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House Vinyl New Releases - News
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Limited Vinyl Edition! Artist: Dice, Jerzy Spin, Mellowtron. Remixer: Madison. Supporter: MollonoBass, Troy
Pierce, Oliver Schories, Someone Else, Folie a deux, Felix Eul, Moslalin, Heinrich & Heine, Chris Drifter, Sascha
Kloeber, Giuliano L.A. UVM
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Ryan Parks is a mixed media artist, music producer/performer,
and CEO/founder of critically robust cassette tape label, HARSH
RIDDIMS. He was born in College Park, GA and grew up skating
all around Atlanta, soaking up the dense kaleidoscopic cultural
ooze found both in and outside the perimeter of Atlanta. Aside
from his visual practice, which usually takes shape as mixed
media (Jacob Lawrence/Matisse inspired in my opinion!) collage,
he has been releasing music as FIT OF BODY for seven years. Fit
of Body crafts soulful house ballads that draw on freestyle, Bell
Hooks, old school Detroit techno, jazz, and southern rap passed
through a No Wave paradigm. Fit of Body has previously released
work on CGI, DKA, Ransom Note, and his own label,
Harsh Riddims.
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Detroit's Javonntte steps up for the next installment from Earl Jeffers' MELANGE label. "I've been a big fan of this mans music for a few years now, so it's an honour to have him bless the label with some gems, and be the first artist to be on the label other than myself"
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"Kawuku Sound is the coming together of UK producers Contours & Cervo and Ugandan percussion troupe Fonkodelis Arkestra. This is the culmination of a month-long creative process that was born out of the Nyege Nyege affiliated Boutiq Studio in Kawuku, Kampala - Uganda.
The music was written and recorded in this shared residency space, home to musicians and visual artists from all over East Africa and beyond, and a hub for Kampala's underground electronic music scene. Boutiq Studio's DIY mentality provided the perfect environment for experimentation, allowing the fusion of these disparate sounds. Kawuku Sound is a reflection of this, merging the hypnotic and trance-inducing percussion of Buganda drumming with elements of contemporary electronics and traditional instrumentation. This the first album release to come out on Manchester imprint Banana Hill as they continue to push the boundaries of afro-electronic sounds.
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This record is the result of an undeniable desire to uncover a once lost and forgotten gem from beyond the dust. To recover the magic underneath, that has never grown nor subsided and doesn't belong to anything but itself. A love story between two music labels that found each other in this blissful journey, Lossless and Something Happening Somewhere are here to presents the next chapter in their findings.
Uzoamaka is an original track by King Britt from 2002, that still remains as fresh and uplifting as it was 15 years ago. Nuno dos Santos (SoHaSo) has been in love with the sonic narrative since it was released, but felt the urge to bring the transformative beauty to a wider audience. In an attempt to recover the original, the original master and pre-master turned out to be lost by the waves of time. Calyx mastering have remastered the music straight from vinyl, keeping the raw charm of the original but giving it a sonic facelift to fit with modern standards, also making it available in the digital format for the first time since it's release.
The original by King Britt is an ode to the ritual of dance music in it's purest form. With vocals panning across the stereo field that preach 'Sing, dance, be, free to dance', it resonates with the primordial human playfulness, joy and expression in all of us. Teasing with a melodic bassline, almost reaching twelve minutes running time, it's a modern hymn that never fails to mesmerize and bring people's spirit together.
Besides remastering the original, it gave the opportunity to invite other artists to retell the story. This time the mighty Dixon gives the original track an update for modern dance floors. Pushing the groove to the foreground, adding some extra percussion and drive while letting the choir guide you to a monumental break in which the chord suspends in the air. 'Free to... Free to... Free to...'
Nuno dos Santos has used his magic touch for a short beat edit, which focusses the whole affair on the groove even more. A powerful tool to add some impact to tracks or to break up an otherwise repetitious dj set. Mathias Schober is back under his SB alias, carefully tightening and shortening the original version from 2002 with his edit to create a version that celebrates the quality of the elements. Pushing and pulling, enhancing the entrancing effect of the musical soul.
