House Vinyl New Releases - News

Despite only a few releases, the electronic deep house sound of Vibraphone Records and the production team behind it, had a major impact on the international 1990's dance scene. The original 90's vinyl are now considered precious collectors items. Revitalized by an increasingly new young audience interest, this label has reached a cult status and it has now been re-launched via Juno Records. For the first time in twenty years 'TTUSR' has produced three new exclusive tracks which will be included on this 12" EP entitled Liquid Time.

Dahlia is a new record label out of Scandinavia. Focused on bringing you deep dancefloor tracks from new and so far unknown producers. Each record carefully put together to make a versatile arsenal of music. Handy DJ tools for warm up, peak-time and after-hours! <3 <3 <3

Stash 01 is the debut release of Stash Trax, a brand new imprint based in France. The label focuses on deep and groovy visions of house music produced exclusively on wax. This first various delivers 4 tracks one from each member of the label. Each artist offering a different definition to the word deepness.

Having effortlessly chalked up 10 stunning releases, the SHADELEAF crew decided to let the catalogue do the talking loud and proud with some remixes from the cream of the Deep House crop ! Byron The Aquarius, Al Zanders, Luke Solomon & Inkswel all provide sophisticated but raw reinterpretations of some choice Shadeleaf catalogue cuts, bringing a new lease of life to these predominantly vocal jams and putting new flesh on the Soulful bones in the process An incredible start for the label, celebrated in fine style with some heavyweight re-do's - yes indeed ! Top drawer isht
Another Shadeleaf sureshot !

Tagliabue provides the two original tracks from his AFRO SPAZIO EP released on COSMICA MUSIC in May 2019. With psychedelic atmospherics, deep melodic layers and tribal rhythmic formations, he sets a wonderful palette of cosmic frequencies, to stimulate the remixers visionary powers and creativity. DJ Rocca started to produce in the late 90s, working on some drum&bass and breakbeat singles as Maffia Soundsystem from the same name club in Italy, where he was the main resident DJ. In his career he
collaborated with Howie B, Pressure Drop, Zed Bias, Dimitri From Paris, Daniele Baldelli and Jazzanova producing singles, remixes and albums on some of the best european labels as Sonar Kollektiv, Compost, Classic, Rekids, Skint, Hell Yeah, Rebirth, Internasjonal, Futureboogie Recordings, !K7, Deep Freeze, Tirk,
International Feel, Defected, Skint, Gomma, Paper Recordings. As a producer, DJ Rocca is also part of Ajello (with Taver), Supersonic Lovers (with Marcello Giordani) and Crimea X (with Jukka Reverberi). He has remixed big names such as Oliver Koletzki, Luke Solomon, Blaze, Isolee, Pete Herbert, Bjorn Torske, Chris Coco, Dimitri From Paris, Andrew Weatherall, Justin Robertson, Soul Clap and now our very own Joseph Tagliabue. With the award-winning jazz musician Franco D’Andrea he has formed the Electric Tree Project, a contemporary music trio, hovering between jazz and electronics, with a double album released in April 2016 on Parco Della Musica Records, defined as record of the month for the magazine Musica Jazz (June 2016). The collaboration with such a great name of the jazz scene, moves on with the realisation of an octet and the production of a new album entitled “Intervals I”, recorded live at the Auditorium Parco della Musica in Rome last March 2017. Mushrooms Project is Giorgio Giri and Marco Lentano, producers and serial collectors of vinyl with a common passion for dj’ing and for any type of music whatsoever. The project came into being in 2003 when Giorgio, a punk band drummer and vinyl collector with a strong preference for anything from psychedelic rock to Afro, meets Marco a deejay since 1994 who mixes every possible kind of dance music; from afro to house, passing through techno and progressive. 2013 saw their debut album ‘Undergrass’ released on Leng Records, which was a continuous evolution of their sound elaborated in close contact with other musicians.
In 2015, Ivan King, a talented guitarist who had collaborated many times with the Mushrooms Project, became an integral part of their productions. They have now dj’ed across the world and are known for their hallucinating and all encompassing music that is made using live instrumentation such as guitar, bass, synth and percussion to create a “dirty” but unique insight to the very long, deep, mesmerizing and unusual minds of the Mushrooms.
We are proud to showcase a pure Italian collaboration effort. The uprising talents of the new generation of progressive producers meet with the Masters of the Cosmic House genre for an epic production.

