All Vinyl New Releases - News

It's 2017 and Mindcut starts with a banger release from no one else than Keepsakes. The New Zealand-based producer - who already had his debut release on Ansome's SLAM - opens the New Year with a 4 tracker incl. Ayarcana Remix. A truly vibrant EP filled with hard industrial techno along some special chords.

Vinyl + Mp3Code incl. 2 digital bonus tunes

Early support by: Luke Slater, the29novfilms, Krenzlin, J.Tijn, Stormtrooper, BR1002, 14Anger, Berk Offset, MTD, Droid, Paco Osuna, Beat Movement, Ryuji Takeuchi, Drvg Cvltvre, NOMAD, UVB, Takaaki Itoh, Paul Birken

If you hear about a track called LaLaLa, you immidiatly think about a dreamy, funny kids song. But as soon as you put the neadle down, you'll be surprised. Its not corny, not sweet - it will take you off your feet and further away.

This two sided EP perfectly fits to Lars Wickingers style. LaLaLa and Orphan Black move with great emotions and energy. The remix of LaLaLa by Douglas Greed & Brummkreisel round the EP of perfectly, by giving it s new face.
BlackFoxMusic 024 will be the first limited vinyl only.

The new techno bomb on Delude Records Vinyl comes from the new producer guy Maik Davis. The release contains the original mix of Tension, a great techno bomb with fantastic arrangements and elements of electronic music.

The remixes are from Mike Wall, the owner of the berlin based techno label Wall Music and Marco Trom, a new young producer guy from munich.
The 3rd Remix is produced by Stevie Wilson, a scottish dj and producer legend of the newer days.

the new release by the snork sublabel is here !!! great minimal tech house tracks !!!

For his 2nd EP on the parisian label Ondulé Recordings, DJ Un*Deux decided to surprise us.
With "Tool for fools", his hip hop background is talking......With "Two for bass" that's the dark side of DJ Un*Deux,
the kind of track you keep preciously for the peak time when you need a jumpin' bassline...
and finaly with "Groovy Vapes", this is a pure soul cut that ends the trip.

1st pressing comes in limited 180g !

Love & Loops is an Argentinean label based in Berlin, directed by Ale Castro the label has a lot of variety of delicious pieces of House Music, inspired & influenced by Disco, Deep, Garage, keeping the groove and the roots of House Music, the 1st Various Artists is a powerful dancefloor tool, with music from Manuel Sahagun, Bs As Deep, Franco Strato and Ale Castro, all good rated producers with big amount of nice releases.
Music made with love, loops, some random machines.¨

Repress! Take a long and wistful stare out of routine's window. Beyond the urban sprawl and endless nine-to-fve tape loop,
pass the mind's monotonous prattling and humdrum hum of breadwinning, losing and general existing, somewhere
out there burns a summer eternal, with all its romances still in tact. A place full of sweaty nights and protracted lazy
days where the breeze teases with salty lips, and the sun leaves its freckled kiss on basking knees and cheeks. This is
where everything happened just so, where bittersweet memories were made and mistakes frst revealed their lessons.
Here is where you can think, refect or simply escape. Here is your 'Exit'.
Over the last few years Oliver Schories has been refning a warm and delicate style of crossover house and techno,
accruing a potent collection of impassioned dance material for labels such as Kollektiv Turmstrasse's Musik Gewinnt
Freunde, Ostwind and Parquet Recordings. On 'Herzensangelegenheit', his debut album delivered back in March last
year, Schories struck a balance between poignant pop and deeply groovy club work through a melange of soulful
vocals, melodic arrangements and engrossing organic rhythms that once more imbue 'Exit', it's serene and effortlessly
danceable follow up.

Co-Founder Peter Eilmes steps up for the second release by this new imprint.
Opening the A side with a more hypnotic mind trip, the EP ‚States of Matter' turns into sequence driven dance floor tool.
The record is consistent in its rawness and use of massive modulating hats and percussions which manifest the passion to analog gear. Raw upfront techno trips.

