stamped with his hallmark. This is MindTrip.
Adam Pits & Lisene suit up and shoot straight for the stars as Space Cadets on the newest Seven Hills release, SHR002. Driving, gutteral and bass-heavy, Space Cadets combat the predisposed semblance of 'space music' with a collection of fast, pumping, uncompromising club music.
Trance-infused, breaks-splattered tech-house from Adam Pits, a broken beat UK bass & techno fusion from Lisene, and a serene warping remix delivered by equally gifted producer No Moon, we're excited to hear these tracks grace dancefloors throughout this galaxy and beyond.
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- Collector edition including OPENTHENEXT tote bag, full handmade artwork, silk screen printed sleeve and numbered vinyl copies limited to 111 units
UMO presents his first release BLOODLINE, after one decade shaping his sound through hardware lives in the underground scene and clubs of Barcelona.
A five track E.P produced entirely with the set-up of his live show, Ableton being used only to record the audio.
(Gear: Machinedrum, Monomachine, Octatrack, MC-909, SH-32, Electribe MX y KaosPad 3).
Bloodline invites you to an immersive journey with an evocative, complex and sinuous sound. Downbeat electronica reminding of a sci-fi soundtrack, the tracks are evolving in multiple shades and unexpected paths.
The record is offering an extra bonus to Djs staying focused, when raising the tempo the tracks turn into a rare electro/techno delight . A real djtool for advanced dancefloors.
Bloodline is the first reference of the label OPENTHENEXT.
A colletor printed version will come out strictly limited to 111 numbered copies including handmade silk screen printed sleeve & vinyl.
Then, there will be 389 white vinyl copies without any artwork at all but only a OPENTHENEXT sticker
Both will be in stores and for worldwide distribution on the 21st of April 2018, Record Store Day (RSD).
- A1: Aho Ssan + Exzald S - Wondertomb
- A2: Exael - Circle (Squishy Mix)
- B1: Tunes Of Negation - Unremembered
- B2: Lafawndah - A Walk Beside The Beast
- C1: Galya Bisengalieva - Aralkum
- C2: Alessandro Adriani - I Wish I Could Save You
- D1: Nkisi - La Parole
- D2: Xor Gate - Boolean Logic Gate
- E1: Abdullah Miniawy + Carl Gari - The Cyg
- E2: Vladislav Delay - Isonainen
- F1: Lee Gamble - Polis
- F2: Pablo's Eye - A Way You'll Never Be
- G1: Labour - The Hit Of Enlightenment
- H1: Peder Mannerfelt - Let's Get Metaphysical
- H2: Caterina Barbieri - Sufyosowirl
- I1: Altar - Without Bodies
- I2: Laurel Halo - Terrain (Prototype 3C)
- J1: Dbridge - Direct Reflection
- J2: Hiro Kone/Tot Onyx - Din Dian
In a year which made impossible the now highly anticipated annual unveiling of new projects and collaborations that usually accompanies Berlin Atonal, the festival has compiled a major selection of new works by a range of artists from across the advanced musical landscape. Entitled More Light the compilation traverses the vast spectrum of musical
experience.
French producer Aho Ssan - who made his debut at Berlin Atonal’s 2019 edition - has smelted the vocals of Exzald S into a multi-layered track that gestures towards a future language for computer-produced music. New York’s Hiro Kone pairs with group A’s Tot Onyx to debut their collaboration with an outstanding showpiece of groaning power-surge electronics, while legendary futurist Gerald Donald XOR Gate alias.
Speculative widescreen-electronics protagonists Roly Porter and Paul Jebanasam unveil the first recorded track of their collaborative Altar project, conjuring up an entire ecology composed of both positively and negatively charged emotional-electronic particles. Enchanted Belgian magicians Pablo’s Eye offer a new track that grows out of the melancholic ambient-pop that the collective has been making since the 90s, while Nkisi hones in on a section of her premiere Atonal ’19 set ‘’Initiation” and reworks it into a brawling, bleak, hard-edged trampler.
These tracks sit beside a transformational collab between Abdullah Miniawy and Carl Gari, evocative synthesised works from Caterina Barbieri and Laurel Halo, unclassifiable post-ambient from exael and Kazakh-British violinist Galya Bisengalieva and much much more. The festival’s legendary revived imprint which has previously hosted contributions from Cabaret Voltaire, Psychic TV, Marshstepper and others now has a monumental new chapter.
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Paris based label Rose Et Rosée is proud to present the first solo EP from artist BATAILLE. This second release from RER is a self-contained universe that fits into the label's open-minded, experimental style. Veteran of the Parisian club scene, BATAILLE has risen through the ranks of several house and minimal labels with his group Antislash (Circus Company) as well as joining forces with trans-genre labels such as Silicate to release solo work under the name John Merrick. With this EP he delivers two tracks that share the same tone but differ in intention. Like two sculptures crafted from the same material, these pieces use a common tool to reveal two distinct aspects of the artist's psyche. The spirit of the record is eminently sensitive and in this respect Bataille develops a panorama of emotions to illustrate his narrative, culminating in two poems that are a reminder of howtechno can tell a story as well as make people dance. A1: DUB CONNECTION relates an aching surge in a deluge of chanting, heady synths. The loops emerge from the track in search of a summit that doesn't appear, and this restraint, this melancholic pressure, is vertiginous like the insatiable moments of adolescence. In a confusion of grace and hostility, DUB CONNECTION bellows out that all is lost yet the game was still worth playing. A2: ACID DIRTY LIFE is another vicious spiral. But unlike the internal storm of DUB CONNECTION, this is an acid hurricane that threatens the world and its inhabitants. Turbulent rhythms bid us to a tropical communion where the seasons favor techno that is hot and heavy.
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Repress
A true lowlands collaboration on the Clone jack For Daze Series. Betonkust and Innershades team up for the Benelux Connection EP. Harking back to the days of when New Beat and early Chicago House ruled the Dutch and Belgian dance floors and ravers cruised the Benelux in search of that perfect beat.
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Finally, the time has come that Frau Anke releases her first own vinyl with Delude Records.
For a while now she is a regular feature of the techno label based in Berlin.
Her sense of music and sound are the reason why her tracks are unique and timeless.
The release contains of four tracks in the best techno style.
On the A side the track HEADWAR creates a rough and powerful beginning. The track NEXT STOP with his playful chords takes us on a journey.
On the B side Frau Anke presents the track NON PROFIT which encourages to dance. The slightly experimental straight forward track GAME ON completes this vinyl.
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The first imprint on SHERELLE and NAINA’s label Hooversound brings together Surrey based DJ /producer Hyroglifics and Detroit DJ/ producer Sinistarr for an exciting dancefloor-ready EP.
‘BS6’ sees two of the most consistent and exciting names in the underground electronic music scene joining forces on Hooversound’s highly anticipated debut release.
Having both released on iconic labels in the past (Sinistarr with Exit Records, Hospital, Metalheadz whilst Hyroglifics with Critical, Astrophonica, 1985 Music - to name a few), the two producers shine in this new collaborative EP which merges together elements of footwork, jungle and techno.