1st Press

00:AM are back with their third Various Artists 12” in as many years featuring friends from near and far. D. Tiffany, AceMo, Flørist, and Max Wyatt step into the fold for a well rounded release fit to stay in the DJ bag. The record starts with D. Tiffany’s off-kilter ‘Butterfly Foundation’ into AceMo’s 10 miles deep ‘A Dub 2 Toronto’, onto Flørist’s peak time ode-to-jack ‘Parametric’, and closes out with Max Wyatt’s breaky & euphoric ‘Nu World’. Road tested thoroughly over the last year, 003 is a gambit of refreshing productions carefully selected by 00:AM. We hope you enjoy.

Late September 2019 will see the release of DJ W!LD Shaun Reeves' collaborative EP, "Bag of Bones" on Vision Quest Special Edition, the vinyl only arm of Visionquest.

No strangers to working together, the pair have cooked up an excellent EP for their latest outing, comprised of 4 heady, floor ready cuts. Shaun Reeves, co-head of Visionquest, is a Detroiter turned Berliner who has been at the forefront of the industry for over a decade. An instrumental part of both cities and everywhere in between he has been playing the top clubs and festivals his entire career. Reeves has released on labels ranging from Raum...musik to Wolf + Lamb and of course Visionquest, with artists like Seth Troxler and Maayan Nidam. DJ W!LD is as well a time tested veteran of the game who grew up listening to Laurent Garnier dj in his home town of Dijon, France. A life long record collector, he has played all over the world at the most prestigious clubs including Fabric, Panorama Bar and Amnesia for events ranging from Cocoon to Circoloco. DJ W!LD runs two labels, the W label and DAILYCID and has released on REKIDS offshoot, Cabin Fever, One Records, 2020 Vision and Ricardo Villalobos and Luciano's Ral series.

On the first track, "Bag of Bones", the EP starts out with a banging kick, a choppy percussion loop, floating atmospherics and a sound like a distant train or a car horn honking moments before impact. Low sub bass is complimented by a mid range bass line that drives the track forward. This leads to a subtle break down, when the track flips on it's head and jumps back in with a rising rush, a new bassline, peculiar vocal snippets and some bouncing hi hats skittering side to side.

Track two, "Taima", starts with a heavily phased sample that almost sounds like recorded room noise. Swinging percussion pops in with a punchy bass line and a mean kick that all gets thrown around by a mechanical machine sound that rips in and out with bleeps that sound like feedback from some sort of lunar device. A repeated, bleepy key loop emerges, balancing all the percussion and propels the track forward. It's hypnotic, deep and banging all at the same time.

"Chronicals of Narnia" starts with a big kick and a hat, snare/clap combo that's drenched in vinyl dirt and phase. A beautiful ambient texture pad drops in that lifts the vibe of the track without it getting bogged down or muddled by the atmospherics, only to snap back into the original tough beat with a fat pocket.

The EP finishes with "Purple Urkle", which starts with tough percussion, again doused in this amazingly overdriven phased/flanged texture. Other seemingly found sounds jolt in and out all around the audio spectrum while a distant pad rides in the background, sounding like it might be sampled from an old classical vinyl. The EP is another welcome addition to VQSE, drenched in its own grit and unique sound it's sure to please listeners and dancers from all ends of the musical spectrum.

We've reached a pivotal moment for Local Talk.
What better way to celebrate a centenary of forward thinking releases than to present one of the best kept secrets out there, MLiR aka Modern Life Is Rubbish this time joined by Arnau Obios.

After making a serious impact with their remarkable 'Swedish Lo-Life' and 'Trans-World Junktion' releases on fellow Swedish label Studio Barnhus, we're thrilled to have them onboard for our 100th release on Local Talk.

Yes, that is correct, we’re celebrating the big 100. Since the very beginning we've covered everything from the deeper shades of house to the jackin' and the gritty club jams, released some slower BPMs and also the uplifting, vocal and organic house.
As you probably noticed - we love it all.

The 100th release main track 'Lajbans' is one of those sublime tunes that is bridging the gap between all styles of dance music and got the MLiR trademark, it's epic and manages to offer plenty of subtle details to keep you locked for the full 9 minute experience.
Accompanied with the original is a masterclass in dub 'Lajbans (Bellaterra dub)'.
You got the versatility of the original carefully stripped back but also absorbing layers upon layers of seductive sonic moods, it's a trip for sure and you don't want it to end.
Once again MLiR proves why they will be a force to be reckoned with for years to come...

