House Vinyl New Releases - News

After the success of All In, Sven Tasnadi's latest album on Moon Harbour, the label is now
delighted to offer up a selection of remixes from it. Those enlisted to add their take on the fine
originals are the internationally acclaimed talents of Nick Curly, Map.Ache, KaiserDisco, Simon
Baker and Cristian Viviano.

Up first is 8Bit label boss and Trust man Nick Curly. The Mannheim producer has long been a
tastemaker when it comes to tech house and his effort here is a fine one. His take on 'This Girl'
flips the track into a deep and loopy number with sunny pads, cosmic melodies and non stop
beats that will keep people moving for days.

Map.ache (a founder of the KANN label in Leipzig) then goes all dubbed out with his excellently
watery, rolling remix of 'Until The End.' It's a moody, heads down and thoroughly underground
track for intimate backrooms that has airy hi hats and a muffled vocal phrase lulling you into a
trance.

The prolific Hamburg based duo of Kaiserdisco (associates of labels like Drumcode and My
Best Friend) then turn 'No Laws' into a perfectly roughshod house shuffler with undulating
drums that really get under your skin. The percussion is subtle, there are all manner of soft
shakers and distant synths that really add to the overall effect, and the result is truly fist
pumping.

UK star Simon Baker, of labels like Last Night on Earth and 2020 Vision, then goes hard with h
thumping, drum led version of 'Rest.' A robust bassline also adds weight to his groove and
some spangled synth patterns ensure this one will really set the 'floor alight at peak time.

Lastly, Italian Beatport remix competition winner Cristian Viviano comes correct on his full
blooded, barrel chested remix with its physical drums, skipping percussion and cutting hi hats.
This one bobbles along at a fair pace and is sure to sweep up dance floors as it rolls along
unstoppably.

Each one of these remixes breaths fresh new life into the originals and adds a personal spin on
things. They all make for fine listening and are sure to make their way into plenty of top DJ
record bags this summer.

The return of DJ Technician in company with his long time friend DJ Overdose. From The Hague to Rotterdam, a true westcoast electro affair.

The second edition of our Classic Series comes from 40 Thieves and is all about their fantastic cover version of one of our alltime disco favourites, Don't Turn It Off' from Hot Chocolate, with the amazing Qzen on the mic. And for the first time all remixes and versions are finally on one vinyl, plus the Greg Wilson Dub Edit is exclusive to this release.

finally repressed on LTD white vinyl 2x12"
and full cover artwork !!!

vinyl only!

Local full support from :

Ricardo Villalobos, Luciano, Rhadoo, Richie Hawtin, Paco Osuna, Butch, Sub Zito, Raresh, Arapu, Plasela, Barac, Bruno Pronsato, SomeoneElse, Butane, Dan Noel, Medu, Nu Zau, djmag russia and etc

A singer and songwriter now based in London, Astral T may be best known in recent years for her vocal work on house labels like Hudd Traxx and Smoke City Music. Next up is her own imprint. According to the artist herself, "There have been many suitors along the way and I'm still looking for the one and while I'm still looking there will be many more affairs to come." To that end, the first Astral Love Affair single, "Divided Attention," will be a collaboration with fellow UK artist Moodymanc, backed by a remix from Berlin producer Alex Agore.

GREY MARBLED VINYL

The cultured Opliec Music label is to release a special album by The Stupid Set & Snowblitz D.J with all tracks edited and updated by label boss I-Robots. This is a special project to celebrate Record Store Day 2015.

Psychodisco is the soundtrack of an ambitious multimedia project by The Stupid Set (aka Italian talents Giampietro Huber, Paul Bazzani, Umberto Lazzari and Giorgio Lavagna) recorded back in 1982 using various Korgs, Moogs and a Roland 808 drum machine, a Teac 4-track recorder, a small analog mixer, and ready-made magnetic tapes. Because the band eventually disbanded no label every full released this soundtrack but now Opilec do so with pride.

Label boss I-Robots carefully edits every one of the original tracks from The Stupid Set & Snowblitz DJ. Up first is the DIY, afro sounding 'Yam Kaz' with its innocent xylophones and melodies, plunging basslines and cosmic radiance. 'Chak' is then a more beat driven cut with lots of textured synth lines and funky riffs.

'Hun Batz' is a more experimental sounding cut with lots of layers of synths, keys, jumbled percussion and off time chords. 'Ixchel' is a moody bit of downbeat ambiance with a dark undercurrent and 'Hunahpu' is a lazy, live sounding fusion of horns and drums, hi hats and guitars that is truly captivating.