The EP has two collaborative tracks that stand by two solo tracks from each producer. Electronic pioneer and legend Scratcha DVA brings his GQOM and moody percussion on the official remix.
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Mint Condition - A reissue label focused on excavating the outer fringes of classic House and Techno. Unreleased mixes, classics and overlooked gems mined from the last 20+ of contemporary dance music are the order of the day. From Chicago, Detroit and New York to London and beyond, Mint Condition have got their expert digging hats on to bring you exclusive heat and those rarer than rare jams that have been on your wants list for years! Dig in....
Detroit bred / LA based producer Kenny Larkin has long been a force to be reckoned with, both in the studio and in the DJ booth. His 'Vanguard EP' from 1992 was released under the name POD, another of his aliases used for the deep sonic exploration of Techno that he undertook, thus changing the face of modern electronic music right up to this day. Featured here is the full '92 EP with the addition of another POD rarity entitled 'Chinese Checkers', lifted from a compilation a number of years later. The music contained within this 2 x 12" reissue should not be understated, this is pure, unadulterated Detroit Techno sounds of the highest order. A truly staggering collection of music that somehow transcends the decades since it's release 20+ years ago and still sounds forward thinking today. Like the majority of Larkin's music, this deserves the highest possible spot on your record shelf, a true classic of the genre and every single home should have one. No snoozing. Reissued for the first time across 2 x 12"s for pure sonic superiority.
The 'Vanguard EP' has been legitimately released with the full involvement of Kenny Larkin and remastered from the source materials by Curve Pusher Mastering from the original sources especially for this release. 100% legit, licensed and released. Dug, remastered, repackaged and brought to you by the caring folks at Mint Condition!
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The 7th release on BLKMARKET MUSIC comes from Samuel Jabba and is the first part of the Dystopian Future series.
Samuel Jabba is the label co-founder of a new vinyl only label called From the Void Above. Hailing from Bogotá, Colombia, Samuel is a young DJ and talented producer who creates music spanning different genres of electronic music.
On his debut release for Blkmarket Music, the A side starts off with his electro track ‘Acid Pleasure’ on A1. The A2 track ‘Space Mirage’ takes you on an outer space voyage focusing on the more deeper side of techno.
The B side kicks off with his heady breakbeat track ‘Robotics’ on the B1. On B2, Samuel takes us on a dark journey with his minimal electro track entitled ‘Random Demise.’
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We are excited to release a 6-track EP from San Francisco based DJ, producer, and remixer Sepehr Alimagham. The San Jose native has been a fixture in the Bay Area house and techno scene for quite awhile now — on the dance-floor, behind the decks, in the studio, or all of the above. Early influences like Boards of Canada, Aphex Twin and post-hardcore bands later in high school started his affinity for off-kilter, underground music. In 2017 he began performing live PA sets, utilizing his immense production backlog to perform vivid and electric sets, from potent dance music to psychedelic and esoteric soundscapes.
"Body Mechanics" is six tracks of acid drenched dance music that ebb and flow from floor filling club thumpers to more cerebral soundscapes. Inspired by the new wave of the acid sound as well as nostalgia from his formative years in the San Francisco music scene, 'Body Mechanics' takes a functional, yet psychedelic approach to 303 styled techno and electronica. Attention demanding basslines, indiosyncratic structures and hallucinatory atmospheres provide an effective framework for Sepehr's vision. The themes of the track titles take root from a series of dreams Sepehr had with a common atmosphere of strange characters and textures, akin to scenes from David Lynch's 'Twin Peaks'. All songs have been mastered by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in a jacket featuring a dark and inviting cyborg hand holding a rose designed by Nicole Ginelli.
Meda Fury is so gassed to welcome Silvestre back for a virtual hug and a 5 track EP of new jams and remix fire! The Lisbon boy done good has been enjoying some well earned praise for his last few releases - his '...is boss EP' on Secretsundaze, 'Girar' on Diskotopia, and 'Yeah' via yours truly. Gigs in Amsterdam, Bristol, Porto, London and Lisbon followed - including his debut on Boiler Room. For this new EP we are served 3 brand new Silvestre tracks and 2 huge remixes from one of the most respected labels in Lisbon - Príncipe! 'Todos Bem' starts as an organ led scratch-fest, with a tight auto-tune vocal from Silvestre himself, before mutating into an anthemic/hedonistic 303 acid and whistle banger! This euphoric string-laden track equally at home in Ibiza or Notting Hill Carnival! 'Paga O Que Deves' is up next; Joao's love of grime and UK bass culture is evident from the drop, twisted synths and breaks recall everyone from Eastman to Wiley. On the flip we find serious remix pressure from Silvestre's friends and contemporaries - the Lisbon crew of Príncipe! DJ Firmeza is up first, pushing the tempo way up on 'Yeah', turning it into a banging kuduro rave monster, propulsive batida drums upping the temperature. DJ Lilocox follows with an intense remix of 'Demónios Na Cabeça', converting it into a percussive trancey big-room bomb. Layers of mixed afro/gqom drums follow a strict samba-like rhythm forcing hands and possibly the ceiling higher.
Incienso is proud to announce our next release- “Rebel Force”, the debut album from Sleep D, the ultimate Doof Dance Duo…
Across ten songs, Sleep D take us from the deep desert chug of “Red Rocks”, through the center of the best rave in town with “Danza Mart”, and “Central”, past a head-trip of styles in the deep core, and ease us back down to some kind of new earth in the final songs, including “Morning Sequence”, a beaut’ of a track featuring Kuniyuki. When it’s all said and done its big smiles and fuzzy heads all around— we’ve said it once and we’ll say it again - rated “E” for Everyone.
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House and techno focussed FINA sister label FINA WHITE comes through with more direct dance floor grooves from Bodyjack, aka Chris Finke. The veteran artist serves up two killer tracks, one dub and four locked grooves that provide serious heat for DJs and dancers.
Before now, former DMC competitor Finke has established himself with his Bodytrax label in association with the Clone.nl crew, standout mixes for Radio 1 etc and EPs on the likes of UTTU, Hypercolour and DEXT, all while being a famous former resident of titanic techno party Atomic Jam and playing the world's finest clubs for years.
Arresting opener 'Measure Twice, Cut Once' is a big, buoyant techno monster with warped acid lines and raves vocal stabs all adding fuel to the fire. The locked grooves serve up scintillating breakbeats that are hugely powerful and ripe for abuse in the club, and then 'Enfant Terrible' is a dark and eerie warehouse monster. The bass is loud, the kicks rock solid and an echoing female vocal lost in the midst of it all draws you in deeper. Closing things out, the dub versions strip things back to gritty chords and heavy, well-swung kicks that make you march.
This is high class, high functioning techno from one of the finest in the game.
Arkham Audio presents yet another delicious techno EP by renowned French electronic musician Electric Rescue alongside a solid lineup of remixers. 'Dream Warriors' follows on from Electric Rescue's recent album release on none other than John Digweed's Bedrock Records, and comes bearing more of the intoxicating rhythms that we have grown accustomed to and equally as indulging reworks by Denise Rabe, TWR72, and Arkham label head Cri Du Coeur. This record firmly establishes that his hypnotising yet adrenalizing sound is a force to be reckoned with as he unveils a relentless yet minimalistic techno sound that shows inspiration from his friend and mentor Laurent Garnier.