Artwork by Leolyxxx
Mastered by Sasse at Blackhead Studios

UK duo Wayward continue to turn heads after a big 2018 and return with a fresh new EP that features a remix from cult minimal man, Voigtmann. 

 For their latest offering, they turn once more to Silver Bear Recordings as newly announced co managers of the label and in the process remind us of the depth and talent that remains a hallmark of their output.  Opener 'The Energy' is a driving cut with lush drum layers carrying you along as distant pads flesh out the groove. Soft female whispers add layers of soul and the whole thing will make close-knit floors go off. 'Space Marines' then gets more edgy, with techno-leaning drums and freaky samples that make for a pumping but classy groove, finished in style by some heavenly sounding, uplifting pads. Voigtmann is a long time underground figure, releasing on a range of vital labels and has a superbly reduced sound, showcased here on his druggy, infectious remix. Notable for its swirling pads and zoned out vibes, it rounds off another expert Wayward release.

All Day I Dream welcomes Bantwanas to the family. Hailing from Africa they are a collective of African producers, songwriters and musicians who's collaborations set forth the intention to bring top quality African house music to the world. The music on their EP sways gently from the dance floor gem and title track 'Back To Front' to the more laid back 'Izingane'. A beautiful all around release.

Staying true to those bottom heavy US house vibes, the Freak is back with a release even chunkier than the first on this imprint.

The mysterious and self proclaimed creator of 'concrete funk' ensures that all four tracks of this release deserve serious floor space.

Side A is a perfect merger off a Chicago v Detroit sound, with jacking drums overlapping deep but never dull chords and stabs. With stabs of vocals reminding the room that you are seriously 'Mackin tha Heat'.

The B-side shows a completely different sound to the freak with chunky acid house sounds accompanied by a track that has a hypnotic techno style groove from start to end.

Following his debut on Phantasy earlier in 2019, Joshua James returns to the label with ‘Journeys In Love’, complimented by a propulsive remix from Joe Goddard. Flipping the ruthless sleaze and hi-NRG of ‘Coarse’ on its head, the XOYO and Rinse FM resident presents a release that soundtracks the deeper, more vulnerable and always joyous aspects of London’s queer nightlife culture. ‘Journeys In Love’ lands with immediate effect, building steadily and confidently around a trippy sample and the hugely pleasurable push-and-pull of James’ synths. Breathing deeply and suspended in red-light, James’ new production tastefully recalls the late-hour, sensual attitude classic NYC deep house, while transmissions of a bottom-heavy bass weight anchor the track in the capital’s defiant after-hours scene. As a digital exclusive, the Super Drama remix utilises skittering percussion and cymbal rushes to drive things forward, dissolving with a playful acid coda.
Needing little introduction, Hot Chip and Two Bears co-founder Joe Goddard delivers a soaring and complementary reinterpretation of ‘Journeys In Love’, one built on halcyon, analogue sounds and further bathed in ecstasy and melancholy.

