Techno News

seekers come back with special project consisting of a Various Artist 4-part vinyl set + 90 minutes tape cassette.
This Blue Marbled 12” is part 4 of the four part vinyl set.

finally repressed !

Skatebård (aka Bård Aasen Lødemel) is warmly welcomed back to the Bordello. Following 2013´s Love in the Night comes a 12' of quite a different hue. Colour Negatives collects three brand new tracks from the Digitalo founder. The late night rave funk session of 'Fujicolor Pro 400H' spikes and spins on beams of concentrated energy. Those same infectious hooks dawn into the flip. 'Agfachrome RSX II' is bright, clean and joy filled; Skatebård delivering pure goodness to nurture any bodies beginning to flag. Paranoia and the break of day enters with 'Kodak Portra 800', a minimal two stepping demon that cuts like vinegar. Shape shifting synthesizer sounds from an artist who simply ignores genres.

Second release from Mitsubasa.
MTB002 comes with exclusively produced tracks from KE:NT, Gerald VDH, Utroit & K.O.S and Lukas Stern. A solid grooving all-round vinyl.

Mitsubasa was founded in 2019. The sense behind the label is to produce and release timeless music in high quality and no doubt about the spirit of true techno. Mitsubasa means three-wings and stands for the soul, the heart and the mind. Mitsubasa aims to bring them together to produce and create techno music over limits and standards.

As a New Era beckons globally, Manchester’s primo Manctalo merchants – Red Laser Records – quietly unveil their latest clutch of specialist space-age kinetics. A fifth-kind encounter enabling users to bridge the continuum of dance & interaction between our Earth-dwelling selves and the inter-dimensional overlords.

Containing three brand new movements in machine music from our treasured production stable of Kid Machine, Bob SwanS and Il Bosco; it also houses an honorary appearance from revered Danish spearhead Flemming Dalum, who serves up a particle-splitting redux of a lesser-known proto-techno nugget from Belgium. Dalum’s been traversing the star-clusters on his own intrepid missions for a while, so we’re mega buzzed to have him back on the RL mothership.

Stretford based synthesizer technician, Bob SwanS has been drafted in specifically by RL head Il Bosco for his advanced skills on the patch bays. “Aphelion Run Theme”, the point of which an object’s orbit is furthest from the Sun, vividly detailing in sound the journey our collective consciousness must undergo in order to reach the Highest Elders. We highly recommend utilising this track alongside Dr. Greer’s outstanding work with extra terrestrials.

KID Machine’s celebratory, vocoder-led Manctalo message: “It’s The K.I.D” is a sonic motif to our interplanetary relatives; this cybernetic b-boy’s way of spray painting the Red Laser logo over Proxima Centauri B’s subway network in neon-blue, pyroxene paint.

Bosco lets loose with one of his most impassioned creations to date too. “We Almost Lost Oddbins” previously titled: “Save Our Scene”, a universe-wide cry for help recorded when worldwide limitations on dancing and human co-exchange were at their most aggressive; its nonetheless positive outlook inviting us all to look both inward and outward for solutions in the New Normal.

Encased within a striking monolith art print, depicting the mystic energies of ancient galaxies it heralds the now widely-accepted belief that we are in no way alone in this universe and that channels of communication between more advanced civilisations than ours have already begun…

'Found Ritual' is the first full release by Absis. Six cuts that recall inner journeys through expansive techno compositions built around reverberating drums, droning landscapes and a distinct sense of liturgy. Artwork by cm-dp.

Fractal City, the latest Cubenx album is a collection of terrestrial jams and arachnean ambient ballads that are particularly apt for urban listening. If its predecessors cracked the musical codes in force and shone by the versatility of their references, this new opus offers its listener an intense and symbolic sound environment.


The raw material of Fractal City was first conceived as a series of sound patches, designed to run in parallel with Canadian digital artist Maotik's installation. Broadcasted in real-time by generative patches reacting to various external and non-human data, those musical excerpts have been rendered in hundreds of nuances and extended over infinite durations. This unusual approach confers to the recording of the finished album's outstanding immersive strength.

Recorded live on a single track over a short period of a few weeks, the nine compositions of Fractal City capture the obsessions of its author for postmodern urban landscapes, and the revelation of new perspectives on the city of Paris.

The opening piece `Ssarg´ seems to hide the figure of the Mexican ambient producer Jorge Reyes. Cubenx built a cocoon of energetic layers, a new home of the mystical kind harmoniously integrated in a flourishing rainforest ecosystem.

`Transect ´refers to the urban development model of the same name, which is based on a division of the city into autonomous "fractal" zones. It also echoes the concept of "metro polarities" which considers the city as a mosaic of social groups. "By cycling in the evening with a friend, we could get away from the city centre to the suburbs of Paris. The contrasts are striking. You move from chic districts to bedroom communities, from industrial zones to improvised caravan camps. But there is a kind of energy in this heterogeneity that pushes you to always pedal further."

A few miles away, it would look like Art and urbanism have tried to level the cultural and social discrepancies of the outskirts of Paris. "Architectural sites like the Arcades of Bofill are splendid. There are completely extravagant projects, which seem to emerge from nowhere."
These buildings with ambitious aesthetics off the beaten tourist track, deteriorate over time and often remain far from the expectations of the local population. A feeling of nostalgic beauty is particularly perceptible on the slowest and most introspective ballads of the album as 'Urban Decay', 'Hagel' or 'Axe Majeur'. The producer leaves nonetheless no room for melancholic emptiness. "Every time, I have the impression that urban culture is taking its rights back and that young people appropriate the places in one way or another."

Just like `Transect', ` Quantified' and `Fractal City' present themselves as mirrors of a daily urban life in constant motion. All three are empowered by an overheated factory, which dispatches hypnotic beats and burst of analogue compressors with a clinical precision and direct them straight away to the reptilian areas of their listener's brains.

The sequencing leaves however space and time to take breath and makes way for aerial sonic excursions of spiritual and enlightened nature. On `Human Dilemma', Cubenx shows some concerns to opening the Pandora's box of transhumanist theories. While a long cosmic wave gives the listener a feeling of perfect fullness, a dizzying guitar distortion cast doubts on long term outlooks. `Smash Other' on the other way alternates gentle dissonances over an ocean of white noise and concludes the album on ethereal note.

With ´Fractal City", Cubenx eludes his irreconcilable love for shoegaze pop song and techno to concentrate exclusively on the production of mutant experimental materials. The result is an uncanny musical object, rich in image and sensation. Cubenx give us a guiding framework, enthralling enough to engage the listener to a tour of town. But he leaves it to the sole listeners to design their own projection of the city.

limited re-stock of this techno tune of overdrive records !!!