The rave begins with the original mix of 'Dream Warriors', which leads with an infectious beat and hazy serpentine melody that thrusts your mind into a powerful yet entrancing oblivion. Heavy percussions and lively daunting melodies set the tone for rest of the record. Cri Du Coeur's rework of introduces itself with a pommelling baseline, layers of stimulating hi-hats, and transcendental melodies that create the perfect inebriating brew. The Denise Rabe remix spices things up with a mind-numbing visceral baseline and spooky industrial sounds that echo throughout the atmosphere.
Next up is 'Einoeino' which has a playful beat that contrasts with a dark and fuzzy looping melody to create the ultimate heart-racing and thrilling experience for the listener, leaving you to imagine being chased around a haunted circus. The remix of 'Einoeino' by TWR72 delivers his signature sound that encompasses pulsing rhythms, unyielding muffled baselines, and a slightly off-beat groove that concocts the perfect smoky dancefloor track.
Bringing together an innately well-suited collection of artists, Electric Rescue showcases his industrial techno-wizardry and prowess in putting together enthralling and boundless soundscapes with his new EP 'Dream Warriors' on the newly-founded yet tenacious Arkham Audio label.
We are delighted to welcome the two french talents Gab. Jr and Admo for our 4th release!
Vinyl only
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Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
* Mirae Arts (founded By Elbert Choi) Is A New Label Based In The Suburban Bowels Of El Cerrito, California, Usa. Elbert Choi, Originally From South Korea, Is Inspired By The Mountainous Landscapes Of Northern California And Is Focused Primarily On Releasing Music With Blissful & Natural Soundscapes.
* The Debut 12' Ep On Mirae Arts Is Called Prayers By The Lake, Produced By Seraphim Rytm. Seraphim Rytm, Based In Belgium, Is The Alias Of Damaskin, The Veteran Master Of Dark Hypnotic Techno Who Has Releases On Esteemed Labels Such As Unknown Precept, Noiztank, And 10 Label (japan). Damaskin Debuted As Seraphim Rytm With A Celestial Album Called Aeterna On Vancouver's Silent Season, Which Was Reviewed By Resident Advisor As Being 'deeper-than-deep Techno Shrouded In The Damp Atmospherics Of The Rainforest'. Prayers By The Lake Continues The Sonic Journey Into The Beautiful Complexities Of Nature And This Time Invoking Images Of An Isolated Lake Surrounded By Mountains In Seasonal Transition. The Ep Consists Of Three High-powered Ceremonious Tracks And Concludes With A Beautiful Ambient Closure.
* The Artwork Is By Landscape Photographer Cody Cobb Who Is Responsible For The Artwork On Haxan Cloak's Breakthrough Album, Excavation (tri Angle). Cody Has Also Worked For Labels Such As Permanent Vacation And 10 Label.
* 180g Vinyl Pressed At The Highly Reputable Gotta Groove Records, Cleveland, Ohio.
Mirae Arts is an independent vinyl label based in northern California with focus on experimental ambient and techno music. Inspired by travel and natural landscapes, Mirae Arts boasts a diverse catalogue of projects from artists such as Seraphim Rytm, Michiru Aoyama, and Katsunori Sawa.
Katsunori Sawa & Anthone (aka Martsman) are Bokeh, the dynamic duo behind some of the most notable releases on Berlin’s Weevil Neighbourhood. Bokeh blends together the distinctive styles of Katsunori Sawa & Anthone, who have releases on labels such as Opal Tapes, SNTS, Hidden Hawaii, and many more under their belts. This year, Bokeh has already released a 12” EP for UVB-76 and Mirae Arts is proud to announce the follow up debut LP release called Lenses Dances.
Lenses Dances comprises 8 tracks that reflect on the photograph effect called bokeh, where aperture settings of the respective camera lens create vivid patterns, almost like dancing dots. It is a dedication to the artists’ love for photography. The music is complemented by Paul Nicholson’s signature graphic designs.
Artwork design by Paul Nicholson, UK graphic designer who created the famous Aphex Twin logo and The Laughing Man logo for the cult-classic anime, Ghost in the Shell: Stand Alone Complex. Paul has since designed logos and artworks for numerous artists and organizations.
Mastering and lacquer completed by Kassian Troyer at the legendary Dubplates & Mastering.
"Fluctuation is Dycide's second solo EP on Lowless and the artist's first vinyl release. The Munich-based producer presents three club-oriented tracks. A rhythmic and minimalist techno like the German has often accustomed us to.
The vinyl opens with the mystical groovy journey called Fluctuation. The second track Fluent Iteration is probably the artist's most tortured production where a dialogue between a humming bass and a dark pad take the main role. Inflation is a long and dark apocalyptic descent.
The deep techno legend Claudio PRC closes the EP in the best way possible with a great remix of Fluctuation revealing his dreamy and emotional side. "
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The depths of ambiguity will at some point reveal the anonymity of this craze. Who is he? How did we get here and what does it take to "become"? We look up - we look down. This conundrum will guide us to the answer we are all waiting for. When we enter the land of Genam, we shall patiently wait for the Sun.
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Global Dialog welcome as their inaugural release the first installment from mysterious French project « A.T. », a four-tracker that pays
homage to the classic Basic Channel dub techno sound while enlarging the spectrum of the genre to its harder edges and a softer,
house-leaning approach. As such, the record embraces different vibes and atmospheres: with their stellar melodies and dreamy
chords, “Recess” and “We Never Fight (On A Birthday Night)” share a common feeling of intensity and nostalgia, displaying a
contemporary, Bicep-like take on 90’s UK dance music, while “Subterranean Echoes” and “Cosmos Redshift 7” embrace darker
colors, where clicks and cuts meet detuned pads and shifting drum patterns drenched in a distant white noise, a perfect match for
after hour sets in dimly lit warehouses.
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Cristal clear lakes, impressive mountains, soothing forests and
Berlin Techno music.The National Park of Saxon Switzerland in eastern Germany, south-east of Dresden offers endless ways to have a great hiking journey. The 93km region between Pirna and the Czech border is one of the most beautiful landscapes in Europe. More than 700 summits are available to rock climbers, while for those who prefer to keep their feet on the ground, there are 400 km² of marked hiking-trails, steep treks, paths and some cycle routes through the National Park. In this area, called the Erz mountains, we found our beautiful cover stone with a typical Ore layer inside.
Alejandro Baltazar Moreno’s (Alex M) debut EP “New Culture” manages to be simultaneously haunting and childlike. The artist pulls inspiration from a multiplicity of cultural anchors- from Marxist class theory to 80’s/90’s video game soundtracks; from Situationist International to social isolation. He creates a sound outside of geographic boundaries that projects vibrations meant for a hidden observer at the edge of a dream. Alex credits artists like Paul Johnson, New Order, Daft Punk, Kraftwerk, and DJ Deeon as some of his earlier influences that helped shape his sound. Despite being from Texas, Alex constructs his own sense of identity through his productions and that is directly reflected throughout his work.