The Maghreban aka Ayman Rostom is one of the most unique and respected beat makers working in house and techno today. His dusky grooves, heavy bass pressure and clanking drum breaks sound like they were dredged from the bottom of the river Nile, imbued with a maverick personality that shares kinship with the likes of Detroit's Andres and Waajed, making him a perfect fit on R&S's storied roster of pioneering outsiders.In the past four years, he has released a slew of hotly tipped 12's, mainly on his own label, Zoot, as well as French label Versatile and Bristolian beat mongers Black Acre. Also known as acclaimed hip-hop producer Dr Zygote (also one half of Eglo's Strange U) Rostom has gained a reputation as a producer's producer, garnering heavyweight tastemaker support from the likes of Benji B, Ben UFO, Nicolas Jaar, Trevor Jackson and many others.
After the extended clamour for a Maghreban long player, the wait is over as Rostom is finally ready to unleash his debut album '01DEAS'. "The 12' format is great for the club, but I wanted to go a bit deeper with it, and explore different moods and ideas,' Rostom explains. Packed with richly satisfying cuts, the album draws on the Maghreban's usual musical themes; 90s Home Counties rave, '93 dark jungle, 80s Steppers reggae, Broken Beat, dark modal jazz, colonial Afro Rock and psychedelia.
Despite this eclecticism however, it is the consistently seductive groove at the centre of his music that is the key to his music's ability to entrance the listener.
"Growing up, I remember long car journeys with my dad, he always played a bunch of arabic music, Mohammad Abdel Wahab, Om Kalthoum, Abdel Halim Hafez, as well as Paul Young, Dire Straits, Bob Marley, Otis Redding' Rostom explains. "He used to drum on the steering wheel like a tabla with his palms and fingers - I think that definitely helped me understand rhythm and syncopation." Rostom's love of analogue technology is another key feature of his music, his process often finds him sampling from cassette tapes, employing wheezing compressors, dusty mixing desks and antique effects devices to impart texture, warmth and weight, or as he has described it "The hypnotic sound of confusion'. Throughout 01DEAS a dark mood is evident; "I make heavy, dark music I think growing up with some arabic music allowed me to appreciate minor key stuff. And the Arabic music is big and dramatic. It's one reason I liked death metal and hip-hop in my early teens alongside old hardcore/rave and jungle. It's all heavy, head banging music. I'm usually trying to make the heaviest sounding thing that I can.'
Indeed it is a bit of teenage wish fulfilment for Rostom to be releasing on R&S 'When I was around 11-12 and my brother and I started buying records, the R&S stuff stood out. The Beltram 12's and EPs and Outlander Vamp were records we loved'.
For the first time, the album sees Rostom joined by a stellar cast of guests including Brighton based songstress Victoria Port of Anushka, Zimbabwean vocalist Rutendo Machiridza, rapper A-F-R-O, and best friend Gatto Fritto.

Fifth Interval gather together some of the most forward thinking minds in the dub techno sphere for this various artists EP. Those already acquainted with the label will be familiar with the likes of Federsen and Tomas Rubeck, who headed up the first and second releases respectively. They are joined by dub techno luminary Brendon Moller, aka Beat Pharmacy and Alessandro Crimi, for this four tracker of perfectly contrasting arrangements.
Federsen opens the proceedings with the sunset sequence of Bay Blues, cascading keys rolling through the gaps in a subtly broken drum arrangement, making for effortless and captivating listening. Beat Pharmacy contributes his first original material to the label after a brace of remixes last year. Showing true mastery of the board, chromed chord stabs are pushed and pulled around the mix in true dubwise style, drifting over a malleable bassline that packs a serious punch.
On the flip side, Tomas Rubeck crafts a tightly woven backdrop of constantly evolving, organic atmospherics and powerful drum work for IO, and this muscular workout is perfectly contrasted by the swung grooves and kaleidoscopic synthesis of Alessandro Crimi's Fractal Clouds, which closes the EP.

Jack's House Recordingslaunched by long serving island resident DJ and producer Clara Da Costa, is a new label born out of Ibiza, which also boasts a successful weekly prime time live radio show that focuses mainly on exclusives and vinyl releases, broadcasted on the award winning Ibiza Sonica. Jack's House also hosts parties at the worlds most famous club, Space for Carl Cox. This first release comes from the talented and well respected, Alex Arnout from Dogmatik Records. Alex has had numerous releases over the years on many other respected labels such as One Records and the Fuse imprint. He is also known for launching, nurturing and finding good talent. This 4 track EP fully demonstrates Alex's versatility in the studio by offering 4 distinctive quality productions which can only be described as true house, and underground house music, made with integrity.

The mighty Dungeon Meat's marauders into the finest club cuts continues with their first offering of 2017 and their first various artist E.P on the label . A collection of dance floor dynamite set to detonate as soon as the needle hits the groove . Here we see the boys recruiting some new beat bandits with Ron Obvious and Per Hammar and also reviving one of the OG dungeon masters Blunt Instruments . Each one bringing the the heat with their prime cuts of meat , making this one hefty slab of wax that is a sure fire winner for those dark strobe lit rave chambers . As with all Dungeon Meat release these are tried and tested for maximum ass-assination .

Sub Club and Nautilus Rising present our fifth release, courtesy of Love Over Entropy. Four tracks tried and tested on our dance floor at 22 Jamaica Street by our beloved Saturday night residents. Influenced by train journeys, passing landscapes, hiking and over 20 years experience in the studio.