Kole Leijen aka DJ Surgeles is a Dutchman who heads up the label U.F.F (Underground Freedom Fighters) and has released music on Ricardo Garduno's Illegal Alien LTD, Diffuse Reality and Dave Ellesmere's Belief System. He also promotes parties and club events in Netherlands, booking guests such as Regis, Bas Mooy, Steve Rachmad and Echoplex.

DJ Surgeles is also a firm favourite of Detroit legend Jeff Mills and was asked to compile a mix CD for Jeff’s label Something In The Sky, the sister label to his infamous Axis Records.

we managed to get back a small stock !! last copies available ever !!

limited re-stock of this old tune by dietmar pier !!

For the third release in Klasse Wrecks' ELEGAL RECORDS sub-label, the clock is turned back to the early nineties and the destination is set for Toronto, Canada. Throughout their career the duo of Dominic Paterson and Todd Nickolas released a handful of EPs on their own 'Floorshaker Productions' and two albums, one of which on Cargo Records during the tim they were signed to the label. ADSR cultivated a rich and unique sound, one that ranged from piano induced euphoria to heads down serious breakbeat territory. ELEGAL3 is based around one track that originally was only available on the 1993 CD album 'Accelerated Emotions', 'Haunted' is a floorfiller comprising of piano stabs, choir vocals, depth charge basslines and acid energy. The record features the original track remastered for 2021 and two remixes, one from label boss Luca Lozano and a reinterpretation by original member Todd Nickolas. Also included is a never heard before DAT tape find of 'Menace', a grooving beast with a low slung bassline and a simple chord stab melody.

Debut release on Bash & T's new collaboration label. A three track EP picking up where UK funky left off, drawing elements from house and techno. A fusion of groove and sound built for the club.

The debut release on Raw Basics is a split single from Basic Rhythm and Parris that reworks tracks from Basic Rhythms first LP, Raw Trax.

The A side is a VIP version of the closing track from Raw Trax, which you may have heard on dubplate in Basic Rhythm sets from the last few years. Stripping away all the drums Basic Rhythm reduces the track to a hypnotic synth line, coupled with a smattering of hi hats and the classic Rainy Davis vocal sample, before unleashing the Reese like synth line, pounding kick drums and full vocal hook.

Parris comes with a total flip of Feel Me for the B side. Starting with a slow steady 4/4 kick drum and droning horns, before dropping in a gargantuan sub bass, Parris builds and reduces over and over again, bringing percussion in and out. A sparse sprinkling of vocals and effects throughout the track, and the most minimal of melody lines, keep the track rolling with a clean and spacious, sophisticated air that only Parris can bring to the table.

DJ Support
Martyn, Josey Rebelle, Barely Legal, LMajor, Ike Release, Warlock/ Hooverian Blur, Ciel, Savile, Wheelman, Glenn Astro, Perko, EMA, Metrist, Oliver Hafenbauer (Robert Johnson), J-Shadow, Lorenzo BITW, Flore, DVS1, Richard (Numbers/ Rubadub), Haram, Dan Monox (Dixon Avenue Basement Jams), Tom Trago, Nikki Nair, Jossy Mitsu + more

Second release for the Decouple Series, a project that aims to showcase artists working, in their own ways, at the bold fringes of electronic composition, experimenting around the topics of increasing complexity, dependencies and miscommunication in a media-saturated digital era.

British producers Dale Cornish and Sim Hutchins join the project, the former playing with an anti-sober, almost eccentric euphoria, the latter with nostalgic and slighty eerie ambient feel. The thinness of reality is made of transparent things and refractions - external and internal points of view of the same subject.

Croydon's prodigy Dale Cornish joyously plays here with a terse, oblique, abstract, almost candid, almost brutal TR- 909's 'floor friendly pattern. Not immune to unpredictable subtle fractures, the witty nine minutes of percussive repetition stretches out beyond its physical form, hinting at moments of climax but never overwhelming its voyeuristic nature. Saturated handclaps and hi-hat pan-pots widen top-end frequencies while classic 909 claves incursions, cowbells and tambourines counterpoint. What sounds like a recording of Dale's own voice lasciviously recurs so to become the track's title itself - 'California'! Playfully pointillist explorations, pulse and percussive deconstructed gestures place this track into the elusive territory between dance-floor and experimental.

'The product of a bleak winter night, cold fingers gripped tightly on restraint/release controls. Red wine sipped from a mug in lieu of adequate central heating. Stifled sense of euphoria inferred by subtle melodies not brave enough to visibly cross frozen pads, instead opting to lurk in the chill of closed hats and hollow bandpasses. Though unable to procure the resources required to stoke the internal flames of creative thought, I powered through instead and struck tipsily at chords, and at the red-skied February dawn 'Druk Pak' was the end result'. No better words than Sim Hutchins' own to describe a tune of potential somnambulism, obscure awarness and future nostalgia for the present-day. Another time his vision, sounds and impulses set markers of contemporaneity.

All cover pictures for the Decouple Series are taken from Alice Bonfanti's 'Transparent Things' courtesy of the artist.

DarkSonicTales is a project by Rolf Gisler and his eponymous album his first for Hallow Ground. Having been granted an artist residency by the label in a 300 year-old farm house in the Swiss countryside in autumn 2019, the Lucerne-based musician and sound artist explored the peculiar sonic environment of the building and its surroundings through the use of field recordings, modular synthesizers, guitar, bass, kalimbas, a singing saw as well as self-built instruments. "DarkSonicTales" starts with kalimba sounds and field recordings, setting the stage for "Sonic Darkness"- a self-referential spoken word piece whose sinister jazz-like sound calls to mind Bohren & der Club of Gore. The following "Spring Feelings" contrasts insect sounds with harsh noise elements, elegiac drones and a throbbing rhythm. It's not quite what you'd expect from a piece with such a title, but the stories that Gisler tells throughout the record are more concerned with uncovering the hidden histories underneath what meets the eyes than (re-)creating idylls. The nine minute-long "I Still Believe" further underlines that by bringing together glistening synthesizer notes with industrial-like drones and field recordings that give it a palpable effect before Gisler unexpectedly changes course and quite literally bursts into song. Towards the end of "DarkSonicTales," the music becomes notably more minimalistic. Gisler experiments with the dynamics of modular drones on "Kind of Restless," juxtaposing birdsong and ominous electronic noises on "Best Buddies" before a mid-tempo beat emerges, making the record close on a decidedly hopeful note. These dark sonic tales, they have a happy ending. "DarkSonicTales" is an organic album in more than one sense of the word. Reacting to and reflecting the world around him as well as expressing his inner one, Gisler gives the sounds at the core of his multifaceted compositions space and lets them breathe. Working along stark contrasts and with surprising twists, he also shines a light on the atmospheric and emotional ambiguity of the world he encountered during his solitary artist residency-unearthing the hidden layers underneath what is perceivable.

Official reissue of this experimental industrial electronic classic originally released by Discos Esplendor Geométrico in 1987.