Support by
Richie Hawtin, Francois X, Marcel Dettmann, Angel Molina, Alex Dolby, Dj deep, Rebekah, Brian Sanhaji, Luke Slater, Florian Meindl,
Shlomo, Rodhad, Arnaud Le Texier, Unbalance, Jonas Kopp, Milton Bradley, Dave Miller, Drumcell, Chris Liebing, Audio Injection/Truncate, Henning Baer, Donor, Etapp Kyle, Nihad Tule...

It's not easy making jams that really work the crowd just as well in Bristol as in Berlin. Nor any other city for that matter. It's those crossover artists that really stand out for us with tunes that do so much more than just ride the wave of what's hot. Enter The Organ Grinder and his sick 3track EP for Heist. 'How did I get here", the A1 track, might sound like something you'd ask yourself when you realize you're in the wrong place at the wrong time, but for us, this track is everything but that. This track has the most gritty and rolling percussion we've heard in a long time, a looped key with a hint of sleazy techno and some subs that will easily blow your grandma's porcelain to pieces. Add some odd FM frequency noises and you've got yourself a killer tune. Changes all the time takes a more drawn back approach, aptly characterized in the vox: 'repetition, with tiny changes all the time.' A set of carefully placed stabs. pads and strings along with a great arrangement that keeps you wanting more of that warm but rough groove. The Valley of doom takes you on a journey through the whole B-side with a stripped down, almost dubby techno vibe, nicely countered with The OG's signature slamming and gritty percussion. I hope you will enjoy this record as much as we do. Sincerely yours, Lars & Maarten

Albert Oehlen feat. Wolfgang Voigt massive. 180g vinyl
Wendy Gondeln is here to introduce and spread the dance style called Fracking.

Gondeln, also known as the German painter Albert Oehlen and longtime Red Crayola member, recently laid out the aspects of Fracking in his studio in Düsseldorf.

Realising that one thing was missing, he asked Wolfgang Voigt to provide him with two plain Gabber bass drum canvases. Wendy, a great connaisseur of this ancient form of techno, considered the offerings from the unheralded prince of the German bass drum so precious that he drove to Cologne to pick them up personally. He managed to take the delights home safely, painted over them with his bow as if it was a brush and thus completed his vision of Fracking.

Wolfgang on the other hand, couldn't stop Fracking after Wendy's visit, which resulted not only in his first Fracking track, but in his first three. Included here in the form of a Fracking triptych.

When Magazine (Jens-Uwe Beyer, Crato, Barnt) heard of this new thing called Fracking, they had to start Fracking too. Of course. Not long before this text was written, these Frackings were brought back to Düsseldorf and tested towards the end of a frenzied set at the Salon Des Amateurs. And guess what people started as soon as the bow hit the violin...
... right: FRACKING!

12" + CD

* Over the last few years Dexcell have been in high demand for their remixing talents.

* With official remixes under their belt for some seriously heavyweight acts such as Ellie Goulding and Philip George through to the more underground acts like Hybrid Minds and BCee, an album of original material was long overdue.

* Not content with just rolling out the beats, Dexcell have drafted in some of the finest vocal talent around today.

* From the underground jungle influenced 'Impulse' to the peak time radio friendly 'Running' to the laid back melody of 'Over The Influence', Under The Blue showcases just what the trio of Dave, Adam and Sammie (aka Dexcell) can do.

* Support from Beats 1, Friction, High Contrast, Spectrasoul, Camo & Krooked, Bryan G, S.P.Y, Nu:Tone, Zero T, and a whole load more...