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Fresh from starting his own label Insult To Injury, Timothy Clerkin returns to Ransom Note Records with the 'Knife Edge Heart' EP. Three tracks of stirring techno for dark basements and warm hearts. Timothy is a very interesting man, but he's also the sort of person who'd rather let his music do the talking, so we'll move on swiftly. The MVP here is 'Knife Edge Heart', an unabashed pop song whose shimmering exterior is cut through with flashes of steely darkness. Frequent collaborator Natalie Reiss' glacial voice is held at the perfect level of remove, while Timothy allows his love of shoegaze to blossom with a guitar line that seems to extend like a ladder to the stars.'With You' bridges Timothy's opposing impulses, balancing sparkling synths and a celestial vocal sample with churning low-end, while 'Divisive' is paranoid warehouse techno at its very best. With his debut solo album out soon on Phantasy, Gabe Gurnsey of Factory Floor stops by for a lurching, seasick remix of 'Knife Edge Heart' that sounds like the onset of the robot apocalypse we've all been promised for so long. After cutting his teeth as one half of Eskimo Twins, Timothy launched his solo career in 2014 under the now-retired Heretic moniker. He's since released on labels including Throne of Blood, Hard Fist and Days of Being Wild. Timothy's last release on R$N was the 'Serenade' EP, which brought us plenty of special moments last year - most memorably Andrew Weatherall closing out his Houghton quarry set with 'Execute'. Here's to many more this summer and beyond.
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300 Vinyl Only hand numbered copies
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A much in demand reissue of two of NYC born-and-bred, Pal Joey's, classics from his joint label with Reynald Deschamps, Loop D'Loop.
First up, 'Party Time' which harnesses that 90's NYC underground house energy with a rawness that was to emanate through many of Pal Joey's subsequent productions. Scalpel in hand, Joey expertly crafted this sample laden groover, his trademark stuttering, off-kilter rhythms, loops and fills keeping listeners on their toes throughout, never knowing how the next phrase might unfold.
On the flip, 'Raw Love' utilises a seminal disco classic as its main sample source, looping it in a way only Pal Joey's mind knows how, adding percussive hits and extra effects to create an innovative, animated and exhilaratingly rhythmic dancefloor bomb.
Both tracks are perfect examples of the simplicity and seeming effortlessness that Pal Joey maintains in his productions, adhering to the mantra that 'less is more' but with a resonating rawness that touches deep down in the soul.
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Big A1 for the islanders Zorum + a TNT remix on A2 by Teluric...
Side B is for the master Nu Zau remixing the guys from UNIT.
New concept, artwork cover, 180gr, vinyl only.
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Cleveland is forever in search of the brown note. This is his second offering for the ESP Institute. Side A's Tusk is a beautiful paradox—rhythm programs that churn like the inner workings of a grandfather clock, unmistakably mechanical, yet fashioned through muted analogue instrumentation that paints a deceptively organic picture. The crystallized jangle of FM synth voices toy with the softened drum patterns and vibrant animal-like chord gestures over nearly seven minutes of splendor. On side B, Aku digs further into mysticism, manifesting digital jungle themes, cleverly abstracted through erratic bleeps, distant tribal drums, atonal flutters and synthetic bird calls. The cinematic quality of Clevelands production shines through both tracks, but its Aku that sweeps us from reality to embark on a moonlit expedition in search long lost treasures, proving Cleveland a virtuoso skilled in building complex narratives with sound. These two songs will modulate your frequencies.
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Luminer return to Left Wing with two deep and melodic original tracks in the style they are becoming synonymous for. Completing the release label head Michael McLardy provides a remix of both A side tracks..