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He wasn’t sure anymore what had happened. Because whenever he tried to think about it, all he felt was extreme pain. So the best was to not think at all. Not feel at all. Not move at all. Not breathe at all.
Introducing Earth Plates vol 3 - the debut pressing of Budapest’s young talent CT Kidobó.
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Note by label owner Muallem: I am happy to present the first 12" on my new born 2020 baby CHILDHOOD. It is by no one else than the living legend and overall wonderful human that is DJ DEEP from Paris. I've met Cyril via booking him at one of my parties ages ago. When I opened Blitz he became part of the closer family and started to play regularly. Over the time we exchanged ideas and thoughts about music and life in general and when I told him that I'm planning to start a label, he instantly sent me VAINCRE, a timeless 3-track masterpiece that sits in between dubby House & Techno. It got me hooked straight away. Be it at home or on the dance floor - yes, I managed to road test during these crazy times - these tracks serve goosebumps full on and set the perfect groove to a dance floor. I've put a lot of love into the artwork and packaging and on top of this, the first 300 copies contain a CHILDHOOD sticker pack. Enjoy listening and dancing!
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Berlin-based Irish artist Hybrasil delivers a high-grade debut album on Radio Slave’s Rekids. Since moving to Berlin Hybrasil has been an avid buyer of records at Hardwax, going to modular workshops at the cult Schneidersladen, attending Superbooth and Berlin Atonal, Panorama Bar and Berghain, whilst releasing his big, arresting techno sounds on his own eponymous label. Alongside this he’s been spending time in the studio with Radio Slave, who played Hybrasil's ‘Hathor’ in Panorama Bar which kicked off a three-month burst of creativity that led to this album. As such, the album is very much a product of the artist's time in Berlin and was written for the Panorama Bar and Berghain sound system and all who attend its dance halls. The album takes off with the smooth rolling techno of'Hathor'; that gets you on your toes, while 'Come Back'; soon ups the ante thanks to the way Hybrasil twists and turns his synths above the rooted kick drums. 'Ceres'; then has edgy sustained chords and thunderous claps that will sound mega in a cavernous warehouse space. 'Orpeheus'; is a masterclass in economical but effective techno, with well-crafted hi hats, rolling kicks and vocal stabs all driving it forward. 'Ursa Minor'; traps the listener in unresolved loops that keep a locked groove, until 'Messier'; mixes up seriously weighty bass-drum thuds and Jeff Mills style melodic minimalism. The compelling LP completes with 'Igigi'; and 'Vela', two more astral techno rollers with celestial synths and devastating drum programming.
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Following up on their debut LP Kick Drunk Love for Marcel Vogel’s Intimate Friends imprint a few years back, we are proud to present the next installment in the sporadic KAMM legacy: Cookie Policies.
Far more sonically rich and musically adventurous than its predecessor, Cookie Policies sees the band make bold strides into new territories where classically hardwired categories such as jazz, indie rock, and electronica melt into one another with immaculate, timeless ease.
The band members’ positions are more clear cut as well this round, with Marc David Barrite (aka Dave Aju, who also did one of his coveted mix engineering jobs on the LP) on prominent lead vocals in many of the pieces, Alland Byallo on trumpet, Kenneth Scott on synth bass, and Marc Smith adding guitar sections while the others shared the arranging and programming duties. This makes for a deeper continuation of the otherworldly combination of their known individual production styles, as well as a musical whole truly greater than the sum of its parts.
The set starts off with “Bird Call”, whose opening ode to Morricone ok corral-meets-samurai showdown riffs flow into a loose and drifting psychedelic boom bap blip, building until a glorious change-up of key and energy brings the track to its peak and deconstructed back down. “Rachel, the Largest Bullfrog” then takes things in a sweeter, slightly more traditionally-structured direction where dusty indie-folk ballad vibes intersect with an array of twisted cosmic tones, bits of computer keyboard percussion, and deep rolling sub bass. “Buckle Down” then moves things back away from acoustic restraints into a beautiful synth-laden musing on potential regret, with an ultra-potent horn section from Byallo vs a nasty stacked Roland SH-101 finish.
“CCBPGC” cools things off for a few minutes with an ambient field recording slice-and-dice motif, which slowly but surely evolves into a slinking jazz noir groove from another dimension. The more traditional song structures return on the lovely “La Luna”, where Barrite’s pen and soulful voice take to nautical longing themes over apropos waves of sonic textures. The ebb and flow of the verse/chorus sections eventually rise and give way to an absolutely gorgeous denouement. “Shleem” then takes us into pure unadulterated soaring sci-fi soundtrack ambient blast-off bliss, while the epic closing track “The Soft Glow of Electric Sex” gives a hearty nod to early masters of sprawling psychedelic jam sessions, from Pink Floyd and Can to In A Silent Way-era Miles and Liquid Liquid, while bringing it clearly into futurist millennia. The gradual evolution of the piece into its grand finale is the stuff we true music-lovers live and die for. We hope you enjoy the ride as much as we do.
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- CD 1-1: Kutski Vs. Audiofreq Feat. Jenna Lee - Forgiven
- CD 1-2: Tnt Aka Technoboy 'N' Tuneboy - Ocean (Extended Version)
- CD 1-3: Frontliner - Symbols
- CD 1-4: Dj Stephanie - Sweet Disposition (Original Version)
- CD 1-5: Vamper - Blind
- CD 1-6: Tatarola - Who Is Calling (Chris One Remix)
- CD 1-7: The Prophet - Ordinary Life
- CD 1-8: Technoboy - In Ya Face (Extended Version)
- CD 1-9: Max Enforcer - Time To Rock
- CD 1-10: Tuneboy - Black Light (Extended Version)
- CD 1-11: Wild Motherfuckers - We Don't Care
- CD 1-12: Tnt Aka Technoboy 'N' Tuneboy & Audiofreq - 3 Empty Heads (Original)
- CD 1-13: Dj Duro - Cocaine Mf (Alpha2 Remix)
- CD 1-14: Technoboy - Involved (Extended Version)
- CD 1-15: The R3Bels Feat. Mc Renegade - Fight 4 Existence
- CD 1-16: Artic - Sleepwalking
- CD 2-1: Brennan Heart - What's It Gonna Be (Original Mix)
- CD 2-2: Bass Modulators - Anthem Of Summer
- CD 2-3: Da Tweekaz Feat. Oscar - Break The Spell
- CD 2-4: Technoboy - Nothing Nu (Extended Version)
- CD 2-5: Scope Dj - Househeads (2012 Remix)
- CD 2-6: Technoboy, Tuneboy & Ellie - Promise Me (Extended)
- CD 2-7: Zatox - D.e.c.i.b.e.l
- CD 2-8: Dj Stephanie Feat. Mc Chucky - The Nation Of Hardstyle (Original Version)
- CD 2-9: Di-Rect - Young Ones (D- Block & S-Te-Fan Rmx )
- CD 2-10: Tuneboy - Into Space (Extended Version)
- CD 2-11: Ran-D - #My Way
- CD 2-12: Tatanka - Let's Rock (Wildstylez Remix)
- CD 2-13: Technoboy - Rage (Frontliner Remix)
- CD 2-14: E-Force & Luna - Evolved (Frequencerz Remix)
- CD 2-15: Adaro - The Italian Tribute (Extended Version)
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Emerging from the dynamic tundra north, Iceland to be exact, the newly established imprint LAHAR celebrates its launch with a fiery EP from the scene's most mythical
creature, NonniMal. Dubbed after the eponymous volcanic debris flow that swallows whatever crosses its path, LAHAR refracts in its sound the ever-changing, jagged and
entangled landscapes of a crisis-riden time.