The colors are stunning. In a single view, I see looking out at the edge of the earth, all the colors of the prism. Red at the horizon, blends to orange and yellow, followed by a thin white line, then light blue, gradually turning to dark blue, then black as the vastness of space engulfs the surroundings. As I looked upon our home rock, I saw many natural features. I witnessed a large river meandering slowly along for miles, passing from one country to another without stopping or hesitation. I also saw huge forests, extending along & across several borders as if these divides didn't exist. I watched the extent of one ocean touch the shores of separate continents; then suddenly, a profound thought came over me as I looked down on all this....
The Birds Don't Fly This High

Poker Flat Classics continues its highly promising series with a huge pair of reworks of a seminal Poker Flat track. Martin Landsky's 1000 Miles -originally released in 2006, rightfully takes the stage in the second instalment - receiving blistering remixes from two true masters. Laurent Garnier's incredible career barely needs commenting on; suffice to say he brings his trademark, tough and epic sound to the forefront here. Pushing 1000 Miles into yet more mind-bending shapes, the Frenchman injects the original with a new sense of urgency. Welding a fractured synth melody around Landsky's big room hook, the results are a pure techno moment - sure to cause a stampede to the booth at most discerning clubs. Holland's Gerd, responsible for some recent incendiary dancefloor burners of his own, also drops another bomb here. Under his Geeeman persona, Gerd, twists 1000 Miles into a trippy, euphoric monster - a late night house detonation for the heads and a fitting tribute to Landsky's modern classic.

TRP enters the unknown armed with blistering freaked out acid tekno & bloodklart-electro kutz 4 club use only.

200 limited copies only!!

German duo Silky Raven, aka Jakob Seidensticker & Henrik Raabe (a.k.a WAREIKA), drop their latest effort 'Seychelles to Rave' on vinyl for Beirut based label Fantôme de Nuit.

Silky Raven go straight into it with the sweltering A-side Seychelles to Rave'. Complete with tropical stabs and percussion, a kick drum pushes the track forward as it builds and expands. By the time it all drops out for the tunes compelling bassline it's too late, you're hooked.

On the first track of the flipside, Jupiter to Jupiter', the duo takes a more disco-tinged approached. True to the tracks name this spacey effort, makes use of retro sounding keys and flashes of acid to induce memories of another dimensions.

Billions', the EPs final and darkest track, is a deep slow burner. The perfect end for a rave in Seychelles. A brooding bass line drags along as some clever percussion keeps the listener light on their feet. This is a track for the latest of hours and is sure to revamp the floor.

Our next release sees the welcome return of Dez Williams. Since his first ep on the label in 2013, a lot has happened for the Welsh wizard. Releases for Shipwrec, Bedouin, New Flesh and Bass Agenda have followed, while his reputation as a killer live act has continued to grow. Opening with Lumphammer, Dez harks back to a time when big, brooding basslines were king. Add in whistling keys, tribal percussion and a few well-timed breakdowns, and you have what is surely one of his biggest tracks to date. Order To Fight takes a more aggressive route - a vocal-fused slab of raw acid, it leads nicely onto the flip, where Kabin Feeva's wild roaring synths are tuned specifically for the headstrong. Work Like Crazy meanwhile, sees Dez return to his roots with a bass heavy cut of crunched electro, doused in a dark filtered vox.

This EP starts with Stitched", which begins by a rough & anxious introduction with a drone bass and a dissonance pad. Then a steamroller sub bass engaged itself into an insane run drived by a brushing arpeggiated synth and sharpened cymbals. College Road, the eponym track is a bright energetic trippy techno track influenced by house grooves & sonorities, for club use (not only). The last track Bkr is a live construct track with both hardware and software stuff to create a freaky bouncing groove. Can be played as main set track or as tool as well. Artist Bio : Born in Rouen, Normandy, the duo Easy Morph used to make people dance in clubs before they were even allowed to get in. Together since the age of 12, the duo experienced some emulation among themselves and with the music they cherish and collect, the electronic music and particularly techno. The logical consequence was the creation of the duo a few years later in order to exploit this connection, at first for dj sets and then for production. In their sets as in their production, they like to hear the rolling sub and the kick on time, a powerful and compelling binary techno punctuated by dark soundscapes, sometimes melancholic accompanied by saturated synths brushing against acidity. The duo met later the collective Peche Mignon,seduced by their project, their values and their love of music.