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A slip effort between Mike Shannon, hear & brain of Cynosure and Ohm Hourani, the mind behind Anoma, conform our second release. On this side, Shannon immerses us into his unique world of underwater reverbered chords swimming in proper beats for fired up dance floors. On that" side, Ohm Hourani's mesmerizing journey of hypnotic percussions and shamanic female vox, sets our emotions for late night dancing. One record, two Canadian friends and an amazing trip through a world of sounds is what CASTELAR DISCOS has to offer this time.
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Victor Simonelli Opens Up The Vaults Once More To Unlock Groove Committee's 'dirty Games', The Follow Up To The Seminal 'i Want You To Know'.
Taking The Blueprint From His Timeless House Classic, Simonelli Reworked The Bassline For This '92 Follow Up Whilst Holding Onto That Sublimely Simple Yet Powerful Chord Progression, One That Never Fails To Put A Smile On The Face. Add In A Helping Of Swung Hats And Crunched Up Shakers And This Is A Classic By Anyone's Standards. The Vocals - A Charged Up, Evocative Warning To A Mistreating Lover - Fit The Nyc Garage House Rhythm So Perfectly And Deliver A Raw Emotion To The Track.
Next Up The 'dubb Mix' Kicks Off With The Accapella Vocals Laid Bare In All Their Glory, Before That Piano Progression Lays The Path For The Full Force Of 'dirty Games' To Make Its Impact. There's More Space Between The Vocals In This Dub Mix, Allowing Simonelli's Production Prowess Room To Breathe. A Surefire Spine Tingler From Start To Finish.
On The B Side, Simonelli Offers Up His 1993 Re-edit, Extending, Elongating And Beefing Up Certain Elements To Captivate Audiences All Over Again. Closing Out The E.p. Is Groove Committee's '93 Track 'i Wana Hold You' Produced In Collaboration With Glenn 'sweety G' Toby' - It Follows That Same Garage House Shuffling Rhythm, With Soul-laden Organs And Paula Brion's Killer Vocals.
Another Much Welcomed Reissue Of Some Of Victor Simonelli's Most Sought After Tracks, Remastered By The Man Himself For A New Generation Of Listeners.
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Seth Troxler's always dynamite Play It Say It label kicks off 2018 with a thrilling three track EP from Heartthrob.
Jesse Siminski aka Heartthrob has long been an essential voice in the global techno conversation. From early EPs and LPs on the influential Minus label via a trio of releases on his own ISNISNT, he has explored every facet of house and techno in great detail. Always conjuring up bold melodies and slick arrangements, this is his first solo outing in a few years and marks a very welcome return.
The fantastic opening track is 'Stop Lorraine (No One's Gunna Stop Mix)', which is eight freaky minutes of busy tech edged house. A rubbery, kinked bassline drives things along while paranoid voices are staved in amongst falling melodic rain, spitting hi-hats and bouncing kicks. It's colourful and off kilter and sure to awaken any dance floor.
The more trippy 'Triangle' then glides along on deeper drums as knotted bass keeps busy down low. It's a quick, slick track with jerky percussion and sci-fi synths that have the same sense of raw energy as Belgium's famous EBM scene. It's a wild one that builds and builds in ever more arresting ways.
The brilliantly unhinged computer game soundtrack that is 'Nairobi Candles (Fuck Rachel Tension Mix' completes the hat trick. Busy pixelated melodies, shooting synths and wonky piano chords all keep busy above a clipped techno groove that cannot fail to get you up on your toes.
These three tracks are perfectly designed dance floor weapons that prove Heartthrob is still one of the best out there. The release is finished off with artwork based on a painting of Jesse's, featuring one of London's best love industry figures in a homage to one of the 70's greatest soul albums.
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After the first two results, the third chapter of the saga guarantees the usual elegance rich in mystery.
The deep sounds continue to blend into rhythmic micro-house for a release that will be danced and enjoyed Aagain in the best clubs of globe.