AdMaiora hits release number 20 in style with a fresh EP from Romanian established duo NTFO which includes two superb remixes by Lauren Lo Sung and Ilario Liburni. The guys of NTFO (Jargon, 20/20 Vision, Objectivity) are familiar faces for the label as we had the pleasure to release their remix of Ray Okpara's latest 'Sligerstai' which got tons of positive feedback and is currently dominating our Beatport top 10. Now they return with 'Lusy EP' - a lush pleasure of deep house vibes infused with their very own tech groove trademark.

Opener 'Lusy' rotates around a simple but effective shaken groove with thorny kicks and a super crafted sub bassline. The main vocal sample only appears in the right moments and adds a extra sense of elegance to the wandering synths and pads.
Up next, 'Unvelied' goes more minimal for a rubbery tech house piece where little jumbled percussion are immersed into a dark dimensions of gloomy bass and low freaky vocals. The electric synths give an extra spin to the track, derivering a slick house number and we're sure that the melody will stuck in your head for a long time.

On the flip side we have Liverpool's rising talent Lauren Lo Sung on remix duties for 'Lusy'. For Lauren, 2017 was her biggest year so far and 2018 is proving even better. She is consistently delivering well treated club hits on labels such as DJ Steaw's Rutilance, Vatos Locos and Circus, also co-founding her very own 'eleven records' and running sell-out LOLiFE parties in Liverpool, UK.  Lauren's deep stripped-back style focuses on, dub techno with a fresh, organic housy feel and this remix for 'Lusy' is no exception. With a crescendo hands-in-the-air version, Lauren arranges the remix on a pluck that dominates the track above teasing drums and intergalactic pads. A one-to-watch remix from one of the ones to watch stars of the near future.

Lastly goes the remix from Italo-Belgian Ilario Liburni who close the EP with a chunky and funky interpretation of 'Lusy'. Ilario had some massive vinyl hits lately and he also dedicates a lot of efforts on his own Invade and Cardinal labels. His version is dreamy and driving with bubbling synths and an infectious sense of loopines until the breakdown comes in with vague lo-fi synths and strings before it drops with the whispery vocals lending it into a late night feel.

After delivering a gorgeous gem in Nebulae’s last release, Sound Synthesis is back in the house with a 4 track EP, carrying us through an elegantly melancholic cosmic field, dressed with an intense electro flavor and a pinch of acid rawness.

Timmy P has been releasing music since 2010, but releases on esteemed labels such as Local Talk and Dirt Crew have really made him catch the attention of the wider public and industry big hitters such as Steve Lawler, Darius Syrossian, Sidney Charles and Waze & Odyssey. Timmy now steps up to the plate for Belfast's Seven Music. The 'Strong Advice' EP is some of his finest work to date. From the disco infused title track, through the vibey Slug Life to the moodier Bla Bla and all rounded of by one of the UK's hottest new names on the scene, montel on the remix.

It is time to close a first chapter with the 4th release of the label inviting all founding artists to contribute a track to form an eclectic but surprisingly coherent E.P. This is the definition of Jazz Cabage's liberated club music.

For COS_MOS's next trick they serve up a special 12” that features a brand new single from M>O>S super group R-A-G, also known as MaSpaventi, Aroy Dee and G-String. It comes backed with a re-release of one of the key tracks of the previously released Crystal Maze album on aDepth Audio. A fierce and full 45rpm re-cut of 'Dr Claw' that has been a secret weapon of Aroy Dee for many years. It's a raw cosmic adventure, with warm solar winds blowing over prickly drums. Twisted bass and knotted pads wrap round the groove as a detuned lead synth heads into a Legowelt-ish future. 'Larry Venom', stirs things up with a deconstructed, off kilter mix of beeps and drones with marching drums adding to the feeling that this is a robot party in meltdown. This is a brilliantly left of centre EP of intergalactic house.

There's a distinctly UK thread throughout Off Grid; from the broken drum machine workout on Isit and the acid bass line on New Levels to the jungle- influenced breaks on High And Mighty and Turnin', Romaal Kultan has produced a compelling EP that will provoke plenty of gun fingers as well as nodding heads.

Sol Power Sound adds to a string of hot 2019 releases with the Special Features EP by the Sol Power All-Stars, featuring remixes by DJ Spinna and LA's Caserta.

The lead track, Don't You Let Go, features the project's centerpiece, DC-based vocalist Kenny Wesley. His agile tenor swoops and dances over a soulful, multi-layered, dubby excursion. An accomplished songwriter, multi-instrumentalist and vocalist, Wesley's career has significant milestones in the jazz, pop, and progressive soul worlds. We're excited for him to step into the dance music lane with us.