Strength lies in calmness - and vice versa. Marcel Fengler returns on IMF and offers three new inspirited musical pieces that protrude from the club context just as well as cater for your home stereo, picking up on the diverse musical moods defined by his debut album Fokus (Ostgut Ton, 2013) while concentrating on intertwining sound aesthetics.
With Kyu' laid out on the A-side, this new 12" starts off with a delicate yet muscular floor-pleaser - its subtle 4/4 rhythm is counteracted by lush claps on 2/4, but the true finesse comes in form of its varying rhythmic details, crisp hi-hats and underlying, subtle melodies, most notably the twirling organ trills, sustained synth pads and alienated shout outs.
Shitau' on B1 picks up on these introverted and adoring musical moods with more organic bell percussion and swelling synth layers adding a more cinematic touch to the complex rhythm patterns—then pausing for a short dreamy break, gaining speed again before culminating in a grand finale. Zen' follows up with intimate string arrangements until Fengler varies the tone and tempo with tribalist percussion and a lush kick drum.
This EP is an ideal companion, whether you're pruning your bonsai or branching out a club set.

Rekord 61's first release of 2015 is the strident 'Sverh' on his own Konstruktiv imprint, backed with 3 remixes from Radio Slave.

Radio Slave's 'F.Y.N Remix 1' draws on the essence of Daniel Bell, combining a sparse drum track with occasional 'sverh' vocal while 'F.Y.N Remix 2' kills the kicks completely and favours saturated bleeps and ominous atmospherics. 'F.Y.N Remix 3' continues the distorted motif but pairs it with pin sharp and powerful drums.
A release that is sure to be deployed in multiple variants due to it's jigsaw-like aesthetics, Rekord61's 'Sverh' b/w Radio Slave remixes is released march 30th.

LTD repress !

Family in the house ! GMUF's 4th release is a four tracker various artist EP with friends
such as Alessandro Crimi & Raphael Raban, Summed & Dot, Thomas Wood and Dzanin.
A diverse compilation for any taste of todays Club Music.

Translunar Injection - You can feel the journey to the moon literally. Imagine this fat sub
drives you there... light as a feather but intense like the love for the sound. Waehlscheibe
Rec. Boss with buddy Raban on point as always.

A strange situation - 90's in full effect that's House. The funky vocal steps up and down
while the wild hats and deep chords looking for some crazyness. The italian duo goes
through it all.

Stick to that! - Groove after groove, snare after snare...a dancefloor masterpiece for the
the hungry ears by Zurichs strong talented Thomas Wood.

Ptice Dzanin demonstrates that even birds can dance and takes you with him under the
ground.

Early early early Supports:
Raresh, Francesco Del Garda, Dusky, Sneak, Ray Okpara, Huxley, Andrea Oliva, LTJ Bukem, Emre, Till von Sein, Josh Wink, Alon Levi, Gerd, Groove Armada, Amilcare, Baikal, Alci, Alpha B, Zafer, Donato Capozzi

For almost two decades Dave Paton has been dredging the recesses of his mind for electronic inspiration. The findings have been fantastical, freakish and formidable; all ways of describing his latest outing. "The Great Pretender" straddles electro and techno, staggers between ambient and IDM and swaggers to its own bawdy beat. Rasping rhythm patterns are rinsed in ragged roars, charcoal chords are conjured before being crunched as The Wee Djs has his fun across five tracks.

The Disconet Greatest Hits series continues at a pace with number 7! Up first we have the original Disconet version of Globe & The Whiz Kid's 'Play That Beat', which was the first ever outing of 'Lesson 1 - The Payoff' which pioneered the whole sampling movement. Up next we have the heavy hitting dancefloor Kat Mandu's 'The Break', which has a true carnival feel! On the flip we have the Disconet version of Graffitti's blissful 'Feeling Love' which hit in 1979, and the Moroder inspired 'Dancer Dance' by Pussyfoot.

LTD 180g!

Cellaa Music are happy to welcome back Artist, Giuseppe Cennamo, with a follow up to his highly acclaimed 2013 'Butterflies In Your Stomach' EP. A leading light of the club scene in Italy, Giuseppe stayed true to his underground roots through a stream of releases for the likes of Desolat, Moan and his own Imprint Carillon.