'Ah Pook' then explores dark wave sounds, deconstructed disco and weird vocal samples as well as steel drum patterns and hiccupping grooves. 'Itzamma' again gets all experimental with wintry ambiance and lazy drums making for a unsettled atmosphere before the freewheeling 'End Titles' get all funked up and urgent: the trilling keys, bright synthesisers and tooting wind instruments all make it a fun, charming and colourful way to close out the package.

As well as all these great individual cuts, the full and original live suite of 'Psychodisco' is included in all its magnificent 33-minute glory on the CD version of this release, and a 20 page booklet insert comes with both format releases. It includes never before seen pictures and images from the Italian post punk synth scene in Bologna.

The artwork for this release is provided by talented Japanese artist Tamami Saito, who has worked alongside the label before now and continues to provide unique covers for Opilec's releases.

Alongside the album release will be a very special Flavio Vecchi remix package. Overall, then, this is another masterfully curated project from the Opliec Music label.

The second of two Zentrum spinoffs is with us! As with the first, it comes loaded with four remixes. Octo Octa, Vito & Druzzi, Cooper Saver and Turbotito, and Lemonade all handed in top-notch reimaginings of tracks off Jacques Renault's debut LP, which came out just under a year ago, and they all somehow manage to be unique unto themselves while also sublimely bleeding into one another.Octo Octa's rendering of 'Mi Casa Samba' serves as a propulsive beginning that's as dark and druggy as it is sharp and focused. Vito & Druzzi's take on 'Faith' runs in a similar vein, but in a more stripped-back, drawn-out, and patient sort of way; it is nearly ten minutes long, so this is perhaps not a surprise.
The B's remixes are brighter, sunnier, though that's not to say they're not bold. Cooper Saver and Turbotito's redo of 'Words' has a certain funky swing to it that, paired with spacey synths and Balearic bells and whistles, makes it ideal daytime disco fodder. The Lemonade boys close the EP with their vibey take on 'Faith.' Pads for days, a plump bass, and a focus on the original's sax make you wonder if the song itself somehow got stoned from a couple extra giant bong rips. A fitting way to end both the 12' and the summer.

Part one of a three part EP series leading up to a five 12" vinyl box mandar album!

Mculo's latest asks you to do a double take. In the second release for his homegrown Roots by the Oder imprint, I Caught a Glance, a first listen to the EP's A-side introduces a dancefloor-centric house number punctuated by the loop of a somehow
ceremonious melodic riff.
Listen again and it lures you in with hypnotic atmospheres and valleys of endless synth.
The B-side gets deeper still, wasting no time in putting forth stronger basslines and traces of growling lows.
A second listen offers a more pastoral diffusion as you pick up on the soft drums and pads, classic groove, and a climate that comes full circle, recalling the A-side's easy ambiance.

The newly minted Kepler Sound imprint inaugurates its first 12" with four tracks arranged over the past year in a dimly lit apartment, positioned somewhere in eastern Europe. KS001 lends itself to intergalactic exploration, with each helping forged through their proportionate machine-love. From the aside backing Petrol, to the thrust of 106B, this record forties raw, 4/4 tracks for the planetary motion and beyond. 1st record from the alter ego of California-born producer Urulu (Voyage, Let's Play House)

Colours Of Observation debut release on Out Electronic Recordings doesn't represent a a news for many. The Berlin-­-based duo - created by Marieu, one half of The Analogue Cops, plus Smallville adept Christopher Rau - featured for the first time in early may 2015, during a label showcase taking over at OHM (Tresor). Their contribution for the italian house & techno record label are four original raw, vehement tracks unifying both musical imprints into the sixteenth' label release.

Essential reissue of this classic DJ Qu cut on Levon Vincent's Deconstruct. backed by remixes from Levon himself, Anthony Parasole and Jus-Ed. Need we say more

1 sided limited edition 12" of the George FitzGerald remix of 'Lines' taken from the 'Jimi EP'

We are excited to welcome Sebo K to Tsuba for his first post-Mobilee release with the Aquamarine EP. Lead cut 'Reach Out' is trademark Sebo centering around a nagging bassline and vocal hook that joins the dots between Chicago House and modern Tech house. Aquamarine shows a deeper side to Sebo's production and for the remix we've enlisted one of the true greats, Mr Fingers aka Larry Heard. The result is a stunner, with live keys and a bassline that could only come from one of the pioneers of House Music.