"After 41 years you should know De Fabriek means The Factory, a name not chosen because of a love for Andy Warhol or the UK label of the same name (which hardly existed at the time De Fabriek started), but because of what a factory represents; there are workers, creating a small portion of the final product. In the early days these workers were a bunch of friends whom knew each other from the city of Zwolle, and as such they recorded their first LP 'Schafttijdsamba' at home in 1980. After that the group splintered and expanded, odd as it may sounds. The original core went each own way and De Fabriek sought outside help. This was a time of independent cassette culture, home production of music, corresponding and mail art and so it happened membership, co-workers in De Fabriek lingo, were fanatical home tapers around the world, with a director at the helmet in Zwolle, albeit not a director not in the capitalist sense of the word, but someone directing the sound. Listening to the cassettes received, deciding upon order and layering of various sounds. Some of the releases from De Fabriek were recorded at home still, but for record releases they now used studios. For 'Made In Spain' De Fabriek headed out to Nijmegen, Studio De Tempel, and home of Mekanik Kommando. But workers and a director is not enough for a factory, it also needs machines, and machines were plenty around in De Tempel. Following a decision on what goes where along with what other received contribution, and then mixed together, using the vast amounts of effects racks available in this studio, which put their fingerprint on this record. 'Made In Spain' was first released by Discos Esplendor Geometrico and is a expansion of an earlier release 'Mont Cantis', slightly the same yet significantly different and exploring the industrial sound a bit further, taking cues no doubt from the music of Esplendor Geometrico, taking matters a bit further and deeper, to stay within the theme of old mines in the German Ruhr area that runs through these ten pieces, this is a record that at that time saw De Fabriek fully connecting to the industrial scene without forgetting their earlier post-punk and krautrock roots; there is a line from the Ruhr area to Spain via the highly minimalist rhythm approach. 'Made In Spain' is a wild ride, almost like that scene from Indiana Jones & The Temple Doom, the Mine Car Chase. You feel the speed, the railway lines cracking, and the carts trembling and shaking, you feel the heat, the mayhem that you can also find in a foundry. Yet unlike so many other industrialists back in the day, De Fabriek always remains to have some melody to be part of their music. It is not the noise for the sake of noise. This is somehow a very pleasant factory."

Better than drugs. Memories of an Earth alien

This release is part of special double vinyl pack, sold separately.
Drone slow techno and 4x4 experiments by the owners of the label, F-on and Urtzi.

Musique Pour La Danse welcomes celebrated Brooklyn DJ Frankie Bones and is thrilled to announce the release of 2 new exclusive vinyl EPs in the long lasting Bonesbreaks serie in collaboration with the artist own imprint Bangin Music.

Spinning records since the early 80’s, Frankie Bones imported Rave culture in the USA after he played Energy in UK in front of +25K. His Brooklyn Storm Raves and unique sound signature were the foundation of the rave movement in the whole United States of America. Frankie Bones had classic releases on Nu Groove, ESP-Sun, Logic, Rave Age, Underworld, Trax, XL, ran the successful Sonic Groove Records shop with brother Adam X aka Traversable Wormhole and Heather Heart and collaborated with Lenny Dee, Nico, Tommy Musto, Joey Beltram, KLF and the The Moody Boys to name a few.

The legendary Bonesbreaks serie started back in 1988 on Underworld Records and are elaborated irresistible sample-based tools for the working D.J.’s and reflects the artist deep love for dope breaks and dirty techno sounds. Eight most wanted classic cuts that will bring you back in time inside a sweaty hangar where fresh nasty stabs and acid hypnotic basslines are ruling the night forever

Das Bristoler Duo gehört zu den aufregensten neuen Acts des UK Underground der letzten Jahre. Mit Gigs im Berghain, beim Glastonbury und als Support von The Horrors und IDLES sprechen Giant Swan Hardcore-Punk-/Noise-Rock-Fans ebenso wie die Club Crowd an. Ihrem selbstbetitelten Debütalbum aus 2019 auf dem bei Warp angeschlossenen Label KECK folgen nun die ersten 3 neuen Tracks, die all das verkörpern, wofür Giant Swan stehen: deformierte Techno-Strukturen, Sub-Bass und Bruchstücke verzerrter Vocals kreieren ein einzigartiges Wechselspiel, produziert von Russell Haswell (Aphex Twin, Mika Vainio, Merzbow). Limitierte Auflage.

"The duo display a fearsome mastery of techno dynamics, but it's their detachment from that world that makes their music so compelling." - Resident Advisor
"Giant Swan seem free of pretension. They’re two punk kids who cracked the rave code by accident, and they’re having a fine time." - The Wire
"Giant Swan throw their middle finger up to genre constraints, working with their own set of rules." - DJ Mag (9/10)

What is experience, but a husk, made up of moments in time, formed by myths, habits and rituals, molded by the country we call home. Who are we, but spectres facing the ambiguity of the coming day, while navigating the winding roads of our past.
What is left, but to make sense of it all through the gaze of a lover, discover passion through the kindship of music, embrace life, through the ancient fibers of the land.

Transit Valley is the debut release by Joe Coghill, a multi-disciplinary artist, musician and experimental publisher based in Edinburgh. His practice incorporates sound, video, performance, social sculpture, facilitation and media distribution. Borrowing from multiple spheres of influence, his scattered output operates from a liminal position. Coghill works in an improvised and often haphazard way, incorporating disparate field recordings, modular synthesis and other sonic ambiences to create unpredictable and ephemeral multi-layer audio-visual performances. Alongside this Coghill has been producing music recreationally in his various bedroom studios over the past 14 years.

“Distinct arrangements of silky, swaying pedal steel chords echo through smoke-filled rooms as booming bass guitar drones and cacophonous percussion occasionally shifts into fleeting moments of steadily swinging rhythms - grasping onto form amidst abstraction.”
Originally self-released in 2020 by New Orleans based Kelby Clark, ‘Casino’ is a self-reflective, acoustic journey, exhibiting the tender charisma of a bygone age filled with optimism and high stakes, while subsequently revealing a modern sense of sullen tension and ambiguity.
We believe this vital piece of southern storytelling should be available to the wider public, and thus we are elated to present the expanded re-issue of ‘Casino’, containing 2 additional pieces completed around the same time of the original work, as well as featuring new accompanying artwork.