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For Those That Knoe has dug a little deeper into the history books to unearth a somewhat understated gem in the form of Casey Tucker for the second chapter of For Those that Knoe. The mid nineties was a time when the sounds of Techno and House were being combined, new sub genres were emerging into clubs and DJs were forging their own unique take on dance floor electronic music. After a handful of releases on Probe under various aliases and before that on Plus 8 with no other than Ritchie Hawtin, Casey Tucker set up Fine Balance Recordings to showcase his unique melodic Tech House solo productions. The label released two EPs (The Carpet Dancer and Accumulated Knowledge) on 12". Very much in demand today and extremely rare, FTTK has worked with Casey to dig out the original DAT recordings of those records as well as a fine selection of unreleased material to represent the second chapter of For Those That Knoe. Some of the finest melodic Techno piece with glorious strings, sun drenched pads, liquid acid funk and sizzling hi hats, Some early acid rave sound and the purity of the early tech house sounds before digital audio workstations became favoured over their analogue counterparts. Great records with some of the best things that Techno has to offer.
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5 would be the key number for the brand new Chateau Flight release on Versatile.It's been 5 years since the last release and it took 5 days to record. Nicolas (I:Cube) was busy with his own material, I moved to Amsterdam 3 years ago and as we like to make music in the same space. It took a bit of time but finally it's here; the Dam House EP.I invited Nicolas to visit me last winter, not to do music but just for a cool A'Dam hang out. This turned into 5 intense days of fun production in my studio. It was amazing for both of us to witness how our connection remained intact after all those years and the ideas came really quick. The vibes of the tracks all turned out pretty different, it's a true Chateau Flight kaleidoscope with an epic 10mn Techno track Sargan, a more House vibe, Crazy (Dam House mix), a heavy dark funk drive of Lo and the ambient Crazy(Ambient mix). This record would have not been the same without Redlight records,to whom this record s dedicated. James and Abel left their shop open at night just for us and as children in a candy store we went through the racks looking for samples that formed the inspiration for this ep.
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Percussion heavy dubs by GRRRR. Exchange of natural resources over bank transfer. Hot!!!
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The man, the maestro, the mystery..... the Cube! That's right, you read that correctly, new music from the mind of one of Europe's freshest, not just one record, but two. At the same time. Right here. Versatile's main man (alongside Monsieur Gilb'R) returns to the fray with a hotly anticipated set of tracks that will surely stand alone in their uniqueness, but if you're reading this then you already know that. I:Cube has been busy, and he's keen to share the fruits of his labour with lucky us on this, the 120th release on Versatile. The sounds here are diverse, impeccably mixed, arranged and selected by the man himself and will surely find their way into the ears and minds of those who come into close contact effortlessly. From the late night cosmic-balearic feel of the first track 'Flutes Souterraines' to the acid indigestion inducing fingering of the 'Troglo Dance' to the deep cavernous bass-line creepings of 'Ramurc', this collection of six stellar cuts is a stunning return to form and a perfect example of why I:Cube should be regarded as one of the legends! Vive La Versatile!
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Faces Records proudly presents "Cross Section", the debut album of Kez YM, the Berlin based japanese producer.
.
It's been a long way since his debut EP at 4Lux Recordings was played by Moodyman back in 2008. Since then he also received support from influential people like Theo Parrish, Rick Wade and Cassy, just to name a few.
Strongly rooted on his Detroit/Chicago Deep House/Funk/Disco/Afro he rocks dancefloors from Berlin to Tokyo, and he's one of the current leading deep house dj's from Japan.
From downbeat to more uptempo tracks, this album is a perfect extension of Kez's path until now. Classy and lustful synths pave the way for a combination of elements that draw inspiration from his jazz masters, his motorcity heroes and a strong percusssive connection to Africa.
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Its Riot Gear number 2 and it's a party monster from the ever reliable Pete Herbert The EP is packed with Italo madness, house pianos, arpeggios and beats galore. Bottin & Yam Who provide the remixes. Venice based Bottin adds a classic Metro Area-esque feel, with new wave boogie touches, proto house beats and killer analogue synthesizers. Yam Who tears apart 'Expresso' with rough disco beats, a stripped down pulsating bass and brings in dreamy Rinder & Lewis keys over an authentic '70s disco production, fully optimised for all the late night dance floors.