Seven amazing dancefloor killers are included in "The Chi EP". 4 tracks are placed on the vinyl, including the drums driven "Better Than Yours" with Leah Hannah on vocals and amusing spoken word section, "War Time" is next, a percussive banger, on the flip you will find another banger "Don't Look Any Further" with Dennis Edwards samples and Kito Jempere's (Freerange, Dirt Crew, Fata Morgana) dub of "Pisces". This dub mix entitled "Kito's 346 Justine Str. Dub" can also show you the way to Glenview's distributor Groove Distribution. Glenview records really appreciate all vinyl supporters and is giving them 3 more tracks as an exclusive free download in every vinyl copy: "Whenever Where Ever" (Original & Instrumental) and "Ain't No Justice".

In Musik und Text verschmelzen über alle 11 Titel hindurch Stimmungen, Eindrücke der Sub-Sahara Konzert-Tour von B.Friedmann 2013 und Fetzen von Erinnerungen an eine imaginierte Zukunft. Sie reagieren auf reale "Kpafuca" - "things falling apart" - Zustände afrikanischer Metropolen und kollabieren zu Grooves und Phrasen, die an Chris Marker´s Science-Fiction-Apokalyptik ( "La Jette"/ "Sans Soleil" ) erinnern. In dieser Polyphonie der Un-Orte schwingt auch der Geist reisender Klangabenteurer, zB. der musikethnologischen Praktiker Hartmut Geerken und Roman Bunka (Embryo), deren Visionen und Musik-Wirken sich gegen reduktionistische, essentialistische Inszenierungen sträubt. Gegen jene kulturellen Landkarten, die in die Musik immer wieder zwanghaft hineingezeichnet werden, setzt Friedman auf "Cease To Matter" im intuitiven Modus die befreiende Kraft des Rauschens, der Über-Mensch-Maschinen-Musik, der krummen Beats und des technischen Zufalls-Defekts, kurz: das "Un-gehör-sam" (Johannes Ismaiel-Wendt) gegenüber der normativen Deutungshoheit musikalischer Weltkarten.

Die Stimme des aus Texas stammenden in Berlin lebenden Performers und Vokalisten Daniel Dodd-Ellis wirkte bereits 2007 auf Burnt Friedman´s Album "First Night Forever" (non22). Die Lyrics stammen von beiden Autoren und wurden von Friedmann während der Produktionsvorgänge 2013 bis 2014 mehrfach zerlegt und neu zusammengesetzt. Die Zeile "Sky Is Blue Inside Of You" ist dem 1932 erschienenen Roman "Brave New World" von Aldous Huxley entnommen. Tracks 04 und 09 ("Cease To Matter") enthalten ein Piano Sample Edit basierend auf einer Komposition von Georges Invanovich Gurdjieff (1872-1949).

3 of Carl Craigs finest remixes on KMS from his early years.

Contains 3 remixes of Kevin Saunderson work under his Inner City and Esser'ay guises. As always with Carl Craig the quality is top notch and these remixes hark back to a golden period of mid 90's Detroit techno.

DJ Python is arguably NYC's first Deep-Reggaeton artist. The record starts on the Dembow, tricks you into thinking you actually got the deepest-of-the-deep house record on the flip, and quickly snaps back to the rhythm on the last track. DJ Python says This will be a huge Open-Air record.'

The second release on the Clone Loft Supreme Series... the disco dons of Elitechnique with the much sought after Munich Emotions track

Originally released in 1999 on Crayon Recordings now remastered & re-released with a 2016 very slight Re-Edit version by Mark Ambrose himself (extra trip to that breakdown!)  this killer warehouse track with his trademark percussive Rhythms and Bass driven vibe has become a most sort after gem in recent years , on heavy rotation with a few select dj's - Valentino Kanzyani , Ricardo Villalobos etc... Discogs prices through the roof blah blah blah...

On the flip Valentino Kanzyani delivers a hypnotic 12 minute spaced out groove for a late night dance floor - a really special complete rework, heavy on the bass , that will get into your head and fire the deep dancefloors. So happy to unleash this one.

200 copies going out for distribution, 300 pressed .
Note: label lists A & B sides the wrong way round

Murge Recordings was launched back in 2012, with an artist roster which includes the like of Aubrey, Colin Dale,  Jay Tripwire, Jordan Peak, Mark Ambrose, Mr K-Alexi Shelby, Plaid, Robert Armani and Orlando Voorn to name a few.