Residing today in the company of many post-industrial wonders, from Reykjavik's semi-subterranean water reserve Gvendarbrunnar to the phallus-shaped Smaralind mall, NonniMal prefers to give salience to his environment and remain extensively unknown. In this untitled high-octane techno EP, he spurs us to imagine an uncanny coalescence of glacial disaster into the minimalism of enumeration.
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After kicking off 2019 with Nightwave and Jerome Hill’s brutal “Psychic Tonic” we are happy to announce that we’re back with the 4th instalment of our Two-on-One 10” vinyl DEXT Limited series.
So far we have visited UKG, Jungle, Breakbeat-Acid-Techno and as the wheel of the Hard Core continuum continues to spin, this time we thought it was about time we put out a straight 4x4 techno banger.
Making his DEXT debut we welcome long-time label supporter Troy Gunner. “Get Loud” is a total panel beater of a track destined to tear up large cavernous dancefloors.
On the flip we have a remix from someone who has been a driving force of the development of the UK Techno scene since the early 90’s, Mr Mark Broom. Mark takes the original, enhances it and gives it that Broom sheen in his own inimitable style.
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- A1: Nevermind Vs Dj Narotic - Fuck You In The Bass
- A2: Stinger Vs Dj Narotic Featuring The Horrorist - Fighting
- A3: Dj Smurf Vs Dj Narotic - Speedcore Og's
- B1: The Ctrl Vs Dj Narotic - Big Fuck You To All The Haterz
- B2: Vatos Locos And Dj Narotic - Dangerous
- C1: Fiend Vs Virtue Vs Dj Narotic - Fuckin Terror
- C2: Kilbourne Vs Dj Narotic - My City
- C3: Danny Ovington Vs Dj Probert Vs Dj Narotic - Fucked Like A Bitch
- D1: Darkside9878 Vs Dj Narotic - Extreme Brutality!
- D2: Xasverion Vs Dj Narotic - Godcore
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Blintmusik is releasing its next fresh two-tracker: Blint005. The A-side starts with a stroll down a dark alley on a hot summer night which quickly turns into an acid mayhem with wild bleeps shooting across the sky like flares. 'Chauncey Street' creates an in-depth dancefloor moment that makes you want to immerse in the crowd and completely loose yourself. On the B-side there is 'Mondphase_2' a Blintonian smasher that combines a bassline reminiscent of 90's Drum'n'Bass with an armada of sharp bleeps and a bouncy electro beat driving all the way through the track only stopping for a massive breakdown of earthshaking bass and screaming noises. Blint005 comes on hand stamped 12“ Vinyl limited to 300 pcs.
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Side A you'll get an Enfants Sages long hypnotic track... With kick changes and sounds magesty. Very live-set state of minde !
The flip brings 2 early tribe tunes, sweet storytellings !
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Three of the major pedestals in the Icelandic techno scene gave birth to a classic Thule release in 1997. This collaboration between Sanasol (Yagya & Thor) & Ozy gave result of an EP, which is considered by many to be one of the finest of the Icelandic techno of that era.
Seveneleven is a delicate blend of deep techno and minimalist house music. Enigmatic combination of lush pads, delicate percussions and dubby chords are destined to transport the listeners to an higher unknown state of euphoria. Fans of melodic dub techno will embrace this release as much as it was done 22 years ago - as good music never really grows old.
Thule Records is considered by many to be a pioneers in the field of dub-influenced techno music and was a starting point for many of Iceland's most renowned electronic musicians.
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Industrial Hard techno first venue for ASKORN on vinyl !! a new genereation with a new sound.. defenitly industrial and boiling creative... MUST HAVE !
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For our third release on The Secret Sun series, we compiled a second volume of previously unreleased material from the DATs archive of Ballet Mechanique. Produced between 1992 and 1999 and spanning thru different styles all the tracks have Ballet Mechanique’s distinctive and very unique sound: emotive, epic, ravey, funky, uplifting, romantic… some of our favourite adjectives to describe Jeroen Borrenbergs’ music.
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Type I high-bias tape in a petrochemical-orange cartridge with risographed j-card. Limited to 75 copies.
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Braindance hardware don Chevron arrives on Posthuman’s I Love Acid series. Five tracks of 303-infused breakbeats and playful electro awash with bleepy melodies and daft samples of politicians and cookery TV shows. Cut by Radioactive Man.
12” vinyl. No digital. No represses.
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- A1: A Lesson In Power
- A2: Into The Human Decay
- A3: Social Anxiety
- A4: Mirror Of Your Fear
- A5: Overthinking And No Acting
- A6: Slaves Worshipping Their Misery
- A7: A Lesson In Ignorance
- A8: The Carillon Na D The Dancer
- B1: An Inner Turmoil
- B2: What’s Your Worth_
- B3: Intolerable Acts
- B4: Le Jours Noir
- B5: You’re Not The Solution, You’re Part Of The Problemr
- B6: I Can’t Take It Anymore
- B7: The Sea Of Regret (The Circle Starts Over Again)
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Krakow based Olivia joins Pinkman with a modern twist on ancient charming practices. "Dancing Snake" takes you to a surging tomb rave in the heat of the desert. Your dehydrated soul will be satisfied by liquid notes of acid, while your mind is hypnotized by oriental melodies. Grubby rhythms and crunchy kicks reminisce about reality, making you wonder whether this all was just a lucid dream.
RICO PUESTEL debuts on his TIME IN THE SPECIAL PRACTICE OF RELATIVITY label with a mind-boggling journey of 41 minutes — split in two parts to fit on vinyl! HEPTAKAIDEKA is what it won't be and will be what it never was: Something from in-between worlds, a place beyond far beyond, where time dissolves into relativity...
Every modern electronic music presenter should be able to find joyful, elevated, convulsing or simply useful moments within the extent of this track that is designed to have its inherent connecting factors and starting points in place for every DJ set — letting it be just a few minutes, well-placed groove looping or bigger amounts of its entirety for diving into a long night, bringing it to an end or making it standing out in-between.
Starting off with a hazy half-grasp hint of what's to come, a mysteriously pervasive bionic loop emerges, slowly coalescing with a bone-dry groove on the rise. Taking up a first quadrant of the track, already gnawing into the long-term memory, it manages to gradually establish itself along the pathway while the "rhythmatics" endure some subtle layer-shifting with occult-like strings come sliding in from somewhere unknown like an admonitory subtext.