Napoel is a techno record label consisting of two djs based in Naples; this project mixes the influences of its founders.
Gi Napoletano joins the world of electronic music listening to house music but he fastly reveals his techno attitude. He starts dj-ing in 2000 in many clubs in Naples, then he drops his own ep and remix.
Secondlous passion for music dates back to his early adolescence. Born in 1984, his knowledge has expanded through various different genres of electonic music to the more innovative styles like Hip-Hop, Trip-Hop, Breakbeat, House and all the way up to Techno, IDM , Downtempo, Ambient and Chill-Out music, thus creating a complete music culture.
About Zenomorph
Its an imaginary trip to outer space, on Zenomorph planet, where sci-fi ambience meets futuristic and industrial influences. The ep tells of the first contact with an unknown life form, where every tracks refer to a specif phase of this epic journey

Up next on Club Qu is UK producer Otik, delivering a highly detailed EP melting techno, jungle, ambient and just about any type of bass music down to his own creation. Munich Duo Zenker Brothers add a rowdy signature remix of theirs to the pack and it's done - a heavy 12 suited for many different record bags.

limited re-stock of this acid techno burner !!!

seekers come back with special project consisting of a Various Artist 4-part vinyl set + 90 minutes tape cassette.
This Green Marbled 12” is part 2 of the four part vinyl set.

The new album 'Aesthesis' from Shapednoise aka Sicilian artist Nino Pedone is out in November 2019 on Numbers.
Over the nine tracks and thirty seven minutes, there’s a controlled collision of noise and metal with rave and hardcore. Pedone’s penchant for the peak energies of gritty techno and modern rap/trap bleed through, with earth-shattering blocks of bass and beats conveyed within his practice of sonic sculpture. ‘Aesthesis’ melts these sounds down, evolving them into something new of his own - a complex, hybrid being designed to be played loud. The first listen, CRx Aureal, is one of the most arresting cuts from the record: a nightmarish thrill embracing a sense of constant movement, with intense shards of sound ricocheting and morphing, forged together through a series of metallic refrains. This flirtation with the extremes of sound has engulfed Shapednoise’s entire creative output and lifestyle - from his albums and EPs over the last decade, to his two labels Cosmo Rhythmatic and REPITCH, having recently dropped critically acclaimed releases by King Midas Sound, Shackleton & VTSS. Pedone describes ‘Aesthesis’ as “informed by a set of key elements that intwine all the tracks together, like steps in a long research process. It is intended as a sensory experience where the senses act as an interface, sound as space.” His experimentation with unorthodox rhythmic structures and radical cinematic design reveals actions grounded in direct experience, but “inspired by a kind of speculative realism”. In seeking to master the wild heights of noise and the weight of subsonic frequencies, Shapednoise aims to “generate a sense of unreal-yet-tangible space and time, where the physicality of the music builds up a place that exists between people and objects, rather than the other way around.”

A series of artistic collaborations are heard throughout the album - from the caustic R&B of album opener 'Intriguing (In The End)' which features vocals from multimedia artist E. Jane's alter ego MHYSA (of NON & Halcyon Veil), to Justin K Broadrick (founding member of Godflesh and ZONAL) on 'Blaze', and album closer 'Moby Dick'; a collaboration with Scottish legend Drew McDowall (ex-Coil and Psychic TV member), and Rabit (founder of Halcyon Veil).

Grandi Successi" is a project by Angelo Sindaco and Maurizio Carli Moretti with guests like Raime drummer Valentina Magaletti, Soft Moon Matteo Vallicelli, impro-avant combo Starfuckers, Jonathan Clancy (singer of His Clancyness) plus contemporary artist Claudio Corsello and writer-performer Emidio Clementi.
This is a limited edition of Grandi Successi Album in 33 copies, numbered and signed by the artists, including a sewed silver screen printed rubber extra cover and a bonus cd: OTO club tracks reworked by tech-house masters Bassa Clan.
Angelo Sindaco started producing electronic industrial music on tape in the mid '80 and dark techno during the nineties, releasing albums for ACV, Minus Habens, Eukatech and more. He has been the first techno dj in Bologna (Italy) at Link Club sharing decks with Underground Resistance, Aphex Twin, Theo Parrish and many others.Maurizio Carli Moretti started djing in 1981 opening for Killing Joke and Contorsions acts and then performing in clubs and art galleries mixing dark wave and electronic music.
The album will come in 2x12 with an art-printed cover/poster.

From their native St. Petersburg, Square Fauna evoke a score for imaginary protoplasmic oceans, surreal, sepia-tinged space operas and Russian sci-fi folk tales; lush, green landscapes littered with the burned out husks of automobiles, military vehicles, and askew telephone poles no longer in use though marked by pools of water in which can be found the debris of modern society. Primitive kosmische electronics and vintage spacescapes cascade around complex polyrhythmic percussion. Ethereal mists of gaseous reverb are scattered by windswept synths and white-noise striations.

‘Meet The Fauna’ is as much of a cheeky nod to The Residents and Coil (or even Haroumi Hosono and John Hassell) as it is to the likes of B12, Black Dog, Richard H Kirk.

A completely singular, modern sci-fi soundtrack for the discerning sofanaut.

Produced by Dices & Flaty.
Artwork by Al White aka Crud.

Thisorder records is proud to announce the debut of SUBFORM, young talented artist coming out of the milanese team. This preview release, anticipating the official release in september, is a limited massive onesided promo featuring a stanning remix by TOLGA FIDAN. Enjoy our soundtrack for your brilliant upcoming summer....Share the vibe with us.!!!!!!!!!!!!!!!

The Dubster is an alias of drum and bass legend L Double. Released originally in 1993 on Edzy (Unique 3) label No Noise.

This EP has been a highly collectable bit of vinyl for many years and a tricky one to hunt down. It captures the vibe of the era from the Huddersfield area of the UK.

‘Telomic Ghost’ is the natural peak of TM404 & Echologist’s transatlantic collaboration. Since their first release together in 2017 (KYN007), Andreas Tilliander and Brendon Moeller have explored their subaquatic, techno sound on a further EP (KYN010), and now this album broadens the scope with ambient cuts, slo-mo acid and dubbed-out house.

Both Tilliander and Moeller have renowned discographies of hazy electronics, under a number of aliases and with numerous collaborators. Their records as TM404 & Echologist have struck on a powerful synergy, pairing the glitchy, Roland indebted sound of TM404 with Moeller’s dub-wise headspace and striking sound design. Turn the lights down, press play and freefall into the depths of ‘Telomic Ghost’.

Available on 2 x 12” vinyl

The consistently innovative Catch Recordings is back with a new EP from Leipzig based producer U+00C5. As always with this label, the music is right from the cutting electronic edge and finds this stylish producer blur the boundaries between ambient, dub and techno in evocative new ways.

Cult favourite U+00C5 is focussed on new musical forms, on modern sounds and redefining the European techno sound. He consistently pushes forwards and is a master of the interplay between hypnotic repetition and otherworldly abstractionism, all while drawing on dark ambient and drone. Once again here the producer who also works as Åmethyst is in fine form across all five tracks.

Atmospheric opener 'Blutdruck' is a deep techno roller that fizzes with a sense of post-industrial dystopia. The shadowy grooves are eventually backlit by subtle chords that bring real warmth and soul. The excellent 'Empfinden' is more high tempo but just as cavernous and absorbing thanks to the rolling rubber drums, distant synth drones and sci-fi motifs that add the all important details which keep your head as engaged as your heel.