France Music introduces fresh talent outta Paris, France. We are happy to present the very first vinyl release of Monsieur Ralph (aka Flabaire from Collectif D.ko) on the machines et Monsieur Larry on the mic. They got it all: The French Touch. The Sweetness. The Song. The Beauty. The Fun. The House. The Pop. The Machines. The Dance. The Happiness. Da Funk. The
Chic. 'Day By Day' is no nonsense piano vocal house.Made for peak time use and hands- up-happiness. 'Back To You' more on the mellow tip. sweet sweet. The third cut on the a side 'Need You So' even offers a little guitar solo. They used to call it pop muzak. Selected remixes on the flip. Iron Curtis twists 'Need You So' into some modern cosmic XTC starring a monster bass line while Dynamodyse takes care of a stripped down version of
'Day By Day'. We dare to say 'Merci pour la dance musique mes amis'.

Channeling the energy echoing off dancefloors along his path, Reinier Zonneveld has been on a steady slope rolling out dance igniting productions while touring an intricate live set. Megacity Servant, the artist's third studio effort, stands as a coherent 16-piece techno outfit tinged with experimental tones while playfully deconstructing classic acid and disco fragments. Coming from a classical music background, Reinier's style of production ranges from cavernous powertracks to more concise trips subdued with melancholic piano-stemmed soundscapes, rounding up to a signature sound that is evident as it is enveloping. Plastic People, our intro to Reinier's collective body of work, swiftly introduces a raw techno dungeon mood. Varying elements make for a surrealist atmosphere. Whispered vocals give a soft edge, while the contrast between the upbeat melody and grave stems reiterate its dreamlike character. Following up in the same timbre, a heavy-hitting percussion sets off 8 Ball. The moving bassline is revealed as centerpiece, while faint vocals antagonize the rhythm. Techno mainstay vocalist Cari Golden makes a notable appearance on Things We Might Have Said. Having previously teamed up with sonorous names like Pan Pot, Fur Coat & Coyu, Golden's stellar vocals and skillful lyrics shine paired with Zonneveld's production prowess. The production-vox chemistry is instant, as the track mesmerizes from the get go. Seizing attention for the full length of the track, the entire arrangement seduces the listener, making for a clamorous earworm

2 deep tech-house tracks from "one of the most talented producers in the house movement". Known for producing "amazing deep tech-house tracks in less than a day" with massive downloads of his music on a daily basis. Ltd. pressing on translucent color vinyl in a stickered mylar sleeve.

Originally from Ireland, now living in Toronto, producer and DJ, Neil Mooney, aka Throwin Shapes, developed his wide-ranging sound by immersing himself in Toronto's diverse underground music scene for the last 10 years. Having deejayed at some of the city's most forward-thinking music events, Mooney has now focused his attention on production. Over the eight songs on his debut album, with newly-started, vinyl-only label Religio, Throwin Shapes shows the full and eclectic range of his musical influences, from dub to deep house and acid to techno. Expansive yet intimate, banging while still soulful, percussive and melodic, Pembroke Session LP is music for the late night.

All night long: With its stripped-down kicks, crisp hi-hats, warm keys and plump bassline, this is classic deep house. You'll be mesmerized by the sultry voice intoning you to stay 'all night long.'

Diving Bell: True to its name, this tune is like a transmission from the depths. The chunky bassline, staccato hi-hats and ethereal pads mix to create an atmospheric and abstract late-night vibe. Don't sleep on this one if you're a fan of Keith Worthy, Patrice Scott or quality Detroit house.

Dub flight: Get on board for a slow and absorbing trip to echolandia. This is dreamy dub techno. Generous use of heavy delay on the timbale gives the track a post-carnival after-party feel.

Exercises in Alchemy: Building steadily from a minimal 4/4 beat to a mass of swirling pads and swishy chords, guaranteed to keep any 5 am dancefloor busy. We're talking a good kind of black magic here.

Give it socks: With a future-retro vibe, Give it Socks features a rolling 303 bassline, sharp percussion and a spacey overall texture that will indubitably inspire creative body movement.

Jigtime: This track combines a driving infectious bassline, offbeat percussion, woozy pads and a high-pitched layer of strings to create a sure-fire dancefloor killer!

Morning Comes: A rhythmic and hypnotic take on dub techno, this is the song that you want emanating from the speakers as the sun rises.

Rag order: Starting with a banging drumline and acid-tinged percussion, Rag order evolves to a place of warm atmospheric pads and pristine key stabs.