We asked DJ Spinna (one of our musical heroes… but isn't he everyone's?) for a Galactic Soul treatment and he delivered inna signature Spinna style, that’ll make you b-line to the dancefloor.

Caserta took it classic NYC (with a lil UKG) on his Caserta's At Work flip. Let the record work through the build, the gospel-esque break down, and then open up into a piano and vibes solo. Patience is a virtue, especially with a peak time slapper like this.

If there is such a thing as a keyboard battle track, Number One Station is it. It features New Orleans-based synth wizard Daniel Meinecke over a broken afrobeat-inspired track, letting all his axes get busy. Trust us, you don't want to step to him (that's also Daniel you hear on Don't You Let Go).


DJ Feedback:

Soul Clap (Eli): Oooof! Some real heat in here. That Spinna mix is fire and the originals too!

Aroop Roy: Really dig the Caserta Remix!

thatmanMonkz: Really lovely package, gotta say, i'm feeling the original version the most! 'Number One' is a bomb too... "

Pontchartrain: Fantastic and classic. Original and Spinna’s stunning remix compliment each other perfectly making sure this will stay in my crate for a while!

Mad Mats (Local Talk) : Spinna Remix is amazing!

Opolopo: #1 Station!

Pete on the Corner (On the Corner Records): Love Spinna, plenty of thump here over 50+ mins - Yes. quick flick through and the dub got my kick and vocal stabs. BIG xx

Cosmo Baker: Amazing release - def gonna give this a lot of burn!!

Peter Croce (Rock Steady Disco): Damn this is bangin'. Love all the versions of the title track but I'm really here for "Number One Station". DM killed it!

Bill Brewster: Out of all of them Number One Station is definitely my jam. The others have percussive touches but this is the fella for me.

Lil Dave / Osage (Bastard Jazz): Sounds tight! Both the remixes hit hard.

When two dudes collide in a cosmic paradise, very special things happen. Black Spuma, otherwise known as regular transcendental misfits Phillip Lauer and Fabrizio Mammarella, come correct with a new EP of enchanted grooves for Futureboogie.
Breaking their run of EPs for the International Feel Recordings label, a trio of cuts are lined up on the ‘Crunch Level’ EP.
Title track, ‘Crunch Level’, is a throbbing, pulsating, bit-crunching beast of a track, a full mind and body workout that evokes the darker shades of early acid and new beat. ‘Agguato’ also packs a punch, with drums so big that Stock, Aitken & Waterman would most definitely approve, whilst a waves of hedonistic tones cut through feint melodicas and space invader tropes for a mind melting moment.
Never to end on a whimper, Adamantine goes out with a bang, with an ecstatically buoyant rhythm section and glacial melodies that’ll be transporting you back to the bright neon lights and dry ice of some long forgotten 80’s sweatbox.

This is a revisit into this ongoing connection between Berlin and the New Zealand dubby super-stars Fat Freddys Drop.

Daniel W. Best released the first pre FFD release 'Midnight Marauders' on his Best Seven imprint via Sonar Kollektiv almost 20 Years ago and produced all the early live shows of the band in Berlin up to the first Columbia Halle show. This is an homage to this liason.

Loyoto - Remix: The latest coup by Eva Be and Cle aka LoYoTo from Berlin is this epic remix of Fat Freddy's Drop's '10 feet tall'.
Eva Be and Fat Freddy's Drop share - since Joe Dukie singing on Eva's Album 'Moving without Traveling' and plenty of joint gigs - a long lasting Friendship, manifesting once more in this Remix.
Modern Elements of Dub meet clever arranged House Moods, advanced and detailed Electronics being ennobled by the unmistakable Voice of Joe Dukie.

Winnie & Somow Remix: Reggae/ House afficiondos Somow and Winnie give the track with the silky voice of Joe Dukie an Afro-House twist with their first joint remix ever.
Already club-approved for big and small floors. Predestined to be a summer hit in 2019.

For our latest sequel, a fresh team of highly skilled workers has been employed. Each contributor has developed convoluted techniques, utilising their apparatus to its full potential. Rube Goldberg Series proudly reveals the fruits of their labour.