The beautiful 'Taumel' is another slice of hypnotic and tunnelling techno embellished with gorgeous ambiance from the outer edges of our galaxy. 'Nichts Ist Wahr' closes things out with suspensory pads giving you the feeling that you are floating in space before the firmly rooted drums rumble on and take you into the next dimension.

This is another fascinating EP of club ready but seriously heady sounds from Catch Recordings.

After an amazing duo of vinyl releases from Jordan Fields and Vincent Floyd, Chicago Basement Trax keeps banging out the jams! The Boxed Out EP sports another lost tape from Jordan Fields with Oriental. No fake added noise here from this original 80's synth and drum machine creation just more uncut raw from JF's archive that seems to have no end!! Check out more old school and acid by jack Jeremy Williams, Italy's Giuseppe Gatti and Paris underground pushers Wondernature! Massive EP!

Leo Anibaldi, Heroin In Tahiti, Laura Betti, Riccardo Schirò, Gabber Eleganza, Alvin Curran, Nico Vascellari

Remastered tracks by Leo Anibaldi (Rephlex) and legendary actress Laura Betti, new tracks by Heroin in Tahiti and Riccardo Schirò, an interview excerpt (Gabber Eleganza) and a live recording of Nico Vascellari and Thomas Baldischwyler working on / remixing a track by Italo-American sound artist Alvin Curran.

Extensive liner notes about Baldischwyler's stay at the German Academy / Rome included. LP with black and white printed inner sleeve and four colour cover in silk screened PVC sleeve.

"QUINZE" -"fifteen" in Catalan- is the title of the new release from Barcelona’s Lapsus Records. Lapsus celebrates its fifteenth anniversary with the launch of a new compilation comprised of today’s most compelling, experimental and ground-breaking electronic music. Fifteen unreleased songs from artists that best define the Lapsus sound: Attraktta, Chevel, Gábor Lázár, Gacha Bakradze, Johanna Knutsson, Karen Gwyer, Leif, Machine Woman, Patricia, Pye Corner Audio, RRUCCULLA, Steve Hauschildt, Telefon Tel Aviv, The Belgium and Ylia. "QUINZE" will be released in late February and two different versions will be available: A standard double LP edition; and a collector's edition LP packaged inside a bespoke cement case of which only fifteen units will be manufactured.

Yes geeeees... the third instalment of our Full Beam! For Gees Only series is nearly upon us... We've got a few very sneaky test pressings offa the back of Pharaoh Brunson's hydrofoil shhhhh...

Yous know the drill... no tracklist... no soundclips... just 8 mega boogie BANGERSSSS!!!!!!!

Raw Culture is back to torment your lives. This time we have the regret of having in our roster the ex ice skater Wosto.
Based In Hamburg he is putted his sign on some label such as Sign Bit Zero and he give is effort to some groups such as Fallbeil and Sauerstofff (with the duo Nostalgie Eternelle). Teerpappe is his own vinyl label where he released also solo records. This release Das letzte Nasenhaar EP is a collection of Kraut Break Beats with a strongly German and weird imprint. Borderline with noise.
Raw Ambassador had the task of cooking his version of Party Animal with the collaboration of the vocal cords of the same Wosto for a really original result, a dance floor killa.

The release will be available form 13th December in a limited series of 300 hand stamped vinyl.

WHITE LABEL - VINYL ONLY - LIMITED Yotam Avni comes from Israel. Young, promising and with a undisputable talent, Yotam is a producer who could have easily been born and raised in Detroit. His first release with SOUL RESEARCH is dedicated to his great friend Danny Bar, a young artist who died prematurely just over a year ago. A Song for Danny is an emotionally strong EP, melodic and deep. The remixes have been handed over to the legendary techno artist ORLANDO VOORN, of Dutch nationality but with a Detroit heart.

Gear, Sniff, Chisel, Bump, Nosebag, Charlie, Toot, Chang, Bugle, Gak, Beak, Chabayo, Nose-Up, Chop, White Powder, Yayo, Showbiz, Hurry Up, Noriega, Industry Powder, Blow, Snow, White Lady, Nose Candy, Dancing Dust, Bolivian Marching Powder, The Devil's Dandruff, Tokyo, Bazooka, Chicken Scratch, Nose Rave, Personality Powder, Percy, Gear, Sniff, Chisel, Bump, Nosebag, Charlie, Toot, Chang, Bugle, Gak, Beak, Chabayo, Nose-Up, Chop, White Powder, Yayo, Showbiz, Hurry Up, Noriega, Industry Powder, Blow, Snow, White Lady, Nose Candy, Dancing Dust, Bolivian Marching Powder, The Devil's Dandruff, Tokyo, Bazooka, Chicken Scratch, Nose Rave, Personality Powder, Percy, Gear, Sniff, Chisel, Bump, Nosebag, Charlie, Toot, Chang, Bugle, Gak, Beak, Chabayo, Nose-Up, Chop, White Powder, Yayo, Showbiz, Hurry Up, Noriega, Industry Powder, Blow, Snow, White Lady, Nose Candy, Dancing Dust, Bolivian Marching Powder, The Devil's Dandruff, Tokyo, Bazooka, Chicken Scratch, Nose Rave, Personality Powder, Percy, Gear, Sniff, Chisel, Bump, Nosebag, Charlie, Toot, Chang, Bugle, Gak, Beak, Chabayo, Nose-Up, Chop, White Powder, Yayo, Showbiz, Hurry Up, Noriega, Industry Powder, Blow, Snow, White Lady, Nose Candy, Dancing Dust, Bolivian Marching Powder, The Devil's Dandruff, Tokyo, Bazooka, Chicken Scratch, Nose Rave, Personality Powder, Percy, Gear, Sniff, Chisel, Bump, Nosebag, Charlie, Toot, Chang, Bugle, Gak, Beak, Chabayo, Nose-Up, Chop, White Powder, Yayo, Showbiz, Hurry Up, Noriega, Industry Powder, Blow, Snow, White Lady, Nose Candy, Dancing Dust, Bolivian Marching Powder, The Devil's Dandruff, Tokyo, Bazooka, Chicken Scratch, Nose Rave, Personality Powder, Percy, Gear, Sniff, Chisel, Bump, Nosebag, Charlie, Toot, Chang, Bugle, Gak, Beak, Chabayo, Nose-Up, Chop, White Powder, Yayo, Showbiz, Hurry Up, Noriega, Industry Powder, Blow, Snow, White Lady, Nose Candy, Dancing Dust, Bolivian Marching Powder, The Devil's Dandruff, Tokyo, Bazooka, Chicken Scratch, Nose Rave, Personality Powder, Percy..... Daniel Wang

Melbourne’s rising star DJ Life returns to Echocentric
Records to complete the Musica Australis Incognita trilogy.
The A-side is all about “Accelerator” - a hyperventilating peak
time whomper of the highest calibre. Rudolf C steps in for
remix duties and morphs the title track into a hypnotic
blinder. On side B “Exaltic” is a trademark DJ Life genrehopping hybrid burner. The closing number “Glycol” fuses
electro with IDM overtones, a real hidden gem.

repress

Huñvre and his Toulouse crew land on Motoring with a
varied Minimal EP full of, tenebrous, hazy & nature lled
soundscapes.