Already Supported and Played by:

Agoria, Ondrej, Tolis Q, Chloe, Mollono.Bass, Altroverso Radio, Mirco Violi, Edgar De Ramon, Tobsen Graale, Mozaic, Joy Kitikonti, Marco Fender, Leri Ahel, Hardy Heller, Mila Stern, Brothers Vibe, Matt Heize, Satoshi Fumi, Nudisco, Electrosound.tv, Robert Grand, Fabian Hug, Daniel Bortz, Igor The Koi, Lonia Koval, Filtertypen, Chris Fortier, SLOK, radio Warm fm, Partysan Nord, Enzo Tedeschi, Lars Neubert, Lex, D.Kowalski, Repton, Salvo Buonocore, Minilab, Mark Brain, westradio.gr, FazeMag, Madloch, Steve Cole, Christian Kornberg, Someone Else.. and some other friends..

Dass Deep House derzeit wohl der grösste Trend der elektronischen
Musikszene ist, sollte sich an für sich schon in die letzten Ecken der Republik
rumgesprochen haben. Dass Deep House aber weitaus mehr zu bieten hat, als
die Robin Schulze, Alle Farben und Klangkarussells der Welt ist wahrscheinlich
noch nicht überall angekommen: Diese Compilation schließt diese Lücke und
bringt 28 der derzeit heißesten Deep House Bretter!

A native from Chicago, the birthplace of house music, Anthony Nicholson has always been a recognised talent since his early productions together with the legendary Ron Trent. Anthony Nicholson definatively is a true Master and a permanent part of the history of the deep House scene around the globe. It's been quite a while since his last 12''. This nice piece of heaven was produced during the hot 2013 summer - check!!

Two of Compost's all time classics. These are REWIND (!) Tuuuuunes ..... By two of Compost's moulded, long time, levelled out artists: Beanfield and Felix Laband with the stunning and heavy influential remixes by Carl Craig and Todd Terje.
Both tracks were played and sometimes still in the box of nearly all top DJs like Sven Väth, Dixon, Danny Krivit, Moodymann, Maceo Plex, Michel Cleis, DJ Deep, Ricardo Villalobos, Amé, Laurent Garnier, Solomun, Jamie Jones, Nina Kravitz, Kerri Chandler, Jazzanova, Gilles Peterson, Move D and hundreds more.....

limited triple Vinyl Edition Sales Pack (GRAIN001 + GRAIN001NBS + GRAIN004X) featuring Raumakustik - be fast

Australian producer Isaac Tichauer drops two infectious house tracks on the ever popular House Of Disco off shoot label LOFT Records....Back in 2013 Tichauer signed to French Express, home to Jonas Rathsman, Moon Boots and label owner Perseus, where he dropped his lauded Devotion LP - a fact made all the more inspiring knowing that the album is a first effort from a producer born completely deaf and now lives with just one working ear. Now residing in London, Tichauer joins the LOFT Records roster alongside the likes of Ejeca, Citizen and Dorsia for the label's third exciting release.
Street Lessons is an infectious number geared for the dancefloor with its heady hook, vocal samples and crunchy snares.
In contrast, Higher Level is a production focused on a deeper aesthetic by utilizing intricate percussion, soothing pads and a purring bassline harmonized with poignant chimes.
Keep an eye out for the remixes of this release which are set to feature Bicep, Dorsia, Lancelot and Hackman.

When I was 10 years old my father took me to a flea market in a very small city up north in Sweden, Pitea.
There was a little bit of everything being sold there: Ski equipment, comics, porcelain figurines and vinyl.

It was there and then I came across 'Autobahn' by Kraftwerk. The thing is, we didn't have a turntable at the house we stayed in, on those cold winter weeks so I had to wait until we came back home to give the record a proper spin.
In my mind I played it several times and I thought it was amazing. I imagined it was music from the future. What I thought when I heard it for real

Didn't like it at all.

The very same feeling I imagined 'Autobahn' would sound like is the one I get after listening to Ishi Vu's debut on Omena. These five tracks, you could call it an album if you like, are playful, quirky, dreamy and very addictive.
Like finding a new friend you know you want to keep for a very long time.

Out of all the twelves by MN on Jamal Moss' Mathematics label, maybe the most outstanding goes under the name Ra Toth — and true to form this is double-sided trumps for BH, slapping together bad-minded, cosmic jazz and banging, bruk-up disco. The A sounds like a young Pete Rock giving Theo a hand with some Dirty Edits; the flip like a blend of evilous Arkestra and prime Innerzone Orchestra.