Three different tracks, three times 100% Cennamo quality and on top the titel Track 'Everyday' is accompanied by two exclusive remixes from Marwan Sabb and Label Head Sven Jaeger.

Focussing on nowhere else but the dancefloor and designed for no one else but the skilled selector, all tracks act as timeless calls to action for all groove aficionados... And suggest an exciting ending year for Cellaa Music.

Enjoy this quality peace of Music!

First new Ø (Phase) material since the Alone In Time LP.After the success of the broad and powerful second LP Alone In Time, Ø (Phase) continues his ongoing connection to Token with the Submerged Metropolitan EP.The title track enters with Burchett's own brand of unease; the lead is tense and discordant, moving over a bumpy, rolling kick. Brushing off-beat hats rush overhead and play delicately with this unease above the thunder. A vague spoken word sample adds texture and contributes to the cerebral edge. Ethereal swells and intense rhythmic play introduce Fallen Columns, which delves into atonality with keys that add a controlled recklessness to the composition.This Absent Mind takes on a hypnotic, dubby form with a confidence that belies its complexity. A sublime breakdown introduces the heavier second half of the track, which enters impressively and batters on to the end.

special double pack for all you Titanoum lovers out there - contains 2 classic releasestitan002: titanium - fakir (incl. stanny franssen remix)titan003: titanium - quenchless (superb timeless looptechno tools)+++non returnable+++non returnable+++non retur

repressed !

Relax your eyelids Focus on the darkness This is your time to relax You don't need to think about anything Except being right here, right in this moment With me. Don't think about tomorrow, or yesterday, Just be here In your body. Sportiv is a dexterous white label operation that brings you heavy-weight rhythmic performances from the world of techno athletics

Here is what others think:
Dave Clarke: Kapotasana is dreamy yet complex.
Kangding Ray: This one's a serious banger
Shlømo: In Your Body is incredible!
Fred P: One of my favorites
Shifted: Right up my strasse
The Hacker: In your Body is a hit!
Simian Mobile Disco: Kapotasana is the one
Peder Mannerfelt: Massive!
Laurent Garnier: Yes yes yessssssss - BOTH TRACKS
Hunee: Namaste!

finally repressed

DYAD is a collaborative music project and label by Ben Gibson and Fundamental Interaction. For their first release they bring two pieces of accomplished techno as DYAD together with a remix by Japanese legend Takaaki Itoh.

KREATTONES' third release is here, and We are extremely proud and thrilled to present "Day Tripper" from the outrageously talented JESSE BRU. This four-track EP is a lesson on sampling, cutting and building, an aspect already acclaimed and recognized by all that had the chance to hear Jesse's work (released on Heart to Heart, Egoplanet, etc...). The opening track shares the EP title and clearly demonstrates Mr. Bru's vision on Deep-House, with elements coming and going, breaks and drops, all working in perfect harmony.'I Want U' is a groundbreaking piece of art, filled with melancholy, heart-driven feelings and shivering whispers, resulting in gorgeous love song. The first track on the B side, 'They Told Me' is a uplifting tune, with clinic-cut sampling, powerful vocals and beautiful percussion. Last but not least 'Remember How it Used to Be', a groovy arrangement of pads and vocals topped with a killer bass, ideal for club use. Considering that this one blew our scale, we hope you enjoy this record as much as we do.

MAKE BELIEVE DISCO is a very welcome new addition to the SLEAZYBEATS family of labels !
Next up we have a delightful platter by Dutchman Junktion, who serves up a trio of savoury sonic snacks in a similar vein to his sought-after Black Ops outing. In Blue Forests is the main course here, a heads-down groover with a dash of strings and some tropical condiments for that Summery flavour.
Flip over for the uptempo chugger 'That's What's Coming' and 'Friends & Strangers', Junktion's nod to rolling 90's piano-driven French house, ones for the dance floor, and then some!

* Kowton unleashes a pair of devastating dance floor weapons to rattle your ribcage.