Voodoo Down Records presents the debut 12" of Melbourne-based techno producer JXTPS, who delivers here three powerful cuts of rolling big-room techno. The EP kicks off with a bang with some breakbeat fills that clear the way for heady hypnotic tension on "Become Nothing". The B-side opens with punchy acid stabs and distorted guitar chords on "Untitled 02", and closes beautifully with a creeping early-morning groover on "Mr. Pink".

PRZ strikes on eudemonia with an acid-influenced 4-track EP. The Tel Aviv based artist who runs Chateau Royal and is a resident from the oldest running party series in the Israeli metropolis called ‘PAG’ shows his darker side with a haunting blend of Italo House, Electro and Techno.

SDM003 is a trinity of percussion driven loopholes to get lost in. Taking you into the celestial numbness of space void of air – the sky is not the limit. A mindtrip into clammy and overgrown woods with droplets of nectar dripping from flourishing bloom. The whip that keeps you going. A hymn for that moment when you’re gazing at the crystal in the palm of your hand, a mystic figure whispering wisdoms of never ending energy in your shiny ear.

Breathtaking debut album by Spacetravel.

The Empire Line unleash their demons on 'BAS009'.
When Jonas Rönnberg (aka Varg), Christian Stadsgaard
(part of the Danish duo Damien Dubrovnik, co-founder of Posh Isolation) and noise artist Isak Hansen combine their musical vision, the result is sure to be radical.

Claiming that „the nature of your oppression is the aesthetic of our anger“ right away in the title, the four-track EP sounds like it was recorded straight from a sweaty basement.

Combining cascading rave tropes with noise, anger and punk, this release merges different underground currents. The result is a flamboyant, nevertheless harsh sound collage.

Mixed Grey & White Marbled Vinyl

SUBSOIL - V/A (IA010)
Incl.tracks by Kike Pravda, Takaaki Itoh, Moddullar, Norbak & CONCEPTUAL.

For its seventh and last release, Rapid Eye Movement turns off the light with a five tracks EP by label heads VII Circle.

Properly titled "Every End Is A New Beginning", the record features five powerful and hypnotizing techno cuts that definitely mark VII Circle's territory. To be savoured on the dancefloor or on the battlefield, VII Circle has managed to craft five originals to serve as weapons to their own style. Heavily inspired by industrial scorners, VII Circle now delivers grade-A bombs for the ravey dancefloors.

Raw and subtle techno. Fully analogue excursions from the veterans Activ-Analog. Tracks produced, recorded and mixed between 2000 and 2004 now on the second Eupasia release, where the story continues.

The Binary Operator is coming to you via Central Electronics. 5 Tracks full of electro power for mind, body and soul.

Four archival Club Winston tracks remixed by heavyweight talent.

Included: a visionary D. Tiffany trance journey, a carnival bass workout from Jabes, a face melting acid-jungle remix from Tim Reaper and an apocalyptic beat science throwdown from Katatonic Silentio.

Beware Of Global Worming! Heat Intensifies As The Global Worms Creep In The Label Roster, Dropping Witty Warehouse Wreckers. Flirting With Acid, Dj W.e.b And Steve Marie Decide To Kick Off 2019 Fiercely As They Appear On Phi For Their First Time. Accompanied By Vid Vai And Evano On The Flip Side, Their Tracks Have A High Potential Of Evoking Strong Rave Nostalgia.

Shaw Cuts Is Happy To Welcome A New Face To The Label Squad: Lazarus, A Young Producer From Nuremberg, Yields The Perfect Soundtrack For ‚the Magic Blade' With His Debut Record.
The Story Begins With Another Clash Between Arch-rivals Fu Hung Hsueh And Yen-nan Fei, Two Of The Country's Most Skilled Swordsmen, Both On A Quest To Number One. ‚rhea' Sets The Perfect Tempo For The Duel With Its Heavyweight Drums, Revolving Percussion And Energetic Pads.
Clanking Swords Are Interrupted By The Arrival Of Shady Company - Followers Of The Mysterious Underworld Swayer Sent By Master Yu Who Wants Yen-nan Fei's Head. Fu Hung Hsueh And Yen-nan Fei Join Forces, Slaying The Villains In Seconds. ‚reverof Nema' Rolls In, Its Commanding Rhythm And Moody Chords Giving The Swordsmen New Force And Vitality.
Yu Wants To Eliminate The Swordsmen So That They Never Gain Possession Of The Peacock-dart, An Indestructible Weapon With Thanatophoric Effects And The Object Of Yu's Desires. But Fu Hung Hsueh And Yen-nan Fei Have Already Picked Up The Scent. Bloody Battles Follow Against More Of Yu's Entourage. The Race Against Time Is Led By The Energetic Synth Delirium And Savage Drums Of ‚casio Flex', Leading Hsueh And Fei Safely To The Sublime Weapon.
The Duo Journey On, Defending The Peacock-dart Until They Reach Yu's Temple. The Final Showdown. ‚overcome' And Its Warped Groove, Warm Synths And Thundering Drums Bring Master Yu To His Knees And The Netherworld. But Who Was Master Yu Was It You The Myth Lives On...

Eine neue Ära des Experimentierens von Boyd Rice, mit außergewöhnlichen Ergebnissen. 4 Tracks, jeweils exakt 20 Minuten lang.
Vermutlich das definitierende Werk in NONs Karriere.

seekers come back with special project consisting of a Various Artist 4-part vinyl set + 90 minutes tape cassette.
The cassette has 2 exclusive bonus tracks that do not appear on vinyl.

Thomas P. Heckmann's 30th Anniversary Special Edition ! LTD Splatter Repress !

No need to say much about Thomas P. Heckmann's Silent Breed project, that turned, twisted, smashed and rocked big time in the 90s and into the new Millenium !

Acid Fucker is still a must at every decent Acid Rave, Sync In crashed the dummies of the German trainspotters, majors and showed them what it takes to enter the official charts and be on several million compilations (in this case only a 909, 808, 303 and a 202 ,-) and two deep Acid tunes to round up a nice package that will be released on limited orange marbled Vinyl !
Back just for pleasure !

We love and release on Vinyl !