Being halfway through (and all the way in), everything smoothly crumbles down to its basic framework, still shaking off its own reminiscences while foregone vestiges almost perilously try to reassemble themselves. All of that leading to a clearly unforeseen yet fortunate drift into a 1980's-like synth peak time section after about 27 minutes being in that track, finally cherishing an evolving emotional felicity and the climax of its own being that tends to feel like an overarching salvation.
As everything being eventually finite, the track starts to bring to mind where it came from by assuredly falling back into a story told before with the well-established bionic loop that once used to run free, sounding somehow different and more tamed now. Ending with dignity, the consistently resurfaced admonitory strings lead the way to its conclusion and possibly new beginnings, solely leaving behind the heartbeat-like booming that carried it all, now fading away...
Coming into existence during a series of multiple productions of exuberant proportions with Rico making the studio his citadel-like stronghold, this is an extensive story of desires, instincts, pride, fall, mirth, solicitude, tension, détente and basically life itself while subtly yet versatilely entertaining on a dodgy yet accessible level throughout the wingspread of Techno, House, Minimal, Dub, Electronica and Ambient influences.
The CD version not only brings you the title track in the guise of its non-split completeness but eminently churns out the extra drumming dub treat DEKAEPTA for a pleasurable groove-delight as well as the trippy bonus beauty VOSEM' that transits as a precious component of infinity.
"From a galaxy far away, they came to earth and decided to stay". You could call them Visitors... but they might have arrived here long before we did.
Staatseinde spent their recent earth time creating their third EP called Darüber Reden Wir Nicht. Combining their own Neue Niederlandische Welle with synthwave and EBM, these three extraterrestrial musicians adapted four European languages to spread their message.
First track on the A-side is Staatsanthem, a heroic soundtrack meant as a hymn to their home planet. Next up is title track Darüber Reden Wir Nicht, followed by No Return. Two bold, minimalistic EBM like tracks performed in a much harder style than they've ever done before.
Moving to the B-side. Laat Het Gebeuren warns about the selfdestructive nature of mankind, and sometimes mother earth answers. Grenztruppenführer is about the strict door policies that some nightclubs have, a wall between east and west, politics versus freedom, will you get in? Grenztruppenführer decides. Closing off with Vi Åker Dit, which started off as the Swedish translation of their hitsong Ruimtevaart Vooruit. A call to fly away, to another dimension.
Even though this EP was created on earth, it's already much spoken about beyond the boundaries of our solar system... and now it will find you.
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131bpm's first 12" is a four tracks floor fller. It fully represent the spirit of Vitamina's parties: bouncy and banging.
"groove On" opens the A-side with a punchy kick and a mysterious atmosphere. The electric baseline adds a groovy, yet driving part to the most powerful track of the EP.
"Yeah" is more deep and soulful with a big reverb and its dark low pads. On the B side, "Hardware.Software" is really progressive and built-up.Perfect to raise the temperature during a pea-time.
Finally, you can imagine yourself on a catwalk under the sea while listening to "Kaugummi". Sassy baseline and deep kicks, but bubbly pads and an organic melody"
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Remastered Black 2LP+MP3+Poster
Parallel zum Reissue des UK Techno-Klassikers "Electro-Soma" von B12 aus Warps legendärer 1990'er "Artificial Intelligence"-Serie, erscheint "Electro-Soma II", eine Kollektion ultra-rarer Tracks diverser früher B12-Maxis, erschienen unter mysteriösen Pseudonymen wie Musicology, Redcell und Cmetric, ebenfalls komplett remastered. Nach einer streng limitierten, ersten, transparenten Vinylauflage erscheint nun die Standardauflage auf schwarzem Vinyl inklusive Poster & Download-Code im Gatefold.
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Since 2018, three archival, private-press volumes of previously-unheard music from subterranean Swedish project Civilistjävel! have been released. Drawn from an extensive cache of material recorded in the late '90s and early 2000s using mostly Juno60 and KorgMS20, and startling in its accomplishment and emotional eloquence, Civilistjävel!'s M.O. ranges from intimate, melodic minimal synth nocturnes through to deep, droning, Chain Reaction-esque techno ice-scapes, all of it austere but full of nameless, 30-days-of-night yearning. 'Generalstrejk' represents the first "contemporary" offering from Civilistjävel! to appear on record: the 20-minute-long title track is a concussive, steamrolling epic derived from live performances given in London and Stockholm in 2019. The three tracks of unknown vintage on the B-side revisit the pure arctic dread of the archival work - all brittle, abstract dub phantasms and glowering industrial ambience. Edition of 250 copies, no re-press.
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Two Hardcore Jungle Techno Remixes of previous Innercore Project releases by Ron Wells AKA Jack Smooth and Innercore plus bonus track Pinnacle Pt2
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The next one, NKISI
Climate of Fear follows up Soft Boi’s debut LP with a mammoth drop: 12 tapes ripped straight from the first two years of Berlin parties. Released one per month, the series moves from Izabel’s shivering chug through Nkisi’s deadly anarcho-gabber psychedelia, Polar Inertia’s sleek techno throb and DJ Python & Mad Miran’s impromptu closing b2b.
Climate's third release in its tape series is a writhing hardcore masterclass from Nkisi. Recorded the same night as Elena Colombi's entry, it offers an inverted counterpart to that set's languid grooviness. Nkisi wrings a supple and hypnotizing atmosphere from the most astringent and defiant selections, using the 170+ bpm kick drums and scythe-like percussion to envelop the listener. Creation and destruction merge in a fluid void state. NSFW.
Tervisio 005 comes at us from emerging British producer Pierre Codarin. '3000 & Me' features three stunning and eclectic, dancefloor-driven cuts. The title track is a steely, stifling track that's notable for its hypnotic, loopy emphasis as well as its thoroughly uncompromising demeanour. Dark and dextrous, it neatly paves the way for Losoul's robust re-work. The B side kicks off with Codarin's 'Fly Screen', which belongs to a dominant and mystical after hour vibe. The concluding track 'Blue' is a trippy, whimsical cut that is characterized by its floating baseline and many warm hues.
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- A1: The Prodigy - Everybody In The Place (Fairground Remix)
- A2: Kicks Like A Mule - The Bouncer (Housequake Mix)
- A3: Altern 8 - Evapor 8
- B1: Son'z Of A Loop Da Loop Era - Far Out (Original Scratchadelic Mix)
- B2: Bizarre Inc - Playing With Knives (Quadrant Mix)
- B3: A Guy Called Gerald - Voodoo Ray
- C1: Xpansions - Move Your Body
- C2: The Shamen - Ebeneezer Goode (Club Vocal)
- C3: Hyper Go Go - High
- C4: Felix - Don't You Want Me (Hooj Mix)
- D1: Run Tings - Fires Burning
- D2: Krome & Time - This Sound Is For The Underground
- D3: Landlord - I Like It (Blow Out Dub)
- D4: Phuture Assassins - Future Sound
Ministry of Sound returns with a new instalment of their essentially vinyl series - Origins Of Rave. With iconic tracks from pioneers of the scene, this 2x LP release explores the early beginnings of a genre that revolutionised club culture. Featuring the likes of The Prodigy, Xpansions, Kicks Like A Mule and many more.