* 'Pea Soup' gets wavey in a fog of old rave stylings and jagged rhythms, while b-side 'Iodine' rolls with a deeper shuffle, putting a UK spin on the classic Detroit sound.

repressed !

The Swindlers return and not a minute too soon as far as we're
concerned! The hardest working duo in house music have had a
mental couple of years playing every club and festival known to
man, having babies, seemingly buying up the entire stock of vintage studio gear off ebay and thankfully knocking out some banging tunes on top of all that. Well all club bangers gratefully received here at Freerange so with open arms and ears we're happy to be bringing you the Figure Of Speech EP.
Just as the non-believers think they know what to expect from these two they've thrown a rather large curveball and headed down a different road. Figure Of Speech wears some African influences on its sleeve with a bumping party groove punctuated by some nifty afro beat keys stabs and just a hint of acid. Victoria's Secret treads more familiar Detroit Swindle territory with the boys trademark shuffling beats and larger-than-life side-chained pads bringing the drama. Finally, we have suitably titled Live At The Cosmic Carnival where we're treated to some peaktime tribal business with rolling bass, dubbed out dancehall science and some nifty conga work. All in all, some fiyah for the dancefloor from a pair of lads who know a thing or two about how to get a room jumping.

RA+RE Records is glad to present 'Stereomoon EP", its third vinyl only release from Moldavian artist Hellen Mills, including a remix of Oshana. The combination of the 4 tracks on Stereomoon shapes the perfect club EP with 3 varied tracks mixing deep & minimal house. Finally, Oshana brings her distinctive sound signature with an atmospheric and loop driven version of the original Lavanda. The RA+RE Team Clara, Jessie and Claire.

Here comes the second Blind Spot Music vinyl with some of our favourite techno artists on the board. The original track Scattered produced by the Japanese Ryuji Takeuchi and it's a proper peak time smasher. Ryuji after a few remixes is finally landing with an original track on Blind Spot Music. In the past techno fans have heared his unique style on various releases on label likes of Nachtstrom Schallplatten, Sick Weird Rough, Huehelix or his own imprint Local Sound Network.
On the remix duties are: Mallorca's techno ambassador Angel Costa, who has released on some of the most prestigious labels of the techno scene such as CLR, Electric Deluxe, Micro.fon. The German Michael Schwarz, whose unique driving-techno materials came out on Driving Forces, Wall Music, Praxxiz and at last but not least Blind Spot's very own Dr Hoffmann & Gabeen. The duo is infecting the techno scene slowly with their lethal sounds.
The Scattered EP is not for the faint-hearted, serious underground techno beats on it.

Yuji Kondo returns to Perc Trax for his first full EP on the label after the success of his remix of Sawf's 'Menete' a year ago. Like Sawf he relentlessly drives forward crafting his own vision of techno, blocking out as many outside influences as possible. Already gaining attention for both his Steven Porter collaborative project and his own Ducerey Ada Nexino side-project it is under his own name that Yuji releases his most uncompromising machine works.

It is almost pointless describing individual tracks from this 4-track EP, in the same way a cog should be viewed as part of a machine rather than a separate entity, but rest assured Yuji covers everything from martial 4/4 advancements to broken beat experiments here, each wrapped in just enough atmospheric sound to break up their rhythmic assault without ever taking away any of their power.

This is one of Yuji's most accomplished and high profile releases to date and comes backed up by a devastating live show that will hopefully be coming to Europe very soon...

New Andres 12'' debut on his own label La Vida. Andres is one that really needs no introduction, but for those unfamiliar here it is: Andres, aka DJ Dez, is one of Detroit's unsung heros of underground music. Since the late 90's Andres has built up an extremely respectable catalog of that blurs the boundaries between genres, most notably his records on KDJ and Mahogani Music. Not to forget, DJ Dez is also Slum Village's DJ, has recorded many hip hop instrumental on Hipnotech Records, and his hand is on countless other Detroit records. Definitely one of the most consistent producers we've got here whose music can be summed up in one word: Quality!

finally the repress on LTD coloured Vinyl !!