A message from the unknown.. limited to 200 copies

A message from the unknown.. limited to 200 copies

FilOu brings the 9th vinyl of the Romanian label Escapism Musique. With two original tracks, ReVolt and Golden Black, FilOu ascends proportions of the tech sounds in complex tracks that gets the listener into motion. Cristian Burkhardt transcends the tones of ReVolt into a symmetrical harmony that vibes up with the sheer, meanwhile Ed Ed enthuses through his play with cheer and rhythm, ending the release in a dancing mood

Amsterdam producer Kaap steps forward on his own De Lichting imprint with three twisted jams of deep and playful techno. The passionate gearhead, known for his dubby takes on house and techno, started his Working Titles playground back in 2017 by running a niche cassette outlet Yield on the side. In late 2018 he merged into the prolific De Lichting collective and is a frequent guest on Indigo Aera's AEX series. After many years of hard work, Kaap's new solo EP is surfacing, and it's worth the wait. Over the course of three tracks, Kaap shows high levels of creativity. The first track 'Razor' is a bouncy bass wobbler, its rubbery acid lines and crispy percussion make it an ideal party starter. Title track 'Omen' reaches for deeper grounds, a deep and murky groover enlightened by tactical bleepy rhythms. Kaap's love for dub-techno triumphs on the lengthy b-side as a closer on this EP. With over ten minutes of hazy atmospheres and mesmerizing pads, it builds and builds towards the rolling fields of euphoria.

Napoel is a techno project and a label created by two djs/producers based in Naples. Gi Napoletano’s techno and detroit influences in his dark style meet Louiel Secoundlou’s industrial raw and acid side shaping a unique texture in their productions and dj sets.

A bridging of minds and energies, a confluence of souls and spirits. Midnight Shift releases an exclusive collaboration between Prequel Tapes and dBridge - Ionize. Cast all genres aside, as two electronic worlds collide to produce a third sonic space.

Start your engines with 'Divisible Cause' speeding and hurtling into the great atmospheric unknown. Outlier for the freaks, 'Stray Thrills' amalgamates between the classicist EBM and futurist UK bass. Stumble through 'Pleasure Systems' with light sabres, wrangled beats and gun shots ricochetting off the walls in one heady disorientation. Then wander aimlessly into the warehouse at 170bpm with 'Mindless', led by twilight tones and menacing machines at every turn.

Nur Jaber presents Planet OSF, the first instalment of her celestial series launching with a 6 track techno expedition from a collection of beautifully curated producers.

Inviting fresh talent, immensely creative minds, and friends alike, Beirut's techno import Nur Jaber drops "Planet OSF" on her Berlin based OSF imprint. Enlisting the likes of international & Berlin based producers Eira Haul, KOR, Lesser Of, Truant, Eira Haul & Luca Eck, Nur takes listeners on an otherworldly sonic odyssey.

For DSD023, Bailey Ibbs serves up a killer with his ‘Gurl’ EP. The A side delivers 3 Bailey originals, each serving up a different mood best suited for the dance floor. Where the B side provides 3 completely different flips of ‘Gurl’ delivered to you by Groovy D, Denham Audio & AK Sports.

After the phenomenal send100.1 'Check Check' feat. Konrad Cadet aka Baby Ford with remixes by Mihai Popoviciu and Dub Taylor, this is the long awaited vinyl follow up. The Sender 100 saga continues with another superb vinyl release by Benno Blome.

All three tracks from the Mind Control EP- vinyl 12inch will be available digitally in three different releases (send100.3 / send100.4 / send100.5), each track an individual catalogue-number.

Side A: Survivor Testimony (send100.5) Benno Blome & Joss With fast 45 Rpm on the vinyl, was produced by Benno Blome and Joss, his ukrainian friend from Kiev. They started producing the track in Joss's studio when Benno had a gig in Kiev, and finished it in Berlin. A special emotional mood with Juno 60 strings and a spoken testimony from a female CIA-mind control-project-survivor. Real deep shit!

First split on ROÖM record, a bipolar EP between Berg Jaär & Breekbaär. Raw packaging, no bullshit description... Let the music do the speaking.

Forthcoming on Claque the remixes of Donato Dozzy's 'Cassandra' which was, without question, one of 2015's most enduring success stories techno.

A side with techno twists from Skudge. B side with Fred P. and his own trademark concrete Detroitian and last but not least, DJ Jus-Ed steps up with the final re-shape of the show.

Amazing three different jobs that continue the legacy of Cassandra throughout 2016.

TIJN & Mancini team up to deliver the Wogglebug EP, two raw stripped back sonic ideas with vibrant dynamics and lively synth work. A groove-steady backbone of basslines and swingy percussions is complemented by superb stylistic remix work from the Leftback Records bossman Dudley Strangeways.

Nene H explores and pushes the new rave sound on Moral Standards - Falling Ethics Records subdivision - second outing. Backed by Sunil Sharpe and P.E.A.R.L. remixes, this high paced body music exercise packs loads of energy.

In 2015, two remixers on their respective thrones in techno and house were contacted to rework the classic.
Matador and Shiba San both delivered compelling renditions that capture the original's darkness, paired with their unique styles of delivery.Matador's remix extends the dark subversiveness of the original, incorporating sweeping, reverb-drenched textures and ominous synth patterns. The looming mix is a sure-tobe room filler at this year's ADE. The second remix is exactly what you'd expect from Shiba San a distinctly G-house groove built around gigantic bass and a distinct sexiness that will resonate with crowds regardless of their appreciation for house music.
The package now includes a remastered version of Luke Chable's PQM Meets Luke Chable mix. We hope you enjoy this very special Yoshitoshi 20th Anniversary package.

The vital vapors to absorb,
The moon, with famished gaze,
Suspends his lean, malignant orb
Above a dying day.

Welcome to the strange musical world of Tolley & Dara, an experimental duo whose incredible music held a marginal yet vital position on the fringe of the Australian music industry during the late 1970s and early 1980s.

Consisting of jazz bassist and synthesist David Tolley and percussionist Dure Dara, their union was a relationship of romance and intense creativity, a deep spiritual bond consecrated amidst banks of modular synthesizers and racks of exotic percussion instruments.

Recorded over a series of live performances in the spring of 1979, the music featured on Cutheart was edited and assembled from eight improvised pieces recorded at the Universal Theatre Melbourne. Comprised of analogue synthesizers and a vast array of tuned and non-tuned percussion, Tolley and Dara sculpted a cluster of electronic abstractions and organic splashes of Gamelan-influenced percussion; a dense otherworldly soundscape coloured with trance-like vocal scatting and deranged muttering.

Known for his bass playing on the classic Australian jazz-rock album Carlton Streets by The Brian Brown Quintet and also as a member of EX-, (the collaborative project with Daevid Allen from Soft Machine/Gong), Cutheart sees Tolley explore the outer realms of heady improvised electronic music.
While the music of Tolley & Dara exists in a sonic universe all of it's own, similarities could easily be drawn to another likeminded musical partnership, the American husband and wife duo Annette Peacock and Paul Bley. Cutheart is a pioneering recording of extended synthesiser and percussion technique from the Australian experimental underground.