This new coming EP splits out of two Japanese indie disco labels of today. On the A side, Tokyo based DJ/Producer duo, "Jig n'Hug"(DJ Kuu & Toshiroh) drops new tracks from their own label, "Monkey Chop Record" since its first release in 2016. And, on the B side, the label called YU-ZEN owned by "JTT" of Takayuki Hosoda and DJ JAVA hit
their tracks. The EP starts with the delicate synth chord turning into slow burning balearic journey tune, "Soft Magic" of A1. Then, along with elegant melodic piano and keyboard play, the emotional latin house tune, "Reflection Boogie" for A2 is coming. The promo's already been supported by DJ Kza.JTT release their second EP from their own label "YU-ZEN" ."bando" is like a chicago deep house with fat base sound amd impressive snare, synth and piano sounds. "Emilio" is like a atmospheric deeep house with impressive synth, shaker and piano sounds.Kuniyuki Takahashi's mastering helps to elevate the sound even better.

Mastering by KUNIYUKI TAKAHASHI. According to his careful work These Tracks have a high level of completeness.

Re-issue from Italian house instigator Enrico Mantini which is going to set another mark in his discography. 4 of Mantini's best tracks from years 2012 - 2014 personally chosen by the artist from Mantini's very own label Down Da Mountains.

Being in a different place and a different studio context changed some things for Gilb’R. The Versatile boss and half of Château Flight selected these 8 tracks, some short, some longer, from his studio sessions in Amsterdam where he has been living for the past 5 years. Reflections of the mind of Gilb’R and thus exploring many sides, from late night techno to West Indies non sense vocals, from dubby/moody sounds to ambient scapes.

Rude basslines, hypnotic chords, and straight up four-to-the-
§oor beats. Everyone's favorite Welshman, Harrison BDP, takes
charge with 4 trademark cuts of punchy dub house. Produced
by Harrison Webber Mastered by Zzzzra

Antam Episode Four: Worm Hole Battle EP
Four artists gather their frequencies on this various to defeat the galactic worm: the live performers Oden & Fatzo, the young Italian talent Solidwood, the french newcomer Sans Sucre and the mysterious La Maison Dieu. These pieces have respectively their own style, making an eclectic vinyl fitting to every situation, as a cosmic Swiss knife of the dance floors.

The return of master Loz to Outplay!
After releasing strong stuff on labels like Razor-n-Tape, Quintessentials and Quartet Series plus some recent remix action on Melbourne's Kyoku, monsieur Goddard has made a new EP for us as a perfect follow up to his 2015 Loose Jams!
He presents a wonderful EP of three varied tracks, showcasing his prowess in combining synths and sampled bits.
First up is uptempo discofied 'Hazy', which builds well on the sound he's become known for.On the flip there's deep dusty chugger 'Peaches' and the sweet, sweet melodies of synthy groover 'Murmur' to provide a proper close to the EP!

The Revenge is back at the controls for Home Taping!!!

The Scottish DJ and producer kicked things off on the imprint back in 2009 with his 'Forever In Their Debt' release, which grabbed the attention of House DJs around the globe.

Now he drops another timeless EP of killer House Music on the imprint
'Lost Grooves Part One' demonstrating his musical depth and amazing production skills as he drifts effortlessly between jackin' dancefloor trax, deep House grooves and looped up Disco business.

The result is a totally authentic and raw sounding homage to House music delivered by someone who has lived and breathed it over the last decade or so.

Home Taping all night long!

Detroit Acid master Jared Wilson with 4 fresh grooves that makes your ears melt...

Continuing with the saga of solo works, SUR presents Jorge Gamarra's first EP on the label, featuring a debut production from the cross-genre group People People.

Magic Black is happy to share with you this third release by already featured label artist LAROYE. This very particular ep showcases this time his talent to do an unique mixture of afro, lapsteel guitars and yoruba inspired theme and grooves. This ep's roots are deep in the collaboration with Maïa Barouh, whose magnificient flute playing abilities give a soulful afro driven groove and a cosmic touch that reminds us the best hours of Clausell or Chez. Her playing on Awon Iye was very inspiring for Martin Iverson, better known as Atjazz, who picked the tune and turned it into a blasting uptempo broken jazz fusion that he can only create. The opening track is also a must have track which breaks barriers between house, bossa, lapsteel and dreamy vocals. Already a Favourite for many radio deejays. Last but not least, Basamsike is a deep driven afro conga track with vocals coming from a beautiful Malian singer who stays secret for now. Here you have cosmic, groove, melodies and uncommon patterns all together in the best way :definitely what Magic Black has always came for. Tip!