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Sable Sheep has fast become one of Moon Harbour's most integral family members thanks to his fresh tech house
perspective. Here he returns with another hot new EP that also features a vinyl re-release of 'Upon Burning Skies',
which proved to be something of a hit on dancefloors across the world this summer gone. Buyers of a digital
persuasion will also be treated to a Dan Drastic remix of Sable Sheep & Fosky's 'Barricades Of Nowhere.'
Despite being on a constant and busy tour of top clubs and festivals across Europe, German Sable Sheep has still
managed to come up with the goods. On 'Cargo Room', a jostling, loopy bit of slinky tech house with warm paddy
kick drums and a sensually teasing vocal snippet that stretches between the beats. The poly-rhythmic effect is
hugely infectious before 'The Forgotten Ones' goes for a much creepier, weirder vibe. This one is all suggestive and
shadowy, with occult synth dots and alien life forms all existing above a beautifully elastic bassline. It breaks and
kicks again at various points and it's sure to have attentive dancefloors in raptures, locked on to every rotation.
'Barricades Of Nowhere' is a collab with rising Argentinian Fosky, who has released on Crosstown and Desolat
before now. This one spits out metal snares, has an urgent alarm-like hook and picks up the pace with its bouncy
techno leaning beats and big hi hat ringlets. Physical but warm and organic it's perfect dancing music before the re-
release of last track 'Upon Burning Skies' - the hard hitting anthem complete with dark but soulful African
murmurings that has made Sable Sheep such a recognised producer the world over.
Closing out another EP that exactly hits the mark and displays Sable Sheep's usual sense of charismatic sampling,
long time label stalwart Dan Drastic re-imagines 'Barricades Of Nowhere' as a spangled, synthetic bit of supple
techno that's loose and rubbery and will have you shaking your limbs like you just don't care.
Supported by: Dubfire, Steve Lawler, Monika Kruse, Karotte, Joris Voorn, Chris Wood, DJ T, Paco Osuna,
Cuartero, Pirupa, Nic Fanciulli, Davide Squillace, Re You, Gregor Tresher, Tripmastaz, Livio, Santé, Zohki &
Roozlee, Marco Carola, ONNO, Tiefschwarz, Ray Okpara, Luna City Express, Stacey Pullen, Sasha, Todd Bodine,
Kaiserdisco, Martin Eyerer, Philip Bader, Arado, Tuccillo ^
Paco Osuna (Minus)
Super bomb EP.
Davide Squillace (This And That)
nice one here.
Gregor Tresher (Break New Soil)
Next kick-ass Sable Sheep release! Chart action!
Sante
Great release again!!! The sheep is on fire.
Joris Voorn (Rejected)
The forgotten ones rocks!!
Pirupa
Perfect release with my favourite producer of the moment!!
Nick Curly (Cecille)
Great EP.
Karotte (Break New Soil)
Tillman is on fire. Cargo Room and the Forgotten Ones are my picks.
Reboot (Cadenza)
Great EP! Cargo Room is my fav !
Re.You (Mobilee)
Nice one! Sable Sheep on fire.
Arado (Moon Harbour)
Again killer stuff from my man!
Anja Schneider (Mobilee)
The Forgotten Ones and Barricades are for me! Thxxx for the music
Livio (Desolat)
Great release guys, gonna bang out Barricades with Fosky :-))"
Nic Fanciulli (Saved)
Nice!
Martin Eyerer (Kling Klong)
Another Sable Sheep stomper!
ONNO (Moon Harbour)
Dope stuff all around! Digging Dan's remix the most here!
Philip Bader (Moon Harbour)
Always bomb stuff from the sheep man.
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Mike Huckaby, Bergqvist, DJ Sports, Raam and LNS remix 'Deep Soundscapes', Takecha's album recently released on Sweden's Love Potion.