Finally repressed!

ZefZeed, who previously conquered fans of the authentic sound with his deep releases, presents two new music theorems on MAYAK Records.
Stealthily and slowly insinuating into listener's confidence the music enters the bloodstream and begins to capture your mind. It is multi-layered, and each element is responsible for its
feeling. Morphing slightly muted chords obscure, light percussion guides and supports, the bass twists spring tension.
In the seemingly static space of this microcosm amazing sound events occur.
This record will be a nice addition to the previously picked diamonds of your collection.

Following three epic 12”, “Magnetic Frequencies”, “Sync Execute” and “Locked Loops”, the Roma based imprint presents “Heterodyne”, another refine chapter in A Credible Eye Witness & Ghost Ride’s mighty collaboration! The Italian duo introduces on A side killer “Computerized”, a future electro classic surrounded by a nostalgic atmosphere. Characterized by groovy beats in sync mode with outer space swirls and dark strings laying in the background, the tune serves up exactly what you could expect from the electro activists: a high quality standard, that will make either loose your mind nor move your body on the dancefloor. Nasty “Linear Optics” is the second mayhem of the side. While acidifying loops and frantic drums drive you crazy, nice Kraftwerkian melodies will elevate your mind by the middle of the cut. Done the right way and craftily executed! On the reverse, spicy “Conceptual Intuition” opens the Side B with what will probably be the standout of the 12”. Dark Drexcyian synth flights combined with a fast tempo and attractive female vocals over some insane bubbling modulations turn the song into a milestone of an intelligent electro tune. An ace jam that can be read at different levels and an authentic beast on the dancefloor! Grade A to the samples taken from Michael Zagger Band’s “Let’s All Chant” at the end of the track. As a conclusion, final cut “Spacetime” goes deeper into the realm delivering familiar Acid sounds, emotive synth elements and hypnotic arpeggios to the mass. In the prolongation of the previous releases on ACEW, “Heterodyne” signs a premium EP calibered for maximum damages on the linoleum!

Repress

A year has passed since Cyan85 first graced the VOITAX catalogue with his successful summer debut EP - "Bay Of Sampieri". His dreamy pads, avant-garde take on retro arpeggios and slamming 808 beats have been continuously conquering our ears ever since, making him a young talent to watch within the electro circuit. He now returns to the imprint with his very first album - "Lucid Intervals", demonstrating his knack for crafting ambitious pieces to establish himself as a respected producer. The LP aims to explore a variety of dystopian atmospheres and energies throughout nine infectious and carefully crafted tracks that build on electro's rich heritage without failing to infuse it with Cyan85's very own remarkable, dreamy electronic signature.

Colombian Techno powerhouse Gotshell unleashes a barrage of his signature, twisted, bone-shaking, analogue techno bombs for 'The Draft EP' on Suara with remixes from label head Coyu and Argentinian producer Flug.

Firstly, the A side houses ‘Pears Cosmic’, a swell of glitches, thunderous kicks and rave stabs at a fever pitch pace and secondly '19 Caracteres’ a sci-fi blitz, comprised of killer drum programming, modular bleeps, zaps and urgent surges.

Flip it over to find Coyu’s reinterpretation of ‘The Draft’, reworking the drums, adding rapid-fire claps into the mix and leaving the trance stabs out for a more heads down approach. Finally, Flug takes on ’19 Caracteres’ focusing his remix around an atmospheric echoing synth line, punctuated and interspersed by the original’s glitchy sounds.

Repress

France's I Hate Models has had a phenomenal rise since his first releases in 2016, now he arrives on Perc Trax to serve up the label's last release of year.

Already fitting in with the label's no nonsense aesthetic after appearances at a number of label showcases this year, this EP shows a hardening of his sound, without losing any of the melodic touches that have made his releases so memorable.

The original mix of "Spreading Plague" fills the A-side of the record with a near 10 minute journey though classic Perc Trax metallic percussion, quivering acid and soaring analogue lead lines. Epic is a word not often used in relation to Perc Trax, but
here it is perfectly applicable.

On the flip side, Perc remixes the lead track, honing in on the acid and adding swarms of claps and hihats for his first new production on Perc Trax in 2018. "Martial Order" closes the EP moving the percussion to the front of the mix once again, as metallic hits rain down on the listener, delivering a fresh take on one of Perc Trax's signature sounds.

It's backed up by 3 solid remixes, firstly by the one and only Robert Hood.

Mark of course delivered the latest release, Stunned (97 Mix) / Decay on Hood's M-Plant label and now Hood returns the favour by adding his signature touches to Frontline.

Beard Man's previous release was the Circuit Boost EP by Space DJz.

Now one half of the duo, Ben Long collaborates once again with Oliver Way, otherwise known as Mr O from Detroit Grand Pubahs for a deeper take on the original.

Warm Fiction proudly announces the label's fifth record from N-Gynn. N-Gynn's Espetta EP sees the London producer experimenting with cosmic, driving sounds that draw influences from UKG, Techno- and Electro across four unique tracks aimed squarely at the dance floor.

Repress on Black Vinyl

GENX003 is a four track EP tribute of the classic "Boy's Interface". Starring the legendary DJ Rob with a remix of himself, Rotterdam City and label owners Deep Dimension. Relive the old vibes of Parkzicht with a techno twist.

Supported by: Charlotte de Witte, Chris Liebing, Dave Clarke, Len Faki, Rebekah, Speedy J, and Thomas P. Heckmann, Perc, 2000 and One.

White label roller from Roger That taking one of dance music's most iconic vocals, New Order's 'Blue Monday' and flipping it into a heavy hitting, tech house heater. Packed to the rafters with punchy, reverberated stabs, low-end weight and lip-smacking dancefloor grooves it's already steamrollering the club scene - ever extending the reach of those immortal lyrics.

Hammered all summer long by the likes of Solardo, Camelphat, Marco Carola, Jamie Jones and Leon, it's is now available on a limited 12' vinyl.

The telephone rings at midnight. The sound echoes through the halls of your home in the Hollywood hills. Nervously you pick up the heavy receiver only to hear the desperate breathing of a lunatic… The same lunatic that has been calling for months. Welcome to ‘Deranged Fan’ the score to an imagined American thriller by Tom Guycot. Laying somewhere between the Italian and French legends and Harold Faltermeyer, Deranged Fan is Beverly Hills Cop on mescaline and chloroform. Vintage strings sing over analog bass on a journey to the darkest places of your mind… Can you escape your fate as one of the highest paid stars in Hollywood? Or will you end up just another tabloid fable…

2x12"

Touched Music and Furthur Electronix two forward thinking labels have merged together to put out exclusive compilations. Putting some of the best music in the electronic genre in one place.