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
'dogs of chernobyl' is the debut album by unknwn.source who
captures the anxiety over the 1986 Chernobyl incident across
a range of different genres. The tracks were conceived
between 2014-2018, and while creating a sense of unease
through the gloomy sound design, there's shimmers of hope in
between suggesting a life after this cataclysmic event. Five
tracks of the album will be released as limited vinyl EP via
Freakadelle records, whilst the full version of the long player
will be available digitally
R&S teams up with Spanish producer Architectural AKA Juan Rico for two tracks of hypnotic machine funk 'This Is Not Purple / Rhythms & Souls' The Catalonian-based Asturian creator combines techno classicism with a rich strain of cinematic influences, recording as both Architectural and Reeko he has spent his career flitting between releases built for peak-time warehouse techno and introspective headphone psychouts.
For his R&S debut, Rico dips into science fiction as his core inspiration - A-side 'This Is Not Purple' snakes it's way around a snappy, stripped down but hi-tech groove that builds and builds. On the flip, 'Rhythms & Souls' amps a similarly tight drum track with a thumping DMX snare and pistoning kick drums, laced with seething pads and percolating percussion.
Drawing on the idea of an alternative civilization, Rico describes: "another cosmos with a retrofuturist aesthetic where a fusion between techno and funk is heard." Neat parallels can be drawn with Cybotron's planetary funk or the acquatic adventures of Drexciya - however Rico manages to make the sound his own - infusing his own unique strand of minimalism and heady euphoria for an intoxicating peak time experience.
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Toulouse-based trio Blind Delon like distorted basslines, dirty beats and cold synths. On that new post-punk-ebm-techno 4-tracks EP, “Drugs”, they invite french industrial veteran HIV+ for his harsh lyrics and his smashed voice under the influence of psychotropic substances. Including a post-apocalytic remix from russian producer Alexey Volkov !
Massive debut from Chontane
Industrial Techno x UK Hardcore x Electro
Featuring a roof raising JoeFarr remix.
For fans of: Deapmash, Ansome, Scalameriya
DJ SUPPORT:
FJAAK
Peder Mannerfelt,
Scalameriya
Manni Dee
JoeFarr
Lag
There are certain records you have to earn the right to play. After buying the right kind of warehouse, you have to build the energy in the room for what feels like an eternity until the precise moment the vape circle starts gettin’ out of control and Dionysus the Greek God of Greek Promoters tears through the very fabric of reality and screams “t??a!” right in your goddamned face. All of which brings us to Color Code, the latest EP from new Turbo sensation Dean Grenier.
Every single one of these four tracks is killer, a term industry demands have forced us use lightly in the past, but not this time, mister. This is sexually-viable sci-fi techno that rewrites your genetic code to give future generations a better chance at exhibiting club-friendly phenotypes like dance antlers or even more powerful sweat glands. At the snap of a glowstick, any of these selections will take your next set from “good” to “very good” on a scale of “good” to “shitty” to “very good.” That is our promise to you, no matter who you are or how much we care what you think.
Nerve Deposit is the new EP from Identified Patient on Dekmantel’s sub-label UFO. The record is a lysergic stew of industrial, electro, breakbeat hardcore and synth-rock, with the purpose to get under your skin and set your nerves tingling. While extending his signature sound, the Dutch producer upgrades his process and marshals a new complexity from his machines. The result is five tracks which stalk shadowy hallways but never lean too far into the darkness, at once menacing and lively. With a laboratory’s worth of sleazy synths, bubbling effects, raking textures, plunging bass and rhythmic left-turns, Nerve Deposit suggests we are in the court of a Professor, not a Patient. Tantalisingly, the best feels yet to come.
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
- A2: The Chequers - Theme One
- A3: Lifetones - Good Side
- A4: Rick Cuevas - The Birds
- A6: Hotlegs - Today
- B1: Jo Squillo Eletrix - Avventurieri (Dance Mix)
- B2: Captain Mustard - Quiet Move
- C1: Nuno Canavarro - Blu Terra
- C2: Electronic System - Skylab
- D1: Eddie Callahan - Santa Cruz Mountains
- D2: Dave Brock - Spirits
- D3: Florian Poser - Winds
In 2006 the musical landscape was a very different place. Social media, as we know it, was in it's infancy. The constant stream of likes, notifications and digital interruptions of today didn't fully exist yet. Those of us 'in the know' and with a thirst for the overlooked regions of the record store had to quench ourselves in the finely curated and generous climes of the online world's myriad music sites, but LA's Lovefingers site was something different, a watering hole in the burgeoning digital desert, a zone where Wally Badarou rubbed shoulders with the likes of Holger Czukay, Sylvester, Mr. Fingers and many others with ease and nobody had an issue with it. A space where a $1 thrift store score b-side could breathe the same dusty air as a $300 private press Folk rarity in comfort. Through an ongoing 'single track per day' posting Andrew 'Lovefingers' Hogge created a truly open-minded, democratic and educated selection of music for our secret, late-night right click and 'save link as' pleasure.
Did we mention that this was before almost everything that we now take for granted? That's right, you see all those Euro Pop dubs, or the 'classics' that we play at the wrong speed, or those private gems that have been reissued to the moon and back? Well, they very probably popped up on our collective record radars via the medium of first. Rightfully so, the site became an instant 'go to' and mark of quality among diggers, DJ's, voyeurs and lurkers around the globe and undoubtedly lead Andrew to instigate his much loved ESP Institute imprint, that is now almost a decade old. The Lovefingers site certainly contributed hugely to the wondrous, many faceted and open minded galaxy of records that is now the language we all speak fluently, inspiring a generation of curious diggers to delve even further into the racks.
This compilation you have within your grasp is merely a snapshot of the aural delights that were on offer to those of a 'leftfield' persuasion who found the site and dutifully tuned in for the daily shot of sonics proper. A finely and carefully crafted, lovingly curated handful of records that Andrew has revisited in order to tell the story of his most influential and essential modern musical resource. The tracklist is classic Lovefingers, an insight into the free-flowing nature of the daily posts, context free but somehow all connected via the same creative threads and energies - lo-fi loner jams brush up alongside sleazed-out Italo powerhouses, Greek new age obscurities tussle against overlooked Hawkwind related cuts, and much much more. Rumour has it that this is merely the first volume of this tale. Isn't that exciting? In the words of the man himself - 'That's not all folks' ...
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
First up is Nehuen, an Argentinian born but Barcelona based artist who is notorious for his abrasive dance floor workouts on I Love Acid, BNR Trax and the Classicworks label he co-owns with Cardopusher. Cardopusher is, of course, a true electronic legend from Venezuela. His dizzyingly diverse sound takes in rave, acid, electro, techno and house influences and distills them into hugely
Raw and energetic new forms.
Nehuen's Psyops Part One kicks off with the excellent title track, which contorts acid and electro into a writhing monster filled with dark energy. The visceral 'Toxic' is built on slapping hits and spangled basslines that will tie you in knots as the bumping drums drive things forward. The late-night menace continues on 'Bailar', with tight synth arps layered up in robotic forms over clunky drums that are industrial and futuristic in equal measure. Last but not least, the eerie 'Desire' strikes a more twisted note with double kicks juddering beneath echoing hits. It's pure, filthy, brilliant body music.