Released in March, the album incorporates Takeshi Fukushima's work between 1990 to 2013 and affirms why the producer is such a respected figure within Japan's electronic music scene. Now his compositions have been remixed by some of house music's best, featuring renditions from Detroit's Mike Huckaby, Aniara's Henrik Bergqvist, the elusive Raam, Firecracker and Regelbau's DJ Sports, as well as Wania and Freakout Cult's LNS.
Mike Huckaby inaugurates the release with his sultry take on 'Low Sentiment', blending deep synths with murmuring vocals to forge a proper deep house cut. Bergqvist then remixes 'Rhodes Deep' creating a bouncy minimal cut incorporating the original's scintillating melody alongside meandering percussion and twisted effects, making way into DJ Sports' remix of 'Gradual Atmosphere' with its intricate breakbeat drums and dreamlike atmospherics. Raam then reinvents 'Calm Imagination' taking it into subterranean territories complete with infectious keys, until LNS ties it all together with her mesmerising beatless reimagining of 'Factory 141'.
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Dutch pioneer MG (aka Gert van Veen) is responsible for a series of huge house classics to ever emerge from the Netherlands: A-men's Pay The Piper, Quazar's Seven Stars, House of Venus' Dish & Tell. The list is long. Under his lesser known moniker Zodiac Trax, Gert produced some of his moodiest material. Released in 1992 in two parts, these beautifully crafted tracks remained fairly unknown up to this day. For this re-issue Frame Of Mind selected the deepest tunes from the obscure series. A previously unreleased track called Planet X is included!
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Park & Ride Records returns with exciting first solo EP of BARSON, the new aka between SONODAB & BARASO, solid residents of Checkpoint Barcelona.
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cmd q continues with his 3rd EP for KANN. Delivering an all out, dance floor focused three tracker. Ranging from one serious dub techno banger over a jittery house version to a distinctively subtle techno cut. It is great to watch and listen to him amplify.
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Following on from the epic Hammer e.p. and subsequent remix package, Loft Records return for their 7th release enlisting the expertise of Crawford to provide two original tracks with remixes from Brame & Hamo and Kiwi.
'We Go Back' is a soaring synth driven stomper - building around dynamic arps and heavy bass synths, before a driving kick and soaring pads are brought to the fore to create an expertly produced big room anthem. 'Techno Rhumba' is a chuggier affair laced with spring reverb, floaty arpeggiators, expansive stabs and brooding chords perfect for those early hours of a night.
On the flip side, Irish duo Brame & Hamo are first up to take on remix duties for 'We Go Back'. They rework the arp lines and pads for the intro before dropping it into a tougher techno workout of heavy duty synth stabs, epic ride cymbals and dreamy textures. Kiwi then close out with their reimagining of 'We Go Back' combining a killer tom pattern with those soaring arpeggiators that seem to endlessly resonate around your brain. Two great reinterpretations of what was already an amazing track.
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COSMIC TEMPLE is the new project of Daniele Baldelli that will include 6 12's released over the course of a few months. The 6 records will graphically compose the COSMIC logo.
Daniele Baldelli the producer now has nothing to envy about Daniele Baldelli, the DJ. This is demonstrated by the authoritativeness of the first two 12's of six in the series "Cosmic Temple' on the Mondo Groove label. What first strikes the eye are the covers, with fluorescent colors, which will form a patchwork created by Aldo Drudi (the designer of Valentino Rossi), a large mosaic that interprets garish aesthetics/logoa Cosmic. But immediately after the music takes the stage, 3 tracks in "Chapter 1" and 3 tracks in "Chapter 2", are able to tell the true mood of the imaginary Baldelli's sound and take them to a land of wonders. Numbers like Thyratron, with Ricky Burattini (Justofunk) on the floor, playing a utopian fusion as if Peter Daou was weaned at Cosmic in Lazise (Italy) instead of the Paradise Garage in New York, or Inner Light, Francesca Amati with the voice, which is pure 2015 electro-pop, the rhythmic bass on Diffrazione and the phrasing of Zircaloy, and still that yin and yang that composed Krebs Cycle, with Burattini on synth, a race horse deep disco at 120 bpm that goes into stratospheres, and Afelio, a lethargic space ballet at 90 bpm...
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"DaRand Land" finally follows up on his Heaven Electric EP that first surfaced through PULP in late 2014. This time around, the package contains another 3 original cut + a super breezy remix by Scotsman "Linkwood".
"Our Future Is Now" is the perfect opening track for the 2nd installment of the Heaven Electric concept. "DaRand Land" surprises friend and foe with some heavily vibrating strings and pads which collide beautifully with the mechanical sounding perc cuts that itch throughout. Clever textures and a soothing atmosphere that are reminiscent of Mediterranean club situations. "Our Future Is Now" also proves to be inspirational to remix artist "Linkwood" who carves up an extremely juicy electro cut that gives the original somewhat more edge and forces it into an entirely different direction.
On the flip we find "Emanation" and "Mellow-ism". Emanation is a classic sounding yet effective House cut for the dancefloor, Mellow-ism is a more mood altering hazy trip with acidic tones and smooth drum patterns.
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Rolling straight off the back of another successful 'Vatos Locos' Off Week event at City Hall, Barcelona and following his 'Jacuzzi Killer' EP, Hector is now ready to unleash the third installment from his new label 'VL Recordings'. 'Fusion' is a collaboration from core Vatos Locos member David Gtronic, and flourishing Romanian up-and-comer IULY.B.The 'Fusion' EP is a product of David and IULY.B combining their musical forces to create five unstoppable tracks, satisfactory for any deep dance floor moment, bringing a beautifully subtle tempo to the groove.
Colombian David Gtronic is one of the most exciting talents on the underground circuit and is currently smashing dance floors all over Europe and beyond. Outside of VL Recordings he has worked with: Suara, Monique Musique, Kina Music, Serkal, Oblack and Moan Recordings, as well as collaborations with Livio & Roby, Santos and his most recent with Leon. He's a founder member of Hector's Vatos Locos camp, and a must see selector.
Romanian talent IULY.B has been making his mark on the music scene since Butch spotted him back in 2013. This saw him release his first vinyl at 'Bouq Records', which found itself in the hands and sets of Ricardo Villalobos. From there he continued a stellar run of releases on imprints such as: Claque Musique, Memoria Recordings, and Savor Music. His 'Astronomic' Franco Cinelli was also included on 'Cocoon Ibiza 2014' compilation Mixed by Mathias Kaden & Popof. Now, Hector gives him the chance to put a stamp on 'VL Recordings'.
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DJ Aakmael brings 4 classic house cuts to Dogmatik. His trademark sound is infused with infectious melodies, hard hitting rhythms and soulful vocals, and with this debut EP he doesn't disappoint. Stepping effortlessly from one beat to the next, Aakmael brings the sound of Virginia to life on this standout EP.
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Usa's Warren Harris Aka Hanna Joins The Flumo Crew With A 5 Track Signature Ep.
Known For His Own Jazz Influenced Melodies And Hard Punching Broken House Rhythms, As Well As, Collaborations With Other Prolific Artists Such As Theo Parrish And Involvement In Rotating Assembly And Key Of Soul Projects. For This E.p. Hanna Continues Exploring The Depth Of His Imagination, Challenging His Creative Output By Melding Together These Trademark Sounds Alongside Ones Yet To Be Discovered By The Listener.
Hanna's Well Known Broken House Rhythm Is Preeminent, With Dreamy And Melodic Keys Enhancing The Spiritualistic Aspect Whilst Maintaining A Catchy Groove. All Tracks Explore The Layering Of Sounds And Find Ways Of Keeping Such Exploration Fresh And Different From One Track To Another.
12 Inch Black Vinyl In A Plastic Sleeve With A Printed Insert.
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