Cardopusher kicks off Part Two with the fantastic 'Disobedience' (feat. Lbeeze) a slow-motion drum
workout that is like dark disco mangled through a psychedelic filter, with robotic vocals and stiff arp
jerking your body. 'Abyss Antidote' is then a flurry of drum breaks and electro bass, frazzled synths and whipping hits that keep you on the edge of your seat. Darkness abounds on the gritty 'Initial Decay' (ft. Lbeeze), which layers up taught drums and hits with spraying synths that come from a dystopian planet.
Closing out this epic mini-series is 'Mutant Brain', a cyborg techno meltdown with manic acid for
company.
These are devilishly distorted tracks from two of the best producers around.
Our first release on Electric Ballroom for 2020 AKIN Aligned by Nature was written and produced by our in-house dream team Thomas Schumacher and CAITLIN. As this global crisis has been unfolding we have noticed how possible it is for the entire world, regardless of economic, social, religious or political beliefs to come together as one; for the whole planet to center its focus on one united thing. We are more alike than we are different. We are AKIN. We are Aligned by Nature
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
- A1: K3Rn3L Poisson - Close Handle
- A2: Am.ma - Preludio
- A3: Katran - Radiosity
- A4: Soj - Xiii Feat Teodoro
- A5: Orphan Swords - Purple Heart Return
- B1: Group - 190604_2863
- B2: Ceresoles - Pedro Pecho
- B3: Candido - Jai Radhe!
- B4: Lex-Or - A̚nsia Viva
- B5: Sociedades En Tetra Brik - Devastacio̚n (Rare Mix)
- B6: Santiago Lopez - The Sickle
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
- A1: Sk-1 - Shockout Fass (X-Altera Remix)
- A2: Etch - Monoxide
- B1: Zuli - 3Ankaboot
- B2: Manix - Special Request (Dj Guy Version)
- B3: Ellll - Sooty Tern
- C1: Peder Mannerfelt - Small Faces
- C2: Christoph De Babalon - Where Are You Going?
- C3: Dj Butterfly - Shorty
- D1: Clouds - Can't Anticipate
- D2: Forest Drive West - Para
- D3: Dream Cycle - Esp
Is this the sound of the future or fragments of the past coming back to haunt us? Is a remix of a classic thirty years after the fact an exercise in hauntology or a time loop closing? When hardcore came bowling out of the UK underground, it was sci-fi postulating rendered on wax, but it also reflected an inescapable reality at street level. Idealist, escapologist music that said as much about decades of inner city pressure as it did about outer space fantasies. A sweet refrain underpinned by a necessary ruffness, the elegant ballet of a break dissected 16 different ways over 16 bars, the protest pulse of the subs carrying the torch from one soundsystem culture to another.
What hardcore successfully struck on was so definably alien it set a new paradigm which has been cast back and forth in dialogue ever since. Whole scenes have risen and receded around these principles, and the constant remains – masses of bass carrying angular rhythms, unnerving echo chambers of disembodied voices and moments of staggering beauty and masterful ugliness. These principles have a universal appeal that burns bright generation to generation, never seemingly diminishing but rather fortifying with time. Sometimes a surge of inspiration finds the principles reinterpreted in head-spinning new ways, but the ethic remains the same.
Those shaky, intrepid years of lo-fi samplers and narrow band broadcasts were defined by their lack of definition. Take a punt on a rare groove lick and work out how to get the low end louder. Then everything got organised – in the face of mass appeal scenes started splintering and preferences catered to. It may not have been a force for unity, but it engendered more intensive investigation. Years of scenes, styles, subgenres, niches, furrows, corridors, avenues, detours, each more hyper-specific than the last. Eventually though, everything breaks down so much it all becomes one mass again – a constant cross-contamination between these intensely cultivated strains, creating ever more potent hybrids that simply feed back into the temporal swirl.
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
Arcola is proud to present Ascetic, the debut EP from acclaimed artist and DJ Anastasia Kristensen. Having delivered killer remixes and notable productions for various compilations - Anastasia further refines her craft with this debut, continuing to justify her reputation as a leading light within techno.
Proving herself to be equally strong a producer as she is a selector, Ascetic presents four tracks that exemplify the broad spectral soundscapes of Anastasia Kristensen's style. While it may have its roots in techno, Ascetic offers a multitude of audio dimensions to explore.
From the skeletal noise techno of 'LXR Jam', the brazen hardcore flex of 'Ascetic' and its breakbeat counterpart 'Ascetic (In Breaks)' and the industrial/dub tech-noir of 'Donni', Ascetic EP is the perfect accompaniment to the whirlwind of emboldened intensity witnessed at Anastasia's international DJ sets every week.
Set to be one of 2019's strongest debuts, Ascetic's four tracks show that when it comes to genre and composition, Anastasia Kristensen has no intention of staying in one lane.
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“
transparant blue marbled vinyl
Ekman is no stranger to Shipwrec. With three EPs and an album, the dutchman's brand of fire and brimstone has seared a serious impression on the Nijmegen imprint. The fourth 12" comes with a marked difference. That burning smouldering intensity that has characterised the acid soaked electro and stained techno of past records is present, however it is now sheathed. Beats are still sharp edged, as in "Verdraaide Logica", yet keys have softened and taken on an introspection. "Kronkel" is cast in a similar mould. From a fearsome kick blooms an incredibly layered and thoughtful track where melodies bob and weave while rhythms rail. Even amidst the sinister sidling synthlines of "Anker Punten", with its piercing and punishing percussion, there are understated pads to mellow. The glass and steel of "Vast/Los" ends the EP. Angular lines permeate the piece, reflection and refractions arc and bend in this science fiction finale. Depth mixed devilment from start to finish.
Both noted for their powerful and inventive electro tunes (recently released on Return To Disorder or Nocta Numerica), L.F.T. and Raymond D. Barre are two of the most interesting producers of the moment. On that new split EP, the punk sensitivity from Hamburg meets the braindance influence of the parisian : here are five fucked-up acid bombs for all the 303 trainspotters !
Played by Luke Slater, Gary Beck, Marcel Fengler, The Advent, DJ Spider, Danny Tenaglia, S-File, Spartaque, Johannes Volk...
Risc from L.A. is coming back on GND with his 3rd release. His two latest releases on GND are played by artists around the globe from Ben Sims, Truncate, Mark Broom, Norman Nodge to Luke Slater and back. His new record is a peak time runner for your sets!
Этот продукт полностью распродан. Мы будем рады отправить тебе письмо, как только он снова окажется в наличии. Для активации нажми на „in Stock Mail“











































































































































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